Determined to emulate his warrior ancestors, Babur's hunger for an empire leads him to attempt to re-establish Timur's legacy around the fabled city of Samarkand, accompanied by his loyal army of followers.

    These belongings absorbed the memory of a time and place, remaining latent and undisturbed for generations. They now speak of their owner's pasts as they emerge as testaments to the struggle, sacrifice, pain and belonging at an unparalleled moment in history. A string of pearls gifted by a maharaja, carried from Dalhousie to Lahore, reveals the grandeur of a life that once was. A notebook of poems, brought from Lahore to Kalyan, shows one woman's determination to pursue the written word despite the turmoil around her. A refugee certificate created in Calcutta evokes in a daughter the feelings of displacement her father had experienced upon leaving Mymensingh zila, now in Bangladesh. Written as a crossover between history and anthropology, Remnants of a Separation is the product of years of passionate research. It is an alternative history of the Partition - the first and only one told through material memory that makes the event tangible even seven decades later.

    But the world outside is being torn asunder and Krishan Chander shows how love, brotherhood and humanity swiftly turn into redundant emotions, as permanent lines are drawn between two nations. Traitor .... a word that acquires a new meaning and a sharper edge in the times we live in, Krishan Chander’s classic novel seems especially relevant as we mark the 70th anniversary of the annus horribilis that was the year 1947.

    Always looking over her shoulder, the sixteen-year-old must steal to feed herself and her mother, Valentina, who numbered among the Russian elite until Bolsheviks murdered most of them, including her husband. As exiles, Lydia and Valentina have learned to survive in a foreign land.Often, Lydia steals away to meet with the handsome young freedom fighter Chang An Lo. But they face danger: Chiang Kai Shek's troops are headed toward Junchow to kill Reds like Chang, who has in his possession the jewels of a tsarina, meant as a gift for the despot's wife. The young pair's all-consuming love can only bring shame and peril upon them, from both sides. Those in power will do anything to quell it. But Lydia and Chang are powerless to end it.

    As he becomes more and more involved with the lives and troubles of the common people in his district, he finds himself sucked deeper and deeper into the dark heart of the desert. And there, with the help of the mysterious musician, the Sarangiya, he has an encounter with beauty in its purest, most absolute form. An encounter that precipitates a dangerous descent. The pages from the journal he keeps are combined with the narratives of those around him—a Tehsildar, a Circuit House guard, a camel-herder, a pair of tribal girls, a Medical Officer, a Police Superintendent and the Collector's orderly—to create a compelling account of his slide away from reality. Half-real and half-fable, and redolent with the songs and myths of Rajasthan, Anukrti Upadhyay's Daura announces the arrival of a powerful new literary talent.

    In Norse Mythology, Gaiman stays true to the myths in envisioning the major Norse pantheon: Odin, the highest of the high, wise, daring, and cunning; Thor, Odin’s son, incredibly strong yet not the wisest of gods; and Loki—son of a giant—blood brother to Odin and a trickster and unsurpassable manipulator.Gaiman fashions these primeval stories into a novelistic arc that begins with the genesis of the legendary nine worlds and delves into the exploits of deities, dwarfs, and giants. Through Gaiman’s deft and witty prose, these gods emerge with their fiercely competitive natures, their susceptibility to being duped and to duping others, and their tendency to let passion ignite their actions, making these long-ago myths breathe pungent life again.

    . . an American missionary . . . twins separated at birth . . . a dwarf chauffeur . . . a serial killer . . . all are on a collision course. In the tradition of A Prayer for Owen Meany, Irving's characters transcend nationality. They are misfits--coming from everywhere, belonging nowhere. Set almost entirely in India, this is John Irving's most ambitious novel and a major publishing event.

    Against this tumultuous backdrop the lives of men and women unfold on the borderlands—where empires and faiths collide.  From the small coastal town of Senjan, notorious for its pirates, a young woman sets out to find vengeance for her lost family. That same spring, from the wealthy city-state of Seressa, famous for its canals and lagoon, come two very different people: a young artist traveling to the dangerous east to paint the grand khalif at his request—and possibly to do more—and a fiercely intelligent, angry woman, posing as a doctor’s wife, but sent by Seressa as a spy.   The trading ship that carries them is commanded by the accomplished younger son of a merchant family, ambivalent about the life he’s been born to live. And farther east a boy trains to become a soldier in the elite infantry of the khalif—to win glory in the war everyone knows is coming.   As these lives entwine, their fates—and those of many others—will hang in the balance, when the khalif sends out his massive army to take the great fortress that is the gateway to the western world...

    From gunpowder to opium, the East India Company uses every weapon to bring an entire sub-continent to its knees. Even Tipu, the fearsome Tiger of Mysore, falls prey to British military might. As a century of deceit and cruelty unfolds - the oppressed thirst for retribution. Delhi is the first to drown in blood, as a violent sepoy uprising engulfs all of Hindustan. The seat of the crumbling Mughal empire emerges as the epicenter of the ghadar. An unforgettable poet laments the destruction of his beloved city and a senile Badshah’s eyes gleam with unreal hope, as both sides of the Laal Qila witness terrifying bloodshed and historical battles. And amidst all the cannon-roars, brutal duels, intoxicated mushairas, ravishing courtesans, haunted treasures and bloody battles – unfolds the immortal story of the magnificent Mastaan & the beautiful Fay. Did one man really change the course of history’s greatest war for freedom? About the Authors Vineet Bajpai is one of India’s most popular and commercially successful authors. Counted among the 75 greatest Indian writers of all time, his books have touched the hearts & lives of millions of readers worldwide. A Nielsen chart-topping author, Vineet has written six books before Mastaan. His business and inspirational books Build From Scratch (2004), The Street to the Highway (2011) and The 30 Something CEO (2016) have been highly acclaimed. Vineet’s fiction novels, the best-selling Harappa Trilogy, sold over 1 lac copies within 12 months of release and are counted among the biggest blockbuster novels in the history of Indian fiction. Film-rights of the Harappa Trilogy have been acquired by one of the largest film production houses in India. A regular speaker at the Jaipur Literature Festival and other international literary events, Vineet’s books have been translated into several languages. Mastaan - The Fallen Patriot of Delhi is Vineet’s seventh book. ‘Vineet Bajpai... undoubtedly India’s new literary superstar’ - Times of India

    Behind the walls high civic order prevails. In the forgotten spaces between, where garbage gathers and disease festers, Shalini must search for Leila, the daughter she lost one tragic summer sixteen years ago. Skirting surveillance systems and thuggish Repeaters, Shalini—once wealthy, with perhaps a wayward past; now a misfit, pushed to the margins—is propelled only by her search. What follows is a story of longing, faith and most of all loss. With its unflinching gaze on class, privilege and the choices that today confront us and its startling, almost prophetic vision of the world—Leila announces Prayaag Akbar as a remarkable new voice in Indian fiction.

    The heartbreaking story of Kashmir has so far been told through the prism of the brutality of the Indian state, and the pro-independence demands of separatists. But there is another part of the story that has remained unrecorded and buried. Our Moon Has Blood Clots is the unspoken chapter in the story of Kashmir, in which it was purged of the Kashmiri Pandit community in a violent ethnic cleansing backed by Islamist militants. Hundreds of people were tortured and killed, and about 3,50,000 Kashmiri Pandits were forced to leave their homes and spend the rest of their lives in exile in their own country. Rahul Pandita has written a deeply personal, powerful and unforgettable story of history, home and loss.

    The Mahabharata is obsessed with the elusive notion of dharma - in essence, doing the right thing. When a hero falters, the action stops and everyone weighs in with a different and often contradictory take on dharma. The epic's characters are flawed, but their incoherent experiences throw light on our familiar dilemmas. Gurcharan Das's best-selling book India Unbound examined the classical aim of artha, material well being. This, his first book in seven years, dwells on the goal of dharma, moral well being. It addresses the central problem of how to live our lives in an examined way - holding a mirror up to us and forcing us to confront the many ways in which we deceive ourselves and others. What emerges is a doctrine of dharma that we can apply to our business decisions, political strategies and interpersonal relationships - in effect, to life itself.

    Chasing his fortune, he will travel from the red light district of Bombay to the green lawns of England to the unmapped African wilderness. He will play many different roles -- a young prize in a brothel, the adopted son of Scottish missionaries, the impeccably educated young Englishman headed for Oxford -- in order to find the role that will finally fit.Daring and riotously inventive, The Impressionist is an odyssey of self-discovery: a tale of the many lives one man can live, and of the universal search for true identity.

    It captures the dominance of a colonial power over the region that began with the entry of the Portuguese about four hundred years ago. The novel is a graphic description of the displacement of this strongly-rooted community which saw its resurrection in a new area. In the course of its narrative, the novel traces the gradual changes in the structure of the family that moved from a closely knit joint family of the bygone era to the nuclear family. It also deals with the factors that are responsible for the change in value systems of individuals in the wake of such paradigm shifts. With its vast canvas, it remarkably weaves fiction with myth and history, peppered with cultural details and linguistic nuances. The narration in Swapna Saraswatha progresses in the form of an epic detailing the story of nine generations spread over a period of two hundred and fifty years from 1510 to about 1760. It encompasses more than a hundred and fifty characters which include Hindus, Muslims, Christians, chieftains, traders, farmers, priests and black magicians, and covers a range of themes spread across folk tales, legends, armies, myths and a sprinkling of history.

    This collection features his best-known work: the great poem Meghadutam (The Cloud Messenger), a haunting depiction of longing and separation; the play Sakuntala, which describes the troubled love between a Lady of Nature and King Duhsanta; and the poem Rtusamharam (The Gathering of the Seasons), an exuberant observation of the sheer variety of the natural world as it teems with the energies of the great god Siva.