Who is Brendan Wolf?  It all depends on who you ask. *  To the staff of a Minneapolis nursing home, he's the devoted partner of a much older man who's recently suffered a debilitating stroke. *  To the women of a conservative, Christian pro-life organization, he's the tireless volunteer grieving over the recent loss of his wife and their unborn child. *  To one gay activist, he's the unaffectedly charming, yet directionless and unemployed man that he's fallen hopelessly in love with * To his brother and his brother's wife, he's the lynchpin of a scam that will net them enough money to start their lives over somewhere new. * To the general public, he's an armed and dangerous fugitive All of these people - and yet none of them - Brendan Wolf is an ambivalent lover, reluctant conspirator, counterfeit Christian, and, most of all, an unemployed daydreamer obsessed with a dead man.     From the author of the award-winning The Year of Ice, this is a tour-de-force - a compelling, hilarious, heart-breaking novel about one utterly typical, and completely original, figure:  Brendan Wolf.

    Here, National Book Award winner Paul Monette depicts three men of various economic and social backgrounds, all with one thing in common: They are widowers, in a way, and all of their lovers died of AIDS in an LA hospital within a week of one another.Steven, Sonny, and Dell meet weekly to discuss how to go on with their lives despite the hanging sword of being HIV positive. One tries to find a semblance of normalcy; one rebels openly against the disease, choosing to treat his body as a temple that he can consecrate and desecrate at will; and one throws himself into fierce political activism. No matter what path each one takes, they are all searching for one thing: a way to live and love again.Afterlife finds Paul Monette at his most autobiographical, portraying men in a situation that he himself experienced, and one that he described to critical acclaim in the award-winning Borrowed Time: An AIDS Memoir.

    The work draws on the author's own experiences with an all-male brothel in Cleveland Street (later shut down scandalously.) Originally subtitled: or, The Recollections of a Mary-Anne.

    . . both urgent and convincing."--The New York Times Book Review In this sequel to David Feinberg's national bestseller Eighty-Sixed, B.J. Rosenthal navigates life with an HIV-positive diagnosis amidst the "constant tide of deaths" in New York City during the AIDS crisis.

    Cliffy, black, and Noah, Jewish, are teens of their time, segregated by neighborhood, skin color and opportunity, yet neither boy has ever had a friend like the other.

    The person is genderless, racially ambiguous, and refuses to speak. One family takes the strange visitor in and nicknames them Pew.As the town spends the week preparing for a mysterious Forgiveness Festival, Pew is shuttled from one household to the next. The earnest and seemingly well-meaning townspeople see conflicting identities in Pew, and many confess their fears and secrets to them in one-sided conversations. Pew listens and observes while experiencing brief flashes of past lives or clues about their origins. As days pass, the void around Pew’s presence begins to unnerve the community, whose generosity erodes into menace and suspicion. Yet by the time Pew’s story reaches a shattering and unsettling climax at the Forgiveness Festival, the secret of their true nature—as a devil or an angel or something else entirely—is dwarfed by even larger truths.Pew, Catherine Lacey’s third novel, is a foreboding, provocative, and amorphous fable about the world today: its contradictions, its flimsy morality, and the limits of judging others based on their appearance. With precision and restraint, one of our most beloved and boundary-pushing writers holds up a mirror to her characters’ true selves, revealing something about forgiveness, perception, and the faulty tools society uses to categorize human complexity.

    Decipher     love. To make what was once whole     whole again: or to see     why it never should have been thought whole.     This “ancient work” reflects what the poet sees as fundamental in human feeling, what psychologists and mystics have called the “hunger for the Absolute”—a hunger as fundamental as any physical hunger. This hunger must confront the elusiveness of the Absolute, our self-deluding, failed glimpses of it. The third section of the book is titled “History is a series of failed revelations.”     The result is one of the most fascinating and ambitious books of poetry in many years.One of Publishers Weekly's Best Poetry Books of 2013A New York Times Notable Book of 2013An NPR Best Book of 2013

    Saturday 07.29.06> You are in L-O-V-E. Notice how I have no hesitation spelling it. At all. Reason? That was just the wildest entry you've posted! Ever....You are so seeing the world through the eyes of L-O-V-E. A ten-year best friendship is put to the test when Chuck and Hal spend their first summer apart falling for two questionable mates: a sexy Saudi songstress and a smokin' hot French punk. As Chuck heads off to summer theater camp and Hal stays in their hometown, learning how to drive, they keep in touch via blogging, reporting to each other about their suddenly separate lives and often ridiculous romantic entanglements. As both their relationships take some unexpected turns, Hal and Chuck struggle to come to terms with their growing differences while trying to keep their friendship alive.

    Enter a universe of wonder where trans femmes are powerful heroines, sorceresses, and warriors fighting against dark forces in vivid magical worlds.With celebrated trans femme writers like Kai Cheng Thom, Casey Plett, and Gwen Benaway, and featuring art by Alex Morris, this anthology will transform the landscape of fantasy fiction and offer radical portals into excitement, danger, and transformation.

    In Vanishing Rooms, the author amply demonstrates his literary promise with a compelling love story of interracial sex and urban violence set in Manhattan’s West Village in the 1970s.

    The joining of Realist methods with the theories of Marx, Darwin, and Spencer to reveal the larger forces (biological, evolutionary, historical) which move humankind, are exemplified here in the fiction of such writers as Jack London, Frank Norris, and Theodore Dreiser.

    When entertainer Fox Olson's car plunges off a bridge in a storm, a death claim is filed, but where is Olson's body? As Brandstetter questions family, fans, and detractors, he grows certain Olson is still alive and that Dave must find him before the would-be killer does. Suspenseful and wry, shrewd and deeply felt, Fadeout remains as fresh today as when it startled readers more than thirty years ago.

    Unlike Frédéric Moreau in Flaubert's L'Éducation sentimentale (to which this book owes no meagre debt), Piet is magnificently gifted, not only "extremely attractive to most women and to many men," but also a fine pianist, draughtsman and lover. We first meet him interviewing for the role of tutor to the son of the wealthy hotelier, Maarten Vermeulen-Sickerts. All is not well in his gilded household. Egbert, the son, is agoraphobic. The matriarch, Jacobina, hasn't been touched by her husband in almost a decade. Into this highly strung atmosphere comes Piet, charged with the task of freeing Egbert from his paralysing fear of the outside world. We soon realise, however, that Egbert isn't the only one in need of help. Piet sets about liberating the libidos of the repressed family through music – championing bawdy Bizet over abstract Bach – and oral sex. While the setting is Dutch, the influences are French – think Bel-Ami, Les Liaisons dangereuses and Gide's L'Immoraliste.

    But his criminal attraction to his upper-crust First Lieutenant, Garnet Littleton, threatens to overturn all he’s ever worked for. Lust quickly proves to be the least of his problems, however. The deadly combination of typhus, rioting convicts, and a monstrous storm destroys his prospects . . . and shipwrecks him and Garnet on their own private island. After months of solitary paradise, the journey back to civilization—surviving mutineers, exposure, and desertion—is the ultimate test of their feelings for each other. These two very different men each record their story for an unfathomable future in which the tale of their love—a love punishable by death in their own time—can finally be told. Today, dear reader, it is at last safe for you to hear it all.Note: This is a revised, stand-alone edition of the story originally published in the Hidden Conflict anthology in 2009.

    Gay / Lesbian Studies. Moving from mid-nineties Boston, to post-grunge Seattle, to Giuliani's New York, Sycamore's debut novel is about searching for home and not necessarily finding it. D. Travers Scott calls PULLING TAFFY "a sharp and sparkling picaresque of queens and k-holes, grandmothers and tricks, friends and freaks. If David Lynch and David Wojnarowicz created a rebuttal to Will and Grace, it could very well be this book. Sycamore's keen eye reveals the everygay as not merely absurd but grotesque. Like good drugs, Sycamore's writing leaves me craving more." Likewise Edmund White writes, "I admire the candor and the reticence in this beautiful, anguished, funny novel. I have seen the future, and it is PUILLING TAFFY."