She knows very little about her android mother’s past, so when her grandmother arrives and attacks her mother, little Amy wastes no time: she eats her alive.Now she carries her malfunctioning granny as a partition on her memory drive, and she’s learning impossible things about her clade’s history – like the fact that the failsafe that stops all robots from harming humans has failed… Which means that everyone wants a piece of her, some to use her as a weapon, others to destroy her.

    They have ascended. A new layer has been placed upon the city, sealing anyone they deem unfit down below. In the dark slums beneath the city, something has been set in motion that will usher in a change. Something that will rattle the city of Haven to its core and forever alter the lives of everyone within.

    Hell is a playground.Would it be your ultimate fantasy to enter the world of a video game?A realm where you don’t have to go to work or worry about your health; where you can look like a hero or a goddess; where you can fly space-ships, slay dragons, yet all of it feels completely real. A realm where there are no consequences and no responsibilities.Or would it be your worst nightmare?Stuck in an endless state of war and chaos where the pain and fear feels real and from which not even death can offer an escape.Prison or playground. Heaven or hell. This is where you find out. This is white-knuckle action, sprawling adventure, merciless satire and outrageous humour like you’ve never experienced.This is Bedlam.

    A young Puritan woman travels to the New World with her unwanted new husband. Alan Turing, the renowned mathematician and code breaker, writes letters to his best friend's mother. A Jewish refugee and professor of computer science struggles to reconnect with his increasingly detached wife. An isolated and traumatized young girl exchanges messages with an intelligent software program. A former Silicon Valley Wunderkind is imprisoned for creating illegal lifelike dolls.Each of these characters is attempting to communicate across gaps — to estranged spouses, lost friends, future readers, or a computer program that may or may not understand them. In dazzling and electrifying prose, Louisa Hall explores how the chasm between computer and human — shrinking rapidly with today's technological advances — echoes the gaps that exist between ordinary people. Though each speaks from a distinct place and moment in time, all five characters share the need to express themselves while simultaneously wondering if they will ever be heard, or understood.

    The robot cannot go back until the question of "what do people need?" is answered. But the answer to that question depends on who you ask, and how.They're going to need to ask it a lot.Becky Chambers's new series asks: in a world where people have what they want, does having more matter?

    In a world not quite like this one, two lovers will be tested beyond their understanding.Machines Like Me occurs in an alternative 1980s London. Charlie, drifting through life and dodging full-time employment, is in love with Miranda, a bright student who lives with a terrible secret. When Charlie comes into money, he buys Adam, one of the first batch of synthetic humans. With Miranda’s assistance, he co-designs Adam’s personality. This near-perfect human is beautiful, strong and clever – a love triangle soon forms. These three beings will confront a profound moral dilemma. Ian McEwan’s subversive and entertaining new novel poses fundamental questions: what makes us human? Our outward deeds or our inner lives? Could a machine understand the human heart? This provocative and thrilling tale warns of the power to invent things beyond our control.

    The world that he remembers was much as we know it today. Now, as he regains his faculties through a cure developed during the years of his near-fatal decline, he discovers that the world has changed and so has his place in it. He was a world-renowned poet. Now he is seventy-five years old, though by a medical miracle he looks much younger, and he’s starting over, for the first time unsure of his poetic gifts. Living with his son’s family, he has no choice but to learn how to cope with a new information age in which the virtual and the real are a seamless continuum, layers of reality built on digital views seen by a single person or millions, depending on your choice. But the consensus reality of the digital world is available only if, like his thirteen-year-old granddaughter Miri, you know how to wear your wireless access—through nodes designed into smart clothes—and to see the digital context—through smart contact lenses. With knowledge comes risk. When Robert begins to re-train at Fairmont High, learning with other older people what is second nature to Miri and other teens at school, he unwittingly becomes part of a wide-ranging conspiracy to use technology as a tool for world domination. In a world where every computer chip has Homeland Security built-in, this conspiracy is something that baffles even the most sophisticated security analysts, including Robert’s son and daughter-in law, two top people in the U.S. military. And even Miri, in her attempts to protect her grandfather, may be entangled in the plot. As Robert becomes more deeply involved in conspiracy, he is shocked to learn of a radical change planned for the UCSD Geisel Library; all the books there, and worldwide, would cease to physically exist. He and his fellow re-trainees feel compelled to join protests against the change. With forces around the world converging on San Diego, both the conspiracy and the protest climax in a spectacular moment as unique and satisfying as it is unexpected.

    The transformation of humanity through nanotechnology has begun, and Marc Stiegler’s tales, most of which appeared in Analog Science Fiction Magazine, take us to a dangerous, wonder-filled future that may await us, ready or not. For Stiegler, technology is the “gentle seducer” that eases us from mere denizens of planet Earth to Masters of the Universe.

    She is also the submissions editor of Podcastle, an audio fantasy magazine.

    The question is... who's watching who?When the government's new private welfare system begins rewarding unemployed viewers for watching the right kind of ads, Roger Birch welcomes a Funscreen into his home. Like millions of others, Roger and his family soon depend on ad-viewing income for their survival. Unlike millions of others, the events of one uncomfortable evening leave Roger aware of the government's shadier reasons for investing in Funscreens. With HD cameras hidden behind a 60-inch glass veil, the answer was staring him in the face all along...

    Her grueling all-day Examination has just begun, and if she passes, she’ll be admitted into the Academy—the elite governing institution of her utopian society. But Anax is about to discover that for all her learning, the history she’s been taught isn’t the whole story. And the Academy isn’t what she believes it to be. In this brilliant novel of dazzling ingenuity, Anax’s examination leads us into a future where we are confronted with unresolved questions raised by science and philosophy. Centuries old, these questions have gained new urgency in the face of rapidly developing technology. What is consciousness? What makes us human? If artificial intelligence were developed to a high enough capability, what special status could humanity still claim? Outstanding and original, Beckett’s dramatic narrative comes to a shocking conclusion.

    This is an exploration of her relationship with the literary form we have come to know as "science fiction,” a relationship that has been lifelong, stretching from her days as a child reader in the 1940s, through her time as a graduate student at Harvard, where she worked on the Victorian ancestor of the form, and continuing as a writer and reviewer.  This book brings together her three heretofore unpublished Ellmann Lectures from 2010: "Flying Rabbits," which begins with Atwood's early  rabbit superhero creations, and goes on to speculate about masks, capes, weakling alter egos, and Things with Wings; "Burning Bushes," which follows her into Victorian otherlands and beyond; and "Dire Cartographies," which investigates Utopias and Dystopias.  In Other Worlds also includes some of Atwood's key reviews and thoughts about the form. Among those writers discussed are Marge Piercy, Rider Haggard, Ursula Le Guin, Ishiguro, Bryher, Huxley, and Jonathan Swift. She elucidates the differences (as she sees them) between "science fiction" proper, and "speculative fiction," as well as between "sword and sorcery/fantasy" and "slipstream fiction." For all readers who have loved The Handmaid's Tale, Oryx and Crake, and The Year of the Flood, In Other Worlds is a must.  From the Hardcover edition.

    He finds himself on a collision course that results in a desperate romance, and a journey into the ecstasy and dread that mirror each other at the heart of the postmodern experience.

    Brilliantly imagined and beautifully told, it is the work of a writer at the height of his powers. Our voyage from Earth began generations ago.Now, we approach our new home.AURORA.

    His life is dominated by the place and the thriving black market in the alien products. But when he and his friend Kirill go into the Zone together to pick up a “full empty,” something goes wrong. And the news he gets from his girlfriend upon his return makes it inevitable that he’ll keep going back to the Zone, again and again, until he finds the answer to all his problems.First published in 1972, Roadside Picnic is still widely regarded as one of the greatest science fiction novels, despite the fact that it has been out of print in the United States for almost thirty years.