Should she induce labor and have an epidural and succumb to the doctors wishes for many seemingly invasive procedures or try to wait it out? Bui’s writing presents the stress and lack of control with a honest and personal style."

    Raging storms and adversities hit the small band of travelers, and it all seems unrelenting.Relieved to finally arrive at the abandoned military post at Fort Worth, Texas, they begin the hard work of establishing a new home, including the difficult task of building schools and churches while attempting to civilize the community with manners.When trials follow them, they must decide to become true warriors of their hearts, minds, and souls—or fall to the sufferings of prairie life.Join the four women on a passage of friendship, love, and self-discovery as lives are mended around the quilting frame.

    You may find it for free on the web. Purchase of the Kindle edition includes wireless delivery.

    Now, one half of the duo, Ethan Coen, adds playwriting to his eclectic bio. In these three short plays that ran to sold-out audiences Off-Broadway in 2008, the theme is hell–both on earth and in the hereafter.In “Waiting,” a man faces an uncertain future in an uncertain location that seems to be some kind of waiting room. The anxiety and despair hark back to dramas of the fifties–Sartre, Beckett, Pinter.“Four Benches” depicts an unlikely meeting in a steam room between a straight-talking Texan and an uptight Brit. Both men learn from the encounter, though only one survives it.In “Debate,” the cantankerous god of the Old Testament roundly abuses the mealymouthed god of the New. His profanity and ill humor receive a startling comeuppance, and further reversals and changes of point of view lead to a denouement that is no more preposterous than anything else in the play.Clever, provocative, and as engaging as the best fiction, these plays showcase yet another talent of one of our most celebrated contemporary writers.

    Originally designed for teaching English as a foreign language, the series' combination of high interest level and low reading age makes it suitable for both English-speaking teenagers with limited reading skills and students of English as a second language. Many titles in the series also provide access to the pre-20th century literature strands of the National Curriculum English Orders.

    The author of the classics River of Earth (1940) and The Wolfpen Poems (1986), Still is known for his careful prose construction and for the poetry of his meticulous, rhythmic style. Upon his death, however, one manuscript remained unpublished. Still's friends, family, and fellow writer Silas House will now deliver this story to readers, having assembled and refined the manuscript to prepare it for publication. Chinaberry, named for the ranch that serves as the centerpiece of the story, is Still's last and perhaps greatest contribution to American literature.Chinaberry follows the adventures of a young boy as he travels to Texas from Alabama in search of work on a cotton farm. Upon arriving, he discovers the ranch of Anson and Lurie Winters, a young couple whose lives are defined by hard work, family, and a tragedy that haunts their past. Still's entrancing narrative centers on the boy's experience at the ranch under Anson's watchful eye and Lurie's doting care, highlighting the importance of home, whether it is defined by people or a place.In this celebration of the art of storytelling, Still captures a time and place that are gone forever and introduces the reader to an unforgettable cast of characters, illustrating the impact that one person can have on another. A combination of memoir and imagination, truth and fiction, Chinaberry is a work of art that leaves the reader in awe of Still's mastery of language and thankful for the lifetime of wisdom that manifests itself in his work.

    "Called" tells the gripping account of 9/11 from her vantage point. She recalls the moment she took the call from Todd Beamer on United Airlines Flight 93, and when she heard the immortal words, "Let's Roll. She remembers the way that her life was transformed vividly when she responded to the call. Jefferson sends a stirring challenge to all of us--whether it comes during quiet obscurity or international adversity, we must be prepared to answer God's call."

    This is what it's really like to be an undercover police officer.'Banks has told his story in a raw and honest autobiography. It is the best true crime book published in Australia in a decade.' - John Silvester, Crime Reporter for The Age Undercover was like guerrilla warfare; to understand your enemy, you had to walk amongst them, to become them. The trick was to keep an eye on that important line between who you were and who you were pretending to be.This is the true story of Keith Banks, one of Queensland's most decorated police officers, and his journey into the world of drugs as an undercover operative in the 1980s. In an era of corruption, often alone and with no backup, he and other undercover cops quickly learned to blend into the drug scene, smoking dope and drinking with targets, buying drugs and then having dealers arrested. Very quickly, the lines between his identity as a police officer and the life he pretended to be part of became blurred. This is a raw and confronting story of undercover cops who all became casualties of that era, some more than others, when not everyone with a badge could be trusted.

    Now, Weir follows up with another terrifically moving- and often disarmingly funny-book about loss, survival, and sexuality in the post-AIDS era. Returning to a Manhattan haunted by the memory of all the young men who died in the late 1980s and early 90s, "What I Did Wrong" has at its heart a protagonist for whom that loss is still all too palpable. Tom, a forty-two-year-old English professor, watched his best friend die years earlier and now finds himself sliding into middle age while questioning everything he thought he knew about his "gay identity." His Queens College classes are filled with borough boys displaying their own bravado along with their confused masculinity. As Tom balances their friendship with the occasional displaced erotic overtones, he finds an unexpected common ground with these proud young men and, surprisingly, claims his place in the world and in history. "What I Did Wrong" is a dazzling work juxtaposing low comedy and heartfelt tragedy with astonishing finesse, a book worthy of John Weir's return to fiction that will be warmly welcomed by critics and readers alike.

    These two books, set in the Michigan landscape that Baxter has made his own, display his unparalleled gift for revealing the unexpected in everyday life. In the novel Shadow Play, a decent man, having made a "devil's bargain," finds himself on that precarious border between personal love and social responsibility. Reading group guide included.

    They live in a decommissioned church in the middle of America, with a radar dish on its steeple and a spaceship in the sanctuary. Their children have the run of the house when Dash and Dot are away. When a couple of UFO groupies show up looking for the extraterrestrial duo, they find instead a nuclear family—or rather, a family gone nuclear—whose comically discomforting world resembles our own as much as it does another world altogether.

    Growing up without parents or a home, by age twelve he is a successful young man, running his own small empire, until he meets Shadrack Davies. That's Captain Shadrack Davies, of the D.C. Police. Davies wants to reform Gidney and becomes his foster father. Though he tries not to, Gidney learns a small amount of ethics from Shad---just enough to bother a kid from the streets for the rest of his life.Now Gidney is a PI, walking those same streets. So it's no surprise that when his closest friend, jazz saxophonist Steps Jackson, asks Gidney to find his missing daughter, Gidney is compelled to say yes---even though she's been missing for twenty-five years. He finds a woman who may be the girl's mother--and within hours she turns up dead. The police accuse Gidney of the murder and throw him in jail.Maybe Gidney should quit while he's behind. But when his investigation puts him up against a ruthless multinational corporation, a two-faced congressman, and a young woman desperate to conceal her past, Gidney has no time left for second thoughts. In fact, he may have no time left at all.Thomas Kaufman is a winner of the PWA Best First Private Eye Novel Competition. His debut novel, Drink the Tea, which boasts an original PI and an engaging cast of characters, adds a fresh perspective to the genre.

    Amanda Maxwell, a forensic photographer for the New York City police department, launches her own investigation into the death of her father, the head of a powerful investment firm, and finds her life depends on two very different men.

    His victim is Bruce, our typical Aussie, who bleeds from the hip pocket because of James' actions. Game of Mates tells a tale of economic theft across major sectors of Australia's economy, showing how James and his group of well-connected Mates siphon off billions from the economy to line their own pockets. In property, mining, transport, banking, superannuation, and many more sectors, James and his Mates cooperate to steal huge chunks of the economic pie for themselves. If you want to know how much this costs the nation, how it is done, and what we can do about it, Game of Mates is the book for you.

    In classic Russo fashion, however, he packs along their foibles and frailties. His latest foray into the messy beauty of the human heart, "Nate in Venice" is written with the same wry humor and ready generosity for which he’s been so richly praised.After a tragic incident with a student, Nate, a professor at a small New England college, retires from teaching and from life. He ends his self-imposed exile with a tour-group trip to Venice in the company of his overbearing, mostly estranged brother. Nate is unsure he’s equipped for the challenges of human contact, especially the fraternal kind. He tries to play along, keep up, mixing his antidepressants with expensive Chianti, but while navigating the labyrinthine streets of the ancient, sinking city, the past greets him around every corner, even in his dreams: There’s the stricken face of the young woman whose life he may have ruined, and there’s Julian, the older brother who has always derided and discounted him. Is Nate sunk? Is the trip, the chance to fall in love—in fact, his whole existence—merely water under the ponte? Maybe or maybe not. In Russo’s world, the distance between disaster and salvation is razor thin, and a mensch can be a fool (and vice versa). Nate’s Venetian high-wire act proves as surprising as a potboiler and as full of reversals as a romantic comedy. It’s an emphatic tribute to all the pleasures and possibilities of the novella.