In the short time they have left, the relationship between mother and daughter - tender, awkward and revealing - deepens, and Ellen is forced to confront painful truths about her adored father. After Kate's death, Ellen goes from devoted daughter to prime suspect, accused of the mercy killing.

    Newly arrived in the hereafter, aka the Duration, Molly, thirty-five years old, is delighted to discover that she can still keep tabs on those she left behind: Annabel, her beloved four-year-old daughter; Lucy, her combustible twin sister; Kitty, her piece-of-work mother-in-law; Brie, her beautiful and steadfast best friend; and, of course, her husband, Barry, a plastic surgeon with more than a professional interest in many of his female patients. As a bonus, Molly quickly realizes that the afterlife comes with a finely tuned bullshit detector.As Molly looks on, her loved ones try to discern whether her death was an accident, suicide, or murder. She was last seen alive leaving for a bike ride through New York City’s Riverside Park; her body was found lying on the bank of the Hudson River. Did a stranger lure Molly to danger? Did she plan to meet someone she thought she could trust? Could she have ended her own life for mysterious reasons, or did she simply lose control of her bike? As the police question her circle of intimates, Molly relives the years and days that led up to her sudden end: her marriage, troubled yet tender; her charmed work life as a magazine decorating editor; and the irresistible colleague to whom she was drawn.More than anything, Molly finds herself watching over Annabel–and realizing how motherhood helped to bring out her very best self. As the investigation into her death proceeds, Molly will relive her most precious moments–and take responsibility for the choices in her life. Exploring the bonds of fidelity, family, and friendship, and narrated by a memorable and endearing character, The Late, Lamented Molly Marx is a hilarious, deeply moving, and thought-provoking novel that is part mystery, part love story, and all heart.

     The Andreas family is one of readers. Their father, a renowned Shakespeare professor who speaks almost entirely in verse, has named his three daughters after famous Shakespearean women. When the sisters return to their childhood home, ostensibly to care for their ailing mother, but really to lick their wounds and bury their secrets, they are horrified to find the others there. See, we love each other. We just don't happen to like each other very much. But the sisters soon discover that everything they've been running from-one another, their small hometown, and themselves-might offer more than they ever expected.

    The survivor, Isabelle, is left to pick up the pieces, not only of her own life but of the lives of the devastated husband and fragile son that the other woman, April, has left behind. Together, they try to solve the mystery of where April was running to, and why. As these three lives intersect, they are left to ask, How well do we really know those we love--and how do we forgive the unforgivable?

    Moving from post-World War I America through the early 1950s, Some Luck gives us an intimate look at this family's triumphs and tragedies, zooming in on the realities of farm life, while casting-as the children grow up and scatter to New York, California, and everywhere in between-a panoramic eye on the monumental changes that marked the first half of the twentieth century. Rich with humor and wisdom, twists and surprises, Some Luck takes us through deeply emotional cycles of births and deaths, passions, and betrayals, displaying Smiley's dazzling virtuosity, compassion, and understanding of human nature and the nature of history, never discounting the role of fate and chance. This potent conjuring of many lives across generations is a stunning tour de force.

    Aiden’s best friend J.C. feels great remorse over his inability to save him, but J.C.’s grief is also seasoned with the guilt of loving Maddie through the years. Meanwhile, across the country another young man wakes up in a hospital and finds that his memories have been wiped clean, and replaced with haunting dreams of a beautiful woman and a five year old boy whom he feels driven to find. What Nicholas Sullivan discovers upon his journey is utterly unexpected—and it will change all of their lives, especially Maddie’s.

     In 1975, Paul and Roz Mellow write a bestselling Joy of Sex-type book that mortifies their four school-aged children and ultimately changes the shape of the family forever. Thirty years later, as the now dispersed family members argue over whether to reissue the book, we follow the complicated lives of each of the grown children and their conflicts in love, work, marriage, parenting, and, of course, sex—all shadowed by the indelible specter of their highly sexualized parents. Insightful, panoramic, and compulsively readable, The Position is an American original.

    Now her crazy Aunt Jean has offered Libby an escape, a job and a place to live on her farm in the Texas Hill Country. Before she can talk herself out of it, Libby is packing the minivan, grabbing the kids, and hitting the road. Life on Aunt Jean's goat farm is both more wonderful and more mysterious than Libby could have imagined. Beyond the animals and the strenuous work, there is quiet, deep, country quiet. But there is also a shaggy, gruff (though purportedly handsome, under all that hair) farm manager with a tragic home life, a formerly famous feed-store clerk who claims she can contact Danny "on the other side," and the eccentric aunt Libby never really knew but who turns out to be exactly what she's been looking for. And despite everything she's lost, Libby soon realizes how much more she's found. Libby hasn't just traded one kind of crazy for another; she may actually have found the place to bring her little family, and herself, back to life.

    She hasn’t got a troop or even a badge to call her own.  But she’s checked the Handbook out from the elementary school library so many times that her name fills all the lines on the card, and she pores over its surreal advice (Disposal of Outgrown Uniforms; The Right Use of Your Body; Finding Your Way When Lost) for tips to get off the Calle:  that is, Calle de los Flores, the Reno trailer park where she lives with her mother, Jo, the sweet-faced, hard-luck bartender at the Truck Stop.Rory’s been told she is “third generation in a line of apparent imbeciles, feeble-minded bastards surely on the road to whoredom.” But she’s determined to prove the County and her own family wrong. Brash, sassy, vulnerable, wise, and terrified, she struggles with her mother’s habit of trusting the wrong men, and the mixed blessing of being too smart for her own good. From diary entries, social worker’s reports, half-recalled memories, story problems, arrest records, family lore, Supreme Court opinions, and her grandmother’s letters, Rory crafts a devastating collage that shows us her world while she searches for the way out of it. Girlchild is a heart-stopping and original debut.

    But now things are splintering apart, for one reason, it seems: Edie's enormous girth. She's obsessed with food--thinking about it, eating it--and if she doesn't stop, she won't have much longer to live. When Richard abandons his wife, it is up to the next generation to take control. Robin, their schoolteacher daughter, is determined that her father pay for leaving Edie. Benny, an easy-going, pot-smoking family man, just wants to smooth things over. And Rachelle-- a whippet thin perfectionist-- is intent on saving her mother-in-law's life, but this task proves even bigger than planning her twin children's spectacular b'nai mitzvah party. Through it all, they wonder: do Edie's devastating choices rest on her shoulders alone, or are others at fault, too?With pitch-perfect prose, huge compassion, and sly humor, Jami Attenberg has given us an epic story of marriage, family, and obsession. The Middlesteins explores the hopes and heartbreaks of new and old love, the yearnings of Midwestern America, and our devastating, fascinating preoccupation with food.

    When an American woman, Stella Bain, is found suffering from severe shell shock in an exclusive garden in London, surgeon August Bridge and his wife selflessly agree to take her in. A gesture of goodwill turns into something more as Bridge quickly develops a clinical interest in his houseguest. Stella had been working as a nurse's aide near the front, but she can't remember anything prior to four months earlier when she was found wounded on a French battlefield. In a narrative that takes us from London to America and back again, Shreve has created an engrossing and wrenching tale about love and the meaning of memory, set against the haunting backdrop of a war that destroyed an entire generation.

    Toby doesn't mind being used in this way; it's a welcome change from the thirteen years he spent as a married man, the thirteen years of emotional neglect and contempt he's just endured. Anthropologically speaking, it's like nothing he ever experienced before, particularly back in the 1990s, when he first began dating and became used to swimming in the murky waters of rejection.But Toby's new life--liver specialist by day, kids every other weekend, rabid somewhat anonymous sex at night--is interrupted when his ex-wife suddenly disappears. Either on a vision quest or a nervous breakdown, Toby doesn't know--she won't answer his texts or calls.Is Toby's ex just angry, like always? Is she punishing him, yet again, for not being the bread winner she was? As he desperately searches for her while juggling his job and parenting their two unraveling children, Toby is forced to reckon with the real reasons his marriage fell apart, and to ask if the story he has been telling himself all this time is true.

    Or so she thinks, until Leona Lane, the older seamstress who sat by her side at the local shirt factory where both women worked as collar makers, insists Emmalee come and live with her.  Just as Emmalee prepares to escape her hardscrabble life in Red Chert holler, Leona dies tragically.  Grief-stricken, Emmalee decides she’ll make Leona’s burying dress, but there are plenty of people who don't think the unmarried Emmalee should design a dress for a Christian woman - or care for a child on her own. But with every stitch, Emmalee struggles to do what is right for her daughter and to honor Leona the best way she can, finding unlikely support among an indomitable group of seamstresses and the town’s funeral director. In a moving tale exploring Southern spirit and camaraderie among working women, a young mother will compel a town to become a community.Now with Extra Libris material, including a reader’s guide and bonus content

    Her daughter, Trudy, was only three when she and her mother were liberated by an American soldier and went to live with him in Minnesota. Trudy's sole evidence of the past is an old photograph: a family portrait showing Anna, Trudy, and a Nazi officer, the Obersturmfuhrer of Buchenwald.Driven by the guilt of her heritage, Trudy, now a professor of German history, begins investigating the past and finally unearths the dramatic and heartbreaking truth of her mother's life.Combining a passionate, doomed love story, a vivid evocation of life during the war, and a poignant mother/daughter drama, Those Who Save Us is a profound exploration of what we endure to survive and the legacy of shame.

    Every summer he visits his grandmother in a dusty village overlooking the vast steppes. Here, during the warm evenings, they sit on Charlotte's narrow, flower-covered bacony and listen to tales from another time, another place: Paris at the turn of the century. She who used to see Proust playing tennis in Neuilly captivates the children with stories of Tsar Nicholas's visit to Paris in 1896, of the great Paris flood of 1910, of the death of French president Felix Faure in the arms of his mistress. But from Charlotte the boy also learns of a Russia he has never known, of famine and misery, of brutal injustice, of the hopeless chaos of war. He follows her as she travels by foot from Moscow half the way to Siberia; suffers with her as she tells of her husband - his grandfather - a victim of Stalin's purges; shudders as she describes her own capture by bandits, who brutalize her and left her for dead. Could all this pain and suffering really have happened to his gentle, beloved Charlotte? Mesmerized, the boy weaves Charlotte's stories into his own secret universe of memory and dream. Yet, despite all the deprivations and injustices of the Soviet world, he like many Russians still feels a strong affinity with and "an indestructible love" for his homeland.