Besides one nerve-wracking insurance fraud case in the past, her sheltered life is uneventful and just the way she likes it. Until one day, everything changes... Skyla and Troy, the manager at Overland Insurance, are the last ones to leave the office. In the empty parking lot, Troy takes her in his arms. Why would he ruin their easy-going friendship by kissing her, especially since he knows she’s dating Edmond? Left alone, Skyla hurries to her car, puts on her seatbelt, and glances in her rearview mirror. The face of a stranger grins at her from the backseat. “How nice to see you again,” he hisses close to her ear. Regaining consciousness, Skyla finds herself on the backseat of her own car, with her hands tied behind her back. Is she getting kidnapped? Who is he? And where is he taking her?

    But Commonwealth operative Simon Kovalic knows nothing ever goes to plan. So, when a duplicitous bounty hunter lives up to his reputation, Kovalic’s ready—just maybe not ready enough.Now he and his team must get offworld, before their enemies catch up with them…

    In lyrical prose and singular dialect, a saga beats forward that echoes the fables carried down for generations—like the screecher birds who swoop down for their periodic sacrifice, and the water women who lure men to wet deaths.Among its residents—wildly spanning decades, perspectives, and species—are David Sherman, a struggling musician who just happens to be God’s last son; Tyrone, a ruthless PhD candidate, whose dissertation about a childhood game ignites mayhem in the neighboring, once-segregated town of Port Yooga; and Jim, an all-too-obedient robot who serves his Master. As the book builds to its finish with Special Topics in Loneliness Studies, a fully-realized novella, two unhinged professors grapple with hugely different ambitions, and the reader comes to appreciate the intricacy of the world Scott has created—one where fantasy and reality are eternally at war.

    As the voyage takes her farther and farther from her traditional support systems, her world becomes more and more defined by forces outside her control. Mary's travels through often uncharted island communities, provides a compelling metaphor for a journey of self-discovery.

    Kali Fajardo-Anstine’s magnetic story collection breathes life into her Latina characters of indigenous ancestry and the land they inhabit. Set against the remarkable backdrop of Denver, Colorado–a place that is as fierce as it is exquisite–these women navigate the land the way they navigate their lives: with caution, grace, and quiet force. In “Sugar Babies,” ancestry and heritage are hidden inside the earth but tend to rise during land disputes. “Any Further West” follows a sex worker and her daughter as they leave their ancestral home in southern Colorado only to find a foreign and hostile land in California. In “Tomi,” a woman leaves prison and finds herself in a gentrified city that is a shadow of the one she remembers from her childhood. And in the title story, “Sabrina & Corina,” a Denver family falls into a cycle of violence against women, coming together only through ritual.Sabrina & Corina is a moving narrative of unrelenting feminine power and an exploration of the universal experiences of abandonment, heritage, and an eternal sense of home.

    

    Nick Antosca's THE GIRLFRIEND GAME is a tumble through the looking glass into a vortex of violence and desire. The 12 stories in the newest collection by the Shirley Jackson Award-winning author are brutal, urgent and unforgettable.In "Predator Bait," a decoy in a sex sting news show questions her job and the man who shares her bed. An undependable son watches his mother become a creature he hardly recognizes in "Amphibian." A young man plots the death of his girlfriend's killer in "Winter Was Hard."Antosca crafts surreal doomsday scenarios and otherworldly transformations alongside painfully articulate depictions of sexuality and animal impulse. The stories in THE GIRLFRIEND GAME are mesmerizing, leaving a haunting afterglow long after you close the book.

    Life is good - nice and tidy. Until, that is, on her fiftieth birthday when her boyfriend does the unthinkable: He proposes. Libby's been down the marriage road before and it just didn't work. While she's trying to persuade her guy to keep things status quo, she reconnects online with her high-school boyfriend and begins an email correspondence...just for fun.But fun soon turns to flirtation and Libby is startled to feel some stirrings of the passion she felt at seventeen. How is that possible? She thought she had things all figured out. Now she must take stock of her life and everyone in it, to answer for herself the question everyone has been asking --What more could you wish for?

    The eight masterful stories in this new collection are all told in the first person by a classic Murakami narrator: a lonely man. Some of them (like With the Beatles, Cream and On a Stone Pillow ) are nostalgic looks back at youth. Others are set in adulthood--Charlie Parker Plays Bossa Nova, Carnaval, Confessions of a Shinagawa Monkey and the stunning title story. Occasionally, a narrator who may or may not be Haruki himself is present, as in The Yakult Swallows Poetry Collection. Is it memoir or fiction? The reader decides. The stories all touch beautifully on love and loss, childhood and death . . . all with a signature Murakami twist.'

    Here Mason writes about love with stunning insight and variety.

    A boy waits at a bus stop, mocking businessmen struggling to keep their umbrellas open in a typhoon--until an old man shows him that they hold the secret to flying. A woman working in a clothing boutique waits endlessly on a customer who won't come out of the fitting room--and who may or may not be human. A newlywed notices that her husband's features are beginning to slide around his face--to match her own.In these eleven stories, the individuals who lift the curtains of their orderly homes and workplaces are confronted with the bizarre, the grotesque, the fantastic, the alien--and, through it, find a way to liberation. The English-language debut of one of Japan's most fearlessly inventive young writers.

    When a fellow passenger on his usual train goes missing, a man begins to wonder if everything is as it seems.

    By placing ordinary characters in extraordinary situations, Adjei-Brenyah reveals the violence, injustice, and painful absurdities that black men and women contend with every day. These stories tackle urgent instances of racism and cultural unrest and explore the many ways we fight for humanity in an unforgiving world.

    Christmas comes but once a year--which is too bad, because the stories in this dazzling collection are fun to read anytime. They put a speculative spin on the holiday, giving fans of acclaimed author Connie Willis a welcome gift and a dozen reasons to be of good cheer. Brimming with Willis's trademark insights and imagination, these heartwarming tales are full of humor, absurdity, human foibles, tragedy, joy, and hope. They both embrace and send up many of the best Christmas traditions, including the Christmas newsletter, Secret Santas, office parties, holiday pageants, and Christmas dinners (both elaborate and spare). There are Rockettes, the best and worst Christmas movies, modern-day Magi, Ghosts of Christmases Past, Present, and Yet to Come--and the triumph of generosity over greed. Like the timeless classics we return to year after year, these stories affirm our faith in love, magic, and the wonder of the season.Stories included:- Miracle- All About Emily- Inn- All Seated on the Ground- In Coppelius's Toyshop- Adaptation- deck.halls@bought/holly- Cat's Paw- Now Showing- Newsletter- Epiphany- Just Like the Ones We Used to Know

    Each volume’s series editor selects notable works from hundreds of magazines, journals, and websites. A special guest editor, a leading writer in the field, then chooses the best twenty or so pieces to publish. This unique system has made the Best American series the most respected — and most popular — of its kind. The Best American Short Stories 2011 includes Chimamanda Ngozi Adichie, Megan Mayhew Bergman, Jennifer Egan, Nathan Englander, Allegra Goodman, Ehud Havazelet, Rebecca Makkai, Steven Millhauser, George Saunders, Mark Slouka, and others