Under the editorship of Herbert Golder and the late William Arrowsmith, each volume includes a critical introduction, commentary on the text, full stage directions, and a glossary of the mythical and geographical references in the plays. One of Euripides' late plays, Ion is a complex enactment of the changing relations between the human and divine orders and the way in which our understanding of the gods is mediated and re-visioned by myths. The story begins years before the play begins, with the rape of the mortal Kreousa, queen of Athens, by Apollo. Kreousa bears Apollos' child in secret then abandons it. Unbeknownst to her, Apollo has the child brought to his temple at Delphi to be reared by the priestess as ward of the shrine. Many years later, Kreousa, now married to the foreigner Xouthos but childless, comes to Delphi seeking prophecy about children. Apollo, however, speaking through the oracle, bestows the temple ward, Ion, on Xouthos as his child. Enraged, Kreousa conspires to kill as an interloper the very son she has despaired of finding. After mother and son both try to kill each other, the priestess reveals the birth tokens that permit Kreousa to recognize and embrace the child she thought was dead. Ion discovers the truth of his parentage and departs for Athens, as a mixed blood of humanity and divinity, to participate in the life of the polis. In Ion, disturbing riptides of thought and feeling run just below the often shimmering surfaces of Euripidean melodrama. Although the play contains some of Euripides' most beautiful lyrical writing, it quivers throughout with near disasters, poorly informed actions and misdirected intentions that almost result in catastrophe. Kreousa says at one point that good and evil do not mix, but Euripides' argument, and what the youthful Ion strives to understand, is that human beings are not only compounded of good and evil, but that the two are often the same thing differently experienced, differently understood, just as beauty and violence are mixed both in the gods and in the mortal world.

    You are the home lover and memory keeper of the zodiac. The signs of the zodiac can give us great insight into our day-to-day living as well as the many talents and qualities we possess.But in an increasingly unpredictable world, how can we make sense of them? And what do they mean?This insightful and introductory guide delves deep into your star sign, revealing unique traits and meanings which you didn't know. Along the way, you will discover how your sign defies your compatibility, how to improve your health and what your gifts are.The Pocket Astrology series will teach you how to live well and enhance every aspect of your life. From friendship to compatibility, careers to finance, you will discover new elements to your sign and learn about the ancient art of astrology.Other books in the series include: Aries, Taurus, Gemini, Cancer, Leo, Virgo, Libra, Scorpio, Sagittarius,Capricorn, Aquarius, Pisces

    These deeply moving literary epistles reveal the happiness and torment of love, as the writers tell of their pain at separation, forgiveness of infidelity or anger at betrayal. The faithful Penelope wonders at the suspiciously long absence of Ulysses, while Dido bitterly reproaches Aeneas for too eagerly leaving her bed to follow his destiny, and Sappho - the only historical figure portrayed here - describes her passion for the cruelly rejecting Phaon. In the poetic letters between Paris and Helen the lovers seem oblivious to the tragedy prophesied for them, while in another exchange the youthful Leander asserts his foolhardy eagerness to risk his life to be with his beloved Hero.

    In this empowering retelling, she uses the mythology of the goddess to weave a common thread through the past and present. By the end of this book, Aphrodite make you believe in the possibility of your own healing.

    A beautiful older woman named Peggy greets her and invites her to stay, on the house's usual conditions: she has ninety-nine nights to turn her life around. With nothing left to lose, Alba takes a chance and moves in. She soon discovers that this is no ordinary house. Past residents have included Virginia Woolf and Dorothy Parker, who, after receiving the assistance they needed, hung around to help newcomers - literally, in talking portraits on the wall. As she escapes into this new world, Alba begins a journey that will heal her wounds - and maybe even save her life. Filled with a colorful and unforgettable cast of literary figures, The House at the End of Hope Street is a charming, whimsical novel of hope and feminine wisdom that is sure to appeal to fans of Jasper Fforde and especially Sarah Addison Allen.

    It opens at an almost breakneck pace, with Pharaoh deposed and killed, his wife and child in hiding, and the goddesses stirring. A secret religious order raises the Pharaoh's daughter, and she meets and falls in love with the usurper's disguised son. The climax features traditional adventure-fiction excitement (battle and torture).

    She stood at the end of a long corridor, weeping. “Can it really be you, Ariadne, come back after all this time?” I whispered. She did not answer, but began slowly to sink through the floor. Princess Xenodice is content to spend her days tending to the animals in the royal menagerie, haunting the workshop of a beautiful young man named Icarus, and visiting her brother who lives in the Labyrinth. Her safe and privileged world, however, has ominous cracks underfoot. Soon battles for power and revenge threaten everything Xenodice loves. Betrayals from both within and without her family lead to a series of tragedies that Xenodice struggles to avert. From the deepest layer of the Labyrinth under the Royal Palace to the topmost floor of the prison tower, this enthralling version of the myth of the maze and the Minotaur by master storyteller Patrice Kindl is filled with the marvelous and the strange.

    "In the Greenwood" is a new short story by Mari Ness, a beautifully told tale of complicated and conflicted love, a translation and transformation of a very old story that is sure to be familiar to every fan of folklore and history.At the publisher's request, this title is being sold without Digital Rights Management software (DRM) applied.

    A highly readable and beautifully illustrated re-telling of the most famous stories from Greek mythology.

    But as Moses Hadas writes in his introduction to this volume, 'His true claim upon our attention is as the most brilliant and artistic and thoughtful wit our world has known.' Includes The Acharnians, The Birds, The Clouds, Ecclesiazusae, The Frogs, The Knights, Lysistrata, Peace, Plutus, Thesmophoriazusae, and The Wasps.

    Latro forgets everything when he sleeps. Writing down his experiences every day and reading his journal anew each morning gives him a poignantly tenuous hold on himself, but his story's hold on readers is powerful indeed, and many consider these Wolfe's best books.

    Introducing Little Black Classics: 80 books for Penguin's 80th birthday. Little Black Classics celebrate the huge range and diversity of Penguin Classics, with books from around the world and across many centuries. They take us from a balloon ride over Victorian London to a garden of blossom in Japan, from Tierra del Fuego to 16th-century California and the Russian steppe. Here are stories lyrical and savage; poems epic and intimate; essays satirical and inspirational; and ideas that have shaped the lives of millions. Next to nothing is known about Homer's life. His works available in Penguin Classics are The Homeric Hymns, The Iliad and The Odyssey.

    . . where nothing is as magical and terrifying as a girl.Princess Guinevere has come to Camelot to wed a stranger: the charismatic King Arthur. With magic clawing at the kingdom's borders, the great wizard Merlin conjured a solution--send in Guinevere to be Arthur's wife . . . and his protector from those who want to see the young king's idyllic city fail. The catch? Guinevere's real name--and her true identity--is a secret. She is a changeling, a girl who has given up everything to protect Camelot.To keep Arthur safe, Guinevere must navigate a court in which the old--including Arthur's own family--demand things continue as they have been, and the new--those drawn by the dream of Camelot--fight for a better way to live. And always, in the green hearts of forests and the black depths of lakes, magic lies in wait to reclaim the land.Deadly jousts, duplicitous knights, and forbidden romances are nothing compared to the greatest threat of all: the girl with the long black hair, riding on horseback through the dark woods toward Arthur. Because when your whole existence is a lie, how can you trust even yourself? *THE FIRST BOOK IN THE CAMELOT RISING TRILOGY*

    There is one survivor. Sirena defies the goddess Hera by tending his wounds and soon the two are deep in love. But does Philoctetes love Sirena's song, or her soul? And will the pull of honor prove stronger than the bond of love?

    Anaxandra has adjusted to her new life when, six years later, Siphnos is sacked by pirates, and she is the sole survivor. When a fleet of ships stops on the island to investigate, she assumes the identity of Princess Callisto to survive. The ships belong to Menelaus, king of Sparta, and he takes her back to Sparta with him. But Helen, wife ofMenelaus, does not believe that this child is Princess Callisto. Anaxandra manages to stay out of harm’s way—until Paris and Aeneas arrive. When Menelaus and his men depart to attend his grandfather’s funeral, Paris and Helen’s passionate affair plunges Sparta and Troy into war.