Now he gives birth to a cast of gruesomely sympathetic children – misunderstood outcasts who struggle to find love and belonging in their cruel, cruel worlds. His lovingly lurid illustrations evoke both the sweetness and the tragedy of these dark yet simple beings – hopeful, hapless heroes who appeal to the ugly outsider in all of us, and let us laugh at a world we have long left behind (mostly anyway).

    in the wake of one of the most notorious and incendiary trials of the 1990s.At 3:15 p.m. on April 29, 1992, a jury acquitted three white Los Angeles Police Department officers charged with using excessive force to subdue a black man named Rodney King, and failed to reach a verdict on the same charges involving a fourth officer. Less than two hours later, the city exploded in violence that lasted six days. In nearly 121 hours, fifty-three lives were lost. But there were even more deaths unaccounted for: violence that occurred outside of active rioting sites by those who used the chaos to viciously settle old scores.A gritty and cinematic work of fiction, All Involved vividly re-creates this turbulent and terrifying time, set in a sliver of Los Angeles largely ignored by the media during the riots. Ryan Gattis tells seventeen interconnected first-person narratives that paint a portrait of modern America itself—laying bare our history, our prejudices, and our complexities. With characters that capture the voices of gang members, firefighters, graffiti kids, and nurses caught up in these extraordinary circumstances, All Involved is a literary tour de force that catapults this edgy writer into the ranks of such legendary talents as Dennis Lehane and George V. Higgins.

    L. Doctorow comprise one of the most substantive achievements of modern American fiction. Now, with Homer & Langley, this master novelist has once again created an unforgettable work.Homer and Langley Collyer are brothers – the one blind and deeply intuitive, the other damaged into madness, or perhaps greatness, by mustard gas in the Great War. They live as recluses in their once grand Fifth Avenue mansion, scavenging the city streets for things they think they can use, hoarding the daily newspapers as research for Langley’s proposed dateless newspaper whose reportage will be as prophecy. Yet the epic events of the century play out in the lives of the two brothers – wars, political movements, technological advances – and even though they want nothing more than to shut out the world, history seems to pass through their cluttered house in the persons of immigrants, prostitutes, society women, government agents, gangsters, jazz musicians... and their housebound lives are fraught with odyssean peril as they struggle to survive and create meaning for themselves. Brilliantly conceived, gorgeously written, this mesmerizing narrative, a free imaginative rendering of the lives of New York’s fabled Collyer brothers, is a family story with the resonance of myth, an astonishing masterwork unlike any that have come before from this great writer.

    He has a knack for creating effective ad campaigns. His work lands him a gig in London. Far away from his Philly roots, Chris is raking in the dough, has a Nigerian girlfriend, a beautiful apartment, and goes clubbing in the West End. He enjoys the role of the successful black American, living among the bourgeois Africans and West Indians of London. No longer afraid of what he calls the 'Pop pop pop' of gunfire so prevalent on the streets of his hometown, Chris is finally free.But life takes a turn for the worse, and Chris finds himself back where he started, forced back to Philadelphia where his only job prospect is answering phones at the electrical company, helping the poor pay their heating and lighting bills. Surrounded by his brethren, the down and out, indigent, the hopeless, Chris hits bottom. Only a stroke of inspiration and faith will get him back on his feet. Drop is a funny, moving and ultimately profound tale of a man determined to break the pattern of the ghetto he despises and who, in the process, is forced to come to terms with his hatred for himself.

    To start anew. But it isn’t quite working out that way for Kugel…His ailing mother stubbornly holds on to life, and won’t stop reminiscing about the Nazi concentration camps she never actually suffered through. To complicate matters further, some lunatic is burning down farmhouses just like the one Kugel bought, and when, one night, he discovers history—a living, breathing, thought-to-be-dead specimen of history—hiding upstairs in his attic, bad quickly becomes worse.Hope: A Tragedy is a hilarious and haunting examination of the burdens and abuse of history, propelled with unstoppable rhythm and filled with existential musings and mordant wit. It is a comic and compelling story of the hopeless longing to be free of those pasts that haunt our every present.

    In 'Gore Vidal: History of the National Security State' & 'Vidal on America', TRNN Senior Editor Paul Jay and the acclaimed essayist, screenwriter and novelist Gore Vidal discuss the historical events that led to the establishment of the massive military-industrial-security complex and the political culture that gave us the “Imperial Presidency.”

    Unable to fit in at school, she forges alliances where she can: with her housekeeper, with a pimply fellow misfit named Cynthia, and with the gorgeous Taylor, who gets her kicks out of shoplifting. Most frustrating of all is Katie's imperfect friendship with the proprietor of a local gas station, a handsome 23-year-old who shares her love of checkers but doesn't return her crush. With humour and an eye for telling detail, Berg conveys the way each uncompromising element of Katie's life ultimately offers her more than she had anticipated.Until The Real Thing Comes AlongPatty Murphy is facing that pivotal point in a woman's life when her biological clock ticks as insistently as a beating heart. Will she find Mr Right and start a family? But Patty is in love - with a man who is not only attractive and financially sound, but sensitive and warmhearted. There's just one small problem: He is also gay. Against her better judgment, and pleas from family and friends, Patty refuses to give up on Ethan. Every man she dates ultimately leaves her aching for the gentle comfort and intimacy she shares with him. But even as she throws eligible bachelors to the wayside to spend yet another platonic night with Ethan, Patty longs more and more for the consolation of loving and being loved. In the meantime she must content herself with waiting - until the real thing comes along . . .

    With the grit of Raymond Carver, the humor of Grace Paley, and a blend of wit and melancholy all her own, Berlin crafts miracles from the everyday, uncovering moments of grace in the laundromats and halfway houses of the American Southwest, in the homes of the Bay Area upper class, among switchboard operators and struggling mothers, hitchhikers and bad Christians. Readers will revel in this remarkable collection from a master of the form and wonder how they'd ever overlooked her in the first place.

    As billions of tweets fuel the city’s gentrification and the human wreckage piles up, a group of friends suffers the consequences of being useless in a new world that despises the pointless and unprofitable. In this, his first full-length novel, Jarett Kobek tackles the pressing questions of our moment. Why do we applaud the enrichment of CEOs at the expense of the weak and the powerless? Why are we giving away our intellectual property? Why is activism in the 21st Century nothing more than a series of morality lectures typed into devices built by slaves? Here, at last, comes an explanation of the Internet in the crudest possible terms.

    As Elaine prepares for a future without her beloved husband, their solace is interrupted. Carson's mother, Greta, has set loose a neighbor's herd of alpacas and landed herself in police custody. While Carson, remarkably, sees humor in the situation, Elaine can only question what her obligations are—and will be—to a woman who hasn't spoken to her in more than twenty years.In the wake of Carson's death, Elaine and their grown son, Mick, are thrust into the maelstrom of Greta, the mother-in-law and grandmother who never accepted either of them. Just as they are trying to figure out their new roles in the family, Mick uncovers unexpected questions of his own. A long-ago teenage relationship with a local girl may have left him with more than just memories, and he must get to the bottom of Greta's surprising accusations that he's not Carson's son at all.

    In This Is Pleasure, she considers our present moment through the lens of a particular #MeToo incident. The effervescent, well-dressed Quin, a successful book editor and fixture on the New York arts scene, has been accused of repeated unforgivable transgressions toward women in his orbit. But are they unforgivable? And who has the right to forgive him? To Quin’s friend Margot, the wrongdoing is less clear. Alternating Quin’s and Margot’s voices and perspectives, Gaitskill creates a nuanced tragicomedy, one that reveals her characters as whole persons—hurtful and hurting, infuriating and touching, and always deeply recognizable. Gaitskill has said that fiction is the only way that she could approach this subject because it is too emotionally faceted to treat in the more rational essay form. Her compliment to her characters—and to her readers—is that they are unvarnished and real. Her belief in our ability to understand them, even when we don’t always admire them, is a gesture of humanity from one of our greatest contemporary writers.

    He came of age during the Haight-Ashbury period and has been called “the last of the Beats.” His early books became required reading for the hip generation, and on its publication Trout Fishing in America became an international bestseller. An indescribable romp, the novel is best summed up in one word: mayonnaise. This new edition includes an introduction by the poet Billy Collins, who first encountered Brautigan’s work as a student in California.

    Six eager interns—they saw themselves as modern saviors-to-be.   They came from the top of their medical school class  to the bottom of the hospital staff to serve a  year in the time-honored tradition, racing to answer  the flash of on-duty call lights and nubile  nurses. But only the Fat Man—the Clam, all-knowing resident—could sustain them in their struggle to survive, to stay sane, to love and even to be doctors when their harrowing year was done.

    She's never really left England, but she has watched Bear Grylls and wonders why it's always men who get to go on all the cool wilderness adventures. So Erin sets off on a voyage into the Alaskan wilderness, a one-woman challenge to the archetype of the rugged male explorer.As Erin's journey takes her through the Arctic Circle, across the entire breadth of the American continent and finally to a lonely cabin in the wilds of Denali, she explores subjects as diverse as the moon landings, the Gaia hypothesis, loneliness, nuclear war, shamanism and the pill.Filled with a sense of wonder for the natural world and a fierce love for preserving it, The Word for Woman is Wilderness is a funny, frank and tender account of a young woman in uncharted territory.

    As he surveys the desolation of his former home in the wake of his ex-wife, he yearns for a life free of complications. But somehow a short break in the warm seductive air of Provence quickly turns into something more.