In the midst of Mardi Gras, Benjamin January, a Creole physician and music teacher, is playing piano at the Salle d'Orleans when the evenings festivities are interrupted--by murder.Ravishing Angelique Crozat, a notorious octoroon who travels in the city's finest company, has been strangled to death. With the authorities reluctant to become involved, Ben begins his own inquiry, which will take him through the seamy haunts of riverboatmen and into the huts of voodoo-worshipping slaves.But soon the eyes of suspicion turn toward Ben—for, black as the slave who fathered him, this free man of color is still the perfect scapegoat....

    The killer has left behind a clue connecting the two cases to First Date, a popular online dating service, and Flann McIlroy, an eccentric, publicity-seeking homicide detective, is convinced that only Ellie can help him pursue his terrifying theory: someone is using the lure of the Internet and the promise of love to launch a killing spree against the women of New York City.   To catch the killer, Ellie must enter a high-tech world of stolen identities where no one is who they appear to be. And for her, the investigation quickly becomes personal: she fits the profile of the victims, and she knows firsthand what pursuing a sociopath can do to a cop--back home in Wichita, Kansas, her father lost his life trying to catch a notorious serial murderer.   When the First Date killer begins to mimic the monster who destroyed her father, Ellie knows the game has become personal for him, too. Both hunter and prey, she must find the killer before he claims his next victim--who could very well be her.   Expertly plotted and perfectly paced, Dead Connection advances Alafair Burke to the front ranks of American thriller writers.

    A city on edge. On street corners, newsboys hawk the shocking headline: KENNEDY IS DEAD. In the city’s underworld, a mob war rages. But what terrifies Bostonians most is the mysterious killer who has already claimed a dozen victims, a murderer whose name is indelibly linked to their city: the Boston Strangler. This is the electrifying backdrop of William Landay’s magnificent new novel, a story of one Irish-American family, a city under siege, and the long shadow cast by the most infamous killer of his day . . . For the three Daley brothers, sons of a Boston cop, crime is the family business. They are simply on different sides of it. Joe is the eldest, a tough-talking cop whose gambling habits—fast women, slow horses—drag him down into the city’s gangland. Michael is the middle son; a Harvard-educated lawyer working for an ambitious attorney general, he finds himself assigned to the embattled Strangler task force. And Ricky, the devil-may-care youngest son, floats above the fray as an expert burglar—until the Strangler strikes too close to home.As Joe’s mob debts close in around him . . . and Michael becomes snarled in a murder investigation gone very wrong . . . and Ricky is hunted by both sides of the law, the three brothers—and the women who love them—are forced to take sides. Now each must look deeper into a killer’s murderous rage, into their family’s own lethal secrets, and into the one death that has changed them forever. As William Landay’s complex, compassionate, and terrifying novel builds to a climax, two mysteries will collide—and a shattering truth will be revealed.From the Hardcover edition.

    But a cop named Foley is on to Eddie and he's leaning on him to finger Scalisi, a gang leader with a lot to hide. And then there's Dillon-a full-time bartender and part-time contract killer--pretending to be Eddie's friend. Wheeling, dealing, chasing, and stealing--that's Eddie, and he's got lots of friends.

    When the rain finally comes, it’s a miracle. For a moment, the scrubland flourishes and the remote swimming hole fills. Returning home from an afternoon swim, fourteen-year-old Tommy and sixteen-year-old Billy McBride discover a scene of heartbreaking carnage: their dogs dead in the yard, their hardworking father and mother shot to death, and their precocious younger sister unconscious and severely bleeding from a wound to her gut. The boys believe the killer is their former Aboriginal stockman, and, desperate to save Mary, they rush her to John Sullivan, the wealthiest landowner in the region and their father’s former employer, who promises to take care of them.Eager for retribution, the distraught brothers fall sway to Sullivan, who persuades them to join his posse led by the Queensland Native Police, an infamous arm of British colonial power whose sole purpose is the “dispersal” of indigenous Australians to “protect” settler rights. The group is led by the intimidating inspector Edmund Noone, a dangerous and pragmatic officer whose intellect and ruthlessness both fascinates and unnerves the watchful Tommy. Riding for days across the barren outback, the group is determined to find the perpetrators they insist are guilty, for reasons neither of the brothers truly understands. It is a harsh and horrifying journey that will have a devastating impact on Tommy, tormenting him for the rest of his life—and hold enduring consequences for a young country struggling to come into its own.Set in a period of Australian and British history as raw and relevant as that of the wild frontier of nineteenth-century America, Only Killers and Thieves is an unforgettable story of family, guilt, empire, race, manhood, and faith that combines the insightfulness of Philipp Meyer’s The Son with the atmospheric beauty of Amanda Coplin’s The Orchardist and the raw storytelling power of Ian McGuire’s The North Water.

    No city-slickcop shop either, but an earnest, elected Sheriff and his aging Undersheriff,William C. Gastner. Pushing sixty, and the girth of his Sam Browne uniformbelt, widower Bill has no other life than in law enforcement and doesn t wantone, even if he s being nudged gently towards retirement. Then big time troublestrikes. A car full of teens out by the lake, running from a stop by Deputy Torrez, goesairborne into a rocky outcrop, killing all five kids and revealing a packageunder the seat. A stash of cocaine this size argues someone or ones has broughtbig time crime to the county. Were the dead kids merely innocent dupes?Partying that July Fourth night? Dealing? Searching for answers, Bill deploys his department while dealing with grievingparents, one of whom starts packing a gun. Then a second explosion of violencefells an undercover cop whose fate is decided in a tension-filled, brilliantlydescribed, air ambulance flight.Under pressure, the sheriff s department shows its mettle and pulls together tomake a formidable team. Its weak spot may be Bill whose mind is too tough tocrumble but whose body, long mistreated, gradually succumbs to stress. Ignoringall advice and sense he pilots the case to a final dramatic, midairconfrontation where the fate of the killer and the cop will be decided....The author s deep affection for southern New Mexico and his gift for vividlyetching ordinary people make this well-plotted first novel a standout. About the Author: Steven F. Havill lives near Albuquerque, New Mexico,with his wife Kathleen, a writer and artist. A dedicated high school teacherof high school biology and English by day Havill earned both his B.A. and M.A.from the University of New Mexico. Besides writing the seven UndersheriffBill Gastner mysteries, of which Heartshot is the first, Havill has alsowritten three Western novels.

    When the opportunity presents itself, Phryne decides it might be amusing to try her hand at becoming a lady detective in Australia. Immediately upon settling into Melbourne's Hotel Windsor, Phryne finds herself embroiled in mystery. From poisoned wives and cocaine smuggling, to police corruption and rampant communism (not to mention erotic encounters with the beautiful Russian dancer, Sasha de Lisse), Cocaine Blues charts a crescendo of steamy intrigue, culminating in the Turkish baths of Little Lonsdale Street.

    By morning she’s gone, and the one clue she left behind sends Connor on a desperate mission to unravel a decade-old mystery—her abduction.Presumed dead for the last ten years, Claire Fletcher has been living her life as “Lynn,” a woman in the terrifying grip of her captor. After her unforgettable night with Connor, Claire clings to the hope that she’ll see him again, that he’ll follow her into the dark. But anyone who gets close to Claire has a way of turning up dead…and she’s unwittingly made Connor next on the list.Before long, it becomes disturbingly clear: finding Claire Fletcher isn’t just going to be dangerous—it could be deadly.Revised edition: This edition of Finding Claire Fletcher includes editorial revisions.>

    Laetitia Rodd, aged fifty-two, is the widow of an archdeacon. Living in Hampstead with her confidante and landlady, Mrs. Benson, who once let rooms to John Keats, Laetitia makes her living as a highly discreet private investigator.Her brother, Frederick Tyson, is a criminal barrister living in the neighboring village of Highgate with his wife and ten children. Frederick finds the cases, and Laetitia solves them using her arch intelligence, her iron discretion, and her immaculate cover as an unsuspecting widow. When Frederick brings to her attention a case involving the son of the well-respected, highly connected Sir James Calderstone, Laetitia sets off for Lincolnshire to take up a position as the family’s new governess—quickly making herself indispensable. But the seemingly simple case—looking into young Charles Calderstone’s “inappropriate” love interest—soon takes a rather unpleasant turn. And as the family’s secrets begin to unfold, Laetitia discovers the Calderstones have more to hide than most.

    Fabrizio Collini is recently retired. He’s a quiet, unassuming man with no indications that he’s capable of hurting anyone. And yet he brutally murders a prominent industrialist in one of Berlin’s most exclusive hotels. Collini ends up in the charge of Caspar Leinen, a rookie defense lawyer eager to launch his career with a not-guilty verdict. Complications soon arise when Collini admits to the murder but refuses to give his motive, much less speak to anyone. As Leinen searches for clues he discovers a personal connection to the victim and unearths a terrible truth at the heart of Germany’s legal system that stretches back to World War II. But how much is he willing to sacrifice to expose the truth?

    She had nice straight shoulders. There was nothing wrong between them and her open-toed shoes, so I guess the trouble must have been somewhere behind those blue-gray eyes. They'd be trouble, of course. She looked up and called, 'Is your name, Corson?' " From the first paragraph, Max Phillips's pitch-pure ear sets the tone; we have entered a back-alley world where men are tough and women are easy; where dirty secrets clog the citadels of power. With its staccato dialogue and its strip-club fusion of sex and vengeance, Fade to Blonde ironically recalls a more innocent age.

    Shady, tree-lined streets, well-tended lawns and cozy homes. A nice, quiet place to grow up. Unless you are teenage Meg or her crippled sister, Susan. On a dead-end street, in the dark, damp basement of the Chandler house, Meg and Susan are left captive to the savage whims and rages of a distant aunt who is rapidly descending into madness. It is a madness that infects all three of her sons and finally the entire neighborhood. Only one troubled boy stands hesitantly between Meg and Susan and their cruel, torturous deaths. A boy with a very adult decision to make.

    He drains his fifth pot of morning tea, and glances outside, where a young, plain woman picks her way between the piles of horse-dung towards his front door.March Middleton is Sidney Grice's ward, and she is determined to help him on his next case. Her guardian thinks women are too feeble for detective work, but when a grisly murder in the slums proves too puzzling for even Sidney Grice's encyclopaedic brain, March Middleton turns out to be rather useful after all...Set in a London still haunted by the spectre of the infamous Spring-heeled Jack, THE MANGLE STREET MURDERS is for those who like their crime original, atmospheric, and very, very funny.

    Oliver Wendell Holmes, and James Russell Lowell, along with publisher J. T. Fields—are finishing America's first translation of The Divine Comedy and preparing to unveil Dante's remarkable visions to the New World. The powerful Boston Brahmins at Harvard College are fighting to keep Dante in obscurity, believing that the infiltration of foreign superstitions into American minds will prove as corrupting as the immigrants arriving at Boston Harbor.The members of the Dante Club fight to keep a sacred literary cause alive, but their plans fall apart when a series of murders erupts through Boston and Cambridge. Only this small group of scholars realizes that the gruesome killings are modeled on the descriptions of Hell's punishments from Dante's Inferno. With the lives of the Boston elite and Dante's literary future in America at stake, the Dante Club members must find the killer before the authorities discover their secret.Dr. Oliver Wendell Holmes and an outcast police officer named Nicholas Rey, the first black member of the Boston police department, must place their careers on the line to end the terror. Together, they discover that the source of the murders lies closer to home than they ever could have imagined.The Dante Club is a magnificent blend of fact and fiction, a brilliantly realized paean to Dante's continued grip on our imagination, and a captivating thriller that will surprise readers from beginning to end.

    A time of shadows, secret societies, and dens filled with opium addicts. Into this world comes the most fantastic emissary of evil society has ever known… Dr. Fu-Manchu. Denis Nayland Smith pursues his quarry across continents and through the back alleys of London. As victim after victim disappears at the hands of the Devil Doctor, Smith must unravel his murderous plot before it is too late.  Includes a special feature by Leslie S. Kilnger