Erickson, William Kent Krueger, Ellen Hart, Brad Zeller, Mary Sharratt, Pete Hautman, Larry Millett, Quinton Skinner, Gary Bush, and Chris Everheart.Julie Schaper has been a Twin Cities resident for 11 years. She lives with her husband and two dogs in the Merriam Park neighborhood of St. Paul. Steven Horwitz has worked in publishing for 25 years. He lives with his wife and two dogs in St. Paul.

    . . Poems by C.K. Williams, Paul Muldoon, and others--plus photos by Gerald Slota--enhance this distinguished entry."-- Publishers Weekly "It was inevitable that this fine noir series would reach New Jersey. It took longer than some readers might have wanted, but, oh boy, was it worth the wait . . . More than most of the entries in the series, this volume is about mood and atmosphere more than it is about plot and character . . . It should go without saying that regular readers of the noir series will seek this one out, but beyond that, the book also serves as a very good introduction to what is a popular but often misunderstood term and style of writing."-- Booklist , Starred Review"A lovingly collected assortment of tales and poems that range from the disturbing to the darkly humorous."-- Shelf Awareness Featuring brand-new stories (and a few poems) by: Joyce Carol Oates, Jonathan Safran Foer, Robert Pinsky, Edmund White & Michael Carroll, Richard Burgin, Paul Muldoon, Sheila Kohler, C.K. Williams, Gerald Stern, Lou Manfredo, S.A. Solomon, Bradford Morrow, Jonathan Santlofer, Jeffrey Ford, S.J. Rozan, Barry N. Malzberg & Bill Pronzini, Hirsh Sawhney, and Robert Arellano.From the introduction by Joyce Carol Oates:". . . The most civilized and 'decent' among us find that we are complicit with the most brutal murderers. We enter into literally unspeakable alliances--of which we dare not speak except through the obliquities and indirections of fiction, poetry, and visual art of the sort gathered here in New Jersey Noir."

    Each story is set in a distinct neighborhood or location within the city of the book.Featuring brand-new stories by: Joyce Carol Oates, Lawrence Block, Ed Park, Gary Earl Ross, Kim Chinquee, Christina Milletti, Tom Fontana, Dimitri Anastasopoulos, Lissa Marie Redmond, S.J. Rozan, John Wray, Brooke Costello, and Connie Porter.Buffalo, New York, is still the second-largest metropolis in the state, but in recent years its designation as the Queen City has been elbowed aside by a name that's pure noir: The City of No Illusions. Presidents came from here; and in 1901, a president was killed here while visiting the Pan-American Exposition, by a man who checked into a hotel under a name that translates as Nobody.As Buffalo saw its prosperity wane, those on the outside could only see harsh winters and Rust Belt grit, chicken wings and sports teams that came agonizingly close. (Vincent Gallo's Buffalo 66 is less the doomed quest of a would-be assassin than the collective fever dream of every Bills fan.)Anyone who has spent more than a few days in Buffalo will tell you that this city can spar with any other major American metropolis in the noir arena. This highly anticipated entry in the Akashic Noir Series includes stories from Buffalo-affiliated mystery titans as well as up-and-comers.

    Brooklyn Noir moves from Coney Island to Bedford-Stuyvesant to Bay Ridge to Red Hook to Bushwick to Sheepshead Bay to Park Slope and far deeper, into the heart of Brooklyn's historical and criminal largesse, with all of its dark splendor. Each contributor presents a brand new story set in a distinct neighborhood.Brooklyn Noir mixes masters of the mystery genre with the best of New York's literary fiction community-and, of course, leaves room for new blood. These brilliant and chilling stories see crime striking in communities of Russians, Jamaicans, Hasidic Jews, Puerto Ricans, Italians, Irish and many other ethnicities-in the most diverse urban location on the planet.Contributors include Pete Hamill, Nelson George, Sidney Offit, Arthur Nersesian, Pearl Abraham, Ellen Miller, Maggie Estep, Adam Mansbach, CJ Sullivan, Chris Niles, Norman Kelley, and many others.Akashic Books announces Brooklyn novelist Tim McLoughlin as the editor of the anthology (in addition to his contributing a story). McLoughlin's respect on any Brooklyn street predates the publication of his debut novel Heart of the Old Country (Akashic, 2001), a selection of the Barnes & Noble Discover Great New Writers Program that was hailed by Entertainment Weekly as "an inspired cross between Richard Price and Ross McDonald." For years, McLoughlin has worked in the Kings County Supreme Court in downtown Brooklyn.

    New Orleans has always had a heart of noir.Brand-new stories by: Thomas Adcock, Ace Atkins, Patty Friedmann, David Fulmer, Barbara Hambly, Greg Herren, Laura Lippman, Tim McLoughlin, James Nolan, Ted O'Brien, Eric Overmyer, Jeri Cain Rossi, Maureen Tan, Jervey Tervalon, Olympia Vernon, Christine Wiltz, Kalamu Ya Salaam, and Julie Smith, who also edited the collection.

    Rich (illustrated by Joelle Jones), Dan DeWeese, Zoe Trope, Luciana Lopez, Karen Karbo, Bill Cameron, Ariel Gore, Floyd Skloot, Megan Kruse, Kimberly Warner-Cohen, and Jonathan Selwood.Editor Kevin Sampsell is a bookstore employee and writer. He is the author of a short story collection, Creamy Bullets (Chiasmus Press), and the upcoming memoir The Suitcase (HarperPerennial, summer 2009). He is also the editor of The Insomniac Reader (Manic D Press) and the publisher of the micropress Future Tense Books.

    Her books have been shortlisted for the Edgar, Macavity, Anthony, and Willa Cather awards. The Los Angeles Times named Last Lullaby a Best Book of 2004, and it was also a USA Today Summer Pick and a finalist for a Southern California Booksellers Association 2004 award. Her fourth Eve Diamond novel, Savage Garden, is a Los Angeles Times bestseller and was shortlisted for the Southern California Booksellers Association award for Best Mystery of 2005.

    Each tale in this anthology edited by Ann Hood is set in a different part of the city. Pulitzer Prize winner Elizabeth Strout's story takes place at Trinity Repertory Company. Thomas Cobb, whose novel Crazy Heart was made into a movie with Jeff Bridges, tees up at Triggs Memorial Golf Course, and Dumb and Dumber co-writer and co-director Peter Farrelly, a graduate of Providence College, sets his story in the Elmhurst neighborhood, near his old college stomping grounds."-- Boston Globe "Providence, of course, has a history of crime, the mob, corruption and other goodies. In this collection of 15 stories...we are given a darkly hued tour of the city in all its nooks and crannies by such excellent writers as Hood herself, John Searles, Bruce DeSilva, Peter Farrelly, Elizabeth Strout, Hester Kaplan and others, each with their own style, tone and sly approach that will keep you reading, waiting for the sudden murder, the end of troubled relationships, the discovery of bones....[A] wonderful collection."-- Providence Journal Akashic Books continues its groundbreaking series of original noir anthologies, launched in 2004 with Brooklyn Noir. Each story is set in a distinct neighborhood or location within the city of the book.Featuring brand-new stories by: John Searles, Elizabeth Strout, Taylor M. Polites, Hester Kaplan, Robert Leuci, Amity Gaige, Peter Farrelly, Pablo Rodriguez, Bruce DeSilva, Marie Myung-Ok Lee, Luanne Rice, Dawn Raffel, Thomas Cobb, LaShonda Katrice Barnett, and Ann Hood.Anyone who has spent time in Providence, Rhode Island, knows that lurking in the shadows are many sinister noir elements and characters. The city is ripe for this volume, and Akashic is proud to have recruited the amazing Ann Hood as editor. The impressive contributor list conveys the caliber of Providence Noir, which joins Cape Cod Noir, Boston Noir, and Boston Noir 2: The Classics in sketching a dark and alternative portrait of these New England locales.From the introduction by Ann Hood:"Providence was founded in 1636 by a rogue named Roger Williams. Williams escaped here when Massachusetts was ready to deport him back to England. In the almost four hundred years since, we've become infamous for all sorts of crimes and misdemeanors, including serving as home base for the Patriarca crime family for decades. My very own Uncle Eddie--I can hear Mama Rose screaming at me: 'He wasn't a blood relative! He was related through marriage!'--was gunned down in the Silver Lake section of town in 1964, just a year after he drove me in his white Cadillac convertible in a parade as the newly crowned Little Miss Natick. The writer Geoffrey Wolff told me that once he went to a barber in Princeton, New Jersey and the barber asked him where he was from. 'Providence,' Wolff told him. The barber put down his scissors, raised his hands in the air, and said, 'Providence? Don't shoot!'"I've asked fourteen of my favorite writers to contribute short stories to Providence Noir. We have stories to make you shiver, stories to make you think, stories that will show you my beautiful, noirish city in a way it’s never been highlighted before."

    Ortiz, Ena Lucia Portela, Mariela Varona Roque, and Yoss.??To most outsiders, Havana is a tropical sin city: a Roman ruin of sex and noise, a parallel universe familiar but exotic, and embargoed enough to serve as a release valve for whatever desire or pulse has been repressed or denied. Habaneros know that this is neither new--long before Havana collapsed during the Revolution's Special Period, all the way back to colonial times, it had already been the destination of choice for foreigners who wanted to indulge in what was otherwise forbidden to them--nor particularly true.In the real Havana--the lawless Havana that never appears in the postcards or tourist guides--the concept of sin has been banished by the urgency of need. And need--aching and hungry--inevitably turns the human heart darker, feral, and criminal. In this Havana, crime, though officially vanquished by revolutionary decree, is both wistfully quotidian and personally vicious.In the stories of Havana Noir, current and former residents of the city--some international sensations such as Leonardo Padura, others exciting new voices like Yohamna Depestre--uncover crimes of violence and loveless sex, of mental cruelty and greed, of self-preservation and collective hysteria.Achy Obejas is the award-winning author of Days of Awe, Memory Mambo, and We Came all the Way from Cuba So You Could Dress Like This? Her poems, stories, and essays have appeared in dozens of anthologies. A long-time contributor to the Chicago Tribune, she was part of the 2001 investigative team that earned a Pulitzer Prize for the series, "Gateway to Gridlock." Currently, she is the Sor Juana Writer-in-Residence at DePaul University in Chicago. She was born in Havana.??Praise for Havana Noir: Miami Herald, 11/25/07Sewer-dwelling dwarves who run a black market. An engineer moonlighting as a beautician to make ends meet. Street toughs pondering existentialism. An aging aristocrat with an unsolvable dilemma. A Chinese boy bent on avenging his father's death.These are the characters you will meet in this remarkable collection, the latest edition of an original noir series featuring stories set in a distinct neighborhood of a particular city. Throughout these 18 stories, current and former residents of Havana -- some well-known, some previously undiscovered -- deliver gritty tales of depravation, depravity, heroic perseverance, revolution and longing in a city mythical and widely misunderstood.This is noir of a different shade and texture, shadowy and malevolent, to be sure, but desperate, too, heartbreakingly wounded, the stories linked more by the acrid pall of a failed but seemingly interminable experiment than by genre. Ambiguities abound, and ingenuity flourishes even as morality evaporates in the daily struggle for self-preservation.In this dark light the best of these stories are also the most disturbing. What For, This Burden by Michel Encinosa Fu, a resident of Havana, is a brutal and wrenching tale of brothers involved in drug deals and child prostitution; they peddle their own sister. The Red Bridge, by Yoss, another Havana resident, depicts a violent incident in the lives of two friends with apparently great potential who, though acutely aware of the depravity of their situation, are powerless or unwilling to extract themselves from the mean streets of El Patio.Cuban engineer Mariela Varona Roque's offering, The Orchid, is a short but powerful tale of the demise of a young boy frequently entrusted to the care of a browbeaten neighbor obsessed with his solitary orchid.Isolation, poverty and despair even in the midst of friends and family, lead to unthinkable cruelty, a common thread in these and other stories. But just as prevalent are resilience, hope, honor and ferocious devotion to the island. Pablo Mendina's Johnny Ventura's Seventh Try centers on the oft-repeated theme of getting to La Yuma, the United States. After six failures a man succeeds in building a boat sturdy enough to safely cross the Straits, only to find himself turning in circles in excruciating angst once out of the water.Alone in a decaying building overlooking the Malecon, a woman in Mylene Fernandez Pintado's The Scene sustains a semblance of quiet elegance for her dying mother. Then she's free but decides to stay on the island rather than join her brother in San Francisco. And in Carolina Garcia-Aguilera's beautifully rendered The Dinner, an elderly gentleman, his wife and a servant who hasn't been paid in 40 years agonize in their crumbling, once elegant mansion, over their inability to find the ingredients for an annual dinner for friends. With faint echoes of The Gift of the Magi and perfectly bridging the pre- and post-revolution days, the story is achingly splendid.Several murder stories, including one about an arrogant serial killer egged on by a woman he phones to brag about his exploits, and a film-noir style piece featuring a San Francisco private eye sent to bring out a thrill-seeking rich kid on the eve of the revolution, round out the collection and justify its place in the series.But if you're looking for slick, moody, detective noir, sunsets, mojitos at La Florida, or dancing girls at La Tropicana, you won't find them in Havana Noir. Along with grit and pluck and the disintegration of structure and values, there is an overarching sadness to these stories as evidenced by perhaps the most disturbing commonality: repeated loveless, disconnected sex, including rape and incest, but more often just mindless, pleasureless consensual copulation, all that's left to fill the time while waiting for something to change.South Florida Sun-Sentinel, 12/2/07The streets of Havana teem with a diverse, complex people whose wants and needs are often neglected but who are connected by one ideal: to have a good life.In this superb collection of short stories edited by novelist, poet and journalist Achy Obejas, myriad characters show just how far they will go for just a small part of the world and keep their dignity despite, as Obejas says, "the damage inured by self-preservation at all costs."There's the cross-eyed young man whose "affliction" prevents him from getting a job but who finds a kind of refuge with a black market-dealing dwarf. There's a Chinese boy trying to avenge his father. And there's the woman tethered to Cuba by her dying mother.The 18 stories by current and former residents of Havana are gritty, heartbreaking and capture the city. Each story an unflinching look at Havana, giving a sense of hope — and hopelessness — for what the city was and is now and could be again.Says Obejas in her introduction, "In the real Havana — the aphotic Havana that never appears in the postcards, tourist guides, or testimonies of either the political left or right — the concept of sin has been banished by the urgency of need. And need inevitably turns the human heart feral."This is the kind of keen insight we've come to expect from the Noir anthologies published by Akashic. Each anthology features a different city, such as Baltimore, Miami, San Francisco and others, and acts as a mini-guide to each area. The compressed action, the layered plots and the character studies packed into just a few pages make short stories riveti

    Kaminsky, Sara Paretsky. Others may be less familiar to mystery specialists, but all turn in impressive performances."-- Publishers Weekly , Starred review"Richard Wright, Nelson Algren, and Sandra Cisneros are not crime-fiction writers, and yet their Chicago certainly embodies the individual-crushing ethos endemic to noir. Meno also includes stories from writers who could easily have been overlooked (Percy Spurlark Parker, Hugh Holton) to ensure that diverse voices, and neighborhoods, are represented. Add in smart and essential choices from Fredric Brown, Sara Paretsky, and Stuart Kaminsky, and you have not an anthology not for crime-fiction purists, perhaps, but a thought-provoking document all the same."-- Booklist "The fifteen short stories comprising Chicago Noir: The Classics, which are knowledgeably compiled and deftly edited by Joe Meno, are true gems of the noir literary tradition....Chicago Noir: The Classics is a consistently entertaining and will prove to be an enduringly popular addition to community library Mystery/Suspense collections."--Midwest Book Review"I've always enjoyed reading noir. Dark, ironic mysteries are a good read to me. Since this collection includes old classics as well as some new stories, I knew it would be good....I wasn't disappointed."--Journey of a Bookseller"Chicago Noir The Classics does everything anthologies and noir are supposed to, but this title achieves an unheralded goal that deserves notice....This is wonderful diversity, coming both unexpected and unhearalded. Anthologies are supposed to convey a sense of having covered the territory, Joe Meno has. Ethnically diverse city, ethnically diverse plots. Better, Chicago Noir The Classics showcases diversity as normal, everyday. This adds inescapable satisfaction to a sense of the editor's having covered the territory."--La Bloga"A worthy addition to the Akashic Books noir series."--Book ChaseAlthough Los Angeles may be considered the most quintessentially "noir" American city, this volume reveals that pound-for-pound, Chicago has historically been able to stand up to any other metropolis in the noir arena.Classic reprints from: Harry Stephen Keeler, Sherwood Anderson, Max Allan Collins, Richard Wright, Nelson Algren, Fredric Brown, Patricia Highsmith, Barry Gifford, Stuart M. Kaminsky, Libby Fischer Hellmann, Sara Paretsky, Percy Spurlark Parker, Sandra Cisneros, Hugh Holton, and Stuart Dybek.From the introduction by Joe Meno:"More corrupt than New York, less glamorous than LA, Chicago has more murders per capita than any other city its size. With its sleek skyscrapers bisecting the fading sky like an unspoken threat, Chicago is the closest metropolis to the mythical city of shadows as first described in the work of Chandler, Hammett, and Cain. Only in Chicago do instituted color lines offer generation after generation of poverty and violence, only in Chicago do the majority of governors do prison time, only in Chicago do the dead actually vote twice."Chicago--more than the metropolis that gave the world Al Capone, the Saint Valentine's Day Massacre, the death of John Dillinger, the crimes of Leopold and Loeb, the horrors of John Wayne Gacy, the unprecedented institutional corruption of so many recent public officials, more than the birthplace of Raymond Chandler--is a city of darkness. This darkness is not an act of over-imagination. It's the unadulterated truth. It's a pointed though necessary reminder of the grave tragedies of the past and the failed possibilities of the present. Fifty years in the future, I hope these stories are read only as fiction, as somewhat distant fantasy. Here's hoping for some light."

    This is not an anthology of ill-conceived and inauthentic political thrillers. Instead, in D.C. Noir, pimps, whores, gangsters, and con-men run rampant in zones of this city that most never hear about.

    So we're reissuing the first of five Mitchell Tobin mysteries that went largely unnoticed when originally published by Westlake, under the pseudonym Tucker Coe in the 1960s. With a new introduction by Westlake detailing how Tucker Coe and Mitchell Tobin came to be, this novel is classic Westlake. Mitch Tobin is a cop who betrayed those people closest to him. Losing the only job he knew how to do, he's a loner. Then mobster Arnie Rembek offers Tobin a task tailor-made for his talents and keen cop mind -- find out who killed his girlfriend. The alliance between these two men creates a gripping tale.

    Each book is comprised of all-new stories, each one set in a distinct neighborhood or location within the city of the book.Featuring brand-new stories by: Edwidge Danticat, Rodney Saint-Éloi, Madison Smartt Bell, Gary Victor, M.J. Fievre, Marvin Victor, Yanick Lahens, Louis-Philipe Dalembert, Kettly Mars, Marie Ketsia Theodore-Pharel, Evelyne Trouillot, Katia Ulysse, Ibi Aanu Zoboi, Nadine Pinede, and others.Haiti has a tragic history and continues to be one of the most destitute places on the planet, especially in the aftermath of the 2010 earthquake. Here, however, Danticat reveals that even while the subject matter remains dark, the caliber of Haitian writing is of the highest order.

    Trinidad Noir reveals the Caribbean island’s darkness and its appeal with an unexpected and gratifying result.Features brand-new stories by Robert Antoni, Elizabeth Nunez, Lawrence Scott, Ramabai Espinet, Shani Mootoo, Kevin Baldeosingh, Vahni Capildeo, Willi Chen, Lisa Allen-Agostini, Keith Jardim, Reena Andrea Manickchand, Tiphanie Yanique, and more.

    She attended public schools and has lived in several of the city’s distinctive neighborhoods, including Dickeyville, Tuscany-Canterbury, Evergreen, and South Federal Hill.CONTENTSIntroductionPart I: The Way Things Used To Be“Easy As A-B-C” by Laura Lippman (Locust Point)“Fat Chance” by Robert Ward (Old Northwood)“Pigtown Will Shine Tonight” by Jack Bludis (Pigtown)“Over My Dead Body” by Rob Hiaasen (Fell’s Point)“The Invisible Man” by Rafael Alvarez (Highlandtown)Part II: The Way Things Are“Stainless Steel” by David Simon (Sandtown-Winchester)“Home Movies” by Marcia Talley (Little Italy)“Liminal” by Joseph Wallace (Security Boulevard-Woodlawn)“Almost Missed It By a Hair” by Lisa Respers (France Howard Park)“Ode to the O’s” by Charlie Stella (Memorial Stadium)“Don¹t Walk in Front of Me” by Sarah Weinman (Pikesville)Part III: The Way Things Never Were“As Seen on TV” by Dan Fesperman (Fells Point)“The Haunting of Slink Ridgely” by Tim Cockey (Greenspring Valley)“The Homecoming” by Jim Fusilli (Camden Yards)“Frog Cycle” by Ben Neihart (Inner Harbor)“Goodwood Gardens” by Sujata Massey (Roland Park)