. . Pressia barely remembers the Detonations or much about life during the Before. In her sleeping cabinet behind the rubble of an old barbershop where she lives with her grandfather, she thinks about what is lost-how the world went from amusement parks, movie theaters, birthday parties, fathers and mothers . . . to ash and dust, scars, permanent burns, and fused, damaged bodies. And now, at an age when everyone is required to turn themselves over to the militia to either be trained as a soldier or, if they are too damaged and weak, to be used as live targets, Pressia can no longer pretend to be small. Pressia is on the run.Burn a Pure and Breathe the Ash . . . There are those who escaped the apocalypse unmarked. Pures. They are tucked safely inside the Dome that protects their healthy, superior bodies. Yet Partridge, whose father is one of the most influential men in the Dome, feels isolated and lonely. Different. He thinks about loss-maybe just because his family is broken; his father is emotionally distant; his brother killed himself; and his mother never made it inside their shelter. Or maybe it's his claustrophobia: his feeling that this Dome has become a swaddling of intensely rigid order. So when a slipped phrase suggests his mother might still be alive, Partridge risks his life to leave the Dome to find her. When Pressia meets Partridge, their worlds shatter all over again.

    While she was volunteering abroad, the American People's Party took power; the new president was assassinated; and the government cracked down on citizens. Travel restrictions are worse than ever, and when her plane finally lands in New Hampshire, Radley’s parents aren’t there.Exhausted; her phone dead; her credit cards worthless: Radley starts walking.

    For years, Karl's been part of what he calls "the Madman Underground" - a group of kids forced (for no apparent reason) to attend group therapy during school hours. Karl has decided that senior year is going to be different. He is going to get out of the Madman Underground for good. He is going to act - and be - Normal. But Normal, of course, is relative. Karl has five after-school jobs, one dead father, one seriously unhinged drunk mother . . . and a huge attitude. Welcome to a gritty, uncensored rollercoaster ride, narrated by the singular Karl Shoemaker.

    He's determined to protect and defend her--to play Batman to her Robyn--whatever the cost. But when you're fourteen and the everyday problems of dealing with divorced parents and step-siblings are supplemented by the challenges of OCD, it's hard to imagine yourself falling in love. How can you have a "normal" relationship when your life is so fraught with problems? And that's not even to mention the small matter of those threatening letters Adam's mother has started to receive . . .

    An abandoned orphanage. A strange collection of very curious photographs. It all waits to be discovered in Miss Peregrine's Home for Peculiar Children, an unforgettable novel that mixes fiction and photography in a thrilling reading experience. As our story opens, a horrific family tragedy sets sixteen-year-old Jacob journeying to a remote island off the coast of Wales, where he discovers the crumbling ruins of Miss Peregrine's Home for Peculiar Children. As Jacob explores its abandoned bedrooms and hallways, it becomes clear that the children were more than just peculiar. They may have been dangerous. They may have been quarantined on a deserted island for good reason. And somehow-impossible though it seems-they may still be alive. A spine-tingling fantasy illustrated with haunting vintage photography, Miss Peregrine's Home for Peculiar Children will delight adults, teens, and anyone who relishes an adventure in the shadows.

    First-time novelist Swati Avasthi has created a riveting and remarkably nuanced portrait of what happens after. After you’ve said enough, after you’ve run, after you’ve made the split—how do you begin to live again? Readers won’t be able to put this intense page-turner down.Reading Level: Age 14 and Up

    A school where video cameras monitor his every move. Where there are no adults. Where the kids have split into groups in order to survive.Where breaking the rules equals death.But when Benson stumbles upon the school’s real secret, he realizes that playing by the rules could spell a fate worse than death, and that escape—his only real hope for survival—may be impossible.

    At graduation, the most highly rated girls become “companions”, permitted to live with their husbands and breed sons until they are no longer useful.For the girls left behind, the future – as a concubine or a teacher – is grim.Best friends Freida and Isabel are sure they’ll be chosen as companions – they are among the most highly rated girls in their year.But as the intensity of final year takes hold, Isabel does the unthinkable and starts to put on weight. ..And then, into this sealed female environment, the boys arrive, eager to choose a bride.Freida must fight for her future – even if it means betraying the only friend, the only love, she has ever known. . .

    Teresa's Preparatory School for Girls, where barbed wire keeps the boys out and the ancient nuns keep the girls in.Jane and Allison have always been too quirky and different to be popular, but at least they've had each other. Then, after a hideous, embarrassing disaster, Allison comes to school transformed. Suddenly she has cute hair and clothes. She's fluent in Latin, she won't even speak to Jane, and within days she's stolen Jane's ex-boyfriend, Elton.A strangely wise freshman boy, Owen, helps Jane discover the outrageous truth--that Allison has sold her soul to the devil. At first Jane doesn't quite buy it. She plays along with the weirdness--and even gambles her own soul in order to rescue Allison. But events take a turn for the real, and Jane will have to save Allison before the bizarrely exclusive Poodle Prom, a party of biblical proportions that just might blow apart the world as Jane knows it.

    Penniless, Anna hides her aristocratic background and takes a job as servant in the household of the esteemed Westerholme family, armed only with an outdated housekeeping manual and sheer determination. Desperate to keep her past a secret, Anna is nearly overwhelmed by her new duties—not to mention her instant attraction to Rupert, the handsome Earl of Westerholme. To make matters worse, Rupert appears to be falling for her as well. As their attraction grows stronger, Anna finds it more and more difficult to keep her most dearly held secrets from unraveling. And then there's the small matter of Rupert's beautiful and nasty fiancée...

    A list is posted, and one girl from each grade is chosen as the prettiest, and another is chosen as the ugliest. Nobody knows who makes the list. It almost doesn't matter. The damage is done the minute it goes up.This is the story of eight girls, freshman to senior, "pretty" and "ugly." And it's also the story of how we see ourselves, and how other people see us, and the tangled connection of the two.

    Bones break, skin tears, bruises bloom.The accident season has been part of seventeen-year-old Cara's life for as long as she can remember. Towards the end of October, foreshadowed by the deaths of many relatives before them, Cara's family becomes inexplicably accident-prone. They banish knives to locked drawers, cover sharp table edges with padding, switch off electrical items - but injuries follow wherever they go, and the accident season becomes an ever-growing obsession and fear.But why are they so cursed? And how can they break free?

    Children are all but extinct. The world is a better place. Longevity drugs are a fountain of youth. Sign the Declaration, agree not to have children and you too can live forever. Refuse, and you will live as an outcast. For the children born outside the law, it only gets worse – Surplus status. Not everyone thinks Longevity is a good thing, but you better be clear what side you’re on. . . . Surplus Anna is about to find out what happens when you can’t decide if you should cheat the law or cheat death.

    Literally.She never wanted to go to the grand opening of the new Stark Megastore store. That was her sister Frida’s idea. But that day changed her life. In an attempt to save her sister Frida from certain harm, Em tries to push Frida out of the way, getting crushed by a falling television screen in the process.When Em wakes up in the hospital, she has no idea what happened. She can only recall bits of what happened that day, such as a certain gorgeous British singer and songwriter, Gabriel Luna, who sneaks into the hospital to give her flowers. But that’s not the only strange thing that happens. Her voice sounds funny, and soon her supposed best friend and celebutante Lulu Collins and her supposed boyfriend Brandon Stark kidnap her from the hospital and take her back to her supposed penthouse apartment. And Em has no idea why she’s being whisked off by famous people that’s she’s only heard of from skimming her sister Frida’s magazines. Until, of course, she finds out that she’s stuck in supermodel Nikki Howard’s body.

    For years he has lived in remote outposts, studying the sky for evidence of how the universe began. At his latest posting, in a research center in the Arctic, rumors of war arrive. The scientists are forced to evacuate, but Augustine stubbornly refuses to abandon his work. Shortly after the others have gone, Augustine discovers a mysterious child, Iris, and realizes the airwaves have gone silent. They are alone. At the same time, Mission Specialist Sullivan is aboard the Aether on its return flight from Jupiter. The astronauts are the first human beings to delve this deep into space, and Sully has made peace with the sacrifices required of her: a daughter left behind, a marriage ended. So far the journey has been a success, but when Mission Control falls inexplicably silent, Sully and her crew mates are forced to wonder if they will ever get home. As Augustine and Sully each face an uncertain future against forbidding yet beautiful landscapes, their stories gradually intertwine in a profound and unexpected conclusion. In crystalline prose, Good Morning, Midnight poses the most important questions: What endures at the end of the world? How do we make sense of our lives?