She was soon breaking state records, but life away from the courts was less happy. Here, Lisa recounts her metamorphosis from a gangly teen to a world-famous athlete.

    From her treatment in the US and the wonderful care provided by the oncologists there to how she rebuilt her life once she returned home, the book takes us on an emotional roller-coaster ride through her many fears and struggles and shows how she eventually came out triumphant.Today, as she completes six years of being cancer-free, she shares her story-one marked by apprehensions, disappointments and uncertainties-and the lessons she learnt along the way. Through her journey, she unravels cancer for us and inspires us to not buckle under its fear, but emerge alive, kicking and victorious.

    Hollywood has so many stories to tell and, unfortunately, so many of them do not have happy endings. From Marilyn Monroe to posthumous Oscar winner Heath Ledger, this book lays bare some of the myths and gets to the heart of some of Hollywood's Unhappiest Endings.

    He carefully selected Tony Award-winning stars who have spent the majority of their careers in theater, leaving asidethose who have moved on or occasionally drop back in. The women he interviewed spent endless hours with him, discussing their careers, offering insights into the iconic shows, changes on Broadway over the last century, and the art (and thrill) of taking the stage night after night. Chita Riveradescribes the experience of starring in musicals in each of the last seven decades; Audra McDonald gives her thoughts on the work that went into the five Tony Awards she won before turning forty-one; and Carol Channing reflects on how she has revisited the same starring role generation aftergeneration, and its effects on her career. Here too is Sutton Foster, who contemplates her breakout success in an age when stars working predominately in theater are increasingly rare. Each of these conversations is guided by Shapiro's expert knowledge of these women's careers, Broadway lore, andthe details of famous (and infamous) musicals. He also includes dozens of photographs of these players in their best-known roles.This fascinating collection reveals the artistic genius and human experience of the women who have made Broadway musicals more popular than ever -- a must for anyone who loves the theater.

    The story of two white-collar managers, Chad and Howard, who maliciously plot to jointly romance the lonely, deaf, beautiful office temp Christine before simultaneously dumping her, is cool and compelling in its depiction of the worst sorts of emotional abuse. What begins as a cat-and-mouse game of one-upmanship quickly escalates into full-scale psychological warfare. Only too late does this 'frat boy' prank reveal itself as deadly serious, with a struggle between the two men at the heart of the battle. The woman is only a means to an end, a pawn easily captured and tossed aside in a dark, wicked duel for corporate ascension.

    Revealing the octogenarian spryness of a civilized mind and a beguiling mixture of the meditative and the hedonistic, My Name Escapes Me offers a glimpse of the private side of Guinness's often very public life.

    Brando Unzipped is the definitive gossip guide to the late, great actor's life New York Daily News. Lurid, raunchy, perceptive, and certainly worth reading, it's one of the best show-biz biographies of the year. London's Sunday Times. Brando Unzipped received an Honorable Mention from Foreword Magazine in its Book of the Year competition, and it won a Silver Ippy award for Best Biography from the Independent Publisher's Association."

    50-black-and-white photos.

    While his friends were out getting laid and stoned, he was tucked up at home dreaming of his name in lights, of holding an audience rapt, of perhaps becoming a TV heart-throb, or having someone, anyone, ask for his autograph in the supermarket. This is the true story of an obsessive pursuit of acting fame. It is a life marked by occasional hard-fought successes and routine helpings of ritual humiliation: scout hut Gilbert and Sullivan, dodgy rock operas, sewage farm theatre workshop, Christmas panto hell, straight-to-video film flops, leading roles in Crimewatch reconstructions and dressing up as a chicken to advertise TV dinners. It is a hilarious tale of turgid theatre, tights, trusses and tonsil tennis with Timothy Spall.

    But as biographer, film historian, and Gabor family friend Sam Staggs reveals, behind the headlines is a true story more dramatic, fabulous, and surprising than their self-styled legend would have you believe . . . In 1945, after barely escaping Hitler's invasion of Hungary followed by "liberation" of the country by the Red Army, three members of the Gabor family--Jolie, her ex-husband Vilmos, and their daughter Magda--arrived in New York City. In Hollywood, their other daughters, Zsa Zsa and Eva, had worked feverishly throughout the war years to secure their rescue from the Nazis' plan to exterminate the Jews. Stepping off the boat, Jolie, the iron-willed matriarch, already had a golden future mapped out for her sharp-witted, cosmopolitan beauties.Over the next six decades, with twenty-three husbands between them (suave All About Eve star George Sanders would wed both Zsa Zsa and Magda), scores of lovers, and roller-coaster rides in film, television, theater, and business, the elegant yet gloriously bawdy, addictively watchable Gabors carved a niche in the entertainment industry that made them world-famous pop-culture icons. But beneath the artifice of Dior and diamonds was another side to the story they never revealed: the whole truth.This first verifiable history of the Gabors casts a startling new light on these extraordinary women. Finding Zsa Zsa reveals the tumultuous and often unforgiven battles between mother and daughter, sister and sister, wife and husband; Eva's "bearded" romance with Merv Griffin that allowed them both to seek same-sex lovers; Zsa Zsa's involuntary confinement in a mental hospital; her life-long struggle with bipolar disorder; and her last--unconsummated--marriage to the manipulating faux prince Frederic von Anhalt. Here too is the untold story of Zsa Zsa's daughter, Francesca Hilton, a gifted photographer who eschewed the Gabor lifestyle and paid a sad price for her independence. The story of family patriarch Vilmos Gabor, who returned to Hungary only to be trapped behind the Iron Curtain, reads like a Cold War spy thriller.Culled from new interviews with family, colleagues, and confidantes, and the unpublished memoirs of the author's friend Francesca Hilton, Finding Zsa Zsa finally introduces fans to the Gabor family they never knew, including many never-before-seen photos. It's a riveting, outrageously funny, bittersweet, and affectionately honest read of four women who were vulnerable, tough, charitable, endlessly fascinating, and always glamorous to a fault.

    In this lavish tribute to Pickford (1892-1979), her enormous and wide-ranging body of work is illustrated with fabulous film stills, rare production shots, and personal photographs -- most never before published -- from the Academy of Motion Picture Arts and Sciences' Margaret Herrick Library.Today's audiences have little knowledge of Pickford's films, let alone of her enormous behind-the-scenes power as one of Hollywood's pioneering producers and cofounder of United Artists. This first illustrated filmography of Pickford's career accords her achievements the recognition they deserve. Noted film historian Kevin Brownlow draws on interviews with Pickford and her circle to provide entertaining film-by-film commentaries full of wonderful anecdotes about the silent era.

    The first black woman to star in her own TV series—NBC’s Julia—Carroll displays all the grace, wit, style, and honesty that carried her to the top as she reveals intimate details about her career, her life, and her loves, including her marriage to Vic Damone and her torrid relationship with Sidney Poitier. The Legs Are the Last to Go is an unforgettable self-portrait and revealing Hollywood memoir at its finest.

    Despite her fame and notoriety as the movies' first "sex symbol," no biography of the original Vamp has ever been written, even though Bara threatened to pen her own "because nobody ever wrote a true word about me." Finally, someone has. Bara had one of the most bizarre and colorful careers of the silent era, starring in Cleopatra, Salome, and scores of other hit films before vanishing mysteriously from the screen. Now, read for the first time how a nice Jewish girl from the Midwest became "Satan's Handmaiden," scandalized a nation, and abruptly fell from the heights.

    He directed both the London and Broadway productions of Miss Saigon, each of which ran for ten years. He directed Alan Bennett's The Madness of George III on both stage and screen. In short: He is one of today's most successful and admired theatrical impresarios.In Balancing Acts, Hytner gives us a detailed behind-the-scenes look at his creative process. From reviving classic musicals and mastering Shakespeare to commissioning new plays, he shows theater making to be a necessarily collaborative exercise, and he writes insightfully about the actors and playwrights he's worked with: Derek Jacobi, Richard Griffiths, Helen Mirren, Maggie Smith, Michael Gambon, Harold Pinter, and Tom Stoppard among them. With a cultural range that spans from The Mikado to The Lady in the Van, Balancing Acts is not only a memoir but a gathering of illuminating notes on the art of directing and a thoughtful meditation on the purpose of theater.