But when he and his best friend, Bob, partake in "awful kid stuff", the experience forms Jim's ideal of spiritual completion. Defying his parents’ expectations, Jim strikes out on his own, hoping to find Bob and rekindle their amorous friendship. Along the way he struggles with what he feels is his unique bond with Bob and with his persistent attraction to other men. Upon finally encountering Bob years later, the force of his hopes for a life together leads to a devastating climax. The first novel of its kind to appear on the American literary landscape, The City and the Pillar remains a forthright and uncompromising portrayal of sexual relationships between men.

    Today, it remains a touching story of a young man's discovery of his sexuality in the 1920s and 1930s and is considered to be one of the most important gay books ever written.

    Zealous and passionate, she seems destined for life as a missionary, but then she falls for one of her converts.At sixteen, Jeanette decides to leave the church, her home and her family, for the young woman she loves. Innovative, punchy and tender,Oranges Are Not the Only Fruit is a few days ride into the bizarre outposts of religious excess and human obsession.

    After all, girls love a sensitive guy, and what's more sensitive than dedicating your life to selling yarn and ... stuff? (Okay, so maybe it'd be a good idea to actually learn what one sells at an arts 'n crafts store.) But things don't go exactly according to plan. Coworker #1 is Cora: tiny, much-pierced, and way too fierce to screw with in any sense. Coworker #2 is Kristy: blonde, bubbly, unattainable perfection. And Coworker #3 is, well, Arthur. It goes without saying that he’s not an option. Right?… Right?Yeah, Howie’s life just got straight up confusing.Pun intended.

    If the minority is always right then John is practically infallible. Growing up disabled and gay in the 1950s, circumstances force John from an early age to develop an intense and vivid internal world. As his character develops, this ability to transcend external circumstance through his own strength of character proves invaluable. Extremely funny and incredibly poignant, this is a major new novel from a writer at the height of his powers.'I'm not sure I can claim to have taken my place in the human alphabet...I'm more like an optional accent or specialised piece of punctuation, hard to track down on the typewriter or computer keyboard...'

    Two farms. One deadly secret. Every day’s the same on the farm. Seventeen-year-old Seb rides his quad bike alongside his dad and cattle dog, dreaming about a different life. A life that doesn’t require him to spend all day in the blistering sun. Where the nearest town isn’t a forty-minute drive away with a population of less than three hundred people. Where he can talk to someone who isn’t his little brother or short-tempered father.So when new neighbours move into the derelict farm on the opposite side of the shrub, Seb hopes his luck is finally about to change. Could Jake, the enigmatic boy with a dangerous glint in his eye, be his ticket out of The Nowhere? And if so, how far are they both willing to go to escape?Fast forward two decades and Seb’s working as a nurse back in Perth. With his dad living in his home, Seb is tormented by the demons that have followed him his entire adult life. He begins confiding in his caring colleague Sandra, who convinces him the only way he’ll be able to move forward is to exorcise his ghosts and seek closure.But when Jake calls out the blue telling Seb he’s coming to visit, Seb has to decide whether he’s ready to face exactly what happened that summer. On the night that forever changed not only the lives of the two boys, but that of their entire families.Youthful, brutal and ferociously fantastic, The Nowhere is a coming-of-age novel about aspiration and isolation, sexuality and sadness, love, loss, and how life changes. Despite his best efforts, Seb learns that secrets can’t be kept forever. The truth always comes out eventually. You can’t keep it secret forever, the truth always comes out eventually.

    Living in New York in 1991 is Gilbert Selwyn, a young man possessed of boundless charm and an allergy to employment, who has devised a plan to wring a nice pile of loot from his mother's newest (and obscenely wealthy) husband.The scheme, simply put, is to get married for the gifts. But Gilbert, who's gay, needs a fiancée... Enter Moira Finch, a demonically conniving young woman whose own mother, having recently married the Duke of Dorsetshire, will contribute richly to the couple's receipts. Enter, too, Philip Cavanagh, Gilbert's longtime friend, former lover, and highly strung Best Man. And enter, finally, the Cellinis, Gilbert's huge internecine stepfamily, whose fortune has not been amassed as innocently as Gilbert first thought, and who conform rather more closely to Italian-American stereotypes than Gilbert would like to believe. As Gilbert, Moira, and Philip struggle to keep their plot under wraps, the scams get bigger and more perilous, deceit multiplies, and a wonderfully calamitous trail leads us towards what could be the wedding of the season.

    Now Is the Hour is the wondrous story of how Rigby John got to this point. It traces his gradual emancipation from the repressions of a strictly religious farming family and from the small-minded, bigoted community in which he has grown up during a time of explosive cultural change. Transforming this familiar journey from American Graffiti to On the Road into something rich and strange and hilarious is the persona of Rigby John himself. Intimately in touch with his fears, hesitantly awakening to his own sexuality, and palpably open to life's mysteries, Rigby John is a protagonist whom readers will fall in love with, root for, and be moved by.Now Is the Hour is a powerful, vastly entertaining story of self-awakening, of the complex bonds of family, and ultimately of America during a period of tremendous upheaval.

    Sensing a potential time bomb, and with Mucklewrath creating great pressure, the police brass assign the case to Detective Paul Turner whom they trust with sensitive matters. During their investigation, Turner and his partner discover that other right-wing bigots have been suffering odd attacks, and they begin to suspect a conspiracy of vengeance, perhaps even from the gay community. This is an uncomfortable thought for Turner, who is himself gay, but when Turner is attacked and his two sons threatened, he has to enlist the help of people in his close-knit neighborhood, as well as his contacts in the gay world, to find the solution in time.

    Initially denying even the possibility that he might be experiencing a homosexual crush, De'Ath soon finds himself giving in to this "strange and bothersome distraction" by scouring teenybopper magazines for articles like "20 Facts Ya Didn't Know About [Ronnie]!!" "As someone who did not know any facts at all about him as yet," he notes, "I confess I felt a certain onset of excitement." Gilbert Adair's narrative--it might be more accurate to call it a novella instead of a novel--is a precise depiction of romantic obsession and frustration. Narrated by De'Ath, it is thus somewhat more internally driven than the excellent 1998 film adaptation starring John Hurt and Jason Priestley. Love and Death on Long Island can be easily polished off with a few hours' reading, but its nuanced characterization of a man who trades restraint for recklessness is well worth savoring. --Ron Hogan

    His uncle, a keen Thatcherite, offers Omar an entrepreneurial opportunity to revamp a dingy laundrette, and ambitious Omar rolls up his sleeves, enlisting the assistance of his old school-friend Johnny, who has since fallen in with a gang of neo-fascists. Omar and Johnny soon form an unlikely alliance that leads to business success, as well as other, more intimate surprises.

    A secretary in a small-town Southern Baptist church in Texas, she bristles at Greg’s secular beliefs. Through passive-aggressive manipulation, subtle deceit, or outright battle, Vivien resolves to banish Greg and return Danny to the fold, come hell or high water. Greg’s hold on Danny’s heart is pitted against Vivien’s crusade for Danny’s soul.All the while, Greg devotes himself to keeping Danny happy while negotiating the cultural differences of his life in America. Danny’s new career as a lawyer takes them from his native Texas to New York. But with Vivien testing Greg’s stiff upper lip at every turn, something has to give.The British Devil is a semiautobiographical novel exploring culture, religion, and love in a bi-national relationship.

    It is a powerful and compelling novel about a young man navigating the depths of his emotional life, finding his moral center, trying to forgive himself, and accepting the gift of love.

    He lives in the exact center of center-less Los Angeles with his depressed father, Greg, and imaginative younger sister, Sandra. When Greg suddenly dies, more than everything changes and the relatively smooth orbits of family and friends are altered when Adam needs them most. In the middle of the drama, a man in uniform appears—and he is more than interested in Adam. This man, a policeman, is warm, witty and wise. He is 6 foot-something, dirty blond, and . . . well, he’s a California Boy trapped inside the body of a 38 year-old man. But how can Adam consider the possibility of a relationship when he is dealing with his father’s death, his friends’ (and his own) pre-pre-pre mid-life crises, his mother’s ambivalence, and his little sister’s need for him? Then again, how can he not?Half-Life is about being—or at least feeling—young and old at the same time. About loving, or wanting to love, but knowing that life and love are both as exuberant and seductive yet two-dimensional and illusory as a billboard along any of Los Angeles’s endless freeways.Aaron Krach has written for Time Out New York, Out magazine, InStyle, thePosition.com, CBSHealthwatch.com, The Independent Film and Video Monthly, TVTS, Oui, DOX: International Documentary Film, indieWIRE, A&U magazine Instinct, HX, The Villager, Downtown Express, and TWN (Florida). The former editor of Empire Magazine and arts editor of Gay City News, he is now the senior editor of Cargo magazine. He lives in New York City. Half-Life is his first novel.

    Although Terrence O’Connor, the beautiful boy who was his tormentor, is now a successful writer in Manhattan, he is also a man searching out his own identity. As Ben and Terrence form an unlikely friendship, hidden motives and long-kept secrets bubble to the surface. Does Ben realize he’s fallen in love with Terrence? And can Terrence admit to his own confused feelings? Darkly disturbing and brilliantly written, here is a chilling depiction of the once-victim who unwittingly becomes the bully.