The collection contains some of Ellison's best stories from earlier collections and is judged by some to be his most consistently high quality collection of short fiction. The theme of the collection can be loosely defined as God, or Gods. Sometimes they're dead or dying, some of them are as brand-new as today's technology. Unlike some of Ellison's collections, the introductory notes to each story can be as short as a phrase and rarely run more than a sentence or two. One story took a Locus Poll Award, the two final ones both garnered Hugo Awards and Locus Poll awards, and the final one also received a Jupiter Award from the Instructors of Science Fiction in Higher Education (discontinued in 1979). When the collection was published in Britain, it won the 1979 British Science Fiction Award for Short Fiction.His stories will rivet you to the floor and change your heartbeat...as unforgettable a chamber of horror, fantasy and reality as you'll ever experience.-Gallery "Brutally and flamboyantly shocking, frequently brilliant, and always irresistibly mesmerizing."-Richmond Times-Dispatch

    Shadows gather: legacies of the centuries-long rivalries for power, old betrayals, the endless plots of the courtiers, and the murmur of rebellion in the southern provinces…Catwin, plucked from her life at the edge of the Kingdom, is thrust abruptly into the world of the Court when she is chosen by the Duke of Voltur to be a Shadow—spy, shield, and blade—to his niece, the Lady Miriel DeVere. The Duke’s ruthlessness is legendary, and he will stop at nothing to become the power behind the throne, using Miriel as a pawn to catch Garad’s heart.But the Duke's carefully-laid plans are only a piece of the intrigue of the court, and greater forces than Catwin can imagine are massed against her, determined to eliminate Miriel and impose a new order of their own. If Catwin and Miriel are to survive, they must learn quickly who to trust, and when to turn their skills against the very people who have trained them...

    As she struggles to understand her special skills, her mysterious inner power, she realizes she is different than the others. But a secret is being kept from her about her birth and the prophecy surrounding her, leaving her to wonder who she really is.When Kyra comes of age and the local lord comes to take her away, her father wants to wed her off to save her. Kyra, though, refuses, and she journeys out on her own, into a dangerous wood, where she encounters a wounded dragon—and ignites a series of events that will change the kingdom forever. 15 year old Alec, meanwhile, sacrifices for his brother, taking his place in the draft, and is carted off to The Flames, a wall of flames a hundred feet high that wards off the army of Trolls to the east. On the far side of the kingdom, Merk, a mercenary striving to leave behind his dark past, quests through the wood to become a Watcher of the Towers and help guard the Sword of Fire, the magical source of the kingdom’s power. But the Trolls want the Sword, too—and they prepare for a massive invasion that could destroy the kingdoms forever.With its strong atmosphere and complex characters, RISE OF THE DRAGONS is a sweeping saga of knights and warriors, of kings and lords, of honor and valor, of magic, destiny, monsters and dragons. It is a story of love and broken hearts, of deception, of ambition and betrayal. It is fantasy at its finest, inviting us into a world that will live with us forever, one that will appeal to all ages and genders.

    

    The Bishopry Militant knows this -- and so, when it needs a ship and crew to undertake a secret, sacred mission to a hidden land, Tephe is the captain to whom the task is given. Tephe knows from the start that his mission will be a test of his skill as a leader of men and as a devout follower of his god. It's what he doesn't know that matters: to what ends his faith and his ship will ultimately be put -- and that the tests he will face will come not only from his god and the Bishopry Militant, but from another, more malevolent source entirely....

    For the first time in paperback--a volume of thirty-seven diabolically inventive stories, fables, and "impossible interviews" from one of the great fantasists of the 20th century, displaying the full breadth of his vision and wit.  Written between 1943 and 1984 and masterfully translated by Tim Parks, the fictions in Numbers in the Dark display all of Calvino's dazzling gifts: whimsy and horror, exuberance of style, and a cheerful grasp of the absurdities of the human condition.

    Other great kings and paladins are lost in the dim shadows oflong-past centuries, but Arthur still reigns in Camelot and his knightsstill ride forth to seek the Grail. "No little thing shall be The gentle music of the bygone years, Long past to us with all their hopes and fears."So wrote the poet William Morris in _The Earthly Paradise_. And surelyit is no small debt of gratitude we owe the troubadours and chroniclersand poets who through many centuries have sung of Arthur and hischampions, each adding to the song the gifts of his own imagination, sobuilding from simple folk-tales one of the most magnificent and movingstories in all literature.This debt perhaps we owe in greatest measure to three men; to Chrétiende Troies, a Frenchman, who in the twelfth century put many of the oldArthurian legends into verse; to Sir Thomas Malory, who first wrote outmost of the stories in English prose, and whose book, the _MorteDarthur_, was printed by William Caxton, the first English printer, in1485; and to Alfred, Lord Tennyson, who in his series of poems entitledthe _Idylls of the King_ retold the legends in new and beautiful guisein the nineteenth century.The history of Arthur is so shrouded in the mists of early England thatit is difficult to tell exactly who and what he was. There probably wasan actual Arthur, who lived in the island of Britain in the sixthcentury, but probably he was not a king nor even a prince. It seems mostlikely that he was a chieftain who led his countrymen to victory againstthe invading English about the year 500. So proud were his countrymen ofhis victories that they began to invent imaginary stories of his prowessto add to the fame of their hero, just as among all peoples legends soonspring up about the name of a great leader. As each man told the featsof Arthur he contributed those details that appealed most to his ownfancy and each was apt to think of the hero as a man of his own time,dressing and speaking and living as his own kings and princes did, withthe result that when we come to the twelfth century we find Geoffrey ofMonmouth, in his _History of the Kings of Britain_, describing Arthurno longer as a half-barbarous Briton, wearing rude armor, his arms andlegs bare, but instead as a most Christian king, the flower of mediævalchivalry, decked out in all the gorgeous trappings of a knight of theCrusades.As the story of Arthur grew it attracted to itself popular legends ofall kinds. Its roots were in Britain and the chief threads in its fabricremained British-Celtic. The next most important threads were those thatwere added by the Celtic chroniclers of Ireland. Then stories that werenot Celtic at all were woven into the legend, some from Germanicsources, which the Saxons or the descendants of the Franks may havecontributed, and others that came from the Orient, which may have beenbrought back from the East by men returning from the Crusades. And if itwas the Celts who gave us the most of the material for the stories ofArthur it was the French poets who first wrote out the stories and gavethem enduring form.It was the Frenchman, Chrétien de Troies, who lived at the courts ofChampagne and of Flanders, who put the old legends into verse for thepleasure of the noble lords and ladies that were his patrons. Hecomposed six Arthurian poems. The first, which was written about 1160 orearlier, related the story of Tristram. The next was called _Érec etÉnide_, and told some of the adventures that were later used by Tennysonin his _Geraint and Enid_. The third was _Cligès_, a poem that haslittle to do with the stories of Arthur and his knights as we havethem. Next came the _Conte de la Charrette_, or _Le Chevalier de laCharrette_, which set forth the love of Lancelot and Guinevere. Thenfollowed _Yvain_, or _Le Chevalier au Lion_, and finally came_Perceval_, or _Le Conte du Graal_, which gives the first account of theHoly Grail.

    An enthralling glimpse into the Intangible world by an "author [who] has a way with words that just pulls you into the story and holds you there until the very last word, and even then you just do not want to be let go" (Shelly Hammond).Luke and his twin sister Sera have unusual abilities. Hers is a gift--she can heal with a touch of her hand. His is a curse--he can see the future but he can't do anything about it.On a hike up the mountain, Luke has a vision unlike any other--one that leaves him terrified. Knowing that it will come true--and that he must do everything in his power to stop it--leaves his own future uncertain.(This is a short story, and approximately 16 pages long.)Intangible (Book One), Imaginable (Book Two), and Indomitable (an Intangible novella) are available now. Book Three coming late 2015.

    Anti-Gerasone halts the aging process and prevents people from dying of old age as long as they keep taking it; as a result, America now suffers from severe overpopulation and shortages of food and resources. With the exception of the very wealthy, most of the population appears to survive on a diet of foods made from processed seaweed and sawdust. Gramps Ford, his chin resting on his hands, his hands on the crook of his cane, was staring irascibly at the five-foot television screen that dominated the room. On the screen, a news commentator was summarizing the day's happenings. Every thirty seconds or so, Gramps would jab the floor with his cane-tip and shout, "Hell, we did that a hundred years ago!" Emerald and Lou, coming in from the balcony, where they had been seeking that 2185 A.D. rarity--privacy--were obliged to take seats in the back row, behind about a dozen relatives with whom they shared the house. All save Gramps, who was somewhat withered and bent, seemed, by pre-anti-gerasone standards, to be about the same age--somewhere in their late twenties or early thirties. Gramps looked older because he had already reached 70 when anti-gerasone was invented. He had not aged in the 102 years since. "Next one shoots off his big bazoo while the TV's on is gonna find hisself cut off without a dollar--" his voice suddenly softened and sweetened--"when they wave that checkered flag at the Indianapolis Speedway, and old Gramps gets ready for the Big Trip Up Yonder." He sniffed sentimentally, while his heirs concentrated desperately on not making the slightest sound. For them, the poignancy of the prospective Big Trip had been dulled somewhat, through having been mentioned by Gramps about once a day for fifty years.

    He hires the husband-and-wife detective team of Ted and Cynthia Randall to follow him and find out. But Ted and Cynthia are mystified when they find that their own memories of what happens during their investigation do not match. There is a thirteenth floor to Jonathan's building that does not exist, there are mysterious and threatening beings living inside mirrors, and all of reality is not what they thought it was.Contents...And He Built a Crooked House... (1941)They (1941)The Unpleasant Profession of Jonathan Hoag (1942)Our Fair City (1949)The Man Who Traveled in Elephants (1957)...All You Zombies... (1959)

    "Number Thirteen," "The Mezzotint," "Canon Alberic's Scrapbook," and more. Renowned for their wit, erudition and suspense, these stories are each masterfully constructed and represent a high achievement in the ghost genre. We are delighted to publish this classic book as part of our extensive Classic Library collection. Many of the books in our collection have been out of print for decades, and therefore have not been accessible to the general public. The aim of our publishing program is to facilitate rapid access to this vast reservoir of literature, and our view is that this is a significant literary work, which deserves to be brought back into print after many decades. The contents of the vast majority of titles in the Classic Library have been scanned from the original works. To ensure a high quality product, each title has been meticulously hand curated by our staff. Our philosophy has been guided by a desire to provide the reader with a book that is as close as possible to ownership of the original work. We hope that you will enjoy this wonderful classic work, and that for you it becomes an enriching experience.

    Yeats took a particular interest in the tales' mythic and magical roots. The Celtic Twilight ventures into the eerie and puckish world of fairies, ghosts, and spirits. "This handful of dreams," as the author referred to it, first appeared in 1893, and its title refers to the pre-dawn hours, when the Druids performed their rituals. It consists of stories recounted to the poet by his friends, neighbors, and acquaintances. Yeats' faithful transcription of their narratives includes his own visionary experiences, appended to the storytellers' words as a form of commentary.

    One kissThe first time Noah Bryant meets Colbie Michaels they collide at the top of a snowy mountain in California and sparks fly. Swamped by sudden emotion – and a desire she can't control – Colbie panics. Before he can get her phone number or last name, she's gone. When they serendipitously meet again in Seattle one week later, Noah is certain Colbie is his destiny, and he can't make the mistake of losing her again.One night... One forever loveColbie wants to believe in a happily-ever-after, but experience tells her falling for Noah is more likely to lead to a broken heart. But how can she resist him as he sets out to prove that they're destined to be together? Especially when he's intent on fulfilling every last one of her secret desires and he’s willing to keep proving it to her every day...and every sweet and sinful night.

    Has her chess champion husband found a final move beyond the grave? A chess fable from the wildly inventive, immensely talented author of A Cure for Suicide and Silence Once Begun, “The Lesson” is a surprising, poignant, macabre tale of games, children, and the unknowability of the beyond. Channeling the chess masterpieces of Nabokov and Stefan Zweig, Jesse Ball's newest is a fabulous and entertaining novella that astonishes from first move to last.

    There was a darker side to this story though. The urgency was due to several assassination attempts and Malik had to marry quickly and produce an heir. The stability of his country depended on constancy and conservative leadership. He couldn’t allow his enemies to win. But he wasn’t prepared for the silver clad goddess that caught his vision as she snuck down the servants’ hallway. Nor was he prepared for her resistance. In a room full of beautiful women, his interest was captured by a beauty that wanted nothing to do with him. Except that she caught on fire when he touched her and her soft, sensuous body inflamed him with need. What was a man to do? Accept the challenge of convincing the lovely Shanelle to fall in love with him. Over a weekend of passionate kisses and stolen passion, Shanelle and Malik discovered that protecting the kingdom could be quite exhilarating. A very short novella by Elizabeth Lennox! Enjoy!