Their murderer remains at large. Nora Chancel, wife of publishing scion Davey Chancel, fears she may be next. After all, her past has branded her a victim. . . . Then Davey tells Nora a surreal story about the Hellfire Club, where, years before, he met an obsessed fan of Chancel House’s most successful book, Night Journey—a book that has a strange history of its own. . . . Suddenly terror engulfs Nora: She must defend herself against fantastic accusations even as a madman lies in wait. And when he springs, Nora will embark on a night journey that will put her fears to rest forever, dead or alive. . . .From the Paperback edition.

    WHAT WERE THREE ARE NOW ONE, AND I AM FURY... Herman and Janet Erikson are going through a crisis of grief and suffering after losing their daughter in a hit and run. They've given up on each other, they've given up on themselves. They are living day by day. One afternoon, to make a horrible situation worse, their dog goes missing in the coyote-infested badlands behind their property. Herman, resolved in preventing another tragedy, goes to find the dog, completely unaware he's on a hike to the River Styx, which according to Greek myth was the border between the Living World and the world of the Dead. Long ago the gods died and the River dried up, but a bottle containing its waters still remains in the badlands. What Herman discovers about the dark power contained in those waters will change his life forever... "It happens from time to time...a book grabs you from the opening line and refuses to let you go. Benjamin Kane Ethridge's Bottled Abyss was one of those reads for me. Bottled Abyss is a stunningly sophisticated tale, both in its mythic scope and in its adroit handling of complex, emotional characters. Ethridge is a writer of rare emotional intelligence, developed far beyond his years, but with Bottled Abyss he has outdone even his own considerable promise. There are several writers out there, such as Laird Barron, John Langan and Lee Thomas, that have me chomping at the bit for their next release. Add to that shortlist Benjamin Kane Ethridge, for he has made me a fan for life!" -Joe McKinney, Bram Stoker Award-winning author of Flesh Eaters and Dead City

    Two worlds. One prophecy. Seventeen-year-old Ember Lonergan has made an art of isolating herself. She prefers the dead. She spends her days skipping school in old cemeteries and her nights hiding from her alcoholic father at the funeral home where she works. When her own father dies, Ember learns her whole life is a lie.Mace is a monster, a soulless assassin tasked with a single purpose: follow Ember. He only has two rules. Do not interact with her. Do not to kill her. Simply watch and report. But Mace has never been good at following orders, and Ember is a temptation he simply can't resist.Whisked away to a small Florida town, Ember must learn to embrace a family she's never known, a supernatural world she never knew existed, and a power so vast it just might kill her. All that stands between Ember and destruction is that beautiful dangerous boy from the cemetery.Can she learn to trust him before it's too late?This edition features exclusive hidden art under the dust jacket.

    Not since he was trained to kill creatures that were supposed to exist only in nightmares.Yet the teenage girl on his doorstep not only knows his real name, she claims she's his daughter.Before Lockman can learn how the girl found him, he's attacked by a black-ops team of assassins. But these aren't ordinary killers—they're heavily armed vampires sent by his most hated enemy.Forced on the run, Lockman protects his daughter from an onslaught of horrors while searching for who betrayed him and why. The investigation leads him to Detroit, where he unwittingly sets a plan into motion that could trigger a paranormal apocalypse and cost him his soul.For fans of Jim Butcher, Simon R. Green, and Laurell K. Hamilton… Darker Things is an 82,000-word urban fantasy loaded with double-crosses, thrilling action, and shocking twists.

    Original.

    In film, television, novels, and short stories, he keeps coming back to life, fed by the vital imaginative energies of a world-wide audience that cannot seem to resist his abominable charms. Aristocratic and urbane, deeply erotic and profoundly evil, Dracula's bloodsucking savagery has cast a mesmerizing fascination not only over his victims but over his readers as well. And, as Leonard Wolf suggests, "Vampire fiction...exerts an amazing pull on readers for a reason that we may find disturbing. The blood exchange—the taking of blood by the vampire from his or her victim is, all by itself, felt to be a singularly symbolic event. Symbolic and attractive!" Now, in Blood Thirst; One Hundred Years of Vampire Fiction, Leonard Wolf brings together thirty tales in which vampires of all varieties make their ghastly presence felt;male and female, human and non-human, humorous and heroic;all of them kin to the dreadful bat. From Lafcadio Hearn, Mary E. Wilkins-Freeman, Edith Wharton, August Derleth, and Ray Bradbury to such contemporary masters as Anne Rice, Stephen King, Joyce Carol Oates, John Cheever, and Woody Allen, and in settings as diverse as rural New England and outer space, this collection offers readers a dazzling compendium of vampire stories. Wolf organizes the collection into six categories;The Classic Adventure Tale, The Psychic Vampire, The Science Fiction Vampire, The Non-Human Vampire, The Comic Vampire, and The Heroic Vampire;which allows readers to see the many guises Dracula's descendants have assumed and the many ways they can be interpreted. In his penetrating introduction, Wolf argues that such an arrangement enables us to see the evolution of the vampire from an unmitigated evil to a creature we are more likely to identify with. "In a century in which God and Satan have become increasingly irrelevant in the popular arts, there has been an accompanying secularization of the vampire idea. And, as the stories in Blood Thirst will show, sympathy for the vampire has grown as we have become increasingly interested in the workings of the mind." Indeed, the vampire's ability to change over time, to draw into itself such a richness of symbolic meanings, to conjure itself into so many diabolical shapes, may account for the enduring appeal of the literature written about it. Here, then, is a definitive collection for aficionados and novices alike, and whether readers find the vampires who inhabit these pages sympathetic or horrific, psychologically intriguing or spiritually repellent, morbidly seductive or comically absurd,Blood Thirst gives us all something to sink our teeth into.

    At 21, her age and her unladylike interest in automatons have sealed her fate as an undesirable marriage prospect. But a devastating plague sends Alice off in a direction beyond the pale—towards a clandestine organization, mad inventors, life-altering secrets, and into the arms of an intrepid fiddle-playing airship pilot.

    They seek retribution…vengeance…to warn. Among the living, few intuit their presence.Katie O'Hara is one who can.As she’s drawn deeper and deeper into a gruesome years-old murder, whispered warnings from a spectral friend become more and more insistent. But Katie must uncover the truth: could David Beckett really be guilty of his fiancée’s murder?Worse – the body count’s rising on the Island of Bones, and the dead seem to be reenacting some macabre tableaux from history. The danger is increasing by the moment – especially as Katie finds herself irresistibly drawn to David, who may be responsible for more than just one killing….

    But Joe is married to one of the most powerful witches in Pitchfork, and spends almost as much time keeping an eye on her as he does dealing with occult crimes and shadowy horrors in the rest of the county. Even his children, a little girl who plays host to a rogue's gallery of strange spirits and a young man with a demonic secret, keep him on his toes. All Joe really wants is a simple life, a bottle of good whiskey, and a break from the horrors of his job. But nothing in Pitchfork County is ever simple, and the horrors just keep on coming. Someone's hung a mutilated girl on a cross in Pitchfork's most infamous church, dragging Joe into the most challenging case of his career. Joe's investigation into the ritual murder leads him through the dark underbelly of the Ozarks to the doorstep of a twisted cult of meth addicts. As Joe digs deeper into the mystery, he soon finds himself the target of the murderers and must stop them before they can summon their dark god and destroy everything he holds dear.

    She senses when someone near her is about to die. And when that happens, a force beyond her control compels her to scream bloody murder. Literally.Kaylee just wants to enjoy having caught the attention of the hottest guy in school. But a normal date is hard to come by when Nash seems to know more about her need to scream than she does. And when classmates start dropping dead for no apparent reason, only Kaylee knows who'll be next.

    Each one hoped to be the last to leave. Now they're just hoping to stay alive. It seems the island isn't deserted after all. Contestants and crew members are disappearing, but they aren't being eliminated by the game. They're being taken by the monstrous half-human creatures that live in the jungle. The men will be slaughtered. The women will be kept alive as captives. Night is falling, the creatures are coming, and rescue is so far away. . .

    Its bloody past, endless rain, and the decay of its downtown portend a hopeless future. With the death of its paper mill, Bedford's unemployed residents soon find themselves with far too much time to dwell on thoughts of Susan Marley. Once the local beauty, she's now the local whore. Silently prowling the muddy streets, she watches eerily from the shadows, waiting for . . . something. And haunting the sleep of everyone in town with monstrous visions of violence and horror.Those who are able will leave Bedford before the darkness fully ascends. But those who are trapped here-from Susan Marley's long-suffering mother and younger sister to her guilt-ridden, alcoholic ex-lover to the destitute and faithless with nowhere else to go-will soon know the fullest and most terrible meaning of nightmare.

    Before he was a vampire.Larten Crepsley was a boy. As a child laborer many centuries ago, Larten Crepsley did his job well and without complaint, until the day the foreman killed his cousin as an example to the other children. In that moment, young Larten flies into a rage that the foreman wouldn't survive. Forced on the run, he sleeps in crypts and eats cobwebs to get by. And when a vampire named Seba offers him protection and training as a vampire's assistant, Larten takes it.This is his story.

    It's known as Desperation, Nevada.It's not a very nice place to live. It's an even worse place to die.Let the battle against evil begin.Welcome to ... Desperation

    Azriel is a restless Jewish spirit, born almost 2500 years ago in Babylon, who can be called forth by whoever holds and understands the arcane mystery of the casket of golden bones he is tied to. Caught between heaven and earth, Azriel is forced to bear witness to the long and troubled history of Western civilisation, from the household of an ancient Greek philosopher and the deathbed of Alexander the Great, to the Mongolian Steppes and fourteenth century Strasbourg, where Jews were made scapegoats for the Black Death. And finally in the present, he is summoned to witness and avenge a brutal murder on Fifth Avenue. The dead woman is Esther, step-daughter of Gregory Belkin, fanatical messianic leader of a worldwide cult, the Temple of the Mind. Belkin is known to be the son of Holocaust victims, but he has a secret history which binds Azriel's fate to his. SERVANT OF THE BONES is as rich and terrifying, as sensual and violent as any novel by Anne Rice - an enthralling epic which conjures up more than two thousand years of Jewish history and penetrates the unfolding mysteries of evil, redemption, life and death.