The novel explores two historical strands, bringing together an abused housewife from the 1970s and a young girl from the early 1940s in a story of love, loss and unexpected consequences.The Letter follows the life of Tina in the 1970s who seeks respite from her abusive marriage by volunteering at a charity shop. One day, while sorting through the pockets of a second-hand suit, she comes across an old letter. It is still firmly sealed and un-franked. Unable to resist the pull of curiosity, Tina opens the letter. It was written on 4th September 1939. She is so moved by the contents and bemused as to why the letter was never delivered, she embarks on a quest to find out what became of the writer and his intended recipient.The mystery of how this love letter ended up in Tina’s hands is also uncovered through Billy’s story from the early 1940s. He writes a letter that will change his life forever, unaware that it will not be read for another 34 years, and then by a complete stranger.With a swift pace, memorable characters and a wonderful conceptual depth, Hughes’ novel is one that simply can’t be put down.

    . . . Enthralling."—David Nicholson, Washington Post This award-winning book is the first to explore the history of a powerful category of illicit sex in America’s past: liaisons between Southern white women and black men. Martha Hodes tells a series of stories about such liaisons in the years before the Civil War, explores the complex ways in which white Southerners tolerated them in the slave South, and shows how and why these responses changed with emancipation. Hodes provides details of the wedding of a white servant-woman and a slave man in 1681, an antebellum rape accusation that uncovered a relationship between an unmarried white woman and a slave, and a divorce plea from a white farmer based on an adulterous affair between his wife and a neighborhood slave. Drawing on sources that include courtroom testimony, legislative petitions, pardon pleas, and congressional testimony, she presents the voices of the authorities, eyewitnesses, and the transgressors themselves—and these voices seem to say that in the slave South, whites were not overwhelmingly concerned about such liaisons, beyond the racial and legal status of the children that were produced. Only with the advent of black freedom did the issue move beyond neighborhood dramas and into the arena of politics, becoming a much more serious taboo than it had ever been before. Hodes gives vivid examples of the violence that followed the upheaval of war, when black men and white women were targeted by the Ku Klux Klan and unprecedented white rage and terrorism against such liaisons began to erupt. An era of terror and lynchings was inaugurated, and the legacy of these sexual politics lingered well into the twentieth century.

    In the midst of the Great Depression, the Big Apple is defiantly striving toward an era infused with art, architecture, and economic progress under the dynamic Mayor La Guardia. But those in City Hall know that tumultuous times can inspire both optimism and deadly danger . . . It s been six months since Lane Sanders was appointed Mayor Fiorella Fio La Guardia's new personal aide, and the twenty-three-year-old is sprinting in her Mary Janes to match her boss' pace. Despite dealing with vitriol from the Tammany Hall political machine and managing endless revitalization efforts, Fio hasn't slowed down a bit during his years in office. And luckily for Lane, his unpredictable antics are a welcome distraction from the childhood memories that haunt her dreams and the silver gun she'll never forget. When Lane gets attacked and threatened by an assailant tied to one of most notorious gangsters in the city, even the mayor can't promise her safety. The corrupt city officials seem to be using Lane as a pawn against Fio for disgracing their party in the prior election. But why was the assailant wielding the exact same gun from her nightmares? Balancing a clandestine love affair and a mounting list of suspects, Lane must figure out how the secrets of her past are connected to the city s underground crime network before someone pulls the trigger on the most explosive revenge plot in New York history . . ."

    Distracted from her cause by the sudden return of her once-dear friend, the unhappily wed Helen Codrington, Fido is swept up in the intimate details of Helen's failing marriage and obsessive affair with a young army officer. What begins as a loyal effort to help a friend explodes into a courtroom drama that rivals the Clinton affair --complete with stained clothing, accusations of adultery, counterclaims of rape, and a mysterious letter that could destroy more than one life.Based on a scandalous divorce case that gripped England in 1864, The Sealed Letter is a riveting, provocative drama of friends, lovers, and divorce, Victorian style.

    The struggle for supremacy between the Chalukya Emperor, Pulikesi II, and the Pallava Emperor, Mahendra Varmar and at a later stage, his son, Narasimha Varmar, forms the core of the novel. The story begins with Pulikesi's unanticipated invasion of the Pallava Kingdom and the ruses Mahendra Varmar employes to safeguard his kingdom and the capital, Kanchi. Mahendra Varmar is handicapped by his ill-equipped smaller army which is no match for the larger Chalukya army.Pulikesi's invasion is not Mahendra Varmar's sole cause for concern. The impractical yet ardent romance between his only son, Crown Prince Narasimha Varmar and the beautiful and talented danseuse, Sivakami, the daughter of the land's foremost sculptor, Aayanar, and the fate of Mamallapuram which Mahendra Varmar is in the midst of concerting into a sculpture-filled "dream world", weigh heavily on him.The scheming Chalukya loyalist, Naganandi Bikshu, the young and brave Pallava army commander Paranjyothi, the mysterious Vajrabahu, the passionate sculptor Aayanar and the Pallava spies Shatrugnan and Gundodharan aid in the story's progression. This intense and unforgettable narrative by 'Kalki' plays on the emotions of the readers and concludes with the least expected climax.

    Though the sheriff dismisses the body as a transient battered in a drunken brawl, one of the ladies, organist Helen Delaporte, has other ideas. First, there are the victim's finely manicured hands...and then there is the map dropped at the scene of the crime.Soon the members, including feisty, eighty-six-year-old Harriet Bushrow, are rebels with a cause, mounting an investigation of their own. Of course, when the press catches wind of it, they go to town. the coveted publicity for their chapter sets the ladies reveling...until Helen's windshield is showered with bullets...and it's clear that their new pet project could spell deadly ends for them all.Told in the alternating voices of chapter members and other colorful characters, Graham Landrum's stunning debut novel is the first in a delightful series narrated by members of the community of Borderville (smack on the Virginia-Tennessee line).

    Rebecca was an ordinary country girl when she became John and Grace Hooke’s maidservant—a little light-fingered, perhaps, but never malicious. In the Hookes’ service, however, she finds herself caught between a vicious mistress and a rapacious master, with their quiet but kind son, Richard, the only benevolent face in view.In Samuel Thomas' e-original short story, Rebecca recounts her escape from this desperate situation, and bears witness to the choices that have turned her from a naïve young woman into the ruthless Rebecca Hooke. The question she would ask the reader is simple, “What else would you have had me do?” 10,700 words

    Mischievous socialite Anna Blanc could match wits with Sherlock Holmes, but in her world women are not allowed to hunt criminals. Determined to break free of the era's rigid social roles, she buys off the chaperone assigned by her domineering father and, using an alias, takes a job as a police matron with the Los Angeles Police Department. There she discovers a string of brothel murders, which the cops are covering up. Seizing her one chance to solve a crime, she takes on the investigation herself. If the police find out, she'll get fired; if her father finds out, he'll disown her; and if her fiancé finds out, he'll cancel the wedding.Anna must choose--either hunt the villain and risk losing her father, fiancé, and wealth, or abandon her dream and leave the killer on the loose.

    But Joe Spooner brought more back with him than just good war stories. When movie-star handsome Peter Coleridge, a young ex-GI who served in Joe's company in postwar Austria, shows up, Evie is suddenly caught in a complicated web of lies that she only slowly recognizes. She finds herself falling for Peter, ignoring the secrets that surround him . . . until a tragedy occurs that shatters her family and breaks her life in two.

    and Cindy, have gone missing. Later that day, Cindy's body is found in a derelict lot a half mile from her home, strangled. Ten days later, Frankie Jr.'s decomposing body is found. Immediately, all fingers point to Ruth. As police investigate the murders, the detritus of Ruth's life is exposed. Seen through the eyes of the cops, the empty bourbon bottles and provocative clothing which litter her apartment, the piles of letters from countless men and Ruth's little black book of phone numbers, make her a drunk, a loose woman - and therefore a bad mother. The lead detective, a strict Catholic who believes women belong in the home, leaps to the obvious conclusion: facing divorce and a custody battle, Malone took her children's lives. Pete Wonicke is a rookie tabloid reporter who finagles an assignment to cover the murders. Determined to make his name in the paper, he begins digging into the case. Pete's interest in the story develops into an obsession with Ruth, and he comes to believe there's something more to the woman whom prosecutors, the press, and the public have painted as a promiscuous femme fatale. Did Ruth Malone violently kill her own children, is she a victim of circumstance - or is there something more sinister at play?

    Lucy can't believe it, but in a time where the accused are presumed guilty until proven innocent, lawyers aren't permitted to defend their clients, and—if the plague doesn't kill the suspect first—public executions draw a large crowd of spectators, Lucy knows she may never find out what really happened. Unless, that is, she can uncover the truth herself.Determined to do just that, Lucy finds herself venturing out of her expected station and into raucous printers' shops, secretive gypsy camps, the foul streets of London, and even the bowels of Newgate prison on a trail that might lead her straight into the arms of the killer.In her debut novel Murder at Rosamund's Gate, Susanna Calkins seamlessly blends historical detail, romance, and mystery in a moving and highly entertaining tale.

    When a secret alliance recruits June to guard priceless artifacts she realizes that this is her chance to contribute to the history she loves and rid herself of the cloud of suspicion that her family has lived under for so long. But, when the artifact June is commissioned to guard turns out to be the same relic her grandfather was accused of stealing− a relic he has consistently claimed never existed − her carefully laid plans of family redemption are a bit shot. Now, with the aid of her accused grandfather who suffers from early onset Alzheimer’s, and a chauffeur who’s looking for a scandal to make him famous, June must race to discover the truth of the shield and what really happened at Sutton-Hoo all those years ago.

    The suspension of disbelief happens easily, as the reader is led through twisted family trees and plot lines. The quincunx of the title is a heraldic figure of five parts that appears at crucial points within the text (the number five recurs throughout the novel, which itself is divided into five parts, one for each of the family galaxies whose orbits the narrator is pulled into). Quintuple the length of the ordinary novel, this extraordinary tour de force also has five times the ordinary allotment of adventure, action and aplomb.

    Georgette George does not know what to make of her brilliant, idealistic roommate, Ann Drayton, and her obsessive disdain for the ruling class into which she was born. She is mortified by Ann's romanticization of the underprivileged class, which Georgette herself is hoping college will enable her to escape. After the violent fight that ends their friendship, Georgette wants only to forget Ann and to turn her attention to the troubled runaway kid sister who has reappeared after years on the road. Then, in 1976, Ann is convicted of murder. At first, Ann's fate appears to be the inevitable outcome of her belief in the moral imperative to "make justice" in a world where "there are no innocent white people." But, searching for answers to the riddle of this friend of her youth, Georgette finds more complicated and mysterious forces at work.The novel's narrator Georgette illuminates the terrifying life of this difficult, doomed woman, and in the process discovers how much their early encounter has determined her own path, and why, decades later, as she tells us, "I have never stopped thinking about her."

    When Hitler came to power in 1933, one Jewish family refused to be destroyed and defied the Nazis only to come up against another struggle-confronting apartheid in South...