The five heroines are Onatsu, already wise in the ways of love the tender age of sixteen; Osen, a faithful wife until unjustly accused of adultery; Osan, a Kyoto beauty who falls asleep in the wrong bed; Oshichi, willing to burn down a city to meet her samurai lover; and Oman, who has to compete with handsome boys to win her lover's affections.But the book is more than a collection of skillfully told erotic tales, for "Saikaku…could not delve into the inmost secrets of human life only to expose them to ridicule or snickering prurience. Obviously fascinated by the variety and complexity of human love, but retaining always a sense of its intrinsic dignityhe is both a discriminating and compassionate judge of his fellow man."Saikaku's style, as allusive as it is witty, as abbreviated as it is penetrating, is a challenge that few translators have dared to face, and certainly never before with the success here achieved in a translation that recaptures the heady flavor of the original.

    But this coffee shop offers its customers a unique experience: the chance to travel back in time.In Before the Coffee Gets Cold, we meet four visitors, each of whom is hoping to make use of the café’s time-travelling offer, in order to: confront the man who left them, receive a letter from their husband whose memory has been taken by early onset Alzheimer's, to see their sister one last time, and to meet the daughter they never got the chance to know.But the journey into the past does not come without risks: customers must sit in a particular seat, they cannot leave the café, and finally, they must return to the present before the coffee gets cold . . .Toshikazu Kawaguchi’s beautiful, moving story explores the age-old question: what would you change if you could travel back in time? More importantly, who would you want to meet, maybe for one last time?

    Giovanni and his friend Campanella, who is dead from drowning, travel on a celestial railway which is a ferry of souls journeying to the afterlife.

    Where the Wild Ladies Are is populated by these and many other spirited women—who also happen to be ghosts. This is a realm in which jealousy, stubbornness, and other excessive "feminine" passions are not to be feared or suppressed, but rather cultivated; and, chances are, a man named Mr. Tei will notice your talents and recruit you, dead or alive (preferably dead), to join his mysterious company.In this witty and exuberant collection of linked stories, Aoko Matsuda takes the rich, millennia-old tradition of Japanese folktales—shapeshifting wives and foxes, magical trees and wells—and wholly reinvents them, presenting a world in which humans are consoled, guided, challenged, and transformed by the only sometimes visible forces that surround them.

    There’s Toshi, the dependable one; Terauchi, the great student; Yuzan, the sad one, grieving over the death of her mother—and trying to hide her sexual orientation from her friends; and Kirarin, the sweet one, whose late nights and reckless behavior remain a secret from those around her. When Toshi’s next-door neighbor is found brutally murdered, the girls suspect the killer is the neighbor’s son, a high school boy they nickname Worm. But when he flees, taking Toshi’s bike and cell phone with him, the four girls get caught up in a tempest of dangers—dangers they never could have even imagined—that rises from within them as well as from the world around them.Psychologically intricate and astute, dark and unflinching, Real World is a searing, eye-opening portrait of teenage life in Japan unlike any we have seen before.

    The first story in this collection has been adapted to film (Dark Water, Walter Salles), and another, "Adrift" is currently in production with Dimension Films.

    As his ideas of his life become more entangled with his personal writing, the pangs of his past and his half-forgotten memories overlap and threaten his peace.Owing a debt to French writers from La Fontaine to Proust, the three fable-like tales in The Bear and the Paving Stone are stories of loss, memory and a longing to belong.

    The shocking and blisteringly memorable stories of The Cake Tree in the Ruins are based on his own experiences as a child in Japan during the Second World War.They are stories of a lonely whale searching the oceans for a mate, who sacrifices himself for love; of a mother desperately trying to save her son with her tears; of a huge, magnificent tree which grows amid the ruins of a burnt-out town, its branches made from the sweetest cake imaginable.Profound, heartbreaking and aglow with a piercing beauty, they express the chaos and terror of conflict, yet also how love can illuminate even the darkest moment.

    Ibuse began serializing Black Rain in the magazine Shincho in January 1965. The novel is based on historical records of the devastation caused by the atomic bombing of Hiroshima.

    Then, a talking cat named Tiger appears with an unusual request. The feline asks for—or rather, demands—the teenager’s help in saving books with him. The world is full of lonely books left unread and unloved, and Tiger and Rintaro must liberate them from their neglectful owners. Their mission sends this odd couple on an amazing journey, where they enter different mazes to set books free. Through their travels, Tiger and Rintaro meet a man who leaves his books to perish on a bookshelf, an unwitting book torturer who cuts the pages of books into snippets to help people speed read, and a publishing drone who only wants to create bestsellers. Their adventures culminate in one final, unforgettable challenge—the last maze that awaits leads Rintaro down a realm only the bravest dare enter...

    Or so he believes.Food begins to go missing. Perturbed by this threat to his orderly life, Shimura sets up a webcam to monitor his home. But though eager to identify his intruder, is Shimura really prepared for what the camera will reveal?Based on real-life events, this prize‐winning novel is a moving tale of alienation in the modern world.

    In this, his Mishima Prize-winning masterpiece, Masatsugu Ono considers a fishing village on the Japanese coast. Here a new police chief plays audience for the locals, who routinely approach him with bottles of liquor and stories to tell. As the city council election approaches, and as tongues are loosened by drink, evidence of rampant corruption piles up--and a long-held feud between the village's captains of industry, two brothers-in-law, threatens to boil over.Meanwhile, just out of frame, the chief's teenage daughter is listening, slowly piecing the locals' accounts together, reading into their words and poring over the silence they leave behind. As accounts of horrific violence--including a dangerous attempt to save some indentured Korean coal mine workers from the Japanese military police and the fate of a group of Chinese refugees--steadily come into focus, she sets out for the Bay, where the tide has recently turned red and an ominous boat from the past has suddenly reappeared.Populated by an infectious cast of characters that includes a solemn drunk with a burden to bear; a scarred woman constantly tormented by the local kids' fireworks; a lone communist; and the "Silica Four," a group of out-of-work men who love to gossip--Echo on the Bay is a quiet, masterful epic in village miniature. Proof again that there are no small stories--and that History's untreated wounds, no matter how well hidden, fester, always threatening to resurface.

    Keiko has never fit in, neither in her family, nor in school, but when at the age of eighteen she begins working at the Hiiromachi branch of “Smile Mart,” she finds peace and purpose in her life. In the store, unlike anywhere else, she understands the rules of social interaction ― many are laid out line by line in the store’s manual ― and she does her best to copy the dress, mannerisms, and speech of her colleagues, playing the part of a “normal” person excellently, more or less. Managers come and go, but Keiko stays at the store for eighteen years. It’s almost hard to tell where the store ends and she begins. Keiko is very happy, but the people close to her, from her family to her coworkers, increasingly pressure her to find a husband, and to start a proper career, prompting her to take desperate action…A brilliant depiction of an unusual psyche and a world hidden from view, Convenience Store Woman is an ironic and sharp-eyed look at contemporary work culture and the pressures to conform, as well as a charming and completely fresh portrait of an unforgettable heroine.

    His people catch barely enough fish to live on, and so must distill salt to sell to neighboring villages. But this industry serves another, more sinister purpose: the fires of the salt cauldrons lure passing ships toward the shore and onto rocky shoals. When a ship runs aground, the villagers slaughter the crew and loot the cargo for rice, wine, and rich delicacies. One day a ship founders on the rocks. But Isaku learns that its cargo is far deadlier than could ever be imagined. Shipwrecks, the first novel by the great Japanese writer Yoshimura to be translated into English, is a stunningly powerful, Gothic tale of fate and retribution.

    The young heroine, Otama, is forced by poverty to become a moneylender's mistress. Her dawning consciousness of her predicament brings the novel to a touching climax.