. .'When first-year student Zoë Barry walks into Professor David Connolly's office and tentatively says these words, he is left reeling. But it is the lives of his family - particularly his wife Caroline - which are turned upside down by the arrival of this stranger.A daughter, a sister, a friend . . . an enemy?Though no one knows quite who Zoë is, she is soon entangled in their lives. Yet her stories don't ring true and Caroline is determined to learn if the girl is the unlucky innocent she claims to be or someone with a far darker agenda.A deadly cuckoo in the nest . . .Because by letting Zoë in, David and Caroline aren't just leaving themselves vulnerable. They're risking the most precious thing in the world - the lives of their children . . .

    Falling into a downward spiral of prostitution, drugs and drink, she is picked up by a journalist who has discovered that it was a bomb that caused the crash. And it is his murder that pulls her out of herself.The Rhythm Section is not a thriller about the hunt for a terrorist, although that is the path Stephanie takes, and it’s not a story about revenge, although justice for her family is her initial motivation. Rather, The Rhythm Section is the story of Stephanie’s attempt to reclaim herself. She has to rediscover who she is through a series of roles that she is forced to play; she is never herself. As a prostitute, she is Lisa, the chemical blonde. Later, she is Petra Reuter, German anarchist turned mercenary terrorist. Sometimes, she is Marina Gaudenzi, a Swiss businesswoman, or she’s Susan Branch, an American student, or Elizabeth Shepherd, an English management consultant.But whoever she is, she’s never herself because her life depends on her being someone else. This is the way she is trained by the intelligence service that recruits her, but it’s also the way she’s taught herself to be; being someone else has always worked for her and so it does now, until she begins to fall in love for the first time with Frank White. This undermines her completely and poses new questions: which of the many people she has become is the one to have fallen in love? Stephanie? Petra? Or one of the others? With whom has Frank fallen in love? Marina? Or the real Stephanie? More than anything, The Rhythm Section is about a catastrophic crisis of identity.

    She’d confess her situation to her friends—if it wasn’t for those dreadful words of warning in his goodbye note: “I’ll tell them what you did.”Instead, she does her best to keep up appearances, even as months pass and she can barely put food on the table—much less replace a light bulb. While she looks for a job, she lives in fear that someone will see her stuffing toilet paper into her handbag or pinching basil from a neighbor’s window box.Soon, blindsided by catastrophe, surprised by romance, and stunned by the kindness of a stranger, Tabitha realizes she can’t keep her secrets forever. Sooner or later, someone is bound to figure out that her life is far from perfect.

    And, for once, he may have actually found what he seeks. Then the trip takes a nasty turn, and the cave begins turning against them in mysterious ways.Nolan's story becomes one of survival against seemingly impossible odds. The only way out is to answer a series of intriguing questions: What is this strange cave? How has it remained hidden for so long? And what secret does it conceal that made its last visitors attempt to seal it forever?

    Héctor is trapped. The water truck, sealed to hide its human cargo, has broken down. The coyotes have taken all the passengers’ money for a mechanic and have not returned. Those left behind have no choice but to wait.Héctor finds a name in his friend César’s phone. AnniMac. A name with an American number. He must reach her, both for rescue and to pass along the message César has come so far to deliver. But are his messages going through?Over four days, as water and food run low, Héctor tells how he came to this desperate place. His story takes us from Oaxaca — its rich culture, its rapid change — to the dangers of the border. It exposes the tangled ties between Mexico and El Norte — land of promise and opportunity, homewrecker and unreliable friend. And it reminds us of the power of storytelling and the power of hope, as Héctor fights to ensure his message makes it out of the truck and into the world.Both an outstanding suspense novel and an arresting window into the relationship between two great cultures, The Jaguar’s Children shows how deeply interconnected all of us, always, are.

    She keeps to herself, begrudgingly socializes, and spends much of her time watching old Twin Peaks and X-Files DVDs. But when Vincent Pryce, Boston’s most eccentric billionaire, dies—leaving behind an epic treasure hunt through the city, with clues inspired by his hero, Edgar Allan Poe—Tuesday’s adventure finally begins.Puzzle-loving Tuesday searches for clue after clue, joined by a ragtag crew: a wisecracking friend, an adoring teen neighbor, and a handsome, cagey young heir. The hunt tests their mettle, and with other teams from around the city also vying for the promised prize—a share of Pryce’s immense wealth—they must move quickly. Pryce’s clues can't be cracked with sharp wit alone; the searchers must summon the courage to face painful ghosts from their pasts (some more vivid than others) and discover their most guarded desires and dreams.A deliciously funny ode to imagination, overflowing with love letters to art, from The Westing Game to Madonna to the Knights of the Round Table, Tuesday Mooney Talks to Ghosts is the perfect read for thrill seekers, wanderers, word lovers, and anyone looking for an escape to the extraordinary.

    But when Daisy’s grandmother is killed in a seemingly random act of violence, Daisy must take steps to protect herself and her child. Despite a thriving career in San Francisco, thirty-six-year-old Brooks McClain has returned home to spend what little time his mother has left before she succumbs to the deadly disease that is ravaging her. The seasoned investigative reporter has taken a position with the local newspaper and been on the job less than twenty-four hours when he’s summoned to cover the death of Pauline Thorpe. Brooks is all business, but the more time he spends with Daisy DiStefano, the more invested he becomes; there’s something about a single mother, a defenseless child, and an unsolved crime that has stirred Brooks’s protective instincts like nothing ever has before. And when the unthinkable happens, Brooks will do whatever it takes to clear the name of the woman he’s fallen for and the child he’ll protect at any cost. Romantic and suspenseful, Every Time I Think of You shows how far two people will go to fight for the ones they love, and the life they’ve always imagined.

    But as he's steeling himself, a crew of robbers bursts into the bank and begins to viciously shoot employees and customers. With nothing to lose, Nate confronts the robbers, taking them out one-by-one. The last man standing leaves Nate with a cryptic warning.Nate soon learns what that message meant. He is kidnapped by Pavlo, a savage Russian mobster and mastermind of the failed heist. Unable to break back into the bank to get the critical item inside, Pavlo gives Nate an ultimatum—break in and get what he needs or watch Pavlo slowly kill the one thing Nate loves most—his ex-wife Janie and his teenaged daughter Cielle—both lost when he came back from Iraq broken and confused. Now he's got one last chance to protect the people he loves, even if it's the last thing he is able to do.

    

    Nell and her father, Homicide Detective Martin Flynn, have never had much of a relationship. And Suffolk County will always be awash in memories of her mother, Marisol, who was brutally murdered when Nell was just seven.When Martin Flynn dies in a motorcycle accident, Nell returns to the house she grew up in so that she can spread her father's ashes and close his estate. At the behest of her father's partner, Detective Lee Davis, Nell becomes involved in an investigation into the murders of two young women in Suffolk County. The further Nell digs, the more likely it seems to her that her father should be the prime suspect--and that his friends on the police force are covering his tracks. Plagued by doubts about her mother's murder--and her own role in exonerating her father in that case--Nell can't help but ask questions about who killed Ria Ruiz and Adriana Marques and why. But she may not like the answers she finds--not just about those she loves, but about herself.

    Dressed in couture YSL, drinking the finest champagne at trendy Balthazar, Reba, as she’s known, is the picture of a wealthy art collector. To some, the elusive Miss Farwell is a shark with outstanding business acumen. To others, she’s a heartless capitalist whose only interest in art is how much she can make.But a thousand miles from the Big Apple, in the small town of Pierson, Illinois, Miss Farwell is someone else entirely—a quiet single woman known as Becky who still lives in her family’s farmhouse, wears sensible shoes, and works tirelessly as the town’s treasurer and controller. No one understands the ins and outs of Pierson’s accounts better than Becky; she’s the last one in the office every night, crunching the numbers. Somehow, her neighbors marvel, she always finds a way to get the struggling town just a little more money. What Pierson doesn’t see—and can never discover—is that much of that money is shifted into a separate account that she controls, “borrowed” funds used to finance her art habit. Though she quietly repays Pierson when she can, the business of art is cutthroat and unpredictable. But as Reba Farwell’s deals get bigger and bigger, Becky Farwell’s debt to Pierson spirals out of control. How long can the talented Miss Farwell continue to pull off her double life?

    It's not like they were close. She hadn't seen him--or her grandmother, the ice queen--in almost 20 years. But when Adella Atwater, the manager of her grandmother's apartment house, called and said Jillian's expenses would be paid if she'd fly in for the burial, a free trip to New Orleans was too intriguing to resist.What Adella didn't tell her was that the apartment house wasn't a house at all and, whatever it was, bore the dead weight of a long and painful history. As soon as Jillian meets the odd assortment of renters and realizes that her grandmother had no idea she was coming, she hatches a plan to escape. But the investigation into her father's death quickly unfolds and Jillian is drawn into the lives of the colorful collection of saints and sinners who pass through Saint Silvanus. She soon discovers there is more at stake than she ever imagined. Who is behind the baffling messages and the strange relics left on the steps? Is it possible that her family is actually cursed? Or is it just this crazy old house that holds them all under its spell?Jillian walks into a web of spiritual and personal danger borne out of her family's broken history, and despite Adella's wiliest efforts, only God himself can orchestrate the undoing of all that is going on at Saint Silvanus.

    At 33 years old, she is a named partner at her firm and life is going exactly how she planned.The same cannot be said for her husband, Adam. He is a struggling writer who has had little success in his career. He begins to tire of his and Sarah’s relationship as she is constantly working. Out in the secluded woods, at Adam and Sarah’s second home, Adam engages in a passionate affair with Kelly Summers.Then, one morning everything changes. Adam is arrested for Kelly’s murder. She had been found stabbed to death in Adam and Sarah’s second home. Sarah soon finds herself playing the defender for her own husband, a man accused of murdering his mistress. But is Adam guilty or is he innocent?

    Sunnie has spent years running from her past, burying secrets and building a life in which she needs no one and feels nothing. But a girl has gone missing, lost in the chaos of a bomb explosion, and the family needs Sunnie's help. Is the girl dead? Did someone take her? If she is out there, why doesn't she want to be found? It's time for Sunnie to face her own demons because they just might lead her to the truth about what really happened all those years ago.

    It’s always been easier for Cara Hargraves to bury herself in the past than confront the present, which is why working with a gruff but brilliant antiques dealer is perfect. While clearing out an estate, she pries open an old tin that holds the relics of a lost relationship: among the treasures, a World War II-era diary and a photograph of a young woman in uniform. Eager to find the author of the hauntingly beautiful, unfinished diary, Cara digs into this soldier’s life, but soon realizes she may not have been ready for the stark reality of wartime London she finds within the pages. In 1941, nineteen-year-old Louise Keene’s life had been decided for her—she’ll wait at home in her Cornish village until her wealthy suitor returns from war to ask for her hand. But when Louise unexpectedly meets Flight Lieutenant Paul Bolton, a dashing RAF pilot stationed at a local base, everything changes. And changes again when Paul’s unit is deployed without warning. Desperate for a larger life, Louise joins the women’s branch of the British Army in the anti-aircraft gun unit as a Gunner Girl. As bombs fall on London, she and the other Gunner Girls relish in their duties to be exact in their calculations, and quick in their identification of enemy planes during air raids. The only thing that gets Louise through those dark, bullet-filled nights is knowing she and Paul will be together when the war is over. But when a bundle of her letters to him are returned unanswered, she learns that wartime romance can have a much darker side. Illuminating the story of these two women separated by generations and experience, Julia Kelly transports us to World War II London in this heartbreakingly beautiful novel through forgotten antique treasures, remembered triumphs, and fierce family ties.