Bett Devlin, who's fearless, outgoing, and loves all animals as well as the ocean, lives in California. What they have in common is that they are both twelve years old, and are both being raised by single, gay dads.When their dads fall in love, Bett and Avery are sent, against their will, to the same sleepaway camp. Their dads hope that they will find common ground and become friends--and possibly, one day, even sisters. But things soon go off the rails for the girls (and for their dads too), and they find themselves on a summer adventure that neither of them could have predicted. Now that they can't imagine life without each other, will the two girls (who sometimes call themselves Night Owl and Dogfish) figure out a way to be a family?

    But she knows she's not a boy. She knows she's a girl.George thinks she'll have to keep this a secret forever. Then her teacher announces that their class play is going to be Charlotte's Web. George really, really, REALLY wants to play Charlotte. But the teacher says she can't even try out for the part . . . because she's a boy. With the help of her best friend, Kelly, George comes up with a plan. Not just so she can be Charlotte -- but so everyone can know who she is, once and for all.

    But that’s getting ahead of the story, and a wonderful story it is. In Archer’s sweetly naïve but observant voice, his life through elementary school is recounted: the outspoken, ever-loyal friends he makes, the teachers who blunder or inspire, and the family members who serve as his role models. From one exhilarating, unexpected episode to another, Archer’s story rolls along as he puzzles over the people in his life and the kind of person he wants to become…and manages to help his uncle become his best self as well.

    But she can always look back at the list she keeps in her green notebook to remember the things that will stay the same. The first and most important: Mom and Dad will always love Bea, and each other.When Dad tells Bea that he and his boyfriend, Jesse, are getting married, Bea is thrilled. Bea loves Jesse, and when he and Dad get married, she'll finally (finally!) have what she's always wanted--a sister. Even though she's never met Jesse's daughter, Sonia, Bea is sure that they'll be "just like sisters anywhere."As the wedding day approaches, Bea will learn that making a new family brings questions, surprises, and joy.

    Ivy feels invisible and ignored in the aftermath of the storm--and what's worse, her notebook filled with secret drawings of girls holding hands has gone missing.Mysteriously, Ivy's drawings begin to reappear in her locker with notes from someone telling her to open up about her identity. Ivy thinks--and hopes--that this someone might be her classmate, another girl for whom Ivy has begun to develop a crush. Will Ivy find the strength and courage to follow her true feelings?

    Dumb. Unfair.“Girls must wear a black, pleated, knee-length skirt.”I bet I read those words a hundred times during summer vacation. The problem wasn’t the last word in that sentence. Skirt wasn’t really the issue, not for me. The issue was the first word. Girls.Here’s the thing:I may seem like a girl, but on the inside, I’m a boy.

    Cady isn’t used to stability, or even living inside, after growing up homeless in San Diego with her dad.Now she’s staying in her mother’s old room, exploring the countryside filled with apple orchards and pie shops, making friends, and working in Aunt Shell’s own pie shop—and soon, Cady starts to feel like she belongs. Then she finds out that Aunt Shell’s pie shop is failing. Saving the business and protecting the first place she’s ever really felt safe will take everything she’s learned and the help of all her new friends. But are there some things even the perfect pie just can’t fix?

    And what a family the Lotterys are: four parents, children both adopted and biological, and a menagerie of pets, all living and learning together in a sprawling house called Camelottery. Then one day, the news breaks that one of their grandfathers is suffering from dementia and will be coming to live with them. And not just any grandfather; the long dormant "Grumps," who fell out with his son so long ago that he hasn't been part of any of their lives.Suddenly, everything changes. Sumac has to give up her room to make the newcomer feel at home. She tries to be nice, but prickly Grumps clearly disapproves of how the Lotterys live: whole grains, strange vegetables, rescue pets, a multicultural household... He's worse than just tough to get along with -- Grumps has got to go! But can Sumac help him find a home where he belongs?

    Their year will be filled with new schools, old friends, a grouchy neighbor, hungry skunks, leaking ice rinks, school plays, wet cats, and scary tales told in the dark! There’s Sam, age twelve, who’s mostly interested in soccer, food, and his phone; Jax, age ten, who’s psyched for fourth grade and thinks the new neighbor stinks, and not just because of the skunk; Eli, age ten (but younger than Jax), who’s thrilled to be starting this year at the Pinnacle School, where everyone’s the smart kid; and Frog (not his real name), age six, who wants everyone in kindergarten to save a seat for his invisible cheetah. Also Dad and Papa. WARNING: This book contains cat barf, turtle pee, and some really annoying homework assignments.

    For one little second, they feel Possible. Take two sisters making it on their own: brainy twelve-year-old GiGi and junior-high-dropout-turned-hairstylist DiDi. Add a million dollars in prize money from a national cooking contest and a move from the trailer parks of South Carolina to the North Shore of Long Island. Mix in a fancy new school, new friends and enemies, a first crush, and a generous sprinkling of family secrets. That's the recipe for The Truth About Twinkie Pie, a voice-driven middle-grade debut about the true meaning of family and friendship.

    Sometimes our hearts see things our eyes can’t. Lily Jo McGrother, born Timothy McGrother, is a girl. But being a girl is not so easy when you look like a boy. Especially when you’re in the eighth grade. Dunkin Dorfman, birth name Norbert Dorfman, is dealing with bipolar disorder and has just moved from the New Jersey town he’s called home for the past thirteen years. This would be hard enough, but the fact that he is also hiding from a painful secret makes it even worse. One summer morning, Lily Jo McGrother meets Dunkin Dorfman, and their lives forever change.

    If she ever wants to lift the cloud of grief over her family and community, she must complete the research her late mother began. She must follow the sharks.Wherever the sharks led, Lucy Everhart’s marine-biologist mother was sure to follow. In fact, she was on a boat far off the coast of Massachusetts, preparing to swim with a Great White, when she died suddenly. Lucy was eight. Since then Lucy and her father have done OK—thanks in large part to her best friend, Fred, and a few close friends and neighbors. But June of her twelfth summer brings more than the end of school and a heat wave to sleepy Rockport. On one steamy day, the tide brings a Great White—and then another tragedy, cutting short a friendship everyone insists was “meaningful” but no one can tell Lucy what it all meant. To survive the fresh wave of grief, Lucy must grab the line that connects her depressed father, a stubborn fisherman, and a curious old widower to her mother’s unfinished research. If Lucy can find a way to help this unlikely quartet follow the sharks her mother loved, she’ll finally be able to look beyond what she’s lost and toward what’s left to be discovered.

    His whole life, he’s wanted to star in a Broadway show. (Heck, he'd settle for *seeing* a Broadway show.) But how is Nate supposed to make his dreams come true when he’s stuck in Jankburg, Pennsylvania, where no one (except his best pal Libby) appreciates a good show tune? With Libby’s help, Nate plans a daring overnight escape to New York. There's an open casting call for E.T.: The Musical, and Nate knows this could be the difference between small-town blues and big-time stardom.

    Her mother was already sick when her father left them six years ago. Then when her mother died, it was Lydia who sat by her side.Fully orphaned now, Lydia follows the plan her mother made with her. She uproots to rural Connecticut to live with her “last of kin.” Aunt Brat; her jovial wife, Eileen; and their ancient live-in landlord, Elloroy, welcome Lydia. Only days after her arrival the women adopt a big yellow dog.Lydia is not a dog person—and this one is trouble! He pees in the house, escapes into the woods, and barks at things unseen. His new owners begin to guess about his unknown past.Lydia doesn’t want to cause trouble for her new family—and she does not mean to keep secrets—but there are things she’s not telling . . .Like why the box of “paper stuff” she keeps under her bed is so important . . .And why that hole in the wall behind the poster in her room is getting bigger . . .And why something she took from the big yellow dog just might be the key to unraveling his mysterious past—but at what cost?Award-winning author Leslie Connor crafts a story that sings about loss and love and finding joy in new friendships and a loving family, along with the world’s best bad dog. This uplifting story about recovery features strong female characters, an adorable dog, and the girl who comes to love him.

    For Moira, this means figuring out the right clothes to wear, learning how to put on makeup, and deciding which boys are cuter in their yearbook photos than in real life. But none of this is all that appealing to Bug, who doesn't particularly want to spend more time trying to understand how to be a girl. Besides, there's something more important to worry about: A ghost is haunting Bug's eerie old house in rural Vermont...and maybe haunting Bug in particular. As Bug begins to untangle the mystery of who this ghost is and what they're trying to say, an altogether different truth comes to light--Bug is transgender.