White in the opening chapter of this book, are as true today as when they were written over a half-century ago. His unprecedented examination of crucial campaign, in which the young, charismatic John F. Kennedy squared off against the seasoned vice president, Richard M. Nixon, is both a fascinating historical document & a compelling narrative of character & consequence. The reporter's detailed appreciation of the instinct & experience that shape the political process is a revelation in our current age of sound bites, relentlessly chattering punditry & the all-consuming influence of tv, —an influence 1st felt in the Kennedy-Nixon debates that proved to be a critical factor in the 1960 election. Following seven candidates from the earliest stirrings of aspiration thru the rigors of the primaries, the drama of the conventions & the grueling campaigning that culminated in one of the closest electoral contests in history, White provides a valuable education in the ways & means of our political life. The Making of the President 1960 is an extraordinary document, a celebration of the genius of American democracy & an anatomy of the ambition, cunning & courage it demands from those who seek its highest office. For what it can teach us about the forces that determine the destiny of presidential candidates, it remains required reading today. White was born in Boston in 1915. After Harvard graduation, he was recruited by John Hersey to cover E. Asia for Time, becoming chief of its China Bureau in '45. This experience inspired his 1st book, Thunder Out of China (written with Annalee Jacoby). In '48 he went to live in Europe. His experience as a European correspondent led to Fire in the Ashes, published in '53. That same year he returned to the USA to work as national correspondent for The Reporter, then for Collier's. After its collapse in '56, he completed two novels, The Mountain Road & The View from the Fortieth Floor, in the next four years. At the time Collier's closed, he was planning a story on "The Making of the President 1956" for the magazine. He revived the idea in the next election year, resulting in his most famous book, The Making of the President 1960, which was awarded the Pulitzer Prize for General Nonfiction in 1962. Having found his vocation as our "storyteller of elections," he went on to produce three more Making of the President volumes, covering 1964, 1968 & 1972 campaigns. Subsequently, he was author of Breach of Faith: The Fall of Richard Nixon; In Search of History: A Personal Adventure; & America in Search of Itself: The Making of the President 1956-80. He died in 5/86.

    What really happened in 1969? In 1999, when Tom O'Neill was assigned a magazine piece about the thirtieth anniversary of the Manson murders, he worried there was nothing new to say. Weren't the facts indisputable? Charles Manson had ordered his teenage followers to commit seven brutal murders, and in his thrall, they'd gladly complied. But when O'Neill began reporting the story, he kept finding holes in the prosecutor Vincent Bugliosi's narrative, long enshrined in the best-selling Helter Skelter. Before long, O'Neill had questions about everything from the motive to the manhunt. Though he'd never considered himself a conspiracy theorist, the Manson murders swallowed the next two decades of his career. He was obsessed. Searching but never speculative, CHAOS follows O'Neill's twenty-year effort to rebut the "official" story behind Manson. Who were his real friends in Hollywood, and how far would they go to hide their ties? Why didn't law enforcement act on their many chances to stop him? And how did he turn a group of peaceful hippies into remorseless killers? O'Neill's hunt for answers leads him from reclusive celebrities to seasoned spies, from the Summer of Love to the shadowy sites of the CIA's mind-control experiments, on a trail rife with cover-ups and coincidences. Featuring hundreds of new interviews and dozens of never-before-seen documents from the LAPD, the FBI, and the CIA, CHAOS mounts an argument that could be, according to Los Angeles Deputy District Attorney Stephen Kay, strong enough to overturn the verdicts on the Manson murders. In those two dark nights in Los Angeles, O'Neill finds the story of California in the sixties: when charlatans mixed with prodigies, free love was as possible as brainwashing, and utopia-or dystopia-was just an acid trip away.

    But for all the words and pictures, the real story was not told until Peter Collier and David Horowitz spent years researching archives and interviewing both family members and hundreds of people close to the Kennedys. An immediate classic, "The Kennedys" combines intimate knowledge with a perspective free of obligations to family loyalties and myths, bringing the story of four generations of "America's family" fully into view. Collier and Horowitz capture the strain of ambition; the dynastic ebb and flow; the invention of a mythic identity; the corrosive underside of the dream of Camelot--developed over four generations--that led one young Kennedy to say, "We broke the rules and in turn we were broken by them." "The Kennedys: An American Drama" is a fascinating and brilliantly comprehensive history that brings together, for the first time, all the complex strains of the story of the Kennedys' rise and fall. The authors have added new material showing the effect of the death of John F. Kennedy Jr., and the other family tragedies of the last few years, on the Kennedys and their mythic role in American life.

    It explores how it overtook the conservative movement after Obama became president. The book helps readers make sense of the chaos in the media and offers ideas for bringing a stop to it and help make America sane again Compiling example after example, the editors of Crooks and Liars, a popular blog, examine the torrent of right-wing kookery--the eager willingness of conservatives to fervently believe things that are provably false--and its ramifications both for our national discourse and our national well-being. The authors show how this outlandish, overheated rhetoric--generated by mainstream-media figures like Glenn Beck, Rush Limbaugh, and Lou Dobbs--is accompanied by a wave of lethal right-wing threats and violence. They carefully expose the bias of Fox News contributors Neil Cavuto, Greta, Van Susteren, et al, and political opportunists like Sarah Palin and Newt Gingrich. The book explores the main drivers of this descent into madness: the extremist Radical Right and the longtime Republican willingness--dating back to Nixon, but refined in more recent years by Lee Atwater and his acolytes--to engage in a divisive politics of resentment, both racial and cultural. It takes a critical look at how Tea Party provocateurs like Dick Armey and his Freedom Works organization that take huge contributions from big money interests like former presidential candidate Steve Forbes that are willing to turn a blind eye to bigots, birthers and neo-John Birchers. The book demonstrates how the Tea Party is the true face of the Republican Party. The authors propose simple ways ordinary Americans can help stop the descent into blind opposition for it own sake. They suggest that news audiences demand accountability by from their sources by critically commenting on their Web site and to their editors or producers. They write "confronting the media malfeasance that makes rightwing populism possible is only an important first step in meeting the challenges posed by the rise of this political pathology in American life. Ultimately, it means confronting the movement and its leaders, particularly in their embrace of conspiracy theories, falsehoods, scapegoating, and vicious eliminationist rhetoric."

     "History at its best." -Zbigniew Brzezinski "Gripping, well researched, and thought-provoking, with many lessons for today." -Henry Kissinger "Captures the drama [with] the 'You are there' storytelling skills of a journalist and the analytical skills of the political scientist." - General Brent Scowcroft In June 1961, Nikita Khrushchev called it "the most dangerous place on earth." He knew what he was talking about. Much has been written about the Cuban Missile Crisis a year later, but the Berlin Crisis of 1961 was more decisive in shaping the Cold War-and more perilous. For the first time in history, American and Soviet fighting men and tanks stood arrayed against each other, only yards apart. One mistake, one overzealous commander-and the trip wire would be sprung for a war that would go nuclear in a heartbeat. On one side was a young, untested U.S. president still reeling from the Bay of Pigs disaster. On the other, a Soviet premier hemmed in by the Chinese, the East Germans, and hard-liners in his own government. Neither really understood the other, both tried cynically to manipulate events. And so, week by week, the dangers grew. Based on a wealth of new documents and interviews, filled with fresh- sometimes startling-insights, written with immediacy and drama, "Berlin 1961" is a masterly look at key events of the twentieth century, with powerful applications to these early years of the twenty- first.

    This account of the Kennedy assassination ("the most riveting ever," says The New York Times) is taken from Robert A. Caro's brilliant and bestselling The Passage of Power. Here is that tragic day in Dallas alive with startling details reported for the first time by the two-time Pulitzer Prize-winning author. Just as scandals that might end his career are about to break over Lyndon Johnson's head, the motorcade containing the presidential party is making its slow and triumphant way along the streets of Dallas. In Caro's breathtakingly vivid narrative, we witness the shots, the procession speeding to Parkland Memorial Hospital, the moment when Kennedy aide Lawrence O'Donnell tells Johnson "He's gone," and Johnson's iconic swearing in on Air Force One. Compelling.

    Trump is a man of great media savvy, entrepreneurial spirit, and political clout. Yet his career has been plagued by legal troubles and mounting controversy.From the origins of his family's fortune, to his own too-big-to-fail business empire; from his education and early career, to his whirlwind and ultimately successful presidential bid, The Making of Donald Trump provides the fullest picture yet of Trump's extraordinary ascendency. Love him or hate him, Trump's massive influence is undeniable, and figures as diverse as Woody Guthrie (who wrote a scathing song about Trump's father) and Red Scare prosecutor Roy Cohn, mob bosses and high rollers, as well as the average American voter, have all been pulled into his orbit.Drawing on decades of interviews, financial records, court documents, and public statements, David Cay Johnston, who has covered Trump longer and more closely than any other journalist working today, gives us the most in-depth look yet at the man who has shocked the world."Provides useful, vigorously reported overviews of Mr. Trump's life and career ... Mr. Johnston, who has followed the real estate impresario for nearly three decades, offers a searing indictment of his business practices and creative accounting."--Michiko Kakutani, The New York Times "David Cay Johnston has given us this year's must-read Trump book."--Lawrence O'Donnell, MSNBC's The Last Word "Johnston devastatingly covers ground he broke open as a reporter on the Trump beat in Philadelphia and at The New York Times...The best of investigative reporting is brought to bear on a man who could potentially lead the free world."--USA Today "Carefully fleshes out the details of Trump's known biography...with solid documentation."--Tampa Bay Times

    Kennedy, the founder of the twentieth century's most famous political dynasty. Nasaw—the only biographer granted unrestricted access to the Joseph P. Kennedy papers in the John F. Kennedy Presidential Library—tracks Kennedy's astonishing passage from East Boston outsider to supreme Washington insider. Kennedy's seemingly limitless ambition drove his career to the pinnacles of success as a banker, World War I shipyard manager, Hollywood studio head, broker, Wall Street operator, New Deal presidential adviser, and founding chairman of the Securities and Exchange Commission. His astounding fall from grace into ignominy did not come until the years leading up to and following America's entry into the Second World War, when the antiwar position he took as the first Irish American ambassador to London made him the subject of White House ire and popular distaste.The Patriarch is a story not only of one of the twentieth century's wealthiest and most powerful Americans, but also of the family he raised and the children who completed the journey he had begun. Of the many roles Kennedy held, that of father was most dear to him. The tragedies that befell his family marked his final years with unspeakable suffering.The Patriarch looks beyond the popularly held portrait of Kennedy to answer the many questions about his life, times, and legacy that have continued to haunt the historical record. Was Joseph P. Kennedy an appeaser and isolationist, an anti-Semite and a Nazi sympathizer, a stock swindler, a bootlegger, and a colleague of mobsters? What was the nature of his relationship with his wife, Rose? Why did he have his daughter Rosemary lobotomized? Why did he oppose the Truman Doctrine, the Marshall Plan, the Korean War, and American assistance to the French in Vietnam? What was his relationship to J. Edgar Hoover and the FBI? Did he push his second son into politics and then buy his elections for him? In this pioneering biography, Nasaw draws on never-before-published materials from archives on three continents and interviews with Kennedy family members and friends to tell the life story of a man who participated in the major events of his times: the booms and busts, the Depression and the New Deal, two world wars and a cold war, and the birth of the New Frontier. In studying Kennedy's life, we relive with him the history of the American Century.  2013 Pulitzer Prize FinalistNew York Times Ten Best Books of 2012

    That same year, a trove of Michael Jackson memorabilia—including his iconic crystal-encrusted white glove—was sold at auction for over $1 million to a guy who was, officially, just the lowly forestry minister of the tiny nation of Equatorial Guinea. And in 2014, Ukrainian revolutionaries raided the palace of their ousted president and found a zoo of peacocks, gilded toilets, and a floating restaurant modeled after a Spanish galleon. Unlikely as it might seem, there is a thread connecting these events, and Rachel Maddow follows it to its crooked source: the unimaginably lucrative and equally corrupting oil and gas industry. With her trademark black humor, Maddow takes us on a switchback journey around the globe, revealing the greed and incompetence of Big Oil and Gas along the way, and drawing a surprising conclusion about why the Russian government hacked the 2016 U.S. election. She deftly shows how Russia’s rich reserves of crude have, paradoxically, stunted its growth, forcing Putin to maintain his power by spreading Russia’s rot into its rivals, its neighbors, the West’s most important alliances, and the United States. Chevron, BP, and a host of other industry players get their star turn, most notably ExxonMobil and the deceptively well-behaved Rex Tillerson. The oil and gas industry has weakened democracies in developed and developing countries, fouled oceans and rivers, and propped up authoritarian thieves and killers. But being outraged at it is, according to Maddow, “like being indignant when a lion takes down and eats a gazelle. You can’t really blame the lion. It’s in her nature.” Blowout is a call to contain the lion: to stop subsidizing the wealthiest businesses on earth, to fight for transparency, and to check the influence of the world’s most destructive industry and its enablers. The stakes have never been higher. As Maddow writes, “Democracy either wins this one or disappears.”

    government-sponsored assassinations, from the author of the Pulitzer Prize finalist The Pentagon's BrainSince 1947, domestic and foreign assassinations have been executed under the CIA-led covert action operations team. Before that time, responsibility for taking out America's enemies abroad was even more shrouded in mystery. Despite Hollywood notions of last-minute rogue-operations and external secret hires, covert action is actually a cog in a colossal foreign policy machine, moving through, among others, the Bureau of Intelligence and Research, the House and Senate Select Committees. At the end of the day, it is the President, not the CIA, who is singularly in charge.When diplomacy fails and overt military action is not feasible, the President often calls on the Special Activities Division, the most secretive and lowest-profile branch of the CIA. It is this paramilitary team that undertakes dramatic and little-known assignments: hostage rescues, sabotage, and, of course, assassinations.For the first time, Pulitzer Prize finalist and New York Times bestselling author Annie Jacobsen takes us deep inside this top-secret history. With unparalleled access to former operatives, ambassadors, and even past directors of the Secret Service and CIA operations, Jacobsen reveals the inner workings of these teams, and just how far a U.S. president may go, covertly but lawfully, to pursue the nation's interests.

    But if Jackie had lived to see her son, JFK Jr., perish in a plane crash on his way to his cousin's wedding, she would have been doubly horrified by the familiar pattern in the tragedy. Once again, on a day that should have been full of joy and celebration, America's first family was struck by the Kennedy Curse.In this probing expose, renowned Kennedy biographer Edward Klein-a bestselling author and journalist personally acquainted with many members of the Kennedy family-unravels one of the great mysteries of our time and explains why the Kennedys have been subjected to such a mind-boggling chain of calamities.Drawing upon scores of interviews with people who have never spoken out before, troves of private documents, archives in Ireland and America, and private conversations with Jackie, Klein explores the underlying pattern that governs the Kennedy Curse.The reader is treated to penetrating portraits of the Irish immigrant Patrick Kennedy; Rose Kennedy's father, "Honey Fitz"; the dynasty's founding father Joe Kennedy and his ill-fated daughter Kathleen, President Kennedy, accused rapist William Kennedy Smith, and the star-crossed lovers, JFK Jr. and Carolyn Bessette. Each of the seven profiles demonstrates the basic premise of this book: The Kennedy Curse is the result of the destructive collision between the Kennedy's fantasy of omnipotence - an unremitting desire to get away with things that others cannot-and the cold, hard realities of life.

    Berkowitz confessed to being a lone murderer—one who had carried out eight senseless shooting with a .44 caliber Bulldog revolver. The case was officially closed.Journalist Maury Terry was suspicious of Berkowitz's confession, convinced as he gathered corroborating evidence throughout the years, that Berkowitz did not act alone. In this investigative story, first published in 1987, Terry details the chilling events, proving that Berkowitz was an affiliate of—and triggerman for—a Satanic cult known as the Process Church of the Final Judgment, a far-reaching organization that is connected to other ritual slayings across the country. Updated with Berkowitz's recent confirmations from his prison cell, Terry untangles the web of information and shocking extent of the Process Church's activities. Includes black-and-white photographs.

    Long before Lawrence O'Donnell was the anchor of his own political talk show, he was the Harvard Law-trained political aide to Senator Patrick Moynihan, one of postwar America's wisest political minds. The 1968 election was O'Donnell's own political coming of age, and Playing With Fire represents his master class in American electioneering, as well as an extraordinary human drama that captures a system, and a country, coming apart at the seams in real time. Nothing went to script. LBJ was confident he'd dispatch with Nixon, the GOP frontrunner; Johnson's greatest fear and real nemesis was RFK. But Kennedy and his team, despite their loathing of the president, weren't prepared to challenge their own party's incumbent. Then, out of nowhere, Eugene McCarthy shocked everyone with his disloyalty and threw his hat in the ring. A revolution seemed to be taking place, and LBJ, humiliated and bitter, began to look mortal. Then RFK leapt in, and all hell broke loose. Two assassinations and a week of bloody riots in Chicago around the Democratic Convention later, and the old Democratic Party was a smoldering ruin, and, in the last triumph of old machine politics, Hubert Humphrey stood alone in the wreckage. Suddenly Nixon was the frontrunner, having masterfully maintained a smooth facade behind which he feverishly held his party's right and left wings in the fold through a succession of ruthless maneuvers to see off George Romney, Nelson Rockefeller, Ronald Reagan, and the great outside threat to his new Southern Strategy, the arch-segregationist George Wallace. But then, amazingly, Humphrey began to close, and so, in late October, Nixon pulled off one of the greatest dirty tricks in American political history, an act that may well meet the statutory definition of treason. The tone was set for Watergate and all else that was to follow, all the way through to today.

    Kennedy assumed the presidency and stood to speak those words, America was divided, its citizens torn by fears of war. Kennedy's speech-called the finest since Lincoln at Gettysburg and the most memorable of any twentieth-century American politician-did more than reassure: it changed lives, marking the start of a brief, optimistic era of struggle against "tyranny, poverty, disease, and war itself." Ask Not is a beautifully detailed account of the week leading up to the inaugural which stands as one of the most moving spectacles in the history of American politics. At the heart of the narrative is Kennedy's quest to create a speech that would distill American dreams and empower a new generation. Thurston Clarke's portrait of JFK during what intimates called his happiest days is balanced, revealing the President at his most dazzlingly charismatic-and cunningly pragmatic. As the snow covers Washington in a blanket of white, as statesmen and celebrities arrive for candlelit festivities, the perfectionist Kennedy pushes himself to the limit, to find the words that would capture what he most truly believed and which would far outlast his own life. For everyone who seeks to understand the fascination with all things Kennedy, the answer can be found in Ask Not.

    House of Representatives—a large, often unruly body of men and women elected every other year from 435 distinct microcosms of America—has achieved renown as “the people’s House,” the world’s most democratic institution, and an acute Rorschach of biennial public passions. In the midterm election year 2010, recession-battered Americans expressed their discontent with a simultaneously overreaching and underperforming government by turning the formerly Democratically controlled House over to the Republicans. Among the new GOP majority were eighty-seven freshmen, many of them political novices with Tea Party backing who pledged a more open, responsive, and fiscally thrifty House. What the 112th Congress instead achieved was a public standing so low—a ghastly 9 percent approval rating— that, as its longest-serving member, John Dingell, would dryly remark, “I think pedophiles would do better.” What happened? Robert Draper explores this question just as he examined the Bush White House in his 2007 New York Times bestselling book Dead Certain: The Presidency of George W. Bush—by burrowing deeply inside the subject, gaining cooperation of the major players, and producing a colorful, unsparingly detailed, but evenhanded narrative of how the House of Representatives became a house of ill repute. Draper’s cast of characters spans the full spectrum of political experience and ideologies—from the Democrat Dingell, a congressman since 1955 (though elbowed out of power by the party’s House leader, Nancy Pelosi), to Allen West, a black Republican Tea Party sensation, former Army lieutenant colonel, and political neophyte with a talent for equal opportunity offending. While unspooling the boisterous, at times tragic, and ultimately infuriating story of the 112th Congress, Draper provides unforgettable portraits of Gabrielle Giffords, the earnest young Arizona congresswoman who was gunned down by a madman at the beginning of the legislative session; Anthony Weiner, the Democrats’ clown prince and self-made media star until the New Yorker self-immolated in a sex scandal; the strong-willed Pelosi and her beleaguered if phlegmatic Republican counterpart, House Speaker John Boehner; the affable majority whip, Kevin McCarthy, tasked with instilling team spirit in the iconoclastic freshmen; and most of all, the previously unknown new members who succeeded in shoving Boehner’s Republican Conference to the far right and thereby bringing the nation, more than once, to the brink of governmental shutdown or economic default. In this lively work of political narrative, Draper synthesizes some of the most talked-about breaking news of the day with the real story of what happened behind the scenes. This book is a timely and masterfully told parable of dysfunction that may well serve as Exhibit A of how Americans lost faith in their democratic institutions. *** “Congress will rise June 1st, as most of us expect. Rejoice when that event is ascertained. If we should finish and leave the world right side up, it will be happy. Do not ask what good we do: that is not a fair question, in these days of faction.” —Congressman Fisher Ames, May 30, 1796 In Do Not Ask What Good We Do, Robert Draper captures the prophetic sentiment uttered by Fisher Ames over two centuries ago. As he did in writing about President George W. Bush in Dead Certain, Draper provides an insider’s book like no one else can—this time, inside the U.S. House of Representatives. Because of the bitterly divided political atmosphere we live in, because of the combative nature of this Congress, this literary window on the backstage machinations of the House is both captivating and timely—revealing the House in full, from the process of how laws are made (and in this case, not made) to the most eye-popping cast of lawmakers Washington has ever seen.