And with a daughter emigrating to Australia and a son who has his own marital problems, Frank feels resigned to a life of loneliness. Then one night he finds a frightened young woman hiding at the back of his farmhouse. She explains that her name is Irena and was brought to this country by a man who promised her the world and then forced her into prostitution. Frank offers her a bed for the night but it’s the middle of winter, and when heavy snowfall prevents her from leaving the next day, he’s forced to extend the invitation. But the longer Irena stays, the easier it gets for the men she’s trying to escape from to find her.People-trafficking could just be the tip of the iceberg, and Frank has no idea what these people are really capable of.

    Yet she is passionate about her grandchildren, whom she is raising. She overcomes her abusive upbringing by facing life head on, making no excuses. Always full of surprises, Tucker will inspire you.

    But before Meg can take her first steps into the unknown alone, she must look to her past. Why, she wonders, did her mother wear a wedding ring but never marry? Why, for instance, does the tallyman never call at No. 3 Tippet's Yard to collect any rent? He does everywhere else. With Ma gone, Meg must go back to her roots to uncover her 'family tree'. However, the process of simplfying her life leads to unforseen complications. But there's always Kip, reliable and loving, to pick up the pieces of her unsolved life and love.

    Harper. By the age of 18 she has become a talented cook, but when she falls in love with a Latimer, all their lives change with frightening swiftness.

    Unlike the younger American Indians who have adopted white civilization, Charlie and his wife cling to the old ways, hunting and fishing in the great swamp and farming a tiny plot of higher ground. Charlie has been diligently teaching his grandson, Timmy, about the swamp and its creatures.But their simple existence is suddenly threatened when a large tract of swamp is bought by a corporation, and Charlie is told that he will have to leave. From his youth, Charlie remembers the slaughter of egrets and alligators by the white man and the logging of the giant cypress. Rather than surrender the land that is his life to this final indignity, Charlie decides to fight back.It is an uneven contest. First come the great machines that silt up the streams; then the workmen inadvertently poison the marsh; and, attempting to sabotage the construction equipment, Charlie’s best friend is killed. Realizing that there can be no compromise with the white man who destroys all he touches, Charlie leaves his family and feels into the swamp, seeking the lost island known in the Seminole legends as Forever Island.

    The setting is Alexandria, Mississippi, where one Mother’s Day a little boy named Robin Cleve Dufresnes was found hanging from a tree in his parents’ yard. Twelve years later Robin’s murder is still unsolved and his family remains devastated. So it is that Robin’s sister Harriet - unnervingly bright, insufferably determined, and unduly influenced by the fiction of Kipling and Robert Louis Stevenson--sets out to unmask his killer. Aided only by her worshipful friend Hely, Harriet crosses her town’s rigid lines of race and caste and burrows deep into her family’s history of loss.

    She'd already lost the beloved waterfront restaurant her parents started and now losing her husband, no matter how unfulfilling their marriage was, might just push her over the edge.Joseph's time in Vietnam left him with scars that never seemed to heal. No matter how he's tried to love or what he's tried to do since then, he can't pull himself out of the wreckage of his former life. His trust and security shaken, he isolates himself in a cabin. But every morning, he faithfully pours two cups of coffee, drinking his while he sits with the second, and then pouring out the full cup.It's no small coincidence that Joseph found a mother and her two young children lost in the woods near his cabin. Or that when he helps them return to family in Florida, he's near enough to see that explosion. Near enough to know it's close to home. Near enough to know that his childhood sweetheart needs him.The years have built so much distance between them, but it's the secrets that may be their final undoing. Send Down the Rain reminds us of the beauty of truth . . . and the power of love to wash away the past.

     Conley Hawkins left her family’s small town newspaper, The Silver Bay Beacon, in the rearview mirror years ago. Now a star reporter for a big-city paper, Conley is exactly where she wants to be and is about to take a fancy new position in Washington, D.C. Or so she thinks.For small town scandals... When the new job goes up in smoke, Conley finds herself right back where she started, working for her sister, who is trying to keep The Silver Bay Beacon afloat—and she doesn’t exactly have warm feelings for Conley. Soon she is given the unenviable task of overseeing the local gossip column, “Hello, Summer.”And big-time secrets. Then Conley witnesses an accident that ends in the death of a local congressman—a beloved war hero with a shady past. The more she digs into the story, the more dangerous it gets. As an old heartbreaker causes trouble and a new flame ignites, it soon looks like their sleepy beach town is the most scandalous hotspot of the summer.

    At age thirty-five he’s living in Key West, owner of a forty-two-foot charter fishing boat, The Maine. Mac served five years in the Army as an infantry officer with two tours in Afghanistan. He returned with the Silver Star, two Purple Hearts, scars that don’t tan, and a boat with a big bank loan. Truth be told, Mac’s finances are more than a little shaky.One day, Mac is sitting in the famous Green Parrot Bar in Key West, contemplating his life, and waiting for Carlos, a hotshot Miami lawyer heavily involved with anti-Castro groups. Carlos wants to hire Mac and The Maine for a ten-day fishing tournament to Cuba at the standard rate, but Mac suspects there is more to this and turns it down. The price then goes up to two million dollars, and Mac agrees to hear the deal, and meet Carlos’s clients—a beautiful Cuban-American woman named Sara Ortega, and a mysterious older Cuban exile, Eduardo Valazquez.What Mac learns is that there is sixty million American dollars hidden in Cuba by Sara’s grandfather when he fled Castro’s revolution. With the “Cuban Thaw” underway between Havana and Washington, Carlos, Eduardo, and Sara know it’s only a matter of time before someone finds the stash—by accident or on purpose. And Mac knows if he accepts this job, he’ll walk away rich…or not at all.Brilliantly written, with his signature humor, fascinating authenticity from his research trip to Cuba, and heart-pounding pace, Nelson DeMille is a true master of the genre.

    Her life may not seem thrilling – living with her widowed mother, majoring in economics, working in an elegant dress store after classes to put away money for graduate school – but she’s determined to make a better life for herself and her mom. One night, she comes home to see the light is out again over the door. That old fuse box? Again? Except when Marianne gets inside, she stumbles over something, and it’s immediately clear what has happened: her mother has been murdered. The NYPD is stumped. Marianne’s father, an army captain, was killed in battle when she was a year old, and whatever other family she has are so distant she’s never met them. Whom can she turn to? Marianne does what strong women always do: She turns to herself. With help from Laurie Fishbein, her BFF since second grade, she becomes her own private detective to solve the case of her lifetime.Susan Isaacs was dubbed “Jane Austen with a shmear” on NPR’s Fresh Air. Among her thirteen novels are Almost Paradise, Shining Through and After All These Years. She has written screenplays for two films, Compromising Positions (adapted from her novel) and Hello Again, as well as a nonfiction work, Brave Dames and Wimpettes: What Women are Really Doing on Page and Screen. Currently, she serves as chairman of the literary organization Poets & Writers. A member of the National Book Critics Circle, she has reviewed for New York Times, the Los Angeles Times, the Chicago Tribune, the Washington Post, and Newsday. She is a past president of Mystery Writers of America and belongs to the Creative Coalition, PEN, and the International Association of Crime Writers. Susan is a trustee emerita of the Queens College Foundation and on the board of the Jewish Theological Seminary. Among her honors are the John Steinbeck award, the Writers for Writers award, and the Marymount Manhattan Writing Center prize. She has worked gathering support for the National Endowment of the Arts Literature Program and on many anti-censorship campaigns. She lives on Long Island where she’s at work finishing her new novel, Violet Hopkins. Cover design by Kristen Radtke.

    Set in contemporary Ireland the story is intertwined with one set in 1940’s. In both past and present it seems that everybody has something to hide. When Phoebe's married lover dies in a car accident she dare not openly express her grief for fear of their affair being found out. Heart broken she leaves her life in England to search out the old boathouse bequeathed to her by her Irish grandmother. Enthralled by the stunning scenery of the West Coast of Ireland she soon finds herself swept up by life in the nearby village of Carraigmore. When she discovers a collection of her grandmother’s old diaries hidden beneath the boat house floorboards she becomes immersed in a story of family scandal, repressed sexuality and a passionate affair between her grandmother and a young Irish artist. As Phoebe tries to piece together the truth about her grandmother’s past she begins to realise that the repercussions of what happened all those years before have shaped not only her own life but the lives of those in the small community around her. With many questions unanswered Phoebe sets out to find out more but it seems that no one in Carraigmore is quite telling her the truth.

    His ex-wife is demanding more money. A woman he can’t even remember accuses him of fathering her child. Newspaper reporter Mitch Corsini shrugs and takes another drink. However, when his estranged teenaged daughter mysteriously disappears, his life finally has a purpose: find the child he's neglected for too long and rekindle the love they once shared. Mitch’s quest takes him to the Virginia mountains and his ancestral home. There, he finds himself locked in a life or death struggle to save his daughter as seventy-year-old family secrets and the fate of a long-forgotten railroad worker combine to shatter the very foundations of his world.

    Most people in Peckinpaw, Kentucky, assume that Ella's no-good husband did the deed. Others think Ella grew tired of his abuse and did it herself. Muddy is determined to find out for sure either way, especially once she finds strange papers hidden amongst her mama's possessions. But Peckinpaw keeps its secrets buried deep. Muddy's almost-more-than-friend, Bobby Marshall, knows that better than most. Though he passes for white, one of his ancestors was Frannie Crow, a slave hanged a century ago on nearby Hark Hill Plantation. Adorning the town square is a seat built from Frannie's gallows. A tribute, a relic--and a caution--it's known as Liar's Bench. Now, the answers Muddy seeks soon lead back to Hark Hill, to hatred and corruption that have echoed through the years--and lies she must be brave enough to confront at last. Kim Michele Richardson's lush, beautifully written debut is set against a Southern backdrop passing uneasily from bigotry and brutality to hope. With its compelling mystery and complex yet relatable heroine, Liar's Bench is a story of first love, raw courage, and truths that won't be denied.

    When a grandfather she never knew bequeaths her a house and 60 acres of land in Sweetwater, Tenn., a restless young artist leaves New York to recover her past and rethink her future. Cassie Simon's mother Ellen died when Cassie was only three; raised in Boston by her grieving father, she never knew her maternal relatives. Unprepared for the thick veil of mystery that surrounds them, Cassie is especially bewildered by her brusque grandmother, whom rumor credits with hiding a terrible secret about Ellen's death. In alternating sections told from their respective points of view, Cassie and her grandmother fight their separate battles to cope with the truth about the tragedy. Kline perfectly renders each woman's voice: Cassie's, probing and often uncertain, propels the narrative and creates an appropriate level of psychological suspense; the grandmother's quavers with the weight of memory as Cassie's search forces her beyond family myth to a painful and perhaps dangerous truth. The result is a powerful, immensely readable tale of loyalty and betrayal, family and memory, made fresh by Kline's often beautiful and always lucid prose.

    Mr Drew's religious fervor holds a dark secret; Jim, the eldest son, is terrified of something from his past; Delia longs to escape from the island and tall, handsome Matthew wants only one thing - Rosa herself. Rosa's background is one of mystery, but Mr Drew knows the secret of Rosa's past - and so do the two mysterious Irishmen who come back to the island after many years to threaten everything Rosa holds dear...