Santos has presented what may well be the essence of those years - the loneliness and hunger of a people who were almost all of them hurt and broken to the bone. But for an ideal, which Santos so eloquently dramatizes in this book, they would have lost their very souls. In this sense YOU LOVELY PEOPLE is a document and at once a portrait of the Filipino heart.

    The present work is a painstaking and thorough-going analysis of the travails of the Aguinaldo government during the war with the United States. Agoncillo, in an impressive display of historical technique, gives the reader the struggles within the Philippine Revolutionary Government. He expands on the theme of his previous book, namely the conflict between the 'haves' and the 'have-nots', and brings into full play the economic as well as the social motivations of the parties concerned. Sparing no one, Agoncillo, with the historian's impartiality, unmasks the selfish ilustrado class in their attempts at compromise which ultimately weakened Aguinaldo's hand. After reading his chapters on the crucial period of the Malolos Republic, one gains a new attitude towards men like Paterno, Pardo de Tavera, Buencamino, Legarda, Araneta and others, whom history has hitherto presented as heroes. The well-documented account of the extended negotiations between the Americans and Aguinaldo is one of the high points of the book. The author brings into sharp relief certain American maneuvers which other historians have glossed over or chosen to overlook. In the author's skillful hands, historical events come to life. Without sacrificing impartiality, he is able to write with vigor and vividness. This is not an anemic account of the past. Events are not presented merely as so many beads strung together haphazardly on the thread of time. Agoncillo has sought to write a history which will answer more than just the who, what, when, and where of our past. He has studied the why behind major events and consequently has presented a meaningful account of one of the most important periods of Philippine history. This voluminous work is the result of months of serious study here and abroad. In writing "The Revolt of the Masses...," the author complained of lack of materials; for the present volume, he had to wade through a plethora of sources. It is an achievement of the author to have mastered so unwieldy a period with its abundance of documents and materials. Teodoro A. Agoncillo is professor of history in the state university. He is noted not only as a historian, but also as a writer in Tagalog. Before he joined the University of the Philippines in 1958, he occupied high positions in the Institute of National Language and in the Philippine Information Agency. His book, "The Revolt of the Masses" (1956) won the Republic Prize in 1948.

    Purchase includes a free trial membership in the publisher's book club where you can select from more than a million books without charge. Chapters: A Portrait of the Artist as Filipino, the Summer Solstice, Nick Joaquin, Cave and Shadows, May Day Eve, the Woman Who Had Two Navels. Source: Wikipedia. Free updates online. Not illustrated. Excerpt: The A Portrait of the Artist as Filipino, known also as A Portrait of the Artist as Filipino: An Elegy in Three Scenes is a literary play written in English by Filipino National Artist for Literature and one of the Philippines best postwar author, poet, and playwright Nick Joaquin in 1950. It was described as Joaquins most popular play, as the "most important Filipino play in English," and as probably the best-known Filipino play Apart from being regarded also as the national play of the Philippines because of its popularity, it also became one of the important reads in English classes in the Philippines. Joaquins play was described by Anita Gates, a reviewer from New York Times, as an "engaging, well plotted metaphor for the passing of Old Manila." Set in the Filipino world of pre-World War II Intramuros of Old Manila in October 1941, the play explores the many aspects of Philippine high society by telling the story of the Marasigan sisters, Candida and Paula, and their father, the painter Don Lorenzo Marasigan. Due to an artistic drought on Don Lorenzo's part, the family has to make ends meet by relying on the financial support provided by their brother Manolo and sister Pepang, who were urging them to sell the house. Later on, they also had to take a male boarder, in the person of Tony Javier. Don Lorenzo, who refused to sell, donate, or even exhibit his self-portrait in public, was only content in staying inside his room, a stubbornness that already took a period of one year. The painting has attracted the attention and curiosity of journalists su...More: http: //booksllc.net/?id=2206106

    She lives in Manila with her three cats. Visit her site: www.JessicaRulesTheUniverse.com

    Sidelin Philippine Politics and Society in the Twentieth Century: Colonial Legacies, Post Colonial Trajectories

    More than the individual story of a mother watching her sons grow and plunge into real life, Dekada '70 is an indictment of martial law, and here, Lualhati minces no worlds." - Female Forum, November 21, 1983

    He has big plans that could set him up financially for life. And although he spends his time trying to get a coworker to bed, he still pines for an old girlfriend from his troubled childhood.

    Advertising in Hungry Mind Review.

    A country of “yellow fever” victimsAs the elitist image of the Aquino regime permeated society as a whole, its propaganda experts began to shape the political landscape as well, and transformed most of the unsuspecting citizens into consumers of its own brand of illiberal democracy symbolized by the yellow banner, the yellow ribbon, and the yellow confetti.Arillo’s Greed & Betrayal relived the events that marked the Aquino regime’s bungled presidency and how it systematically and repeatedly blamed Marcos, Enrile, Honasan, Laurel, Mitra, and others as the all-purpose excuse to hide its own incompetence, failures, and perfidy.This book also inspired the writing of Arillo's latest book, A Country Imperiled: Tragic Lessons of a Distorted History.

    So the kind and character of his works: very rare, exceptional, unique, maverick, exceedingly original fiction: rara avis that's a quantum leap away and departure... At least three or four in this collection already strike one as veritable classics." - GREGORIO C. BRILLANTES

    DE VEYRAhas published two books of poetry: Subterranean Thought Parade and Shadowboxing in Headphones. He has won the Don Carlos Palanca Memorial Awards for Literature, the Free Press Literary Awards, and the very first National Commission for Culture and the Arts' Writers' Prize for Poetry. He also fronts the spoken word-jazz-rock band Radioactive Sago Project and currently works as a host and writer for the News and Public Affairs programs of TV5. This is his third collection of poems.

    H. Auden, Tennessee Williams, and a young Gore Vidal. But beyond his exotic ethnicity, Villa was a global poet who was admired for "the reverence, the raptness, the depth of concentration in [his] bravely deep poems" (Marianne Moore). Doveglion (Villa's pen name for dove, eagle, and lion) contains Villa's collected poetry, including rare and previously unpublished material.

    Set in the exotic background of the little mining village of Nibucal in the southern Philippines, A Blade of Fern sketches a panoramic vista of rural life and problems of survival among miners prospecting for gold.The novel is in the tradition of the Romantic hero who runs away from a society he rejects to seek regeneration in a deeply natural environment.A Blade of Fern should be of interest to students of Philippine literature in English and the general reader.

    When it won the Carlos Palanca Grand Prize for the English Novel in 1999, it proved that fiction can be both popular and literary.F.H. Batacan has a degree in Broadcast Communication and a master's degree in Art Studies, both from the University of the Philippines in Diliman. She has worked as a policy researcher, broadcast journalist, web designer, and musician, and is currently a journalist based in Singapore. She previously won a prize for her short story "Door 59" in the 1997 Palanca awards, and her work has appeared in local magazines, as well as in the online literary magazine Web del Sol.

    These supernatural beings were believed to be those of the victims from a fatal accident during its hasty construction. Unknown to them, something had long ago taken sanctuary inside the building, feeding on the anger and misery of the victims' souls. They learned this secret too late and walked into a horrifying encounter. This book was adapted into a major motion picture in the Philippines.