Remarkably, none of the founding members have told their story—until now. Here, for the first time, the quiet one speaks. Lamont “U-God” Hawkins was born in Brownsville, New York, in 1970. Raised by a single mother and forced to reckon with the hostile conditions of project life, U-God learned from an early age how to survive. And surviving in New York City in the 1970s and 1980s was no easy task—especially as a young black boy living in some of the city’s most ignored and destitute districts. But, along the way, he met and befriended those who would eventually form the Clan’s core: RZA, GZA, Method Man, Raekwon, Ol’ Dirty Bastard, Inspectah Deck, Ghostface Killah, and Masta Killa. Brought up by the streets, and bonding over their love of hip-hop, they sought to pursue the impossible: music as their ticket out of the ghetto.U-God’s unforgettable first-person account of his journey,from the streets of Brooklyn to some of the biggest stages around the world, is not only thoroughly affecting, unfiltered, and explosive but also captures, in vivid detail, the making of one of the greatest acts in American music history.

    In her late 20s, Sharon finally made the painful decision to break with her family. Always irrepressible, Sharon flourished, creating a loving family of her own while becoming a legendary manager and rockband promoter. In rock star Ozzy Osbourne, Sharon found her soul mate, yet Ozzy's drug and drink-fuelled excesses which culminated in his attempt to strangle her made their marriage a white knuckle ride from the start; only her devotion to their three children gave her the will to survive. From the tremendous highs of the hit show The Osbournes to the lows of Ozzy's near-fatal quad-bike accident and her own bout with colon cancer, Sharon's tenacity, honesty, and humour have triumphed again and again.

    A substantial written component by Fischer details his upbringing on the outskirts of Zurich, Switzerland, and the hardships and triumphs he faced bringing the visions of his groundbreaking bands Hellhammer and eventually Celtic Frost to reality. In addition, the book includes an introduction by Nocturno Culto of Norwegian black metal act Darkthrone, and a foreword by noted metal author Joel McIver.Without question Only Death Is Real goes farther than any other source in exploring the origins of underground heavy metal. The wealth of visual information is astounding, both in terms of documenting early 1980s headbangers and exposing the still-relevant imagery of the first Hellhammer and Celtic Frost photo sessions. On top of that, the written chapters combine Tom Fischer’s often shocking stories with lengthy quotes from Martin Eric Ain and the other main Hellhammer members, explaining in intimately human terms how extreme metal was born.

    Arranged chronologically by album and packed with color and black and white photographs and illustrations, A Hard Day's Write is hard to put down. Look up one song and you find yourself stopping to read about the others as the mini-stories recount how private incidents influenced the Beatles, collectively and as individual artists. A longtime Beatles admirer, Turner tracked down and interviewed the real-life subjects of the songs, probed public records, and newspaper archives, and spoke in depth to the personalities closest to the Beatles. The result is a book no Beatles fan should be without.

    But how do these uncompromising and often haunting performances square with his off-duty reputation as the ultimate salt-of-the-earth diamond geezer? The answer lies in the East End of his youth. Revisiting the bomb-sites and boozers of his childhood and adolescence, Ray Winstone takes the reader on an unforgettable tour of a cockney heartland which is at once irresistibly mythic and undeniably real. Told with its author's trademark blend of brutal directness and roguish wit, Young Winstone offers a fascinating insight into the social history of East London, as well as a school of hard knocks coming-of-age story with a powerful emotional punch.

    Kooper's quirky keyboard style was a seminal force in popularizing the Hammond B3 organ as a major voice in rock music. Bob Dylan, Jimi Hendrix, The Rolling Stones, B.B. King, George Harrison, The Who, Trisha Yearwood, and a plethora of other artists have benefited from having Kooper perform on their albums and singles. Backstage Passes & Backstabbing Bastards, Kooper's insightful and amusing autobiography, puts you in the passenger seat as you cruise the entire history of rock 'n roll as well as the various cultural landmarks and idiosyncrasies of the '50s, '60s, '70s, '80s, and '90s.

    From her birth (which she liked to tell people was in the Parisian streets, her mother shielded by two gendarmes) to her death (when her husband allegedly drove her corpse from the Cannes hospital where she died to her flat, lest her fans think that she had abandoned Paris) her life story was a rags-to-riches tale like no other. A street singer discovered by the nightclub owner who gave her the stage name Piaf (Sparrow), she rose to become a national heroine. Friends with Charlie Chaplin, Dwight D. Eisenhower, Jean Cocteau, Maurice Chevalier, and Marlene Dietrich, she was also at various times chief suspect for the murder of her mentor, an alcoholic and a drug addict. But she always seemed to embody, and still does, something of the spirit of Paris. Following her death in 1963, 40,000 people descended on Pere Lachaise Cemetery for her funeral, and, 40 years on, millions remain fans of her music.

    Includes lead sheets for such standard vocal repertoire pieces as: Yesterday * I'm Beginning to See the Light * and I Heard it Through the Grapevine. Maximize your vocal potential with this outstanding guide

    What started as five young men with a common dream of becoming rock stars eventually disintegrated into in-fighting, ego clashes, and financial disputes, until in 1995, following the release of Definitely Maybe, things came to a head and Tony left the band. Here, Tony reveals the truth about the early years before the band was formed. He discusses the drug consumption, the sexual activities, his much-publicized rift with Noel Gallagher, and how he was duped into signing a less-than-favorable record contract. His recollections include stories involving David Beckham, Prince, Eric Cantona, and John McEnroe. Witty, revealing, and fascinating, this book is a must-read for Oasis fans.

    Boy after boy chose drums, and girl after girl chose flute — that is, until it was Patti’s turn. From that point onward, Niemi devoted her life to mastering the percussive arts. Cymbals, snare drum, marimba, timpani, chimes: she practised them all, and in 1983, she entered Juilliard, the most prestigious music conservatory in the world.Set against the backdrop of a rapidly changing New York City in the 1980s, Sticking It Out recounts Niemi’s years mastering her craft and struggling to make it in a cutthroat race to a coveted job in an orchestra. Along the way, she has to compete with friends, and face her own crippling anxiety and reliance on prescription medication, while confronting the delicate, and sometimes perilous, balance of power between teachers and their students.Niemi’s memoir brings us inside a world that most of us never get to see: gruelling practise schedules, intimate musical relationships, and long moments at the back of an orchestra spent sweating and counting before a big cymbal crash. Sticking It Out is a humbling account of the work that leads to a dazzling moment of perfection, and of the dogged persistence it takes to follow a dream.

    However, R.E.M. – being R.E.M. – were disinclined to reveal this at the time the book was first published in 1989 and Tony was thus obliged to keep this under his hat. All such restrictions have since been lifted for newer editions, of which there have been several, and this latest incarnation of the book – now retitled Perfect Circle – brings the story to its natural conclusion with R.E.M.’s decision to disband in September, 2011. Discussing fame, fortune and sexuality with the same keen eye he casts on the group's astonishing musical catalogue, Perfect Circle is neither blind fan worship nor jaundiced critical cynicism, but a balanced and thorough telling of one of the most compelling rock stories of our time. Drawing on dozens of interviews with friends, associates and the band members themselves, this is not just the story of one group's rise through cult status, but the story of American alternative rock.

    How does an artist accomplish such an achievement, connecting deeply with an audience never met? In this groundbreaking book, one of our culture’s beloved artists offers a detailed account of her own creative process, inspirations, and unexpected connections. Patti Smith, a National Book Award-winning author, first presents an original and beautifully crafted tale of obsession—a young skater who lives for her art, a possessive collector who ruthlessly seeks his prize, a relationship forged of need both craven and exalted. She then takes us on a second journey, exploring the sources of her story. We travel through the South of France to Camus’s house, and visit the garden of the great publisher Gallimard where the ghosts of Mishima, Nabokov, and Genet mingle. Smith tracks down Simone Weil’s grave in a lonely cemetery, hours from London, and winds through the nameless Paris streets of Patrick Modiano’s novels. Whether writing in a café or a train, Smith generously opens her notebooks and lets us glimpse the alchemy of her art and craft in this arresting and original book on writing.The Why I Write series is based on the Windham-Campbell Lectures, delivered annually to commemorate the awarding of the Donald Windham-Sandy M. Campbell Literature Prizes at Yale University.

    In turns funny, touching, and revealing, we learn about Robbie's life through his own words, while Feel author Chris Heath takes him through the sometimes unsettling journey of looking back over the last twenty years.Over 150 stunning images capture his personal and public life and grant us insight into the events that have made up his extraordinary career: from flashes back to his Stoke-on-Trent boyhood; through the intense rehearsals, gigs, and laughs of the Take That years; through drink, drugs, and rehab; and his groundbreaking Knebworth gig in 2003. But Rob also reflects on more personal aspects of his life: his breakdown in 2006; finding happiness with his girlfriend Ayda; being at home with his dogs; his interest in UFOs and his second love: football. And finally he leaves us at the Brit Awards 2010 where he received the Outstanding Contribution Award to Music.

    A passionate romance immediately bloomed between the two, and their love was bonded by a shared fascination with and devotion to the ocean. When the couple moved back to Miami, Audrey took up the sport herself and quickly proceeded to break the female world record (115 meters). They soon became free diving's power couple, testing the limits of their wills and bodies by descending to unthinkable depths, training and touring together, encouraging and motivating each other.Then, on October 12, 2002, in a dive off the coast of the Dominican Republic, tragedy struck: Audrey's attempt to break the world record with a dive of 170 meters ended in her death. Suddenly, Pipín -- haunted by questions, reeling from the loss of his soul mate -- could no longer find solace in the sea that had always been his true home.Now, for the first time, Pipín tells his story. He shares the heart-pounding adventure and fierce competition that fuel the sport of free diving and his own addiction to it. He addresses the controversy that has followed him throughout his career and that spun out of control after Audrey's death. And he relates the haunting story of his relationship with Audrey -- a unique and complicated tale of love and obsession taken to extreme depths.

    It has been the thread that has held him together through a life that has encompassed abuse, breakdown and addiction. Listening to Rachmaninov on a loop as a traumatised teenager or discovering an Adagio by Bach while in a psychiatric ward - such exquisite miracles of musical genius have helped him survive his demons, and, along with a chance encounter with a stranger, inspired him to become the renowned concert pianist he is today. This is a memoir like no other: unapologetically candid, boldly outspoken and surprisingly funny - James' prose is shot through with an unexpectedly mordant wit, even at the darkest of moments. An impassioned tribute to the therapeutic powers of music, Instrumental also weaves in fascinating facts about how classical music actually works and about the extraordinary lives of some of the great composers. It explains why and how music has the potential to transform all of our lives.