This book contains the complete novels of Fyodor Dostoyevsky in the chronological order of their original publication.[1846] Poor Folk[1846] The Double [1849] Netochka Nezvanova [1859] The Village of Stepanchikovo[1859] Uncle's Dream[1861] The Insulted and the Injured [1862] The House of the Dead [1864] Notes from Underground [1866] Crime and Punishment [1866] The Gambler [1869] The Idiot [1870] The Eternal Husband[1872] Demons [1875] The Adolescent [1880] The Brothers Karamazov

    I t was enthusiastically received by the Russian society and remained his least controversial and most widely-read novel until the end of the 19th century. It was turned into a movie by Andrey Konchalovsky in 1969.The novel's protagonist is Fyodor Ivanych Lavretsky, a nobleman who shares many traits with Turgenev. The child of a distant, Anglophile father and a serf mother who dies when he is very young, Lavretsky is brought up at his family's country estate home by a severe maiden aunt, often thought to be based on Turgenev's own mother who was known for her cruelty.

    Intelligent and brutally direct talk to a reader about our times, Russia, the Russians, and much more.

    Stephen Pearl's new translation, the first major English-language publication of Oblomov in more than fifty years, succeeds exquisitely to introduce this astonishing and endearing novel to a new generation of readers.

    On the way he bestows upon angels, fellow passengers, and the world at large a magnificent monologue on alcohol, politics, society, alcohol, philosophy, the pains of love, and, of course, alcohol.

    As the other man lies dying, the young soldier takes his horse and rides away. Years later, as a grown man in Paris whose life is still haunted by the murder he committed all that time ago, he comes across a story by a writer calling himself "Alexander Wolf", which recounts in astonishing detail the events of that day in 1919 from the dying victim's point of view. As he attempts to find the elusive writer, the narrator becomes involved in a series of strange encounters that lead him to question life, death and his own identity.Originally published in Russian in 1947-8 in the Russian-language New York periodical The New Review, and published now by Pushkin Press in its first new English translation since 1950, The Spectre of Alexander Wolf is an early postmodern classic that stands alongside the best work by Vladimir Nabokov and Paul Auster.

    A virtuoso study in betrayal and its consequences, it explores - really, colonizes - the consciousness of Anatoly Sukhanov, who many years before abandoned the precarious existence of an underground artist for the perks of a Soviet apparatchik. But, at the age of 56, his perfect life is suddenly disintegrating. Buried dreams return to haunt him. New political alignments threaten to undo him. Vaulting effortlessly from the real to the surreal and from privilege to paranoia, The Dream Life of Sukhanov is a darkly funny, demonically entertaining novel.

    Petersburg after twenty years of exile in Paris, hoping to recapture his youth. Instead, he meets Volsky, an old man who tells him his extraordinary story: of surviving the siege of Leningrad, the march on Berlin, and Stalin's purges, and of a transcendent love affair. Volsky's life is an inspiration to Shutov -- because for all that he suffered, he knew great happiness. This depth of feeling stands in sharp contrast to the empty lives Shutov encounters in the new Russia, and to his own life, that of just another unknown man . . .

    For centuries, his power has given the Dahanavar a significant advantage against the machinations of the other vampire families, an advantage which makes Darel both a powerful tool and a highly visible target.Fortunately for Darel, it is more useful for the heads of the other clans to maintain the centuries-long peace between the houses than to remove him. But, the cunning and violent head of the House of Nachterret is tired of the truce, and of hiding his presence in the world. The Nachterret would like nothing more than have free reign over the helpless human cattle upon which they feed.Darel, and the human woman he loves, become central to the Nachterret's scheme to plunge the Houses into all out war. Darel is ultimately forced to face the question: is one young woman's life too high a price to pay for peace?

    Controversial upon publication in 1890, The Kreutzer Sonata illuminates Tolstoy’s then-feverish Christian ideals, his conflicts with lust and the hypocrisies of nineteenth-century marriage, and his thinking on the role of art and music in society.In her Introduction, Doris Lessing shows how relevant The Kreutzer Sonata is to our understanding of Tolstoy the artist, as well as to feminism and literature. This Modern Library Paperback Classic also contains Tolstoy’s Sequel to the Kruetzer Sonata.

    Nicolai Gogol was a master of the spoof. The American students of today are not the only readers who have been confused by him. Russian literary history records more divergent interpretations of Gogol than perhaps of any other classic.In a new translation of the comic classic of Russian literature, Chichikov, an enigmatic stranger and conniving schemer, buys deceased serfs' names from their landlords' poll tax lists hoping to mortgage them for profit and to reinvent himself as a likeable gentleman.

    Here are attempts at human connection, both depraved and sublime, by people in all stages of life: one-night stands in communal apartments, poignantly awkward couplings, office trysts, schoolgirl crushes, elopements, tentative courtships, and rampant infidelity, shot through with lurid violence, romantic illusion, and surprising tenderness.A murky fate --The fall --The goddess parka --Like Penelope --Ali-baba --Two deities --Father and mother --The impulse --Hallelujah, family! --Give her to me --Milgrom --Clarissa's story --Tamara's baby --Young berries --The adventures of Vera --Eros's way --A happy ending

    "The Mighty Bogatyr" and "The Eagle-Patron of Arts" are biting satires on autocracy; "The Crow That Went in Search of Truth" and "The Old Nag" picture the misery of the Peasants; the conceited lion of "Bears in Government" with his ludicrous "self-pawed" inscriptions, is a well-aimed thrust at the illiterate resolutions of Tsar Alexander III, while the Bruins in the same tale ridicule the woebegone ministers of tsarist Russia. But the message of the tales and the bitter truth conveyed in them go far beyond the limits of any one epoch, assuming ever new poignancy and actuality. "The sole object of my literary work," wrote Saltykov-Shchedrin, "was unfailingly to protest against greed, hypocrisy, falsehood, theft, treachery, stupidity..." The Tales, which he wrote during the last years of his life (1826-89), epitomize the entire work of the great satirist who did so much for the cause of revolutionary thought in Russia.

    The Foundation Pit portrays a group of workmen and local bureaucrats engaged in digging the foundation pit for what is to become a grand 'general' building where all the town's inhabitants will live happily and 'in silence.'

    In the character of its protagonist, Pechorin, the archetypal Russian antihero, Lermontov's novel looks forward to the subsequent glories and passion of Russian literature that it helped, in great measure, to make possible.