Victor Serge’s final work, here translated into English for the first time, is at once the most ambitious, bleakest, and most lyrical of this neglected major writer’s works.The novel is arranged into four sections, like the panels of an immense mural or the movements of a symphony. In the first, D, a lifelong revolutionary who has broken with the Communist Party and expects retribution at any moment, flees through the streets of prewar Paris, haunted by the ghosts of his past and his fears for the future. Part two finds D’s friend and fellow revolutionary Daria caught up in the defense of a besieged Leningrad, the horrors and heroism of which Serge brings to terrifying life. The third part is set in Germany. On a dangerous assignment behind the lines, Daria finds herself in a city destroyed by both Allied bombing and Nazism, where the populace now confronts the prospect of total defeat. The novel closes in Mexico, in a remote and prodigiously beautiful part of the New World where D and Daria are reunited, hoping that they may at last have escaped the grim reckonings of their modern era.A visionary novel, a political novel, a novel of adventure, passion, and ideas, of despair and, against all odds, of hope, Unforgiving Years is a rediscovered masterpiece by the author of The Case of Comrade Tulayev.

    Years after Patrick’s death, ninety-year-old Emma still has the painting hanging over her bed at their country home as a testament to their love.To Emma’s granddaughter, Laura, the portrait is also a symbol of so much to come. The masterpiece is serving as collateral to pay Laura’s tuition at a prestigious music school. Then the impossible happens when an appraiser claims the painting is a fraud. For Laura, the accusation jeopardizes her future. For Emma, it casts doubt on everything she believed about her relationship with Patrick. Laura is determined to prove that Patrick did indeed paint the portrait. Both her grandmother’s and Patrick’s legacies are worth fighting for.As the stories of two women entwine, it’s time for Emma to summon up the past—even at the risk of revealing its unspoken secrets.

    Overwhelmed by the horror of his discoveries as they become entangled with his own feverish imaginings, he organizes a class trip. The school bus becomes Götz and Meyer’s truck, and the teacher and his students merge with Belgrade’s lost souls in a sacred act of remembering.

    David, had served in World War II, but had told very little about his experiences. When he finds, after his father's death, a packet of wartime letters to a former fiancee and learns of David's court-martial, Stewart is driven to uncover the truth about the enigmatic distant man he never knew. Using military archives, old letters, and David's own notes, he discovers that David, a JAG lawyer, had pursued a maverick U.S. officer in Europe, fallen in love with a beautiful resistance fighter, and fought in the war's deadliest conflicts. In reconstructing the terrible events and agonizing choices his father faced on the battlefield, in the courtrfoom, and in love, Stewart gains a closer understanding of his father's secret past and of the brutal nature of war itself.-- back cover

    He listened for his number, shouted his answer in the freezing cold. He was ragged and he was starving, but he was alive. He was one of the fortunate ones whom fate had left standing. And he needed to stay that way. For Hannah. Berlin, 1941. Felix Thalberg, a printer’s apprentice, has the weight of the world on his shoulders. His beloved city is changing under Nazi rule and at home things are no better – Felix’s father hasn’t left the house since he was forced to wear a yellow star, and his mother grows thinner every day. Then one night, Felix meets a mysterious young woman in a crowded dance hall, and his life is changed forever. Hannah is like a rush of fresh air into his gloomy, stagnant life and Felix finds himself instantly, powerfully infatuated with her. But when he tries to find her again, she’s vanished without a trace. Was Hannah taken away by the Gestapo and held prisoner… or worse? When Felix himself is imprisoned in Sachsenhausen concentration camp, his thoughts are only for her safety. And when a life-threatening injury lands him on the ward of Dr Max Eichel – a Nazi medical officer with a sadistic reputation – his love for his lost Hannah sees him through the pain. Until one day Dr Eichel brings his pretty young wife to tour the camp and Felix’s world is thrown off-kilter. Framed in the hospital window he sees – impossibly – the same girl he met that fateful night… her wrist in the vice-like grip of the deathly calm SS Officer. And it’s clear Hannah recognises him at once – there is no mistaking her expression, she has been dreaming of him too... A gripping and beautiful wartime love story about two people facing impossible odds – heartbreaking, moving and unforgettable. Perfect for fans of The Tattooist of Auschwitz, We Were the Lucky Ones and The Alice Network.

    This novel is the story of what might have happened if the boy in hiding had survived to become a man.Peter arrives in America, the land of self-creation, and passes as a Christian. Successful in business and rich in love in the boom years of the 1950s, he thrives in the present, plans for the future, and has no past. But there is a cost to his charade. When The Diary of a Young Girl is published to worldwide acclaim, it triggers paralyzing memories of his experiences in the secret annex in Amsterdam. The diary is his story too, and once the floodgate of memory opens, his life spirals out of control.Based on extensive research of Peter van Pels and the strange and disturbing life Anne Frank's diary took on after her death, this is a novel about the memory of death, the death of memory, and the inescapability of the past. Reading group guide included.

    His struggle to survive a war he scarcely comprehends is rendered in the urgent, beautifully spare, memorable prose of a born storyteller.

    After living wild in the forests for years, carrying a terrible secret, all Silvana knows is that she and Aurek are survivors. Everything else is lost. Waiting in Ipswich is Silvana's husband Janusz, who has not seen his wife and son for six years. He has found his family a house and works hard planting a proper English garden to welcome them. But the six years apart have changed them all. To make a real home, Silvana and Janusz will have to come to terms with what happened during the war, accept that each is different, and allow their beloved but wild son Aurek to be who he truly is.

    Physics professor Alfred Mendl is separated from his family and sent to the men’s camp, where all of his belongings are tossed on a roaring fire. His books, his papers, his life’s work. The Nazis have no idea what they have just destroyed. And without that physical record, Alfred is one of only two people in the world with his particular knowledge. Knowledge that could start a war, or end it.Nathan Blum works behind a desk at an intelligence office in Washington, DC, but he longs to contribute to the war effort in a more meaningful way, and he has a particular skill set the U.S. suddenly needs. Nathan is fluent in German and Polish, he is Semitic looking, and he proved his scrappiness at a young age when he escaped from the Polish ghetto. Now, the government wants him to take on the most dangerous assignment of his life: Nathan must sneak into Auschwitz, on a mission to find and escape with one man.This historical thriller from New York Times bestseller Andrew Gross is a deeply affecting, unputdownable series of twists and turns through a landscape at times horrifyingly familiar but still completely compelling.

    (Though this isn't a book for nine-year-olds.) And sooner or later you will arrive with Bruno at a fence.Fences like this exist all over the world. We hope you never have to encounter one.

    Now, with his third and most ambitious novel, Aciman delivers an elegant and powerful tale of the wages of assimilation—a moving story of an immigrant’s remembered youth and the nearly forgotten costs and sacrifices of becoming an American.It’s the fall of 1977, and amid the lovely, leafy streets of Cambridge a young Harvard graduate student, a Jew from Egypt, longs more than anything to become an assimilated American and a professor of literature. He spends his days in a pleasant blur of seventeenth-century fiction, but when he meets a brash, charismatic Arab cab driver in a Harvard Square café, everything changes.Nicknamed Kalashnikov—Kalaj for short—for his machine-gun vitriol, the cab driver roars into the student’s life with his denunciations of the American obsession with "all things jumbo and ersatz"—Twinkies, monster television sets, all-you-can-eat buffets—and his outrageous declarations on love and the art of seduction. The student finds it hard to resist his new friend’s magnetism, and before long he begins to neglect his studies and live a double life: one in the rarified world of Harvard, the other as an exile with Kalaj on the streets of Cambridge. Together they carouse the bars and cafés around Harvard Square, trade intimate accounts of their love affairs, argue about the American dream, and skinny-dip in Walden Pond. But as final exams loom and Kalaj has his license revoked and is threatened with deportation, the student faces the decision of his life: whether to cling to his dream of New World assimilation or risk it all to defend his Old World friend.Harvard Square is a sexually charged and deeply American novel of identity and aspiration at odds. It is also an unforgettable, moving portrait of an unlikely friendship from one of the finest stylists of our time.

    . .Sage Singer is a baker. She works through the night, preparing the day’s breads and pastries, trying to escape a reality of loneliness, bad memories, and the shadow of her mother’s death. When Josef Weber, an elderly man in Sage’s grief support group, begins stopping by the bakery, they strike up an unlikely friendship. Despite their differences, they see in each other the hidden scars that others can’t, and they become companions.Everything changes on the day that Josef confesses a long-buried and shameful secret—one that nobody else in town would ever suspect—and asks Sage for an extraordinary favor. If she says yes, she faces not only moral repercussions, but potentially legal ones as well. With her own identity suddenly challenged, and the integrity of the closest friend she’s ever had clouded, Sage begins to question the assumptions and expectations she’s made about her life and her family. When does a moral choice become a moral imperative? And where does one draw the line between punishment and justice, forgiveness and mercy?In this searingly honest novel, Jodi Picoult gracefully explores the lengths we will go in order to protect our families and to keep the past from dictating the future

    Investigating the strange ways in which love, in spite of everything - time, war, betrayal - can last, Zweig tells the story of Ludwig, an ambitious young man from a modest background who falls in love with the wife of his rich employer. His love is returned, and the couple vow to live together, but then Ludwig is dispatched on business to Mexico, and while he is there the First World War breaks out. With travel and even communication across the Atlantic now shut down, Ludwig makes a new life in the New World. Years later, however, he returns to Germany to find his beloved a widow and their mutual attraction as strong as ever. But is it possible for love to survive precisely as the impossible?

    Free love has given way to radical feminism, psychedelic ecstasy to hard-edged gloom. The Zodiac Killer stalks the streets. A disgraced professor takes an office in a downtown tower to plot his return. But the walls are thin and he's distracted by voices from next door—his neighbor is a psychologist, and one of her patients dislikes the hum of the white-noise machine. And so he begins to hear about the patient's troubles with her female lover, her conflicts with her adoptive, avowedly WASP family, and her quest to track down her birth mother. The professor is not just absorbed but enraptured. And the further he is pulled into the patient's recounting of her dramas—and the most profound questions of her own identity—the more he needs the story to move forward. The patient's questions about her birth family have led her to a Catholic charity that trafficked freshly baptized orphans out of Germany after World War II. But confronted with this new self— “I have no idea what it means to say ‘I’m a Jew’”—the patient finds her search stalled. Armed with the few details he’s gleaned, the professor takes up the quest and quickly finds the patient’s mother in records from a German displaced-persons camp. But he can’t let on that he’s been eavesdropping, so he mocks up a reply from an adoption agency the patient has contacted and drops it in the mail. Through the wall, he hears how his dear patient is energized by the news, and so is he. He unearths more clues and invests more and more in this secret, fraught, triangular relationship: himself, the patient, and her therapist, who is herself German. His research leads them deep into the history of displaced-persons camps, of postwar Zionism, and—most troubling of all—of the Nazi Lebensborn program. With ferocious intelligence and an enthralling, magnetic prose, Ellen Ullman weaves a dark and brilliant, intensely personal novel that feels as big and timeless as it is sharp and timely. It is an ambitious work that establishes her as a major writer.

    . . Inside the factory, Ephraim anxiously scans the growing crowd, looking for his two sons. As anxious questions swirl around him "Where are they taking us? How long will we be gone?" he can't quell the suspicion that it would be just like his oldest son to hole up somewhere instead of lining up for the Germans, and just like his youngest to follow . . .Yasia, a farmer's daughter who has come into town to sell produce, sees two young boys slinking through the shadows of the deserted streets and decides to offer them shelter . . . As these lives become more and more intertwined Rachel Seiffert's prose rich with a rare compassion, courage, and emotional depth, an unflinching story is told: of survival, of conflicting senses of duty, of the oppressive power of fear and the possibility of courage in the face of terror.