Erin Hughes, a local history professor with a passion for old houses. Dhari’s life is complicated enough without meeting such an attractive and intelligent woman: Her mother needs her, her father relies on her and her girlfriend worries her. But when Erin finds old letters and a diary, Dhari knows she can’t leave until she finds out the truth . . .Marianne K. Martin is the best-selling author of five novels including Mirrors and Love in the Balance.

    Written in vivid fragments that, like the pieces of a mosaic, come together into a glimmering whole, it shows us both the wild nature of grief and the intimate conversation that is love.From the Trade Paperback edition.

    But for all the interest in who's out and who's not (yet), there's been surprisingly little understanding of the diversity and richness of lesbian experience. This funny, lively, and perceptive book will change all that. Drawing on more than a hundred interviews with women around the country, and on their own keen wits and eyes, Van Gelder and Brandt have composed an unprecedented portrait of how gay women today—lipsticked and flannel-shirted alike—think, feel, love, and live. Three major "tribal" events—the long-running Michigan Womyn's Music Festival, "Dinah" (the annual Dinah Shore Golf Tournament and party circuit, a mecca for upwardly mobile luppies), and a cross-country trek with the activist Lesbian Avengers en route to the 1994 Stonewall commemoration—provide points of entry into an exploration of lesbian identity, social dynamics, and politics that's as entertaining as it is revealing. The result is a kaleidoscopic portrait that will resonate with lesbians themselves and reveal to their "neighbors" a world of unsuspected vibrancy and depth.

     Changing Trains is a fictionalised memoire that will transport you back to the glorious 1980s - that time just before mobile devices, the internet and social media changed the world - and one working class boy's journey of discovery and sexual self awareness.

    Whether illuminating a common laborer or a legendary thinker, Dubie meets his subjects with utter compassion for their humanity and the dignity behind their creative work. In pursuit of the well-told story, his love of history is ever-present—though often he recreates his own.“With its restoration of so many out-of-print poems and its addition of new works, The Mercy Seat was one of last year’s most significant publications.” —American Book Review“The voices of Dubie’s monologues are full of astonishing intimacy.” —The Washington Post Book World

    Alexandra Hartway is burned-out and disillusioned with her job. Seeing the same patients use the ER day after day in an effort to seek drugs has left her bitter, skeptical and unsympathetic. Jess Bolderson refuses to be held back. Although she has been confined to a wheelchair for the past ten years, she is as capable as anyone and doesn’t like to be told otherwise. So when she hears this ignorant doctor bashing people with disabilities as lazy at a professional meeting, she rips into Alex, leaving everyone around the table stunned and speechless. After a rough beginning, Jess and Alex quickly develop a deep respect for each other. Soon they become close friends, and then more—more than either could have ever imagined. But then a freak accident leaves Jess once again fighting for her life while Alex faces the ultimate challenge. Can she save the life of the woman she’s fallen in love with?

    From his earliest years, he writes in “Will,” he had “the gift of impermanence / so I would be ready, / accompanied / by a rage to prove them wrong / . . . and that I too was worthy of love.” This rage comes coupled with the poet’s own brand of love, what he calls “one / strange alone / heart’s wish / to help all / hearts.” Poetry is indeed Wright’s help, and he delivers it to us with a wry sense of the daily in America: in his wonderfully local relationship to God (whom he encounters along with a catfish in the emerald shallows of Walden Pond); in the little West Virginia motel of the title poem, on the banks of the great Ohio River, where “Tammy Wynette’s on the marquee” and he is visited by the figure of Walt Whitman, “examining the tear on a dead face.”Here, in Wheeling Motel, Wright’s poetry continues to surprise us with its frank appraisal of our soul, and with his own combustible loneliness and unstoppable joy.

    It brings together (but is not limited to) estranged lovers, despairing mothers and the avenging spirits of murdered women, in an assortment of words that celebrate queer desire, obsessive longing and a general disregard for "proper" subject matter. Comprising selected work written over the course of a decade, the largely confessional collection has been described as dark and hysterical ... but in a good way.

    When she comes down with blinding headaches, she reluctantly takes time away from work to go and see the doctor. Dr. Burnett is a gorgeous young blonde woman, and she comes to a decision very quickly. Stacy has stress headaches, and needs some rest and physical pleasure to distract her from the pain. Luckily, this is the good doctor's specialty, and she gives Stacy a treatment right there in the office!

    Bordering on obsessed and unable to make sense of her solitary life, she heads cross-country without a word, resolved to cultivate a new persona by creating her own kind of amnesia. But as time goes by, she is unable to deny hers truest self. Targeted media.

    Editor Joan Retallack has chosen complete texts or selections that lend themselves to a clarified vision of Stein's oeuvre. In her brilliant introduction, Retallack provides the historical and biographical context for Stein's lifelong project of composing a "continuous present," an effort which parallels many of the most important technological and scientific developments of her era—from moving pictures to Einstein's revision of our understanding of space and time. Retallack also addresses persistent questions about Stein's work and the best way to read it in our contemporary moment. In suggesting a performative "reading poesis" for these works, Retallack follows Stein's dictum by arguing that to actively experience the work is to enjoy it, and to enjoy it is to understand it.

    Informed in part by Gnostic concepts of the separate soul in search of its divine origins ("spirit held by matter"). This dualistic vision is cast in contemporary terms and seeks resolution of these tensions through acceptance.

    Trumpets should be blown, garlands made ... loquacious, playful, wildly comic ... poignant. His greatness is as certain as that of the poets he invokes' Daily Telegraph 'Whatever the densities of Hill's expression, or the powerful impacted forces in his syntax and rhythms, this poetry achieves a strength, memorability and precision beyond the abilities of any other poet writing in English' Peter McDonald, TLS

    A San Francisco Chronicle Best Book of 2004 and a Lambda Literary Award finalist.

    At least she was smart enough to keep her mouth shut about it until she could get the hell out of Briar's Glen to start her real life.Bree Hampton barely noticed the boring goth girl in algebra class. She had bigger fish to fry. Grow up, marry the quarterback, and get a big house up on the hill of Briar's Glen. A simple and achievable plan for the high school golden girl.But fifteen years later, Bree's charmed life has fallen apart around her ears. And things in Briar's Glen aren't looking too great. A teenager has gone missing, and now Bree's boss has disappeared too. Then a sexy stranger walks through the door of the shop. A stranger that might not be a stranger at all.Life in a small town wasn't for Del. Too cramped, too conservative, too boring. But now, thanks to a phone call from her small-time criminal father, she's back in town. And things have changed...They say that you can't go home again. But what if they're wrong?A Perfect Mess is a new stand-alone lesbian romance from Sienna Waters, the bestselling author of The Wrong Date and the Oakview series.