The year is 1522. Two great leaders, twenty-five-year-old Suleiman the Magnificent, the absolute ruler of the mighty Ottoman Empire, and Philippe de L'Isle Adam, the grisly, fifty-eight-year-old Grand Master of the Knights of Rhodes, come to war on the Greek island of Rhodes. For 145 days, Philippe and 500 European Knights fight to protect their fortressed city and withstand an assault of nearly 200,000 men from Suleiman's army, in a battle that becomes the historic hallmark for siege warfare. Authentic in all its historical detail, The Shadow of God evokes a seismic clash of cultures: Muslim versus Christian, the Ottoman Empire versus the last remaining Knights of the Crusades and, most important, two of the most powerful men of their time. Embedded in this fictional account is the secret marriage of a lovely Jewish nurse to her Christian French Knight, as well as the forbidden love of the Grand Master for the beautiful Helene. An epic of bravery and courage, The Shadow of God weaves a tapestry of beauty, terror and triumph set in a forgotten time of brutality and courage, loyalty and honor.

    Seligman. Though she can barely see above his head, she holds forth about her life and desires, her struggles with her sexuality and identity. Born and raised in Germany, she has been living in London for several years, determined to break free from her family origins and her haunted homeland. But the recent death of her grandfather, and an unexpected inheritance, make it clear that you cannot easily outrun your own shame, whether it be physical, familial, historical, national, or all of the above. Or can you? With Dr. Seligman’s help, our narrator will find out. In a monologue that is both deliciously dark and subversively funny, she takes us on a wide-ranging journey from Hitler-centered sexual fantasies and overbearing mothers to the medicinal properties of squirrel tails and the notion that anatomical changes can serve as historical reparation. The Appointment is an audacious debut novel by an explosive new international literary voice, challenging all of our notions of what is fluid and what is fixed, and the myriad ways we seek to make peace with others and ourselves in the 21st century.

    Merle is apprenticed to a magic mirror maker, and Serafin -- a boy who was once a master thief -- works for a weaver of magic cloth. Merle and Serafin are used to the mermaids who live in the canals of the city -- beautiful creatures with hideous mouths that split their faces from ear to ear -- and to the guards who patrol the streets on living stone lions. Merle herself possesses something magical: a mirror whose surface is water. She can reach her whole arm into it and never get wet.But Venice is under siege by the Egyptian Empire; its terrifying mummy warriors and flying sunbarks are waiting to strike. All that protects the Venetians is the Flowing Queen. Nobody knows who or what she is -- only that her power flows through the canals and keeps the Egyptians at bay.When Merle and Serafin overhear a plot to capture the Flowing Queen, they are catapulted into desperate danger. They must do everything they can to rescue the Queen and save the city -- even if it means getting help from the Ancient Traitor himself.Kai Meyer's bold, original fantasy conjures up a land of magic and menace as Merle and Serafin begin a journey to unimagined realms in the extraordinary world of Dark Reflections.

    The anonymous author depicts her fellow Berliners in all their humanity, as well as their cravenness, corrupted first by hunger and then by the Russians. A Woman in Berlin tells of the complex relationship between civilians and an occupying army and the shameful indignities to which women in a conquered city are always subject--the mass rape suffered by all, regardless of age or infirmity.

    When his grandfather dies, Aleks channels his storytelling talent to help with his grief.It is a gift he calls on again when the shadow of war spreads to Višegrad, and the world as he knows it stops. Though Aleks and his family flee to Germany, he is haunted by his past - and by Asija, the mysterious girl he tried to save. Desperate to learn of her fate, Aleks returns to his hometown on the anniversary of his grandfather's death to discover what became of her and the life he left behind.Translated from the German by Anthea Bell.

    Unlike an earlier version adapted for the English-language stage, this translation adheres faithfully to the author's original play as it was published and performed in German.The action of The Visit takes place in the small town of Guellen, "somewhere in Central Europe." An elderly millionairesse, Claire Zachanassian, returns to Guellen, her home town, after an absence of many years. Merely on the promise of her millions, she shortly turns what has been a depressed area into a boom town. But there is a condition attached to her largess, which the natives of Guellen realize only after they have become enmeshed in her vengeful plot: murder. Out of these elements, Durrenmatt has fashioned a many-leveled play which is at once a macabre parable, a deeply moving tragedy, and a scathing indictment of the power of greed.

    Wrestling with a new language, on a site running behind schedule, and with a relationship in flux, he becomes increasingly untethered.Set against the structural evolution of a sprawling city, this meditation on language, memory and yearning is underpinned by the site’s physical reality. As the narrator explores the mind’s fragile architecture, he begins to map his own strange geography through a series of notebooks, or‘Love Notes’.This is at once a treatise on language, memory, building and desire, relayed in translucent Sebaldian prose in a voice new to Irish fiction.

    Soon Siggi is stealing the paintings to keep them safe from his father. Against the great brooding northern landscape. Siggi recounts the clash of father and son, of duty and personal loyalty, in wartime Germany. “I was trying to find out,” Lenz says, "where the joys of duty could lead a people"

    Out of the last hours of Virgil's life and the final stirrings of his consciousness, the Austrian writer Hermann Broch fashioned one of the great works of twentieth-century modernism, a book that embraces an entire world and renders it with an immediacy that is at once sensual and profound.Begun while Broch was imprisoned in a German concentration camp, The Death of Virgil is part historical novel and part prose poem - and always an intensely musical and immensely evocative meditation on the relation between life and death, the ancient and the modern.

    An ancient evil has reawakened on a small island off the coast of Rhode Island, eager to cause death and destruction as it has twice before, but three teens face it with their newly-developed supernatural abilities.

    Delving deep into the psyches of both East and West Germany, The Sleep of the Righteous reveals a powerful, apocalyptic account of the century-defining nation’s trajectory from 1945 to 1989.From a youth in a war-scarred industrial town to wearying labor as a factory stoker, surreal confrontations with the Stasi, and, finally, a conflicted escape to the West, Hilbig creates a cipher that is at once himself and so many of his fellow Germans. Evoking the eerie bleakness of films like Tarkovsky’s Stalker and The Lives of Others, this titan of German letters combines the Romanticism of Poe with the absurdity of Kafka to create a visionary, somber statement on the ravages of history and the promises of the future.

    What's unnecessary is best of all, says Rainer, who wants to go on fighting. We agreed on that.' It is the late 1950s. A man is out walking in a park in Vienna. He will be beaten up by four teenagers, not for his money, he has an average amount ? nor for anything he might have done to them, but because the youths are arrogant and very pleased with themselves. Their arrogance is their way of reacting to the maggot?ridden corpse that is Austria where everyone has a closet to hide their Nazi histories, their sexual perversions and their hatred of the foreigner. Elfriede Jelinek, who writes like an angel of all that is tawdry, shows in Wonderful, Wonderful Times how actions of the present are determined by thoughts of the past

    And when she was lying in her bed again, recalling the taste with all her senses, she was sure that this secret recipe could heal wounds, avert catastrophes, and bring people happiness. But she was wrong.'At the start of the twentieth century, on the edge of the Russian Empire, a family prospers. It owes its success to a delicious chocolate recipe, passed down the generations with great solemnity and caution. A caution which is justified: this is a recipe for ecstasy that carries a very bitter aftertaste ...Stasia learns it from her Georgian father and takes it north, following her new husband, Simon, to his posting at the centre of the Russian Revolution in St Petersburg. Stasia's is only the first in a symphony of grand but all too often doomed romances that swirl from sweet to sour in this epic tale of the red century.Tumbling down the years, and across vast expanses of longing and loss, generation after generation of this compelling family hears echoes and sees reflections. Great characters and greater relationships come and go and come again; the world shakes, and shakes some more, and the reader rejoices to have found at last one of those glorious old books in which you can live and learn, be lost and found, and make indelible new friends.