There are boilers to be fixed, cats to be fed, and the perfect funeral to be planned. As a mother researches burial spots and biodegradable coffins, her family is finally forced to communicate with her and each other as they face up to the future. A dark comedy about death and life going on.

    Facing the possibility of spending Christmas alone—or even worse, at her over-eager parent’s—she booked a two-week stay at the first affordable, well-rated winter retreat she could find: Holly Bough Cottage in the Colorado Rockies. With her interior design business slowing down over the holidays, Liv can practically smell the pine trees and warm apple cider, but most importantly? She won’t have to face anyone for at least fourteen days. Jonah wasn’t planning on being anywhere but home for Christmas, but when the owners of the Cottages posted on a community board that their handyman injured himself, he decided to pull them a solid. It didn’t hurt that they were offering a free stay and double the daily rate he usually made as a middle-school science teacher. When Liv discovers that the man who came to replace her thermostat is staying in the next cottage over, she finds herself looking for opportunities to sit on the porch while answering emails. Even if it is thirty below. Jonah, battling ghosts of his own, can’t help but walk the long way to the office in the hopes of catching a moment with her. With Liv's heart still raw from past wounds and Jonah hiding a past life that could ruin any budding relationship, their initial attraction doesn't seem to stand a chance. Will their unexpected meeting during the most magical of times be enough to open their hearts to loving and trusting again? If you adore cozy Christmas memories, down-to-earth characters, and sweet romance, you'll love Gunderson's heartwarming holiday tale.

    They are about guns, campaign buttons, and a cabin in the Vermont woods that stinks of wood smoke and kerosene -- and about their associations of pleasure, menace, and regret.The resulting volume may be compared to the plays that have made Mamet famous: it is finely crafted and deftly timed, and its precise language carries an enormous weight of feeling.

    Later, she was committed to Broadmoor "from where she may not be discharged without permission of the Home Secretary." Using a technique of multiple characterization, Find Me seeks to investigate in depth the personality of the young girl - to 'find her' - and at the same time studies the effects of her behavior on those around her.

    These “seven stories” lead to a charming and surprising ending.Cast of 2 women and 3 men.

    This extraordinary drama, produced to acclaim at the Actors Theatre of Louisville originally, and at NYC's Second Stage is about a celebrated 1930's French murder case, in which two maids sisters were convicted of murdering their employer and her daughter. This very cinematically structured work explores the motivations whi

    The game setting? A subdivision with identical houses. The goal? Smash through an army of zombies to escape the neighborhood for good. But as the line blurs between virtual and reality, both parents and players realize that fear has a life of its own. "Playing like a nifty episode of 'The Twilight Zone', the story builds to an affectingly grues

    . .   Toss, repair, sell, repeat. Most of the time, people are grateful for estate liquidator Jenna Matthews’ organizing services. Not Reece Porter, her new client’s handsome but grouchy grandson. As far as he’s concerned Jenna is a vulture, picking through his late grandfather’s treasures, during the holidays, no less. Personally, Jenna isn’t one for Christmas nostalgia, or any kind of nostalgia. Plus, she’s just doing her job. But when she and Reece are drawn together in an emergency, it becomes clear there’s a whole other kind of tension between them, one that’s pure electricity. And when Jenna discovers keepsakes that suggest an intriguing Porter family secret, unwrapping the mystery leads both Jenna and Reese to the greatest gifts of the holidays—and the truth in their hearts. . .   PRAISE FOR THE NOVELS OF KRISTINA McMORRIS   THE EDGE OF LOST   “Compelling, resonant and deeply moving, The Edge of Lost is an absorbing tale of deceit and self-deception, survival and second chances, the ties that bind and the lure of the unknown.”--Christina Baker Kline, # 1 New York Times bestselling author   “Will grab your heart on page one and won’t let go until the end.  I absolutely love this book, and so will you.” --Sara Gruen, #1 New York Times bestselling author of Water for Elephants   “Kristina McMorris takes us on a thrilling ride from the Emerald Isle, to the boroughs of New York, to the ‘Rock’ of Alcatraz. I found myself thoroughly immersed in her richly evocative settings, just as I was captivated by the pure humanity of her characters as they struggled for redemption. This book is a wonderful read!”--David R. Gillham, New York Times bestselling author of City of Women   “I adore everything that Kristina McMorris writes and this book is no exception.”--Jennifer Robson, author of Somewhere in France   “A beautifully told story about a young man’s journey through adversity and loss with an exhilarating ending that I couldn’t put down and stayed up well past my bedtime to finish.”--Charles Belfoure, New York Times bestselling author of The Paris Architect   “An absorbing, addictive read.”--Beatriz Williams   THE PIECES WE KEEP   “McMorris’s strong pacing keeps the two stories zipping along and all its many strings connected for a gratifying conclusion.”--Kirkus Reviews   BRIDGE OF SCARLET LEAVES   “Impeccably researched and beautifully written.” --Karen White   LETTERS FROM HOME   “An absolutely lovely debut novel filled with endearing chara

    But when the young members of the Christian Puppet Ministry put those teachings into practice, one devout young man's puppet takes on a shocking personality that no one could have expected. In this hilarious black comedy, a foul-mouthed sock puppet named Tyrone soon teaches those around him that the urges that can drive a person to give in to their darkest desires fit like a glove. In Hand to God, a "true tour de force" (New York Times), Robert Askins has written a play of "unerring perfection" (Huffington Post). The must-see hit of the 2015 Broadway season, starring Steven Boyer and Geneva Carr, garnered an Obie Award and five Tony Award nominations, including Best Play, following its sold out, critically acclaimed off-Broadway runs at MCC Theater and Ensemble Studio Theatre.

    This short play by Caryl Churchill was an entry in the 1997 London International Festival of Theatre.

    He explores the queasy relationships between life and art, love and estrangement, and the bane that is American identity drift, with unsparing but compassionate candor.” –Misha Berson, Seattle Times“Margulies’s remarkable gift of building characterization through realistic dialogue is undiminished. Full of aching ruefulness that underlies the comedy, Brooklyn Boy’s scenes are written with precision and humor. The play isn’t about Brooklyn, nor is it about a boy—it’s about a man without a home.” –Don Shirley, Los Angeles TimesThis new play by the Pulitzer Prize-winning author of Dinner with Friends follows the career of Eric Weiss, a writer whose novel hits the bestseller list the same time his life begins to unravel. His wife is out the door, his father is in the hospital, and his childhood friend thinks he has sold himself to the devil. A funny and emotionally rich look at family, friends and fame.Donald Margulies received the 2000 Pulitzer Prize for Drama for Dinner with Friends. The play received numerous awards, including the American Theatre Critics Association New Play Award, the Dramatists Guild/Hull-Warriner Award, the Lucille Lortel Award, the Outer Critics Circle Award and a Drama Desk nomination, and has been produced all over the United States and around the world. In addition to his adaptation of God of Vengeance, his many plays include Collected Stories, The Country House, Sight Unseen, The Model Apartment, The Loman Family Picnic, What’s Wrong with This Picture? and Time Stands Still. Mr. Margulies currently lives with his wife and their son in New Haven, Connecticut, where he teaches playwriting at Yale University.

    Joe sits at the nexus of Washington life: beloved, feared, and courted in equal measure by the very people whose careers and futures he determines. But as the sixties dawn and America undergoes dizzying change, the intense political dramas Joe has been throwing his weight around in—supporting the war in Vietnam and Soviet containment, criticizing student activism—come to bear a profound personal cost.Based on the real-life story of Joe Alsop, whose columns at the time of his 1974 retirement were running three times a week in more than three hundred newspapers, David Auburn’s The Columnist is a deft blend of history and storytelling. A hilarious, searing portrait of the glorious rewards and devastating losses that accompany ego, ambition, and the pursuit of power, The Columnist pens a vital letter from a radically changing decade to our own turbulent era.

    However, celebrations come to an abrupt end when the host suffers an horrific accident.As the victim lies in a coma, an almost unthinkable plan starts to take shape: could her suffering be their next work of art? The group is ecstatic in its new found project until things slip out of their control and, to the surprise of all, the patient awakes?pool (no water) is a visceral and shocking new play about the fragility of friendship and the jealousy and resentment inspired by success.Citizenship is a bittersweet comedy about growing up, following a boy's frank and messy search to discover his sexual identity. It was developed as part of the National Theatre Shell Connections 2005 Programme

    Searching Manchester in desperation, she finds all roads lead to Pomona - an abandoned concrete island at the heart of the city.Here at the centre of everything, journeys end and nightmares are born.A sinister and surreal thriller from Alistair McDowall, Pomona received its world premiere at the Orange Tree Theatre, London, on 12 November 2014.

    The eclectic band of citizens that make up this town are portrayed by only two performers, making this satire on life in rural America even more delightful as they depict all of the inhabitants of Tuna -- men, women, children and animals.