Rita Feuerstahl comes to the university in Krakow intent on enjoying her freedom. But life has other things in store—marriage, a love affair, a child, all in the shadows of the oncoming war. When the war arrives, Rita is armed with a secret so enormous that it could cost the Allies everything, even as it gives her the will to live. She must find a way both to keep her secret and to survive amid the chaos of Europe at war. Living by her wits among the Germans as their conquests turn to defeat, she seeks a way to prevent the inevitable doom of Nazism from making her one of its last victims. Can her passion and resolve outlast the most powerful evil that Europe has ever seen?In an epic saga that spans from Paris in the ’30s and Spain’s Civil War to Moscow, Warsaw, and the heart of Nazi Germany, The Girl from Krakow follows one woman’s battle for survival as entire nations are torn apart, never to be the same.

    A long-buried personal sadness is enfolding her—and her career is stalled—when she stumbles upon an unusual group of immigrants living in rural California. She follows them on their annual return to the remote Azorean islands in the Atlantic Ocean, where bulls run down village streets, volcanoes are active, and the people celebrate festas to ease their saudade, a longing so deep that the Portuguese word for it can’t be fully translated.Years later, California is in a terrible drought, the wildfires seem to never end, and Diana finds herself still dreaming of those islands and the chuva—a rain so soft you don’t notice when it begins or ends.With her troublesome Labrador retriever, Murphy, in tow, Diana returns to the islands of her dreams only to discover that there are still things she longs for—and one of them may be a most unexpected love.

    She’s positive she’s a good mother and hard worker. So why is she in an alley with a needle in her arm? Waking up in the hospital without her son is terrifying. Being told she can’t have him back nearly crushes her. With her memory spotty and the circumstances incriminating, Tara must fight to learn the truth and wrestle with the idea that maybe her son is better off without her. Reid Holliston defends guilty people for a living and it's slowly killing him. He’s certain there is no such thing as a truly blameless client anymore. When his phone rings with a voice from his childhood his jaded views make him certain Tara is just one more criminal claiming innocence. But even his skepticism isn’t enough to keep him away. Best friends from a lifetime ago, the two must find a way to trust each other again in spite of how the years apart have changed them. Can a promise made in childhood be enough to save them both?

    One hundred years after his release from Reading Gaol, the life and work of Oscar Wilde has lost none of its fascination. In his day, his wit and writings enchanted and scandalized society in equal measure; his downfall came at the height of his powers. Devastated by his notorious trial for indecency, imprisoned for ``homosexual offenses,'' he was to spend two ruinous years in solitary confinement. As he was later to tell Andre Gide, Reading Gaol ``was not fit for dogs. I thought I would go mad.'' The Ballad was written from personal experience, and there was to be no more writing after this. As Wilde observed: ``Something is killed in me.'' Bankrupt, disgraced, and in exile, Wilde was to die not long after his release at the age of 46. His final resting place is the cemetery of Pere Lachaise in Paris. His tomb bears an inscription from The Ballad of Reading Gaol: ``And alien tears will fill for him/Pity's long broken urn/For his mourners will be outcast men/And outcasts always mourn.'' This commemorative edition of the poem is illustrated with the powerfully moving wood engravings of Garrick Palmer. 48 pp 5 x 8 8 wood engravings

    Brute arises, brave and furious, from the dissolution of a relationship, showing how such endings necessitate self-discovery and reinvention. The speaker of these poems is a sorceress, a bride, a warrior, a lover, both object and agent, ricocheting among ways of knowing and being known. Each incarnation squares itself up against ideas of feminine virtue and sin, strength and vulnerability, love and rage, as it closes in on a hard-won freedom. Brute is absolutely sure of its capacity to insist not only on the truth of what it says but on the truth of its right to say it. "What am I supposed to say: I'm free?" the first poem asks. The rest of the poems emphatically discover new ways to answer. This is a timely winner of the Walt Whitman Award, and an introduction to an unforgettable voice.

    But as she forms an unlikely connection with her abductor, Luke, her adventure takes a strange turn.There is nothing magical about growing up in a mountainside castle, when it’s your prison. Kaya’s ruthless and powerful father keeps her under lock and key, watched every second of the day–and Kaya’s not really sure why. She’s just a normal girl…no one special. She doesn’t understand her father’s obsession with her safety – until she is kidnapped. Dragged through a brutal wilderness, Kaya’s captor shows her the devastating truth, and even though he has dark secrets of his own, she is inexplicably drawn to him–when the stars are in your eyes, sometimes the line between right and wrong is blurred. Passion obliterates common sense. Love... makes you reckless. As Kaya's father’s men and her devoted bodyguard scour the woods to find her, she wonders if staying in the arms of her abductor is the safer place to be. At least, that’s what her heart is saying—her head is saying run… Dangerously passionate and darkly romantic, SERENADE is a page-turning thriller and seductive love story.

    Through prose that shifts fluidly between dreams and reality, past and present, we travel to Frida Kahlo's Casa Azul in Mexico; to the fertile moon terrain of Iceland; to a ramshackle seaside bungalow in New York's Far Rockaway that Smith acquires just before Hurricane Sandy hits; to the West 4th Street subway station, filled with the sounds of the Velvet Underground after the death of Lou Reed; and to the graves of Genet, Plath, Rimbaud, and Mishima.Woven throughout are reflections on the writer's craft and on artistic creation. Here, too, are singular memories of Smith's life in Michigan and the irremediable loss of her husband, Fred Sonic Smith.Braiding despair with hope and consolation, illustrated with her signature Polaroids, M Train is a meditation on travel, detective shows, literature, and coffee. It is a powerful, deeply moving book by one of the most remarkable multiplatform artists at work today.

    They made their life there. Got married, had kids, lived in the same houses that were always there along the streets that never changed. The whole white picket fence and tree swing might look good on greeting cards but in real life it was boring, at least to Sammy Jo.When Sammy Jo was a little girl she began dreaming of something bigger. Brighter. Something that wasn’t her town. She wanted to see the world and experience it all. Just how she was going to do that she had no idea. Because if her momma had her way, she’d marry one of the boys in town and be spitting out babies and going to church on Sunday with them all lined up in a row.The day Hale Christopher Jude III walked into the bakery she worked at, she knew he was it. That part of life she was missing. He smelled of foreign places and exciting things. He represented all the bright lights she dreamed of and simply put, she hoped he was her way out of this place.What Sammy Jo didn’t realize was things that appear perfect… aren’t. And chasing her dreams could lead to something very different.

    Watching over his sleeping son, the father reflects on the dangerous sea-crossing that lies before them. It is also a vivid portrait of their life in Homs, Syria, before the war, and of that city's swift transformation from a home into a deadly war zone. Impelled to write this story by the haunting image of young Alan Kurdi, the three-year-old Syrian boy whose body washed upon the beach in Turkey in September 2015, Hosseini hopes to pay tribute to the millions of families, like Kurdi's, who have been splintered and forced from home by war and persecution, and he will donate author proceeds from this book to the UNHCR (the UN Refugee Agency) and The Khaled Hosseini Foundation to help fund lifesaving relief efforts to help refugees around the globe. Hosseini is also a Goodwill Envoy to the UNHCR, and the founder of The Khaled Hosseini Foundation, a nonprofit that provides humanitarian assistance to the people of Afghanistan.

    With breathtaking freshness, he writes of mutability, of the passage of time, and of growth, decay, and death as they are reflected in both ourselves and the changing of the seasons. By turns playful, melancholy, and mysterious, the poems in "April Galleons" reaffirm the extraordinary powers that have made Ashbery such a significant figure in the American literary landscape.

    And if the moment does pass, it never goes that far. It stands in the distance, ready for whenever you want it back. Sometimes it's even there when you thought you were searching for something else, like an escape route, or your lover's face.How does one talk about love? Do we even have the right words to describe something that can be both utterly mundane and completely transcendent, pulling us out of our everyday lives and making us feel a part of something greater than ourselves? Taking a unique approach to this problem, the nameless narrator of David Levithan's The Lover's Dictionary has constructed the story of his relationship as a dictionary. Through these short entries, he provides an intimate window into the great events and quotidian trifles of being within a couple, giving us an indelible and deeply moving portrait of love in our time.

    Their father, a Ted Hughes scholar and scruffy romantic, imagines a future of well-meaning visitors and emptiness.In this moment of despair they are visited by Crow - antagonist, trickster, healer, babysitter. This self-described sentimental bird is attracted to the grieving family and threatens to stay until they no longer need him. As weeks turn to months and physical pain of loss gives way to memories, this little unit of three begin to heal.In this extraordinary debut - part novella, part polyphonic fable, part essay on grief, Max Porter's compassion and bravura style combine to dazzling effect. Full of unexpected humour and profound emotional truth, Grief is the Thing with Feathers marks the arrival of a thrilling new talent.

    Siken writes with ferocity, and his reader hurtles unstoppably with him. His poetry is confessional, gay, savage, and charged with violent eroticism. In the world of American poetry, Siken's voice is striking. In her introduction to the book, competition judge Louise Glück hails the “cumulative, driving, apocalyptic power, [and] purgatorial recklessness” of Siken’s poems. She notes, “Books of this kind dream big. . . . They restore to poetry that sense of crucial moment and crucial utterance which may indeed be the great genius of the form.”

    On a clear winter morning he sets out in his Cessna 180 to do some repairs on a remote hunt camp, leaving his five year old son and very pregnant wife snug in their beds.On the return trip, a squall forces him into an emergency landing and he winds up—quite literally—in the lap of petty criminal Dale Knight. Dale, now a fugitive from the law—and worse, from a merciless drug lord who just happens to be his brother—draws Tom into a web of mayhem and treachery that puts not only his life at risk, but the lives of his wife, son…and unborn child.SQUALL is a fast-paced, darkly-comic tale of murder and gang-style retribution that grabs the reader on page one and simply does not let go.

    In verse that deals with sexual assault, mental illness, and body acceptance, Ms. Lambert's Shame Is an Ocean I Swim Across emerges as an important new voice in poetry, providing strength and resilience even in the darkest of times.