The city is beginning to emerge from hibernation and an obscure spirit of social and political renewal is in the air. Yet Théo, his twin sister Isabelle and Matthew, an American student they have befriended, think only of immersing themselves in another, addictive form of hibernation: moviegoing at the Cinémathèque Française. Night after night, they take their place beside their fellow cinephiles in the very front row of the stalls and feast insatiably off the images that flicker across the vast white screen.Denied their nightly 'fix' when the French government suddenly orders the Cinémathèque's closure, Théo, Isabelle and Matthew gradually withdraw into a hermetically sealed world of their own creation, an airless universe of obsessive private games, ordeals, humiliations and sexual jousting which finds them shedding their clothes and their inhibitions with equal abandon. A vertiginous free fall interrupted only, and tragically, when the real world outside their shuttered apartment succeeds at last in encroaching on their delirium.The study of a triangular relationship whose perverse eroticism contrives nevertheless to conserve its own bruised purity, brilliant in its narrative invention and startling in ints imagery, The Dreamers (now a film by Bernardo Bertolucci) belongs to the romantic French tradition of Les Enfants Terribles and Le Grand Meaulnes and resembles no other work in recent British fiction.

    Swept from the Amaryllis, he has managed to pull himself aboard the Daphne, anchored in the bay of a beautiful island. The ship is fully provisioned, he discovers, but the crew is missing. As Roberto explores the different cabinets in the hold, he remembers chapters from his youth: Ferrante, his imaginary evil brother; the siege of Casale, that meaningless chess move in the Thirty Years' War in which he lost his father and his illusions; and the lessons given him on Reasons of State, fencing, the writing of love letters, and blasphemy.In this fascinating, lyrical tale, Umberto Eco tells of a young dreamer searching for love and meaning; and of a most amazing old Jesuit who, with his clocks and maps, has plumbed the secrets of longitudes, the four moons of Jupiter, and the Flood.

    Speaking to a group of sunbathing women who remind him of lovers past, this elderly roué tells the story of his life—or at least unburdens himself of a lifetime's worth of stories. Thus we learn of amatory conquests (and humiliations), of scandals both private and public, of military adventures and domestic feuds, of what things were like "in the days of the monarchy" and how they've changed since. As the book tumbles restlessly forward, and the comic tone takes on darker shadings, we realize we are listening to a man talking as much out of desperation as from exuberance.Hrabal, one of the great Czech writers of the twentieth century, as well as an inveterate haunter of Prague's pubs and football stadiums, developed a unique method which he termed "palavering," whereby characters gab and soliloquize with abandon. Part drunken boast, part soul-rending confession, part metaphysical poem on the nature of love and time, this astonishing novel (which unfolds in a single monumental sentence) shows why he has earned the admiration of such writers as Milan Kundera, John Banville, and Louise Erdrich.

    In the middle of a tropical storm one night, these characters are among the passengers it carries: Fay Benton, a single mom and cocktail waitress desperate for something to go right for once; Johnny and the Contusions, a ship's band with so little talent they are . . . well, the ship's band; Arnold and Phil, two refugees from the Beaux Arts Senior Center; Lou Tarant, a wide, bald man who has killed nine people, though none recently; and an assortment of uglies whose job it is to facilitate the ship's true business, which is money-laundering or drug-smuggling or . . . something.

    "Endgame, " originally written in French and translated into English by Beckett himself, is considered by many critics to be his greatest single work. A pinnacle of Beckett's characteristic raw minimalism, it is a pure and devastating distillation of the human essence in the face of approaching death.

    Now, in old age, living out in the country, Moran is still fighting - with his family, his friends, even himself - in a poignant struggle to come to terms with the past.

    And nowhere is his dramatic genius more apparent than in two of his probing early works, The American Dream and The Zoo Story.The New Yorker hailed The American Dream as "unique ... brilliant ... a comic nightmare, fantasy of the highest order." The story of one of America's most dysfunctoinal families, it is a ferocious, uproarious attack on the substitution of artificial values for real values-a startling tale of murder and morality that rocks middle-class ethics to its complacent foundations.The Zoo Story is a harrowing depiction of a young man alienated from the human race-a searing story of loneliness and the desperate need for recognition that builds to a violent, shattering climax. Together, these plays show men and women at their most hilarious, heartbreaking, and above all, human-and demonstrate why Edward Albee continues to be one of our greatest living dramatists.

    Even on the ship's voyage across, the Russian sensibility begins to pervade: lots of secrets and lots of vodka. When his American wife is stricken by a painful rash and he is interrogated at his hotel by Soviet agents who know that he is trying to sell stylish synthetic dresses to the masses starved for fashion, his precarious inner balance is thrown off for good. More drink follows, discoveries of his wife's illicit affair with another woman, and his own submerged sexual feelings come breaking through the surface, bubbling up in Russian champagne and caviar.

    During a season of unprecedented success on the football field, he becomes increasingly obsessed with the threat of nuclear war. Both frightened and fascinated by the prospect, he listens to his team-mates discussing match tactics in much the same terms as military generals might contemplate global conflict. Offering a timely and topical look at human beings' obsession with conflict and confrontation, "End Zone" is a clever, playful and, above all, funny novel, which confirms DeLillo's status as one of the great American writers of the twentieth and twenty-first centuries, and reaffirms the unerring incisive accuracy of his portrayal of the modern world.

    The authors made the claim that "All the History you can remember is in the Book," and, for most Brits, they were probably right. But it is their own unique interpretation of events that has made the book a classic; an uproarious satire on textbook history and a population's confused recollections of it.

    A Barbara Kingsolver Omnibus; Contains Homeland, The Bean Trees, Pigs In Heaven and 11 other short stories.

    While the city celebrates its freedom, she’s stuck in the prison of an unhappy marriage. When her husband commits one betrayal too many, Copper demands a separation.Alone in Paris, she finds an unlikely new friend: an obscure, middle-aged designer from the back rooms of a decaying fashion house whose timid nature and reluctance for fame clash with the bold brilliance of his designs. His name is Christian Dior.Realising his genius, Copper urges Dior to strike out on his own, helping to pull him away from his insecurities and towards stardom. With just a camera and a typewriter, she takes her own advice and ventures into the wild and colourful world of fashion journalism.Soon Copper finds herself torn between two very different suitors, questioning who she is and what she truly wants. As the city rebuilds and opulence returns, can Copper make a new, love-filled life for herself?

    “Eva is dead,” she is told. As the years pass, Anca proves an unquenchable spirit, with a lust for life even when political forces threaten to derail her at every turn. Time is layered in this quest for self, culminating in the end of the Iron Curtain and Anca’s reclaiming of the name her mother gave her. When Eva returns to Hungary in 1990, a country changing as fast as the price of bread, she meets Martin, an American teacher, and Eva’s lifelong search for family and identity comes full circle as her cross-cultural relationship with Martin deepens through their endeavor to rescue the boy downstairs from abuse.An intimate look at the effects of history on an individual life, Smuggled is a raw and fearless account of transformation, and a viscerally reflective tale about the basic need for love without claims.

    The Erasers, his first novel, reads like a detective story but is primarily concerned with weaving and then probing a complete mixture of fact and fantasy. The narrative spans the twenty-four-hour period following a series of eight murders in eight days, presumably the work of a terrorist group. After the ninth murder, the investigation is then turned over to a police agent, who may in fact be the assassin.Both an engrossing mystery and a sinister deconstruction of reality, The Erasers intrigues and unnerves with equal force as it pull us along to its ominous conclusion.

    It is voiced in first-person by an anonymous narrator often using jargon, broken grammar and punctuation with a poetry-like structure. The narration shifts quickly from random idea to idea with little to no connectivity between them, typically giving vivid descriptions of abstract situations. The narrative styles in the book vary significantly as well, with no apparent solid identity to the narrator itself. Some characters and ideas emerge suddenly and disappear without explanation.Within this form incorporate elements of science fiction, cyberpunk, tabloid journalism, and advertising slogans. Due to its use of pop-culture references (e.g. to kung-fu films) and literary allusions it requires knowledge of (then) current affairs. Leyner resorts to irony and humor as a means of interplay with traditional realism.-Wikipedia