In these eight stories, the master burglar indulges his passion for cricket and crime: stealing jewels from a country house, outwitting the law, pilfering from the nouveau riche, and, of course, bowling like a demon-all with the assistance of his plucky sidekick, Bunny. Encouraged by his brother-in-law, Arthur Conan Doyle, to write a series about a public school villain, and influenced by his own experiences at Uppingham, E. W. Hornung created a unique form of crime story, where, in stealing as in sport, it is playing the game that counts, and there is always honor among thieves.

    A Hollywood fixer finds love over the corpse of a dead celebrity. A morbidly obese woman imagines a new life with the jewel thief who is scheming to rob the store where she works. A man earns the name “Mad Dog” and lives to regret it. Denizens of the shadows who live outside the law—from the desolate meth labs of the Ozark Mountains to the dog-fighting rings of Detroit to the lavish Los Angeles mansions of the rich and famous—the characters in Love and Other Wounds all thirst for something seemingly just beyond their reach. Some are on the run, pursued by the law or propelled relentlessly forward by a dangerous past that is disturbingly close. Others are searching for a semblance of peace and stability, and even love, in a fractured world defined by seething violence and ruthless desperation. All are bruised, pushed to their breaking point and beyond, driven to extremes they never imagined. Crackling with cinematic energy, raw and disquieting yet filled with pathos and a darkly vital humor, Love and Other Wounds is an unforgettable debut from an electrifying new voice.

    He doesn't solve problems, enforce rules or arrest criminals. He knows that nobody in tiny Potts County actually wants to follow the law and he is perfectly content lazing about, eating five meals a day, and sleeping with all the eligible women.Still, Nick has some very complex problems to deal with. Two local pimps have been sassing him, ruining his already tattered reputation. His girlfriend Rose is being terrorized by her husband. And then, there's his wife and her brother Lenny who won't stop troubling Nick's already stressed mind. Are they a little too close for a brother and a sister? With an election coming up, Nick needs to fix his problems and fast. Because the one thing Nick does know is that he will do anything to stay sheriff. Because, as it turns out, Sheriff Nick Corey is not nearly as dumb as he seems.In Pop. 1280, widely regarded as a classic of mid-20th century crime, Thompson offers up one of his best, in a tale of lust, murder, and betrayal in the Deep South that was the basis for the critically acclaimed French film Coup de Torchon.

    After nearly ten years in prison, he's no sooner out than he's back to work breaking bones for tough guys. His turf: the club scene and restaurant business. It's not that he enjoys the job-Bobby has real heart-but he's good at it, and a guy has to make a living. Things change when he meets Nikki, the cook at a club most definitely not in his territory. Smitten, he can't stay away. Bobby Gold has known trouble before, but with Nikki the sauté bitch in his life, things take a turn for life or death. A fast, furious, pitch-perfect story of food, sex, crime, and mayhem, The Bobby Gold Stories is Bourdain at his best.

    Among the most celebrated thrillers in recent memory—and now a major motion picture directed by Academy Award–winning filmmaker Oliver Stone—Savages was picked as a best book of the year by Stephen King in Entertainment Weekly, Janet Maslin in The New York Times, and Sarah Weinman in the Los Angeles Times. Now, in this high-octane prequel, Winslow reaches back in time to tell the story of how Ben, Chon, and O became the people they are. Spanning from 1960s Southern California to the recent past, The Kings of Cool is a breathtakingly original saga of family in all its forms—fathers and sons, mothers and daughters, friends and lovers. As the trio at the center of the book does battle with a cabal of drug dealers and crooked cops, they come to learn that their future is inextricably linked with their parents’ history. A series of breakneck twists and turns puts the two generations on a collision course, culminating in a stunning showdown that will force Ben, Chon, and O to choose between their real families and their loyalty to one another. Fast-paced, provocative, and wickedly funny, The Kings of Cool is a spellbinding love story for our times from a master novelist at the height of his powers. It is filled with Winslow’s trademark talents—complex characters, sharp dialogue, blistering social commentary—that have earned him an obsessive following. The result is a book that will echo in your mind and heart long after you’ve turned the last page.

    His work bears special resonance for writers and readers, and yet his paintings never tell a story so much as they invite viewers to find for themselves the untold stories within."So says Lawrence Block, who has invited seventeen outstanding writers to join him in an unprecedented anthology of brand-new stories: In Sunlight or In Shadow. The results are remarkable and range across all genres, wedding literary excellence to storytelling savvy.Contributors include Stephen King, Joyce Carol Oates, Robert Olen Butler, Michael Connelly, Megan Abbott, Craig Ferguson, Nicholas Christopher, Jill D. Block, Joe R. Lansdale, Justin Scott, Kris Nelscott, Warren Moore, Jonathan Santlofer, Jeffery Deaver, Lee Child, and Lawrence Block himself. Even Gail Levin, Hopper’s biographer and compiler of his catalogue raisonée, appears with her own first work of fiction, providing a true account of art theft on a grand scale and told in the voice of the country preacher who perpetrated the crime.In a beautifully produced anthology as befits such a collection of acclaimed authors, each story is illustrated with a quality full-color reproduction of the painting that inspired it.

    Hoch --Death rides the elevator / Lois H. Gresh & Robert Weinberg --The burglar who smelled smoke / Lynne Wood Block & Lawrence Block --No way out / Michael Collins --Off the face of the earth / Clayton Rawson --Murder strips off / Amy Myers --Out of his head / Thomas Bailey Aldrich --The Doomdorf mystery / Melville Davisson Post --The adventure of the Jacobean house / C.N. & A.M. Williamson --The motor boat / Jacques Futrelle --Murder in the air / Peter Tremayne --The pulp connection / Bill Pronzini --Stag night / Marilyn Todd --Mr Strang accepts a challenge / William Brittain --The legs that walked / H.R.F. Keating --The next big thing / Peter T. Garratt --The second drug / Richard A. Lupoff --Ice elation / Susanna Gregory --The mystery of the taxi-cab / Howel Evans --Heartstopper / Frank M. Robinson --Blind eyes / Edward Marston --The amorous corpse / Peter Lovesey --Afterword: Impossible crimes / Mike Ashley.

    In Like A Charm, the cream of British and American crime writers combine for a must-have collection. From nineteenth-century Georgia, where the bracelet is forged in fire, to wartime Leeds, a steam train across Europe, the violent backstreets of 1980s Scotland, present-day London, a Manhattan taxi, the Mojave desert and back to Georgia, each writer weaves a gripping story of murder, betrayal and intrigue.

    Now, in Stay Awake, Chaon returns to that form for the first time since his masterly Among the Missing, a finalist for the National Book Award.In these haunting, suspenseful stories, lost, fragile, searching characters wander between ordinary life and a psychological shadowland. They have experienced intense love or loss, grief or loneliness, displacement or disconnection—and find themselves in unexpected, dire, and sometimes unfathomable situations.A father’s life is upended by his son’s night terrors—and disturbing memories of the first wife and child he abandoned; a foster child receives a call from the past and begins to remember his birth mother, whose actions were unthinkable; a divorced woman experiences her own dark version of “empty-nest syndrome”; a young widower is unnerved by the sudden, inexplicable appearances of messages and notes—on dollar bills, inside a magazine, stapled to the side of a tree; and a college dropout begins to suspect that there’s something off, something sinister, in his late parents’ house.Dan Chaon’s stories feature scattered families, unfulfilled dreamers, anxious souls. They exist in a twilight realm—in a place by the window late at night when the streets are empty and the world appears to be quiet. But you are up, unable to sleep. So you stay awake.

    Noire: The Collected Stories features eight short stories from renowned authors Megan Abbott, Lawrence Block, Joe Lansdale, Joyce Carol Oates, Francine Prose, Jonathan Santlofer, Duane Swierczynski and Andrew Vachss, many of which revisit the characters and cases in the game, providing a new spin to tell the tales of emotionally torn protagonists, depraved schemers and ill-fated victims.

    This volume honors the city’s transformation—albeit in a chilling manner—with a highly talented crew of contributors who know the city inside and out.From editor Tayari Jones:People who don’t know Atlanta don’t understand the codes and contradictions of the New South. Yes, Margaret Mitchell imagined the plantation Tara within the city limits, but it’s also the home of OutKast. Atlanta has captured the imagination of trash TV with Todd Chrisley’s magnolia-cream accent but also the decidedly urban antics of Love & Hip Hop. The ashes of the Civil War still hang in the air, but immigration is turning the South into the Global South.With Atlanta Noir, my hope was to find the writers who could show the city in all of its dizzy complexity. These fourteen writers represent the city’s many neighborhoods and demographics—from the Southern punk scene of Little Five Points to the Junior League world of Peachtree City, where things are not always as they seem. There is more going on at the local Waffle House than just scattering, smothering, and chunking. This is a major international city but it’s still the Bible Belt. A megapreacher’s past catches up with him, and gentrification cannot tame the outlaw spirit of the city too busy to hate. Our airport boasts that it is the busiest in the world; locals declare that even on the way to heaven, you have to change planes at Hartsfield-Jackson. Let us think of Atlanta Noir as an after-hours welcome to the city where we serve our sweet tea with a shot of bourbon.

    Tortured by the unsolved slayings of his wife and young daughter, he is a man consumed by guilt, regret, and the desire for revenge. When his former partner asks him to track down a missing girl, Parker finds himself drawn into a world beyond his imagining: a world where thirty-year-old killings remain shrouded in fear and lies, a world where the ghosts of the dead torment the living, a world haunted by the murderer responsible for the deaths in his family—a serial killer who uses the human body to create works of art and takes faces as his prize. But the search awakens buried instincts in Parker: instincts for survival, for compassion, for love, and, ultimately, for killing.Aided by a beautiful young psychologist and a pair of bickering career criminals, Parker becomes the bait in a trap set in the humid bayous of Louisiana, a trap that threatens the lives of everyone in its reach. Driven by visions of the dead and the voice of an old black psychic who met a terrible end, Parker must seek a final, brutal confrontation with a murderer who has moved beyond all notions of humanity, who has set out to create a hell on earth: the serial killer known only as the Traveling Man.In the tradition of classic American detective fiction, Every Dead Thing is a tense, richly plotted thriller, filled with memorable characters and gripping action. It is also a profoundly moving novel, concerned with the nature of loyalty, love, and forgiveness. Lyrical and terrifying, it is an ambitious debut, triumphantly realized.

    . . it doesn’t take detecting skills to discover the gem. And every story dazzles . . . These stories, in prose both elegant and compelling, get to the heart of why people do what they do.” — USA TodayThe Best American Mystery Stories 2014 will be selected by “writing powerhouse” (USA Today) Laura Lippman. With her popular Tess Monaghan series and her New York Times best-selling standalone novels, Lippman has greatly expanded the boundaries of modern mystery fiction and psychological suspense.

    As Hagedorn points out in her insightful introduction, Manila is a city burdened with a violent and painful past, with a long heritage of foreign occupation. The specters of WWII (during which the city suffered from U.S. saturation bombing), and the oppressive 20-year reign of dictator Ferdinand Marcos live on in recent memory. The Filipino take on noir includes a liberal dose of the gothic and supernatural, with disappearance and loss being constants."--Publishers Weekly (starred review)"This Southeast sampler is unique, possessing an overall gritty tone. Each slice of supernatural splendor pulls the reader in with their nontraditional heroes…Ultimately, readers get a strong taste of the real Manila and all her dark secrets, wanting more of while being slightly afraid of what she might do next. Manila is the perfect place for noir scenes to occur, and it is easy to get sucked into its deadly nightshade of doom."--Criminal Class PressBrand-new stories by: Lourd De Veyra, Gina Apostol, Budjette Tan and Kajo Baldisimo, F.H. Batacan, Jose Dalisay Jr., Eric Gamalinda, Jessica Hagedorn, Angelo Lacuesta, R. Zamora Linmark, Rosario Cruz-Lucero, Sabina Murray, Jonas Vitman, Marianne Villanueva, and Lysley Tenorio.Manila provides the ideal, torrid setting for an Akashic Noir series volume. It's where the rich rub shoulders with the poor, where five-star hotels coexist with informal settlements, where religious zeal coexists with superstition, and where politics is often synonymous with celebrity and corruption.From the Introduction by Jessica Hagedorn:Manila is not for the faint of heart. Built on water and reclaimed land, it’s an intense, congested, teeming megalopolis, the vital core of an urban network of sixteen cities and one municipality collectively known as Metro Manila. Population: over ten million and growing by the minute. Climate: tropical. Which means hot, humid, prone to torrential monsoon rains of biblical proportions.I think of Manila as the ultimate femme fatale. Complicated and mysterious, with a tainted, painful past. She’s been invaded, plundered, raped, and pillaged, colonized for four hundred years by Spain and fifty years by the US, bombed and pretty much decimated by Japanese and American forces during an epic, month-long battle in 1945.Yet somehow, and with no thanks to the corrupt politicians, the crime syndicates, and the indifferent rich who rule the roost, Manila bounces back. The people’s ability to endure, adapt, and forgive never ceases to amaze, whether it’s about rebuilding from the latest round of catastrophic flooding, or rebuilding from the ashes of a horrific world war, or the ashes of the brutal, twenty-year dictatorship of Ferdinand Marcos . . .Many years have passed since the end of the Marcos dictatorship. People are free to write and say what they want, yet nothing is different. The poor are still poor, the rich are still rich, and overseas workers toil in faraway places like Saudi Arabia, Israel, Germany, and Finland. Glaring inequities are a source of dark humor to many Filipinos, but really—just another day in the life . . .Writers from the Americas and Europe are known for a certain style of noir fiction, but the rest of the world approaches the crime story from a culturally unique perspective. In Manila Noir we find that the genre is flexible enough to incorporate flamboyant emotion and the supernatural, along with the usual elements noir fans have come to expect: moody atmospherics, terse dialogue, sudden violence, mordant humor, a fatalist vision.

    For James, that stranger is awakened when his wife, Arlette, proposes selling off the family homestead and moving to Omaha, setting in motion a gruesome train of murder and madness. In "Big Driver," a cozy-mystery writer named Tess encounters the stranger along a back road in Massachusetts when she takes a shortcut home after a book-club engagement. Violated and left for dead, Tess plots a revenge that will bring her face-to-face with another stranger: the one inside herself. "Fair Extension," the shortest of these tales, is perhaps the nastiest and certainly the funniest. Making a deal with the devil not only saves Dave Streeter from a fatal cancer but provides rich recompense for a lifetime of resentment. When her husband of more than twenty years is away on one of his business trips, Darcy Anderson looks for batteries in the garage. Her toe knocks up against a box under a worktable and she discovers the stranger inside her husband. It's a horrifying discovery, rendered with bristling intensity, and it definitely ends a good marriage. Like Different Seasons and Four Past Midnight, which generated such enduring films as The Shawshank Redemption and Stand By Me, Full Dark, No Stars proves Stephen King a master of the long story form.(front flap)Contains:1922Big DriverA Fair ExtensionA Good Marriage