When Georgina Wright, the museum’s aloof benefactor, asks for Molly’s help in identifying the provenance of a 19th century portrait of social activist Josephine Brancaster, Molly welcomes the opportunity, even if it means spending time with the standoffish financier. But passions soon flare as the women uncover the heartbreaking story of doomed lesbian love behind the watercolor painted by Josephine’s lover, Edith Hewitt. As their love blossoms, Molly is determined to display Edith’s portrait of Josephine and to tell their story in the museum, but she needs the influential Georgina to help convince the board. When an unforeseen twist in the painting’s provenance forces Georgina to confront her own painful past, will history repeat itself, or can Molly and Georgina’s love prevail?

    When We Were Outlaws offers a rare view of the life of a radical lesbian during the early cultural struggle for gay rights, Women’s Liberation, and the New Left of the 1970s. Brash and ambitious, activist Jeanne Córdova is living with one woman and falling in love with another, but her passionate beliefs tell her that her first duty is "to the revolution”---to change the world and end discrimination against gays and lesbians. Trying to compartmentalize her sexual life, she becomes an investigative reporter for the famous, underground L.A. Free Press and finds herself involved with covering the Weather Underground and Angela Davis, exposing neo-Nazi bomber Captain Joe Tomassi, and befriending Emily Harris of the Symbionese Liberation Army. At the same time she is creating what will be the center of her revolutionary lesbian world: her own newsmagazine, The Lesbian Tide, destined to become the voice of the national lesbian feminist movement.By turns provocative and daringly honest, Cordova renders emblematic scenes of the era---ranging from strike protests to utopian music festivals, to underground meetings with radical fugitives---with period detail and evocative characters. For those who came of age in the 70s, and for those who weren’t around but still ask, "What was it like?", Outlaws takes you back to re-live it. It also offers insights about ethics, decision making and strategy, still relevant today.With an introduction by renowned lesbian historian Lillian Faderman, When We Were Outlaws paints a vivid portrait of activism and the search for self-identity, set against the turbulent landscape of multiple struggles for social change that swept hundreds of thousands of Americans into the streets.

    Examining our teenage rites of passage: those dilemmas and traumas that shape us – eating disorders, masturbation, loss of virginity – the poet examines how we use bodies, both our own and other people’s, to chart our progress towards selfhood.McMillan’s award-winning debut collection, physical, was praised for a poetry that was tight and powerful, raw and tender, and playtime expands that narrative frame and widens the gaze. Alongside poems in praise of the naivety of youth, there are those that explore the troubling intersections of violence, masculinity, class and sexuality, always taking the reader with them towards a better understanding of our own physicality. ‘isn’t this what human kind was made for’, McMillan asks in one poem, ‘telling stories learning where the skin/is most in need of touch’. These humane and vital poems are confessions, both in the spiritual and personal sense; they tell us stories that some of us, perhaps, have never found the courage to read before.

    After years of searching for similar sexual bliss, she has officially given up. Now she pours out her frustration via her online blog and by dancing away her frustrations in her club.Billionaire architect Mayson Montgomery made her fortune building eco-friendly offshore wind turbines. She learned quickly that money stood in the way of finding a happy ever after. But she still remembers her masked angel years ago.When they meet again, Paige doesn’t make the connection between her masked lover from the past and Galveston’s raunchy rich heart throb. Fortunately, Mayson is a little more aware and won’t give up until Paige has fallen head over heels for her.Will Paige and Mayson grasp the love in front of them or will they let it slip away a second time?

    Named by Time magazine as one of the most influential people of 2015, the iconic soccer player captured the nation’s heart when she led her team to its recent World Cup Championship. Admired for her fearlessness and passion, Abby is a vocal advocate for women’s rights and equal opportunity, pushing to translate the success of her team to the real world. She has become a heavily requested speaker to a wide a range of audiences, from college students to executives at Fortune 500 companies.In this edition of Forward that’s been adapted for young readers, Abby recounts her own decisions, wins, losses, and the pivotal moments that helped her become the world class athlete and leader she is today. Wambach’s book goes beyond the soccer field to reveal a soulful person grappling with universal questions about how we can live our best lives and become our truest selves. Written with honesty and heart, Forward is an inspiring blueprint for individual growth and a rousing call to action.

    He has been a prominent advocate of gay rights and feminism, which joins men and women in resistance. A gay man born into an Italian American family in New Jersey, he relates in this book his own experience on how the initiation of boys into patriarchy inflicts trauma, leading them to mindlessly accept patriarchal codes of masculinity, and how (through art, philosophy, and experience—including mutual love) he and others (straight and gay men) come to join women in resisting patriarchy through the discovery of how deeply it harms men as well as women.

    Laurinda Brown's characters explore every aspect of black lesbian life - whether it's first times, illicit trysts, cheating hearts or longtime love.

    A delicate balance of rhythm and line, the haiku has provided countless readers with an appreciation of the changing of the seasons and the miracles of nature. Now, in Gay Haiku, readers can finally appreciate more important things—like the changing of boyfriends and the miracles of shopping.Irresistible and irreverent, this collection of one hundred and ten witty and wicked short poems captures the many dating disasters of first-time author Joel Derfner. In a wonderfully fresh and original voice, Derfner shamelessly mines his personal life to send up such broad-ranging topics as gay pop culture, politics, family, sex, and, of course, home decorating.Gay, straight, or undecided, readers will delight in Derfner’s dry sense of humor and unmistakable charm as he tackles the big questions of life.

    . . . Need is everywhere—in the unforgiving images, in lines so delicate they seem to break apart in the hands, and in the reader who will enter these poems and never want to leave."—Adrian MatejkaPhillip B. Williams investigates the dangers of desire, balancing narratives of addiction, murders, and hate crimes with passionate, uncompromising depth. Formal poems entrenched in urban landscapes crack open dialogues of racism and homophobia rampant in our culture. Multitudinous voices explore one's ability to harm and be harmed, which uniquely juxtaposes the capacity to revel in both experiences."Epithalamium":A kiss. Train ride home from a late dinner,City Hall and document signing. Wasn't coldbut we cuddled in an empty car, legal.Last month a couple of guys left a gay barand were beaten with poles on the wayto their car. No one called them faggotso no hate crime's documented. A beat downis what some pray for, a pulse left to count.We knew we weren't protected. We knewour rings were party favors, gold to stealthe shine from. We couldn't protect us,knew the law wouldn't know how. Still, hisbeard across my brow, the burn of his cologne.When the train stopped, the people came on.Phillip B. Williams has authored two chapbooks: Bruised Gospels (Arts in Bloom Inc.) and Burn (YesYes Books). A Cave Canem graduate, he received scholarships from Bread Loaf Writers Conference and a Ruth Lilly Fellowship. His work appeared or is forthcoming in Callaloo, Poetry, the Southern Review, West Branch , and others. Phillip received his MFA in Writing as a Chancellor's Graduate Fellow at the Washington University in St. Louis. He is the poetry editor of Vinyl Poetry.

    The author of the critically acclaimed collections The Frost Fairs and Spacecraft, Brighton-based John McCullough pulls no punches in this latest - and his most powerful -collection. These are poems of skill, joy and quiet musicality that reflect the conflict and complexity of being.

    Lonely Christopher combines a striking emotional grammar, reminiscent of Gertrude Stein's Three Lives, with an unyielding imagination in the lovely/ugly architecture of his stories.Lonely Christopher is the author of several poetry chapbooks and is a contributor to the poetry volume Into (Seven Circles Press). His plays have been published, staged in New York City and internationally, and released in Mandarin translation. His fiction received Pratt Institute's 2009 Thesis Award. He is a founding member of the small press The Corresponding Society and an editor of its biannual journal Correspondence. He lives in Bed-Stuy, Brooklyn.

    When Shay realizes she’s leaving, tragedy strikes. A car accident leaves Shay confused and vulnerable, and with no friends or family to care for her, Chloe feels obligated to stay until she recovers.Shay Buchanan can remember her whole life except for the past year. Everything seems to fit into place, but Chloe is distant, and Shay can’t figure out why. Something is missing.As Chloe helps Shay recover, they become close again, working together to rebuild her memories. Except Shay doesn’t remember what she did to break their marriage, and Chloe can’t seem to forget.When their happiness is threatened, will they be able to forgive each other and give love a second chance?Cover Artist: Tammy SedickGenres: Contemporary / Romance Tags: Weddings, Amnesia, Medical Romance, Second Chance at LoveWords: 80,000

    With signature "sharp wit" (NPR), Annabelle Gurwitch gives irreverent and empathetic voice to a generation hurtling into their next chapter with no safety net and proves that our no-frills new normal doesn't mean a deficit of humor.In these essays, Gurwitch embraces homesharing, welcoming a housing-insecure young couple and a bunny rabbit into her home. The mother of a college student in recovery who sheds the gender binary, she relearns to parent, one pronoun at a time. She wades into the dating pool in a Miss Havisham-inspired line of lingerie and flunks the magic of tidying up.You're Leaving When? is for anybody who thought they had a semblance of security but wound up with a fragile economy and a blankie. Gurwitch offers stories of resilience, adaptability, low-rent redemption, and the kindness of strangers. Even in a muted Zoom.

    Sledge artfully draws from Bishop's lifelong correspondences and biography to imagine the poet's intensely private world, revealing the literary genius who lived in conflict with herself both as a writer and as a woman.A seemingly idyllic existence in Soares's glass house in the jungle gives way to the truth of Bishop's lifelong battle with alcoholism, as well as her eventual status as one of modernism's most prominent writers. Though connected to many of the most famous cultural and political figures of the era, Soares too is haunted by her own demons. As their secrets unfold, the sensuous landscape of Rio de Janeiro, the rhythms of the samba and the bossa nova, and the political turmoil of 1950s Brazil envelop Bishop in a world she never expected to inhabit. The More I Owe You is a vivid portrait of two brilliant women whose love for one another pushes them to accomplish enduring works of art.

    Amy is an enigma-a brilliant scholar who has forgotten how to read. She is estranged from her wealthy English parents and lives a nomadic life in Scotland, dragging Kate from one school to the next, barely scraping by. And then there is Ash, a fiery Scottish actresss who cannot shake her demons-chief among them an unrequited passion for Amy that has obsessed her ever since they met as teenagers. Like is the story of two parallel lives that intersect briefly, then diverge. It is also a timeless evocation of adolescence and its agonizing anticipations, its contradictory yearnings for freedom and safety, its blind quest for mastery over pleasure and pain. Deftly constructed, passionately imagined, Like is a remarkably mature debut for a powerful young talent.