After her hippie British parents are murdered, Lilly is raised at a Sufi shrine in Morocco. As a young woman she goes on pilgrimage to Harar, Ethiopia, where she teaches Qur'an to children and falls in love with an idealistic doctor. But even swathed in a traditional headscarf, Lilly can't escape being marked as a foreigner. Forced to flee Ethiopia for England, she must once again confront the riddle of who she is and where she belongs.

    Stephen Graham Jones returns with Night of the Mannequins, a contemporary horror story where a teen prank goes very wrong and all hell breaks loose: is there a supernatural cause, a psychopath on the loose, or both?

    His father is in jail, he works the midnight shift at a grubby convenience store, and his brother's girlfriend, Caro, has taken their friendship to an uncomfortable new level. On top of all that, he can't quite shake the attentions of Layla Elshere, a goth teenager who befriends Patrick for reasons he doesn't understand and doesn't fully trust. The temptations these two women offer are pushing him to his breaking point.Meanwhile, Layla's little sister, Verna, is suffering through her first year of high school. She's become a prime target for her cruel classmates, not just because of her strange name and her fundamentalist parents: Layla's bad-girl rep proves to be too huge a shadow for Verna, so she falls in with her sister's circle of outcasts and misfits whose world is far darker than she ever imagined.Kelly Braffet's characters, indelibly portrayed and richly varied, are all on their own twisted paths to finding peace. The result is a novel of unnerving power-darkly compelling, addictively written, and shockingly honest.

    Dead faces set in grimaces and shouts. Faces howling, whistling, moaning, crying, hissing. Hazel pinned them to the wall and stood back. It was a silent opera of ghosts. Detective Inspector Hazel Micallef has lived all her days in the small town of Port Dundas and is now making her way toward retirement with something less than grace. Hobbled by a bad back and a dependence on painkillers, and feeling blindsided by divorce after nearly four decades of marriage, sixty-one-year-old Hazel has only the constructive criticism of her old goat of a mother and her own sharp tongue to buoy her. But when a terminally ill Port Dundas woman is gruesomely murdered in her own home, Hazel and her understaffed department must spring to life. And as one terminally ill victim after another is found—their bodies drained of blood, their mouths sculpted into strange shapes—Hazel finds herself tracking a truly terrifying serial killer across the country while everything she was barely holding together begins to spin out of control.Through the cacophony of her bickering staff, her unsupportive superiors, a clamoring press, the town’s rumor mill, and her own nagging doubts, Hazel can sense the dead trying to call out. But what secret do they have to share? And will she hear it before it’s too late?In The Calling, Inger Ash Wolfe brings a compelling new voice and an irresistible new heroine to the mystery world.

    While the beautiful Viv is forced by the girls' overbearing mother to compete in child beauty pageants, plain-looking Edith follows in her father's footsteps: collecting oddities, studying coins, and reading from old books.When Viv rebels against her mother's expectations, Edith finds herself torn between a desire to help her sister and pursuing her own love for a boy who might love her sister more than he loves her. When Edith accepts a job at the National Gallery of Canada, she meets an elderly cryptozoologist named Theo who is searching for a bird many believe to be extinct. Navigating her way through Vivienne's dark landscape while trying to win Liam's heart, Edith develops an unlikely friendship with Theo when she realizes they might have more in common than she imagined; they are both trying to retrieve something that may be impossible to bring back to life.The Gallery of Lost Species is about finding solace in unexpected places - in works of art, in people, and in animals that the world has forgotten.

    In lushly evocative language, Smart recounts her love affair with the poet George Barker with an operatic grandeur that takes in the tragedy of her passion; the suffering of Barker's wife;the children the lovers conceived. Accompanied in this edition by The Assumption of the Rogues and Rascals, a short novel that may be read as its sequel, By Grand Central Station I Sat Down and Wept has been hailed by critics worldwide as a work of sheer genius.

    Splitfoot tracks two women in two times as they march toward a mysterious reckoning.Ruth and Nat are orphans, packed into a house full of abandoned children run by a religious fanatic. To entertain their siblings, they channel the dead. Decades later, Ruth’s niece, Cora, finds herself accidentally pregnant. After years of absence, Aunt Ruth appears, mute and full of intention. She is on a mysterious mission, leading Cora on an odyssey across the entire state of New York on foot. Where is Ruth taking them? Where has she been? And who — or what — has she hidden in the woods at the end of the road?In an ingeniously structured dual narrative, two separate timelines move toward the same point of crisis. Their merging will upend and reinvent the whole. A subversive ghost story that is carefully plotted and elegantly constructed, Mr. Splitfoot will set your heart racing and your brain churning. Mysteries abound, criminals roam free, utopian communities show their age, the mundane world intrudes on the supernatural and vice versa.

    Beginning in 1949, we follow the Chambers for the next fifty years through the many joys and disappointments of their lives: a childhood accident, a tragic illness ending in death, and a remarriage for Bill. Some of the children choose a traditional route, marrying and having children of their own. One forges her own very new path. The clan expands and changes; marriages fail and careers bloom. But despite the heart-aches and difficulties each member of the family faces, there is never a lack of love to be found. With writing so clear and crisp it rings with honesty and grace, Burnard's characters work their way under your skin and into your heart-an auspicious debut.

    Loath to draw negative publicity to the school, a bastion of European wealth and glamour, officials quickly dismiss the incident as an accident, but questions remain: Was it a suicide attempt? Or was Cressida pushed? It was no secret that she had a selfish streak and had earned as many enemies as allies in her tenure at the school. For her best friend, scholarship student Kersti Kuusk, the lingering questions surrounding Cressida's fall continue to nag long after she leaves the Lycée.Kersti marries and becomes a bestselling writer, but never stops wondering about Cressida's obsession with the Helvetian Society—a secret club banned years before their arrival at the school—and a pair of its members who were expelled. When Kersti is invited as a guest to the Lycée's 100th Anniversary, she begins probing the cover-up, unearthing a frightening underbelly of lies and abuse at the prestigious establishment. And in one portentous moment, Kersti makes a decision that will connect her to Cressida forever and raise the stakes dangerously high in her own desire to solve the mystery and redeem her past.An unputdownable read as clever as it is compelling, The Finishing School offers a riveting glimpse into a privileged, rarefied world in which nothing is as it appears.

    Life was absurd, and nobody truly understood anybody else. Even his friends tend to agree that Barney is a 'wife-abuser, an intellectual fraud, a purveyor of pap, a drunk with a penchant for violence and probably a murderer'. But when his sworn enemy threatens to publish this calumny, Barney is driven to write his own memoirs, rewinding the spool of his life, editing, selecting and plagiarising, as his memory plays tricks on him - and on the reader. Ebullient and perverse, he has seen off 3 wives - the enigmatic Clara, whom he drove to suicide in Paris in 1952; the garrulous Second Mrs Panofsky; and finally Miriam who stayed married to him for decades before running off with a sober academic. Houdini-like, Barney slides from crisis to success, from lowlife to highlife in Montreal, Paris and London, his outrageous expolits culminating in the scandal he carries around like a humpback - the murder charge that he goes on denying to the end.

    She may follow the stifling rules of this odd place, but no one will forget that she came from elsewhere. When Billie Jean vanishes one cold October night in her bare feet and track suit with only her truck keys, those closest to her begin a frantic search. Her daughter, Pony, a girl struggling against being a teen in the middle of nowhere; her killer dog to whom she cannot tell a lie; her husband, The Heavy, a man haunted by his past; and the charismatic Supernatural, a teenage boy longing only to be average. Each holding a different piece of the puzzle, they must come together to understand the darkest secrets of their beloved, and lay bare the mysteries of the human heart.With her luminous prose, wry humour and dead-on cultural observations, Claudia Dey has created a storytelling tour de force about what it means to love, no matter the consequences.

    They speak in the shorthand they have invented, complete one another’s sentences, and help each other through every daily and existential dilemma. When Chris tells Kathryn about his feelings for Emily, a vivacious young woman he sees often at the Laundromat, Kathryn encourages her boyfriend to pursue this other woman—certain that her bond with Chris is strong enough to weather a little side dalliance.As Kathryn and Chris stumble into polyamory, Next Year, For Sure tracks the tumultuous, revelatory, and often very funny year that follows. When Chris’s romance with Emily grows beyond what anyone anticipated, both Chris and Kathryn are invited into Emily’s communal home, where Kathryn will discover new romantic possibilities of her own. In the confusions, passions, and upheavals of their new lives, both Kathryn and Chris will be forced to reconsider their past and what they thought they knew about love.Offering a luminous portrait of a relationship from two perspectives, Zoey L. Paterson has written an empathic, beautiful, and tremendously honest novel about a great love pushed to the edge. Deeply poignant and hugely entertaining, Next Year, For Sure shows us what lies at the mysterious heart of relationships, and what true openness and transformation require.

    As the book opens, he is driving along a dark road when he is distracted by what seems to be a flight of arrows. He crashes into a ravine and suffers horrible burns over much of his body. As he recovers in a burn ward, undergoing the tortures of the damned, he awaits the day when he can leave the hospital and commit carefully planned suicide—for he is now a monster in appearance as well as in soul. A beautiful and compelling, but clearly unhinged, sculptress of gargoyles by the name of Marianne Engel appears at the foot of his bed and insists that they were once lovers in medieval Germany. In her telling, he was a badly injured mercenary and she was a nun and scribe in the famed monastery of Engelthal who nursed him back to health. As she spins their tale in Scheherazade fashion and relates equally mesmerizing stories of deathless love in Japan, Iceland, Italy, and England, he finds himself drawn back to life—and, finally, in love.He is released into Marianne's care and takes up residence in her huge stone house. But all is not well. For one thing, the pull of his past sins becomes ever more powerful as the morphine he is prescribed becomes ever more addictive. For another, Marianne receives word from God that she has only twenty-seven sculptures left to complete—and her time on earth will be finished.

    Her routines are few and small. One day a stranger arrives at her door, looking as if she has been blown in from the sea. This woman—Frida—claims to be a care worker sent by the government. Ruth lets her in.Now that Frida is in her house, is Ruth right to fear the tiger she hears on the prowl at night, far from its jungle habitat? Why do memories of childhood in Fiji press upon her with increasing urgency? How far can she trust this mysterious woman, Frida, who seems to carry with her, her own troubled past? And how far can Ruth trust herself?

    She abruptly vanishes.In snowy Pittsburgh, her American translator Emma hears the news and, against the wishes of her boyfriend and Beatriz's two grown children, flies immediately to Brazil. There, in the sticky, sugary heat of Rio, Emma and her author's children conspire to solve the mystery of Yagoda's curious disappearance and staunch the colorful demands of her various outstanding affairs: the rapacious loan shark with a zeal for severing body parts, and the washed-up and disillusioned editor who launched Yagoda's career years earlier.