In an unprecedented (for him) run of promiscuity, Ty has managed to impregnate three women in the span of one week: His ex-girlfriend, his 40-something married next-door neighbor, and his 18 year-old student. In this edgy comedy by playwright Rajiv Joseph, Ty's problems illuminate every triumph and failure of his life, and as the women

    York Notes author John Scicluna discusses all aspect of An Inspector Calls --a thorough run-down very helpful to anyone studying the famous Priestley play.

    Christmas time can be murder…A suburban housewife is found dead in her garden.There is no weapon, no witnesses, and the only set of footprints belong to her cat.Probationary detective Kay Hunter and her colleagues are convinced it’s murder – but how can they find a killer when there are no clues?

    But Gott had seen fit to take Daniel from them, and they had not been blessed with boppli of their own despite many years of trying. When Sam and Nip's friend, Rachelle, convince Nip to volunteer at the Special Needs Children's Hospital, in the hopes that caring for the sick children when their parents could not be with them, no one could have anticipated the richness of the blessings it would bring. After years of consuming depression, Nip could not bear another Christmas in their haus with only her and Sam. Her prayers had gone unanswered for so many years, and she could not understand Gott's will in her plight. When Gott at last revealed His plans, the full understanding of His timing is at last understood and Nip and Sam have the lives they have always dreamt for themselves. A heartwarming tale of the needs of sick and orphaned children in these close communities and how a special child may be more of a blessing than the parents who take them in.

    One of his best-loved and most famous plays, it exposes the lies plaguing the family of a wealthy Southern planter of humble origins.

    Can she melt the Frosty Lord Blackwood in time to enjoy her Christmas? Gabriel Blackwood enjoyed certain things but Christmas wasn’t one of them. To Rosalind he is arrogant and she will not take it even from a Dukes son. The man cannot complete one sentence without his familiar jeer and sly, smug, grin? Rosalind however, was not going to put up with such spoiled behavior, Lord or not she would put him in his place and stop him from spoiling the fun of the season. As Gabriel comes to understand his arrogance, he realized something else. Rosalind is, stubborn, headstrong, tough, and beautiful. Suddenly he knew she was just about as perfect a woman as he could wish for. If only she didn’t hate him. Can Gabriel change his attitude enough to break down Rosalind’s barriers? Or will she always be like a dog, guarding a bone? Find out now in Christmas with the Frosty Lord.

     Harri (Harriet) Hall thinks Christmas will be perfect in her ancestral home, The Hall, with roaring log fires, scented pine trees, sparkling decorations, and mouth-watering, festive feasts. She’s been abroad for the last two years and is excited about introducing her, admittedly quirky, family, and The Hall, to her boyfriend, Art (Arthur) and his family, the Camlan-Browns. She soon finds things have changed. The family funds are dwindling fast and The Hall looks like a dilapidated pile. But Harri has her savings and it won’t take long to spruce it up. Although letting Lance Knightly do the renovation, may be a big mistake. There’s something about the man, Harri really doesn’t like. She needs to keep an eye on him. Snow is gently falling and preparations are going well – until Harri’s stepbrother blows up the cooker; water leaks through the roof and blizzards arrive before the Camlan-Browns. Will Art get through the snow by Christmas Eve, and will Lance finish work on The Hall in time? Harri’s perfectly capable of dealing with a crisis as well as any man, but it seems Christmas may not turn out quite as she expected.

    They sailed far out to sea. The blue one returned to the harbor. The red one sailed home too. But the yellow boat sailed up to the sun." Benjamin always concluded his bedtime ritual by saying, "Mom, you can be the red boat or the blue boat, but I am the yellow boat." This remarkable voyage of Benjamin was extensively developed and widely produced in America for several years, always to ovations. Cast of 4 men and 3 women.THE YELLOW BOAT is based on the true story of David and Sonja Saar's son, Benjamin, who was born with congenital hemophilia, and died in 1987 at the age of 8 of AIDS related complications. A uniquely gifted visual artist, Benjamin's buoyant imagination transformed his physical and emotional pain into a blaze of colors and shapes in his fanciful drawings and paintings. The story of THE YELLOW BOAT Is a glorious affirmation of a child's life, and the strength and courage of all children. Recommended for children of age 8 and older, parents, families and adults.

    What Rebecca Gilman makes of this familiar scenario is something startlingly real and compelling, delving deeply into the small space that can divide a feeling of hope from one of hopelessness, as Curt and Sandy both try to get a foothold in the American dream of a house, a job, a life, a relationship with another human being.Gilman's previous play, Boy Gets Girl, was acclaimed by Time magazine as the best play of 2000, saying that "with Spinning into Butter, her play about race relations on campus, Rebecca Gilman gave notice that she was a playwright to watch. And with this intense drama of a woman's encounter with a stalker, she became one to hail . . . It's not just a gripping play but also an important one." Marked by Gilman's characteristically sharp delineation of character, pitch-perfect dialogue, and effortless use of humor that is both biting and silly, Blue Surge is a worthy successor to these plays--an intimate look at the class struggle in America today as well as a brilliant example of the dramatic craft from one of today's most accomplished practitioners. It will have its world premiere at the Goodman Theatre in Chicago in the spring of 2001.

    Albee there is a theme beneath the surface, in this case the corruption of money and the rottenness of this bigoted exurbia where conformity to its illiberal standards and its hypocritical show of respectability is all that counts. The scene is the suburban home of Jenny and Richard, beautifully played by Barbara Bel Geddes and Barry Nelson. The only thing that seems to stand in the way of their happiness is a lack of money. The action starts in an entertaining comedy of manners style. Then abruptly there enters a Mrs. Toothe in the menacing and fascinating person of Beatrice Straight who offers Jenny the opportunity to make more money than they have ever had, to buy a greenhouse and all the other luxuries that they require for their garden and their lives. Richard's realization that their newfound money is being earned by his wife's whoring comes almost simultaneously with the return of their fourteen-year-old son from school and a champagne cocktail party which they are giving to impress their country club friends. As a result, his horror, disgust and rage has to be kept under wraps in order to keep up essential appearances until tragedy strikes, and Richard realizes that the assembled wives are all involved and their husbands are aware and condoning." More than that, they are prepared not merely to justify but defend the ends through which their means are attained and the devastated Richard, left in agonized despair by the ironic events that charge the final moments of the play, must face the fact of his own share in their communal guilt.

    Gran was the heart of Christmas and Eden hasn’t embraced the spirit of the season ever since losing her. In fact, she’s lived a fairly reclusive life other than her job as a vet’s assistant at The Country Vet practice. When a stranger shows up at on Eden’s doorstep one stormy evening, she is shocked to discover the handsome man is none other than her childhood friend, Brady Shepard. He’s all grown up now and gorgeous. Now a veterinarian, Brady is taking over the practice for his ailing grandmother, Vicky Shepard, who happens to be Eden’s boss. As Eden and Brady begin to work together, Eden’s heart begins to open up to the spirit of the season…and to Brady.

    He has two manuscripts but lacks the funds to publish both. His difficult decision--whether to publish his lover's memoir or the novel written by his best friend--is further complicated by the arrival of a mysterious machine that produces pages predicting the future of the play's protagonists, affecting their lives and relationships in haunting and unexpected ways. "The Violet Hour" opened on Broadway on November 6, 2003, starring Robert Sean Leonard.

    Using the format of an end-of-term play, the new drama teacher's progress through two terms of recalcitrant classes, synical colleagues and obstructive caretakers is reviewed. Disillutioned, he departs for a safer private school.

    In the century since its first performance, The Cherry Orchard has undergone a wide range of conflicting interpretations: tragic and comic, naturalistic and symbolic, reactionary and radical. Beginning with the 1904 premiere at Stanislavsky's Moscow Art Theatre, this study traces the performance history of one of the landmark plays of the modern theatre. Considering the work of such directors as Anatoly Efros, Giorgio Strehler, Peter Brook, and Peter Stein, Chekhov: The Cherry Orchard explores the way different artists, periods and cultures have reinvented Chekhov's poignant comedy of failure and hope.