But a closer look reveals that things are not as they seem. When her half-sister JoLynn announces plans to marry a man on trial for the murder of 13 women who have gone missing in the Palm Beach area, Kate's house of cards begins tumbling down. To say that nothing will ever be the same again is an understatement of the highest order.

    Her Mr. Perfect boyfriend, Matt Ryan, is a talented artist who hopes to attend Pratt Institute in New York, and Ali plans to major in journalism at a prestigious college. Both Ali and Matt are outstanding students. Their future possibilities seem endless. Then the inconceivable happens Ali becomes pregnant. Suddenly, her entire world shifts. Everything she was sure of changes. What should she do about this baby, about Matt, about her life? Ali is faced with the dilemma of responsibility and choice. She's supported by a fun, loyal best friend, Monica, but Ali knows that now, nothing will ever be the same again. She's abruptly and unwillingly forced into the world of adulthood as she faces the crisis of being a pregnant, unwed teenager."

    Now they must empty and sell the beloved family home, which hasn't been de-cluttered in more than half a century. Twenty-three rooms bulge with history, antiques, and oxygen tanks. Plum remembers her loving but difficult parents who could not have been more different: the British father, a handsome, disciplined patriarch who nonetheless could not control his opinionated,extroverted Southern-belle wife who loved tennis and gin gimlets. The task consumes her, becoming more rewarding than she ever imagined. Items from childhood trigger memories of her eccentric family growing up in a small town on the shores of Lake Ontario in the 1950's and 60's. But unearthing new facts about her parents helps her reconcile those relationships with a more accepting perspective about who they were and what they valued.They Left Us Everything is a funny, touching memoir about the importance of preserving family history to make sense of the past and nurturing family bonds to safeguard the future.

    Roach, caught in the same turmoil as everyone believing half-truths in order to blame other people. (p. 141)These are the forlorn thoughts of Alex Chapman, the tragic anti-hero of David Adams Richards’ masterful novel The Lost Highway. An exploration of the philosophical contortions of which man is capable, the novel tracks the desperate journey of an eternally lost and orphaned child/man who has nearly squandered his frail birthright but might yet earn some degree of redemption.Alex spent a stunted childhood watching his gentle mother defiled by rough-handed men including Roach, his biological father. Upon his mother’s death Alex is passed into the care of his hard-nosed great-uncle Jim Chapman, nicknamed “The Tyrant” by their Miramichi community. Alex’s uncle becomes a symbol of all that he loathes. Alex distinguishes himself from this brutal masculinity that stole his mother from himby becoming a self-imposed ascetic, entering the local seminary and rehearsing his own version of piousness. But when he is tempted by the Monsignor’s request to deliver charitable funds to the bank, Alex pockets the money and flees to the home of Minnie, whom he worships and who he has learned is now pregnant by Sam Patch, a good man, but too rough in Alex’s eyes. He attempts to talk Minnie into using the money for an abortion, and it is only her refusal that sends him back to the seminary to return the money. “Do you remember if the phone rang in the booth along the highway that night?” (p. 87) asks MacIlvoy, a fellow seminarian who had gotten wind of the theft and tried to detour Alex from this path. But of course Alex had ignored the rings, as he would ignore many warnings in his tragic life.Caught red-handed and forced to return as a prodigal son-that-never-was to his uncle’s house, Alex again flees to yet another refuge, this time to the safe moral relativism of academia, where he becomes an expert at reducing meaning to ethical dust. However, he finds himself unable to navigate the easy duplicity in which his peers are fluent, and takes an isolated and idealistic stand which causes him to be drummed out of the facultyas a figure of ridicule. A bitter and alienated Alex once again returns defeated to a shack on his uncle’s property, spending his days in the family scrapyard forging dreadful humanoid creatures out of junked metal, a modern-day Prometheus. One day he is asked by MacIlvoy, now the local priest, to create a Virgin for the church grotto. Some part of him still influenced by divinity guides his hand to create a beautiful Madonna, her face inspired by a lovely young girl he spots one day in the market. Two days later he finds out that the girl is Amy Patch, the child he urged his childhood sweetheart to abort fifteen years earlier. He will also find out that it is once again the fate of this innocent girl, at his own hands, that will determine whether he will ever experience the grace he so dearly craves.Trudging the lost highway while mulling over his grievances as usual, Alex runs into Burton Tucker, whose own mind and body have been stunted by the brutality of his birth mother. The generally pliant Burton runs the local garage, offering lotto tickets as a bonus for oil changes. He is on his way to deliver some good news: Jim Chapman is a winner, to the tune of $13 million. Alex realizes that he could have been the one to bring Jim’s truck to Burton and receive the winning ticket, but he had refused because of the grudge he held against Jim. Once again, Alex has been thwarted by an ironic twist of fate and it is too much to bear. He decides at that moment that his uncle must never see the money, and begins a treacherous intrigue, which he justifies through the tortured ethical logic with which he has become so skilled. He unwittingly aligns himself with a very dangerous partner, Leo Bourque, the childhood bully who made his schooldays such hell, and whose days of playing cat-and-mouse with the weak Alex are not over. Their twinned descent will become deadly, marked by murder both actual and intended. How far would any of us go to avenge a terrible wrong done to us at birth? To whom shall we assign blame? And can we achieve redemption, no matter how grievous our sins? David Adams Richards’ The Lost Highway is a taut psychological thriller that goes far beyond the genre into the worlds of Leo Tolstoy, and Emily Brontë’s Wuthering Heights, as well as classical Greek mythology, testing the very limits of humankind’s all too tenuous grasp on morality.

    The two form their own band, but the metal scene turns out to be no different than the misogynist world they want to change. Violent encounters escalate, and the friends decide there’s only one way forward . . .A bloodstained journey into the dark heart of the music industry, Boring Girls traces Rachel’s deadly coming-of-age, Fern at her side — as the madness deepens, their band’s success heightens, and their taste for revenge grows ravenous.

    Annick Boudreau regularly confronts a myriad of mental health issues in her psychology practice at the West Coast Cognitive Behavioural Therapy Clinic in Vancouver, British Columbia. But even Annick is stunned when Sanjay, a young patient who suffers from Obsessive Compulsive Disorder, is arrested for the brutal murder of his roommate. While Sanjay is tortured by repeated violent thoughts, everything Annick knows about her patient and his illness has her convinced that he’s innocent. But the police and prosecution are convinced that they have caught the perpetrator and aren’t interested in looking for other suspects. Unable to talk to the authorities because of doctor-patient confidentiality, Annick feels compelled to investigate on her own, finding herself drawn into the darker side of her postcard-perfect city in the process.

    A true wartime drama based on the experience of Dorothy Joy Kinney Chambers M.D. and her family. This sweeping biographical novel brings to life the dramatic experience of a valiant woman who, armed only with the white coat of her profession, found the courage to live her life on the razor’s edge and survived it. It’s a captivating story of service and sacrifice, of love and the searing emotions that gripped this missionary doctor throughout her imperiled course.“A lovely story of an extraordinary woman! The use of contemporary sources adds authenticity to an ordeal that could be overwhelming in its grimness were it not described so vividly and poetically.” —Dorey Schmidt, Ph.D.Dorothy Kinney had found herself in remote India in 1928, a medical missionary charged with building up a hospital for the women and children of Assam. The fledgling doctor began her practice in Gauhati, where her surgeries were performed by the light of a kerosene lamp in an open-air clinic with no electricity, no running water, and no sewer system. She left it ten years later a fully functioning modern hospital, with running water, electricity, and the complete devotion of the people of Assam. It was there she fell in love. Pregnant with their second child, Dorothy, her missionary husband Fred Chambers, and their daughter Carol Joy, set out on a voyage that would take them to their new missionary post in Iloilo, on the Philippine island of Panay. One day later War was declared in Europe. She could not know that by the time her unborn baby turned eighteen months old her little family would be swept into a Japanese internment camp. With four thousand other prisoners of war she struggled to feed her little family in the prison at Santo Tomas, a place where hundreds died and most starved. Had General MacArthur’s bold rescue not liberated them, the entire camp would have been lost. Many remember Dorothy Chambers in her white coat of courage, doctoring the children of the camp, never knowing that her little family would come within just twenty-four hours of execution. This is her story.

    Within the confines of her world, a patriarchal cult known as the Den, female fertility and sexuality are wholly controlled by Men. In the season they come of age, Sable and her friends Mamie and Dinah are each paired with a Match with the purpose of conceiving a child. Sable is paired with Ambrose, the son of a favoured Man in the Den. Others are not so lucky.In their second trimester, girls are sent to the Birth Yard, where they are prepared for giving birth and motherhood, but are also regularly drugged and monitored by their midwives. Sable is unable to ignore her unease about the pills they are forced to swallow and the punishments they receive for stepping out of line. Too many of the girls, including Mamie and Dinah, have secrets and it is impossible to know whom to trust. When Sable’s loyalty is questioned and her safety within the Den is threatened, she must rebel against the only life she has ever known—the only life she has been designed for.Mallory Tater weaves an intricate narrative, equal parts suspense and action, while twisting contemporary social anxieties to dizzying extremes. She meticulously deconstructs the intricate relationships between womanhood, government and the female body. A startling and important debut novel, The Birth Yard echoes Margaret Atwood’s dark and cautionary classic The Handmaid’s Tale. But this is no dystopian world; there is no totalitarian government. The Den exists now.

    Predictably, and almost immediately, his name retreated to the footnotes of history. And yet, as Wayne Johnston makes plain in his epic and affectionate fifth novel, The Colony of Unrequited Dreams, Smallwood's life was endearingly emblematic, an instance of an extraordinary man emerging at a propitious moment. The particular charm of Johnston's book, however, lies not merely in unveiling a career that so seamlessly coincided with the burgeoning self-consciousness of Newfoundland itself, but in exposing a simple truth--namely, that history is no more than the accretion of lived lives. Born into debilitating poverty, Smallwood is sustained by a bottomless faith in his own industry. His unabashed ambition is to "rise not from rags to riches, but from obscurity to world renown." To this end, he undertakes tasks both sublime and baffling--walking 700 miles along a Newfoundland railroad line in a self-martyring union drive; narrating a homespun radio spot; and endlessly irritating and ingratiating himself with the Newfoundland political machine. His opaque and constant incitement is an unconsummated love for his childhood friend, Sheilagh Fielding. Headstrong and dissolute, she weaves in and out of Smallwood's life like a salaried goad, alternately frustrating and illuminating his ambitions. Smallwood is harried as well by Newfoundland's subtle gravity, a sense that he can never escape the tug of his native land, since his only certainty is the island itself--that "massive assertion of land, sea's end, the outer limit of all the water in the world, a great, looming, sky-obliterating chunk of rock." The Colony of Unrequited Dreams bogs down after a time in its detailing of Smallwood's many political intrigues and in the lingering matter of a mysterious letter supposedly written by Fielding. However, when he speculates on the secret motives of his peers, or when he reveals his own hyperbolic fantasies and grandiose hopes--matters no one would ever confess aloud--the novel is both apt and amiable. Best of all is to watch Smallwood's inevitable progress toward a practical cynicism. It seems nothing less than miraculous that his countless disappointments pave the way for his ascension, that his private travails ultimately align with the land he loves. This is history resuscitated. --Ben Guterson

    Plague is spreading. The Thirty Years' War has begun, and fear and suspicion are in the air throughout the Holy Roman Empire. In the small town of Leonberg, Katharina Kepler is accused of being a witch.Katharina is an illiterate widow, known by her neighbors for her herbal remedies and the success of her children, including her eldest, Johannes, who is the Imperial Mathematician and renowned author of the laws of planetary motion. It's enough to make anyone jealous, and Katharina has done herself no favors by being out and about and in everyone's business.So when the deranged and insipid Ursula Reinbold (or as Katharina calls her, the Werewolf) accuses Katharina of offering her a bitter, witchy drink that has made her ill, Katharina is in trouble. Her scientist son must turn his attention from the music of the spheres to the job of defending his mother. Facing the threat of financial ruin, torture, and even execution, Katharina tells her side of the story to her friend and next-door neighbor Simon, a reclusive widower imperiled by his own secrets.Drawing on real historical documents but infused with the intensity of imagination, sly humor, and intellectual fire for which Rivka Galchen is known, Everyone Knows Your Mother Is a Witch will both provoke and entertain. The story of how a community becomes implicated in collective aggression and hysterical fear is a tale for our time. Galchen's bold new novel touchingly illuminates a society and a family undone by superstition, the state, and the mortal convulsions of history.

    Sports writer and on-air personality Mark Spector pays tribute to the province's hockey heyday with a unique blend of humour and homage.     "I hated every single guy on the Oilers, 'cause they all hated me." --Tim Hunter, the Calgary Flames     In the 1980s, the province of Alberta was home to the two best hockey teams in the NHL. Aptly dubbed "Death Valley" due to the sheer talent and ability of its players, the province not only begat rivalry with other NHL teams, but also sparked fierce competition within its own borders. Thus began The Battle of Alberta, the historic struggle between the Edmonton Oilers and the Calgary Flames.     In The Battle of Alberta, veteran sports journalist Mark Spector presents homage to Albertan hockey, and the two teams that inspired one of the most bitter competitions in NHL history. Through exclusive interviews with coaches, trainers, and players, Spector provides an unbiased, often hilarious look at the brawls, the clashes, and the schemes.      A chronicle of an unforgettable time in hockey history (filled with never-before-seen photographs), The Battle of Alberta is guaranteed to entertain fans and educate newcomers alike.

    When Hannah returns to the lonely saltbox house to prepare her mother for the transition into assisted living, her childhood home is anything but welcoming. Dilapidated from years of hoarding and neglect, the walls are crumbling, leaving Hannah’s wellness crumbling along with them.While packing her mother's things, Hannah discovers a trap door to the house’s attic, the one she believed for most of her life had been permanently sealed shut. Blinded by curiosity, Hannah enters the attic and finds a mysterious bedroom riddled with dark secrets. Desperate to know more, Hannah begins to scramble for answers, combing the house for clues that may lead her to the truth.Hannah must navigate through the violent outbursts of her senile mother, the prying questions of a nosy hospice nurse, and the rage of the coastal wind that threatens the structure of the house. Piece by piece, she assembles a picture of her mother’s not-so-distant past—a twisted tangle of infatuation, lies, and maybe even murder.The Woman in the Attic is a claustrophobic psychological thriller wrought with suspense. This novel will put you on the edge of your seat . . . and make you wary of the unused spaces collecting dust in your home.• Winner — Rakuten Kobo Emerging Writer Prize (Mystery)• Winner — NL Reads 2021• Gold Medal Winner — Independent Publisher (Canada - East - Regional Fiction)• Finalist — Crime Writers of Canada Awards (Best First Crime Novel)• Long-listed — BMO Winterset Award

    Johnston's frank, informed, and novel thoughts about Canada.Touching on a wide range of topics ranging from learning, the law, kindness and courage, to the monarchy, Aboriginal education, justice, bilingualism, mental health and hockey, David Johnston has always used the letter writing form to tackle the passions, challenges, and goals of his incredibly accomplished and varied life. From his earliest years at Harvard, he has written several letters each day, starting with those to his large family, and broadening out to an ever-widening circle of friends that includes ministers and monarchs, educators and entrepreneurs, and many extraordinary Canadians who have deepened his perspective and touched his heart. The letters included in this beautiful volume are all about Canada -- a project to help him understand and share his views on this great country, past, present and future.      Presented in three parts -- What Shapes Me, What Consumes Me, and What Comforts Me -- His Excellency reaches out to everyone from his grandchildren, Kevin Vickers, Clara Hughes, Chris Hadfield, the Aga Khan, Tina Fontaine, Mike Lazaridis, the teachers of our country, a grade five class in Winnipeg, an unknown Inuit boy he met at Rideau Hall, and many others. The perfect gift for graduates, this unique and lovely book should find its home in every Canadian's library.

    It is only through music that she finds the freedom to temporarily escape and dream of a better life for herself, nurturing this hard-won refuge throughout the vagaries of unexpected motherhood and an absent husband, and relying on her talent to build a future for her family.Orphaned Mahsa also grows up in the shadow of loss, sent to relatives in Pakistan after the death of her parents. Struggling to break free, she escapes to Montreal, leaving behind her first love, Kamal. But the threads of her past are not so easily severed, and she finds herself forced into an arranged marriage.For Mahsa, too, music becomes her solace and allows her to escape from her oppressive circumstances.When Katherine and Mahsa meet, they find in each other a kindred spirit as well as a musical equal, and their lives are changed irrevocably. Together, they inspire and support one another, fusing together their cultures, their joys, and their losses—just as they collaborate musically in the language of free-form, improvisational jazz.Under the Visible Life takes readers from the bustling harbour of Karachi to the palpable political tension on the streets of 1970s Montreal to the smoky jazz clubs of New York City. Deeply affecting, vividly rendered, and sweeping in scope, it is also an exploration of the hearts of two unforgettable women: a meditation on how hope can remain alive in the darkest of times when we have someone with whom to share our burdens.

    His niece Annie Bird, beautiful and self-reliant, has returned from her own perilous journey to sit beside his bed. Broken in different ways, the two take silent communion in their unspoken kinship, and the story that unfolds is rife with heartbreak, fierce love, ancient blood feuds, mysterious disappearances, fires, plane crashes, murders, and the bonds that hold a family, and a people, together. As Will and Annie reveal their secrets-the tragic betrayal that cost Will his family, Annie's desperate search for her missing sister, the famous model Suzanne-a remarkable saga of resilience and destiny takes shape. From the dangerous bush country of upper Canada to the drug-fueled glamour of the Manhattan club scene, Joseph Boyden tracks his characters with a keen eye for the telling detail and a rare empathy for the empty places concealed within the heart. Sure to appeal to readers of Louise Erdrich and Jim Harrison, Through Black Spruce establishes Boyden as a writer of startling originality and uncommon power.