Carter the Great—is a young master performer whose skill as an illusionist exceeds even that of the great Houdini. But nothing in his career has prepared Carter for the greatest stunt of all, which stars none other than President Warren G. Harding and which could end up costing Carter the reputation he has worked so hard to create. Filled with historical references that evoke the excesses and exuberance of Roaring Twenties, pre-Depression America, Carter Beats the Devil is a complex and illuminating story of one man's journey through a magical—and sometimes dangerous—world, where illusion is everything.

    Due to its age, it may contain imperfections such as marks, notations, marginalia and flawed pages. Because we believe this work is culturally important, we have made it available as part of our commitment for protecting, preserving, and promoting the world's literature in affordable, high quality, modern editions that are true to the original work.

    These memorable characters and their vital stories add up to a large-scale social chronicle of America, in what is perhaps the most ambitious work of O’Hara’s career. “The range of O’Hara’s knowledge of how Americans live was incomparably greater than that of any other ?ction writer of his time,” judged The New Yorker. “One would have to go back to Frank Norris, Stephen Crane, and Theodore Dreiser to ?nd a novelist who had even the intention of acquiring knowledge on the scale that O’Hara acquired it.”

    Told in eight episodic narratives by a fascinating pageant of characters including—a pirate, witch, bawd, rake, recluse, and lovers, all of whom play a vital part in the house's history.

    And when her worst fear is realized, she finds herself doubly cursed. She is overwhelmed by grief, and her property and rights are now legally in the hands of her nearest male relative: her daughter's overbearing husband, whom Lyddie cannot abide. Lyddie decides to challenge both law and custom for control of her destiny, but she soon discovers the price of her bold "war" for personal freedom to be heartbreakingly dear.Includes the fascinating "story behind the story" of The Widow's War, a map of colonial Brewster, and a driving tour of the village of Satucket.

    The lush and sensuous series consists of Justine(1957) Balthazar(1958) Mountolive(1958) Clea(1960).Justine, Balthazar and Mountolive use varied viewpoints to relate a series of events in Alexandria before World War II. In Clea, the story continues into the years during the war. One L.G. Darley is the primary observer of the events, which include events in the lives of those he loves, and those he knows. In Justine, Darley attempts to recover from and put into perspective his recently ended affair with a woman. Balthazar reinterprets the romantic perspective he placed on the affair and its aftermath in Justine, in more philosophical and intellectual terms. Mountolive tells a story minus interpretation, and Clea reveals Darley's healing, and coming to love another woman.

    Critics and readers alike fell in love with the voice of ninety-nine-year-old Lucy Marsden, one of the most entertaining and loquacious heoines in American literature.Lucy married at the turn of the last century, when she was fifteen and her husband was fifty. If Colonel William Marsden was a veteran of the "War for Southern Independence", Lucy became a "veteran of the veteran" with a unique perspective on Southern history and Southern manhood. Her story encompasses everything from the tragic death of a Confederate boy soldier to the feisty narrator's daily battles in the Home--complete with visits from a mohawk-coiffed candy-striper. Oldest Living Confederate Widow Tells All is proof that brilliant, emotional storytelling remains at the heart of great fiction.From the Trade Paperback edition.

    The setting is a small village in southwestern Anatolia in the waning years of the Ottoman Empire. Everyone there speaks Turkish, though they write it in Greek letters. It’s a place that has room for a professional blasphemer; where a brokenhearted aga finds solace in the arms of a Circassian courtesan who isn’t Circassian at all; where a beautiful Christian girl named Philothei is engaged to a Muslim boy named Ibrahim. But all of this will change when Turkey enters the modern world. Epic in sweep, intoxicating in its sensual detail, Birds Without Wings is an enchantment.

    Curwood loved the outdoors and is known for his conservation efforts. Many of his books were made into movies as late as the 1990's. In The River's End two men who resemble each other physically lead very different lives. Conniston is a member of the Northwest Mounted Police. Keith is an outlaw. This physical trait linked these men together.

    Outside the Smolny Institute for Noble Young Ladies, an English governess is waiting for her young charge to be released from school. But so are the Tsar’s secret police… Beautiful and headstrong, Sashenka Zeitlin is just sixteen. As her mother parties with Rasputin and her dissolute friends, Sashenka slips into the frozen night to play her part in a dangerous game of conspiracy and seduction. Twenty years on, Sashenka has a powerful husband with whom she has two children. Around her people are disappearing, but her own family is safe. But she's about to embark on a forbidden love affair which will have devastating consequences. Sashenka's story lies hidden for half a century, until a young historian goes deep into Stalin's private archives and uncovers a heart-breaking tale of passion and betrayal, savage cruelty and unexpected heroism - and one woman forced to make an unbearable choice.

    Absorbing and complex, it chronicles the family’s saga from the economic panic of 1873 through the dramatic rise of American industry and trade unionism, through waves of immigration, class conflict, natural disaster, World War I, and Pearl Harbor. In 1945 it was made into a major motion picture starring Greer Garson and Gregory Peck.             This reissue features a new foreword by noted steel industry historian John Hoerr, author of And the Wolf Finally Came, who places the novel in context as a classic depiction of twentieth-century America.

    Crossing three millennia to Pharaonic Egypt, this tale returns to that land's essences - the war, magic, gods, death and reincarnations, the lusts, ambitions, jealousies, and betrayals.

    He questions her and finds she thought she was in the apartment of his neighbor, Morris Barnes, who lives above him. While he is on the telephone, she quietly slips out of his flat and heads to Barnes’ abode. A few hours later, she is once again at his door – this time looking scared and faint. She asks Wrayson to escort her downstairs as the hallway is unlit. As they emerge, a hansom sits at the doorway with Morris Barnes in it. But, they discover that Barnes has been strangled. Wrayson soon learns that the young lady is the estranged older daughter of a club acquaintance, retired Colonel Fitzmaurice. He also discovers that he has fallen in love with her. The big question however, has he fallen for a murderess? How can he discover the truth? In typical Oppenheim style, this “whodunit” weaves a tangled web and one must wait until the end to discover the surprising truth. (Summary by Tom Weiss)

    "Torrid, nonstop adventure. . . . First-rate, " "Time Magazine."

    Bridge, an inspired novel set in the years around World War II that testified to the sapping ennui of an unexamined suburban life. India Bridge, the title character, has three children and a meticulous workaholic husband. She defends her dainty, untouched guest towels from son Douglas, who has the gall to dry his hands on one, and earnestly attempts to control her daughters with pronouncements such as "Now see here, young lady ... in the morning one doesn't wear earrings that dangle." Though her life is increasingly filled with leisure and plenty, she can't shuffle off vague feelings of dissatisfaction, confusion, and futility. Evan S. Connell, who also wrote the twinned novel Mr. Bridge, builds a world with tiny brushstrokes and short, telling vignettes.