The fourth edition introduces sophisticated approaches to tutoring students of varying cultural backgrounds and new attention to technology, activity theory, ethical dimensions of tutoring writing, and challenges to theories of the writing process.

    

    Laurel Hoffman, an associate professor of women's studies in Berkeley, struggles to stay on track for tenure while caught up in the last throes of a crumbling relationship with a senior colleague. When she hears of a hotel being renovated and a secret room full of papers about women who once stayed there, she knows she has a potential career-saving article. Stefanie Beresford, the hotel owner, is not exactly receptive when Laurel approaches her about researching the hotel’s history, but that doesn't stop her from flirting with the alluring academic. She doesn't need the distraction, but for the first time in her life she wants to take a chance on more than a fleeting encounter. While Laurel can't deny her powerful feelings for Stefanie, she fears she's risking her heart as well as her future if she acts on her desires. But can a simple encounter between two rational adults really be all that dangerous?

    

    It is also a scathing attack on the “public apology” as yet another mask, as a manipulative device, which always seeks to conceal the maintenance and furtherance of the self-interest of its wearer.Clements’s powerful visual sets and soundscapes contain curtains of flames which at times assume the bodies of a chorus passing its remote judgment, devoid of both pity and fear, on the action: a merciless indictment of the cross-cultural, buried worm of avarice and self-interest hidden within the terrorism of the push to “go with the times,” to accept the iconography of a reality defined, contextualized and illuminated by others.Marie Clements writes, or, perhaps more accurately, composes, with an urbane, incisive and sophisticated intellect deeply rooted in the particulars of her place, time and history.Cast of five women and 12 men.

    Award-winning professor Peter Filene proposes that teaching should not be like a baseball game in which the instructor pitches ideas to students to see whether they hit or strike out. Ideally, he says, teaching should resemble a game of Frisbee in which the teacher invites students to catch ideas and pass them on. Rather than prescribe any single model for success, Filene lays out the advantages and disadvantages of various pedagogical strategies, inviting new teachers to make choices based on their own personalities, values, and goals. Filene tackles everything from syllabus writing and lecture planning to class discussions, grading, and teacher-student interactions outside the classroom. The book's down-to-earth, accessible style makes it appropriate for new teachers in all fields. Instructors in the humanities, the social sciences, and the natural sciences will all welcome its invaluable tips for successful teaching and learning.

    The bestselling grammar book has been updated and revised to include the latest and greatest on the basics and subtleties of English, and features a new chapter on the language of the Internet.

    Brian P. Cleary's playful verse and Brian Gable's comical cats turn traditional grammar lessons on end. Each adjective is printed in color for easy identification. Read this book aloud and share the delight of the sense--and nonsense--of words.

    The selections range from the earliest economic thought to such towering volumes as Adam Smith's The Wealth of Nations, Thomas Malthus's Essay on the Principle of Population, David Ricardo's Principles of Political Economy, and John Maynard Keynes's The General Theory of Employment, Interest, and Money. Acting as "a docent, not merely an editor," he takes the reader through the core arguments with "brilliantly clear commentary" (New York Times Book Review).

    Stephen King, Hemingway, Vonnegut, and Orwell detest it. Herman Melville, Henry James, and Rebecca Solnit love it. But why? When is it effective? Have we been misusing it? Should we even care?In Semicolon, Cecelia Watson charts the rise and fall of this infamous punctuation mark, which for years was the trendiest one in the world of letters. But in the nineteenth century, as grammar books became all the rage, the rules of how we use language became both stricter and more confusing, with the semicolon a prime victim. Taking us on a breezy journey through a range of examples—from Milton’s manuscripts to Martin Luther King Jr.’s “Letters from Birmingham Jail” to Raymond Chandler’s The Big Sleep—Watson reveals how traditional grammar rules make us less successful at communicating with each other than we’d think. Even the most die-hard grammar fanatics would be better served by tossing the rule books and learning a better way to engage with language.Through her rollicking biography of the semicolon, Watson writes a guide to grammar that explains why we don’t need guides at all, and refocuses our attention on the deepest, most primary value of language: true communication.

    The thirty-eight essays provide every significant topic in the study of Indian politics by eminent experts. They address the links between Indian politics and institutions of the state, ideologies, political processes, social movements, identity politics, government policy, international affairs, and the academia.The success of India's democratic political system despite immense and multidimensional diversity and differences has been a subject of longstanding academic debate and analysis. In the last few decades, in an increasingly globalized and multicultural world, India has carved its position as a globaleconomic and political power, and Indian polity and society have witnessed rapid transformation in terms of structure, processes, success, and failures. Grasping this swift and phenomenal change is a mammoth task, and The Oxford Companion to Politics in India is the best resource to capture themacro as well as micro view of Indian politics in a global world.Specially designed and priced to serve the needs of students and teachers of Indian politics, this unprecedented survey presents in one volume, thirty-eight essays on every theme of Indian politics written by experts in the field, and a substantial new Preface for the student readers. Clustered intoeight sections, these essays address the links between Indian politics and institutions of the state, ideologies, political processes, social movements, identity politics, government policy, international affairs, and the academia. Weaving together historical narratives with fresh analyses, thisvolume provides an accessible yet deeply researched narrative of politics in modern India.

    She proclaims, in her delightfully urbane, witty, and very English way, that it is time to look at our commas and semicolons and see them as the wonderful and necessary things they are. Using examples from literature, history, neighborhood signage, and her own imagination, Truss shows how meaning is shaped by commas and apostrophes, and the hilarious consequences of punctuation gone awry.Featuring a foreword by Frank McCourt, and interspersed with a lively history of punctuation from the invention of the question mark in the time of Charlemagne to George Orwell shunning the semicolon, Eats, Shoots & Leaves makes a powerful case for the preservation of proper punctuation.

    This book is very useful for all Students