These are things twelve-year-old Maya and her big sister Zara have when they set off on their own from Delhi to their grandmother’s childhood home of Aminpur, a small town in Northern India. Their goal is to find a chest of family treasures that their grandmother’s family left behind when they fled from India to Pakistan during the Great Partition. But soon the sisters become separated, and Maya is alone. Determined to find her grandmother’s lost chest, she continues her trip, on the way enlisting help from an orphan by named Jai.Maya’s grand adventure through India is as thrilling as it is warm: a journey through her family’s history becomes a real coming-of-age quest.

    Set in 1855, it tells the story of William May, an engineer who has returned home to London from the horrors of the Crimean War. When he secures a job trans­forming the city’s sewer system, he believes that he will be able to find salvation in the subterranean world beneath the city. But the peace of the tunnels is shattered by a murder, and William is implicated as the killer. Could he truly have committed the crime? How will he bring the truth above-ground? With richly atmospheric prose, The Great Stink combines fact and fiction to transport readers into London’s putrid past, and marks the debut of a remarkably talented writer in the tradition of the very best historical novelists.

    He claims to be committed to ending slavery, but his actions don’t back-up his words. Is being the “best of the worst” all he’s capable of? 1863, New York City: Giant Irish street fighter Patrick Allen is days away from battling it out with a similarly oversized black fighter, when the Draft Riots ignite dangerous racial conflicts around the city. Never one to take sides outside the ring or join a fight he can’t win, he steers clear of the angry mobs. So when he stumbles on a lynching in progress, who can expect him to do anything more than look away? Modern day, New York City: Patrick Walsh, a day trader by occupation and a daydreamer by disposition, sits alone on his terrace trading his portfolio while gazing out at the city skyline. Alone feels right…always has, and he’s fairly certain, always will. Besides having a similar name and a proclivity to make cowardly mistakes, what mystery ties these men together?

    Slumped in a first-class car at Paddington Station is the body of a young, handsome gentleman. He has no luggage, empty pockets, and no sign of violence upon his person - yet Lenox knows instantly that it's not a natural death.Pursuing the investigation against the wishes of Scotland Yard, the detective encounters every obstacle London in 1855 has to offer, from obstinate royalty to class prejudice to the intense grief of his closest friend. Written in Charles Finch's unmistakably warm, witty, and winning voice, The Last Passenger is a cunning and deeply satisfying conclusion to the journey begun in The Woman in the Water and The Vanishing Man.

    After lunch, a group of three of the girls climbed into the blaze of the afternoon sun, pressing on through the scrub into the shadows of Hanging Rock. Further, higher, till at last they disappeared.They never returned.Whether Picnic at Hanging Rock is fact or fiction the reader must decide for themselves.

    Prohibition is in full swing in 1920s Galveston, Texas: the "Sin City of the Southwest." Jasmine Cross, a young society reporter, feels caught between two clashing cultures: the seedy speakeasy underworld and the snooty social circles she covers in the Galveston Gazette. During a night out with her best friend, Jazz witnesses a bar fight at the Oasis--a speakeasy secretly owned by her black-sheep half-brother, Sammy Cook. But when a big-shot banker with a hidden past collapses there and later dies, she suspects foul play. Was it an accident or murder?Soon new Prohibition Agent James Burton raids the Oasis, threatening to shut it down if Sammy doesn't talk. Suspicious, he pursues Jazz, but she refuses to rat on Sammy. As turf wars escalate between two real-life rival gangs, Sammy is accused of murder. To find the killer, Jazz must risk her life and career, exposing the dark side of Galveston's glittering society.

    . . In the winter of 1835, young Charles Dickens is a journalist on the rise at the Evening Chronicle. Invited to dinner at the estate of the newspaper's co-editor, Charles is smitten with his boss's daughter, vivacious nineteen-year-old Kate Hogarth. They are having the best of times when a scream shatters the pleasant evening. Charles, Kate, and her father rush to the neighbors' home, where Miss Christiana Lugoson lies unconscious on the floor. By morning, the poor young woman will be dead.When Charles hears from a colleague of a very similar mysterious death a year ago to the date, also a young woman, he begins to suspect poisoning and feels compelled to investigate. The lovely Kate offers to help--using her social position to gain access to the members of the upper crust, now suspects in a murder. If Charles can find justice for the victims, it will be a far, far better thing than he has ever done. But with a twist or two in this most peculiar case, he and Kate may be in for the worst of times . . .

    So begins a passionate affair.Their happiness does not last. Shot down over Europe, wounded, in hiding, Tom has no way of telling Anna he is alive. And Anna, left waiting in England, has no way of finding out. How can she know that Tom is struggling to return to her? Or that the thought of her is all that keeps him going on the long journey home?Interwoven with the danger of Tom's fight to survive is the story of Anna's own struggle to face the uncertainty of waiting. Set vividly against the hardship of the Second World War, Another Time and Place is at once a compelling love story, an enthralling adventure and a moving depiction of the resilience of the human spirit.

    Having spent years building tanks and airplanes for the army, the car companies would need years more to retool their production to meet the demands of the American public, for whom they had not made any cars since 1942.    And then in stepped Preston Tucker. This salesman extraordinaire from Ypsilanti, Michigan, had built race cars before the war, and had designed prototypes for the military during it. Now, gathering a group of brilliant automotive designers, engineers, and promoters, he announced the creation of a revolutionary new car: the Tucker '48, the first car in almost a decade to be built fresh from the ground up. Tucker's car would include ingenious advances in design and engineering that other car companies could not match. With a rear engine, rear-wheel drive, a safety-glass windshielf that would pop out in case of an accident, a padded dashboard, independent suspension, and automatic transmission, it would be more attractive and aerodynamic—and safer—than any other car on the road.    But as the public eagerly awaited Tucker's car of tomorrow, powerful forces in Washington were trying to bring him down. An SEC commissioner with close ties to Detroit's Big Three automakers deliberately leaked information about an investigation the agency was conducting, suggesting that Tucker was bilking investors with a massive fraud scheme. Headlines accused him a perpetrating a hoax and claimed that his cars weren't real and his factory was a sham.  In fact, the Tucker '48 sedan was genuine, and everyone who saw it was impressed by what this upstart carmaker had achieved. But the SEC's investigation had compounded the company's financial problems and management conflicts, and a superior product was not enough to keep Tucker's dream afloat.  Here, Steve Lehto tackles the story of Tucker's amazing rise and tragic fall, relying on a huge trove of documents that has been used by no other writer to date. It is the first comprehensive, authoritative account of Tucker's magnificent car and his battles with the government. And in this book, Lehto finally answers the questions automobile aficionados have wondered about for decades: Exactly how and why was the production of such an innovative car killed?

     Still haunted by the death of her only brother, James, in the Great War, Evelyn Gifford is completely unprepared when a young nurse and her six-year-old son appear on the Giffords' doorstep one night. The child, the nurse claims, is James's, conceived in a battlefield hospital. The grief-stricken Giffords take them both in; but Evelyn, a struggling attorney, must now support her entire family—at a time when work for women lawyers is almost nonexistent. Suddenly a new case falls in Evelyn's lap: Seemingly hopeless, it's been abandoned by her male coworkers. The accused—a veteran charged with murdering his young wife—is almost certain to die on the gallows.... And yet, Evelyn believes he is truly innocent, just as she suspects there may be more to the story of her "nephew" than meets the eye...

    But is it suicide or murder? The case falls to Scotland Yard inspector Joe Sandilands, who survived the horror of the Western Front and has endured six sultry months in English-ruled Calcutta. Sandilands is ordered to investigate, and soon discovers that there have been other mysterious deaths, hearkening sinister ties to the present case.Now, as the sovereignty of Britain is in decline and an insurgent India is on the rise, Sandilands must navigate the treacherous corridors of political decorum to bring a cunning killer to justice - knowing the next victim is already marked to die.

    Armed with a legal education from Oxford, Perveen also has a tragic personal history that makes her especially devoted to championing and protecting women's rights. Mistry Law is handling the will of Mr. Omar Farid, a wealthy Muslim mill owner who has left three widows behind. But as Perveen goes through the papers, she notices something strange: all three have signed over their inheritance to a charity. What will they live on if they forefeit what their husband left them? Perveen is suspicious. The Farid widows live in purdah: strict seclusion, never leaving the women's quarters or speaking to any men. Are they being taken advantage of by an unscrupulous guardian? Perveen tries to investigate and realizes her instincts about the will were correct when tensions escalate to murder. It's her responsibility to figure out what really happened on Malabar Hill, and to ensure that nobody is in further danger.

    Her last play was a flop, her financial situation is getting desperate, and she's stuck with the worst actress in the world as the lead in her new comedy. But when she offers to organize the funeral of a murdered man it seems her troubles are only just beginning...

    The diary recounts the last days of Mary Emily Cage, executed for the murder of her husband six decades earlier. When Louisa’s next door neighbour, Charles Drummond, dies under suspicious circumstances, the parallels between the two deaths become impossible to ignore. But can two deaths sixty years apart be linked? And can Louisa find the poisoner before an innocent woman is convicted?

    Marion Abbott is summoned to Brawders House asylum to collect the body of her sister, Alice. She’d been found dead after falling four stories from a steep-pitched roof. Officially: an accident. Confidentially: suicide. But Marion believes a third option: murder.Returning to her family home to stay with her brother and his second wife, the recently widowed Marion is expected to quiet her feelings of guilt and grief—to let go of the dead and embrace the living. But that’s not easy in this house full of haunting memories.Just when the search for the truth seems hopeless, a stranger approaches Marion with chilling words: I saw her fall.Now Marion is more determined than ever to find out what happened that night at Brawders, and why. With no one she can trust, Marion may risk her own life to uncover the secrets buried with Alice in the family plot.