When Haverford is robbed by a pirate, Raef vows to reclaim the stolen goods, hoping his victory will buy him the happiness he yearns for with Haverford. But Jon Kemp does not match what Raef knows about pirates, and the simple quest Raef anticipated turns out to be an epic journey. For while Jon might be a nobler man than Raef believed, he’s still a pirate. Love and loyalty are not on Jon’s agenda, and he certainly has no plans to love someone not entirely human …

    The first book deals with Simon’s childhood friendship and eventually love affair with an older boy, the second the trauma of his teenage years and early adulthood, the third his struggle to maintain equilibrium and the consequences of his failure at one point to achieve that. It is a fictional biography, written because it tells a strong story which raises many issues over six decades, the post war baby boomer generation who in many ways never had it so good. His own experience is probably unique, yet will strike a chord with many others who have been through similar things, as well as those with an interest in such matters, either personal or professional. It's a varied, exciting, demanding, sometimes terrifying life story.. Part 1, "The Book of Daniel" has received 5 star reviews and enthusiastically tweeted about. Read here: http://www.limebury.com/books.html It is not suitable for those under 18 years or who find explicit sexual narrative, including sexual violence, offensive.

    Flo and Clara, two impressionable students, are obsessed with each other and with a daring young writer named Mary MacLane, the author of a scandalous bestselling memoir. To show their devotion to Mary, the girls establish their own private club and call it The Plain Bad Heroine Society. They meet in secret in a nearby apple orchard, the setting of their wildest happiness and, ultimately, of their macabre deaths. This is where their bodies are later discovered with a copy of Mary’s book splayed beside them, the victims of a swarm of stinging, angry yellow jackets. Less than five years later, The Brookhants School for Girls closes its doors forever—but not before three more people mysteriously die on the property, each in a most troubling way. Over a century later, the now abandoned and crumbling Brookhants is back in the news when wunderkind writer, Merritt Emmons, publishes a breakout book celebrating the queer, feminist history surrounding the “haunted and cursed” Gilded-Age institution. Her bestselling book inspires a controversial horror film adaptation starring celebrity actor and lesbian it girl Harper Harper playing the ill-fated heroine Flo, opposite B-list actress and former child star Audrey Wells as Clara. But as Brookhants opens its gates once again, and our three modern heroines arrive on set to begin filming, past and present become grimly entangled—or perhaps just grimly exploited—and soon it’s impossible to tell where the curse leaves off and Hollywood begins. A story within a story within a story and featuring black-and-white period illustrations.

    Kol travels to the sorceress’s home, where her grandson, Thorbrand, takes Kol under his wing. Before long Kol discovers something else about himself that is different—something else that sets him apart as unmanly: Kol has fallen in love with another boy.But the world is changing in ways that threaten those who practice the ancient arts. As Kol’s new life takes him across the Norse lands, he finds that a new religion is sweeping through them, and King Olaf Tryggvason is hunting down and executing sorcerers. When a decades-old feud forces Thorbrand to choose between Kol and his duty to his kinsman, Kol finds himself cast adrift with only the cryptic messages of an ancient goddess to guide him to his destiny—and possibly to his death.

    But wait — Edward “Mitch” Mitchell is no Hercule Poirot, and The Back Passage is no Murder of Roger Ackroyd. Mitch is a handsome, insatiable 22-year-old hunk who never lets a clue stand in the way of a steamy encounter, whether it’s with the local constabulary, the house secretary, or his school chum and fellow athlete Boy Morgan, who becomes his Watson when they’re not busy boffing each other. When Reg Walworth is found dead in a cabinet, Sir James Eagle has his servant Weeks immediately arrested as the killer. But Mitch’s observant eye pegs more plausible possibilities: polysexual chauffeur Hibbert, queenly pervert Leonard Eagle, missing scion Rex, sadistic copper Kennington, even Sir James Eagle himself. Blackmail, police corruption, a dizzying network of spyholes and secret passages, watersports, and a nonstop queer orgy backstairs and everyplace else mark this hilariously hard-core mystery by a major new talent.

    Adrift and still grieving, he tries to find meaning in an unsatisfying job. Work takes him to the remote seaside villa of an old friend, where, among an odd assortment of guests, he meets the eunuch sword-dancer Varazda. Enigmatic and beautiful but distinctly prickly, Varazda is the antithesis of the straightforward and serious Damiskos. Yet as they keep getting in each other’s way at the villa, their mutual dislike is complicated by a spark of undeniable attraction. Then the villa’s guests begin to reveal their true characters and motives—no one here is what they seem—and Damiskos finds himself at the centre of a bizarre web of espionage, theft, and assassination. Varazda may need Damiskos’s help, but not as much as Damiskos, finally awakening to a new sense of life and purpose, needs Varazda. Sword Dance is the first book in the Sword Dance trilogy, an m/nb romance set in an imaginary ancient world, with murderous philosophy students, sex acts named after fruit, and love blossoming in the midst of mayhem.

    When she is able to see the ghost in the old Victorian house across the street, she wonders if her abilities have returned. Investigating the house, she discovers that the ghost, Maybelle Finders, has a family secret that is keeping her from moving on. Will Mary be able to help Maybelle repay old debts? And is Maybelle really telling Mary all there is to know about the secrets in the old house?

    Neverland is his real home. So when Peter returns to it after ten years in the real world, he’s surprised to find a Neverland that no longer seems to need him.The only person who truly missed Peter is Captain James Hook, who is delighted to have his old rival back. But when a new war ignites between the Lost Boys and Hook’s pirates, the ensuing bloodshed becomes all too real – and Peter’s rivalry with Hook starts to blur into something far more complicated, sensual, and deadly.

    That is how it has always been, and how it was always to be. But Luc, Anders, and Curtis—vampire, demon, and wizard—have cheated tradition. Their bond is not coterie, pack, or coven, but something else. Thrust into the supernatural politics ruling Ottawa from behind the shadows, they face Renard, a powerful vampire who harbors deadly secrets of his own and wishes to end their threat. The enemy they know conjures fire and death at every turn. The enemies they don’t know are worse. Blood, soul, and magic gave them freedom. Now they need to survive it.

    American Blood is a timely and fiercely moral statement on violence and loss.

     Ennis del Mar and Jack Twist, two ranch hands, come together when they're working as sheepherder and camp tender one summer on a range above the tree line. At first, sharing an isolated tent, the attraction is casual, inevitable, but something deeper catches them that summer. Both men work hard, marry, and have kids because that's what cowboys do. But over the course of many years and frequent separations this relationship becomes the most important thing in their lives, and they do anything they can to preserve it. The New Yorker won the National Magazine Award for Fiction for its publication of "Brokeback Mountain," and the story was included in Prize Stories 1998: The O. Henry Awards. In gorgeous and haunting prose, Proulx limns the difficult, dangerous affair between two cowboys that survives everything but the world's violent intolerance.