Providing support material for teachers in the study of Shakespeare, this book is part of a series designed for students with special educational needs and those with English as a second or other language, which provides access to this challenging part of the English National Curriculum.

    Excerpt and one of them, Gavin, was reputed to be the strongest man in the neighborhood. The daughter, a long-limbed slip of a girl who rode like a cow-puncher, was about the boy's age. Though Godfrey French had a ranch it was worked scarcely at all. The boys did not like work, and apparently did not have to. Godfrey French was reputed to have money. His ranch was a hang-out for what were known as "remittance men," young Englishmen who received more or less regular allowances from home--or perhaps to keep away from home. There were rumors of gambling and hard drinking at French's ranch. "Well, I'll take you home," the boy said. "You can ride my pony. He's on a rope a mile from here. But I'll have to hang up this buck, or the coyotes will chew him." He found two small saplings close together, bent them down, trimmed them and lashed their tops. Over these he placed the tied legs of the buck. With a little search he found a long dry pole. With this he had a tripod. As he hoisted with the pole the spring

    

    . . may the devil tek him! Her knows his temper, felt his fist many a time. And there be others as knows, women he's paid to keep silent about the blows they've suffered, for it tek more'n a roll in bed to satisfy Fenton Gilmore. Emma Lawrence has reason to fear the base cruelty of the man she must call uncle. She and her sister Rachel had been taken into the Gilmore household on the death of their parents and have known nothing but unkindness at the hands of Fenton and his wife. And now Rachel is dead, brutally raped and strangled, and Emma must dry her tears and flee if she is to escape the same fate. Emma falls in with two other orphans, and Timothy and Lily become as dear to her as her own departed sister. But Fenton Gilmore does not give up so easily. His evil ambition is to own a brothel and Emma is vital to his perverted plan.

    Her handsome husband, a radio personality, is beloved of the women of Ireland. Her two gorgeous sons are making a name for themselves in films. She has a lavish house in Dublin. What does she have to complain about? Finn eagerly anticipates her 40th birthday but spends the day alone and crying, forced to realise that she is literally a housewife. She has married a house! For over twenty years she has supported her husband in his career. She has raised two sons to manhood. She practically rebuilt the family home with her own sweat and labour. Her one escape is the garden workshop where she beats metal into fantasy figures. The day after her birthday she resigns her position as wife and mother. Her husband and sons fight the change in their lives but she holds firm. She locks herself in her workshop. Her fantasy figures don’t care if she looks a mess and can’t stop crying. Dare Lawrence, a wealthy Irishman living in America, discovers her secret world and wants some of it. He insists she puts a price on her figures, something Finn finds impossible to do. He shows her work to his friends in Hollywood. After years of her husband demanding that she hide her ‘little hobby’ suddenly the world comes calling. They want what she has created.

    Who are 'the Others'? Why are an increasing number of people throughout the world developing the ability to see and speak with the dead? Why have a farmers' guild from Iowa secretly enlisted the help of Scottish reporter Peter Nicolson? If they are correct, is the world stumbling blindly into a disaster that could threaten the survival of the human race? And what is contained within the missing 'GM File' that threatens to destroy some of the world's most powerful companies? To what lengths will these companies go to prevent Peter Nicolson uncovering the truth and publishing it to the world? Who has kidnapped the Scottish teenager Debbie McCrae? Will she manage to escape, or will she be killed by her mysterious abductor? What is the secret that Susie's dad tried to tell her as he died? And who is the mysterious Timothy? Can Peter Nicolson help stop the biggest terrorist attack the world has ever seen and prevent the destruction of the city of London? Will Peter Nicolson meet Maciek, his nemesis and erstwhile saviour? And if he does, who will survive?

    Their arch enemy Chauvelin and the Committee of Public Safety are never far behind, whilst back in England the beautiful Marguerite maintains her devotion.­

    You may find it for free on the web. Purchase of the Kindle edition includes wireless delivery.

    THE SCENE: Seattle from village to skyscraper city; the Alaskan gold fields.TIME: 1851 - 1941.THE SUBJECT: Four generations of the marvelous Melendys--a frontier family grown rich and ill at ease.THE AUTHOR: Edna Ferber, who wrote So Big, Cimarron, Show Boat, and other great novels straight from the heart of America.

    A classic Vermont snowstorm, a confused young man, and of course, a crime.

    Anderson also authored several works of fantasy, historical novels, and a prodigious number of short stories. He received numerous awards for his writing, including seven Hugo Awards and three Nebula Awards. This volume collects 8 classic stories:WITCH OF THE DEMON SEAS (1951)DUEL ON SYRTIS (1951)SECURITY (1953)SENTIMENT, INC. (1953)THE SENSITIVE MAN (1954)THE CHAPTER ENDS (1954)THE VALOR OF CAPPEN VARRA (1957)INDUSTRIAL REVOLUTION (1963)And if you enjoy this volume, don't forget to search your favorite ebook store for "Wildside Press Megapack" to see the more than 170 entries in the MEGAPACK™ ebook series, covering science fiction, fantasy, horror, mysteries, westerns, classics -- and much, much more!

    The text of Lord of the Flies is not included.

    Inheriting Ivy Compton-Burnett’s uncanny sensitivity to the terrifying undercurrents that swirl beneath the apparent calm of respectable family life while showing a deep sympathy of her own for human loneliness, Taylor depicted dislocation with the unflinching presence of mind of Graham Greene. But for Taylor, unlike Greene, dislocation began not in distant climes but right at home. It is in the living room, playroom, and bedroom that Taylor stages her unforgettable dramas of alienation and impossible desire. Taylor’s stories, many of which originally appeared in The New Yorker, are her central achievement. Here are self-improving spinsters and gossiping girls, war orphans and wallflowers, honeymooners and barmaids, mistresses and murderers. Margaret Drabble’s new selection reveals a writer whose wide sympathies and restless curiosity are matched by a steely penetration into the human heart and mind.

    But the first thing I see when I get home is eighteen-year-old Callie, and after that relaxing is out of the question. The little brat is living in my house while her mother is on vacation, and I can't stop thinking about her and what I'd like to do to her - if only she wasn't half my age and completely taboo. She won't leave me alone, though, and when she barges into my bedroom I can't take any more. Turns out it's Callie's first time, and I'm all out of protection. Do you think I'm going to stop?This story is *too taboo* for us to leave an excerpt, so use the "Look Inside" feature to get a preview.

    But even worse, she doesn't care. She blames God for taking her husband and has since lost her way in both her faith, and her community. But life must go on, and to support herself she makes and mends quilts for the Amish and Englishers alike. Living alone in an apartment above her shop, she works only to live and seemingly not much else as she feels the need to almost punish herself, and God, at the same time. But all that changes when Levi, himself a widow, comes into her shop to mend an old quilt as a surprise for his daughter's first child. He's immediately taken with Hannah. And as his job is repair and fixing broken things in his workshop, his trained eye spots a few problems around her home that could use some neighborly help. But his heart spots some problems, too. Yet Hannah doesn't want the help, or the attention. She resists, but Levi won't take no for an answer. He repeatedly shows up to work on things, trying to slowly chip away at her gruff exterior and win a smile, if not a friend. But Hannah is comfortable in her pain. She certainly has no time for friendships, let alone love. Yet God, and Levi, just might have other plans. Can two people find what they need in the other, when they both need it the most? A desire to mend against a desire to harbor old pains. Will love win out, in this sweet Amish Romance? Read this new book by Emma Maas to find out today...