An anonymous young woman murdered in a run-down hotel, all identifying characteristics dissolved by acid. A father publicly beheaded in the blistering heat of a Saudi Arabian public square. A notorious Syrian biotech expert found eyeless in a Damascus junkyard. Smoldering human remains on a remote mountainside in Afghanistan. A flawless plot to commit an appalling crime against humanity. One path links them all, and only one man can make the journey. Pilgrim.'

    The twisted brainchild of the finest minds of the former Soviet Union, it was designed to be inaccessible and virtually invisible.But an American undersea research vessel has inadvertently pulled too close – and something has been sighted moving inside the allegedly deserted facility, something whose survival defies every natural law. And now, as scientists, soldiers, intelligence operatives, and unsuspecting civilians are drawn into Grendel’s lethal vortex, the most extreme measures possible will be undertaken to protect its dark mysteries – because the terrible truths locked behind submerged walls of ice and steel could end human life on Earth.

    Clay Carter has been there too long and, like most of his colleagues, dreams of a better job in a real firm. When he reluctantly takes the case of a young man charged with a random street killing, he assumes it is just another of the many senseless murders that hit D.C. every week.As he digs into the background of his client, Clay stumbles on a conspiracy too horrible to believe. He suddenly finds himself in the middle of a complex case against one of the largest pharmaceutical companies in the world, looking at the kind of enormous settlement that would totally change his life--that would make him, almost overnight, the legal profession's newest king of torts...'From the Hardcover edition'

    007, is sent to France to play in a high-stakes baccarat game in an effort to take down Le Chiffre, a financier for the villainous SMERSH. Things get more complicated when he is partnered with Vesper Lynd, a beautiful and smart MI6 employee with a dark secret. Bond is one of the most iconic characters in 20th-century literature. In addition to the 12 novels and 9 short stories written by Ian Fleming, there have been over 40 novels and short stories written about the spy by other authors, and over 25 blockbuster films starring such actors as Sean Connery and Daniel Craig.Here's the first.

    In this adventure he must find and seize a golden Buddha - the artifact and its contents are vital to striking a deal with the Russians and the Chinese and restoring the Dalai Lama to power in Tibet.

    Hemlock is sent to Switzerland on a mission to climb the notorious Eiger peak of the Alps, whose north face has meant death to many climbers. Hemlock's target: one of his three fellow climbers. The only problem is, CII can't tell him which one...

    Jonathan Pine is ready to stand up and be counted in the fight against this ultimate heart of darkness. His mission takes him from the cliffs of west Cornwall, via northern Quebec and the Caribbean, to the jungles of post-Noriega Panama. His quarry is the worst man in the world.

    Today, twenty years later, disgruntled hero of an unheroic war, all Bob Lee Swagger wants to be left alone and to leave the killing behind.But with consummate psychological skill, a shadowy military organization seduces Bob into leaving his beloved Arkansas hills for one last mission for his country, unaware until too late that the game is rigged.The assassination plot is executed to perfection—until Bob Lee Swagger, alleged lone gunman, comes out of the operation alive, the target of a nationwide manhunt, his only allies a woman he just met and a discredited FBI agent.Now Bob Lee Swagger is on the run, using his lethal skills once more—but this time to track down the men who set him up and to break a dark conspiracy aimed at the very heart of America.

    Now he's out - for revenge.Former CIA officer James 'Wes' Wesley paid the ultimate price for his patriotism when he was locked up in a French jail for an anti-terror operation gone wrong - abandoned by the Agency he served, shunned by his colleagues and friends, cut off from his family.Now he is shattered by the news that his ex-wife, Rachel, a State Department analyst, has been killed in a terrorist attack in Spain. He also discovers that his young son, Ethan, is missing. But Wes didn't know he had a son - until now.Why was Rachel in Spain? And why did she keep his son secret from him?Granted early release, Wes takes flight across Europe to search for the truth and exact his revenge. But can he catch the spies who betrayed him before they track him down? In order to find the answers and save his son, Wes realises he must confront the dark secrets in his own past - before it's too late.

    He thought he would just sit down, have a slow beer or two, and talk to a stranger. He couldn't know that it would lead to a narrow escape from a bungalow targeted by a SWAT team. Or that it would leave him a wanted man. Now he is on the run from mysterious and ruthless men. He is in love with a woman he knows next to nothing about. And he is hiding from a past he can't fully remember. On his trail is a shadowy security agency that answers to no one--including the U.S. government--and a man who considers himself a compassionate Angel of Death. But worst of all, Spencer Grant is on a collision course with inner demons he thought he'd buried years ago--inner demons that could destroy him if his enemies don't first.

    Like the first two, this new thriller combines gripping contemporary suspense with a high-concept mystery rooted in history, philosophy, religion, and science. And like those novels, it is bound for bestseller lists nationwide. In Antarctica, a scientific expedition drops anchor for a live news feed. As the CNN journalist begins her report, a massive, shimmering sphere of light suddenly appears in the sky, enveloping the ship in luminous white light before disappearing as mysteriously as it arrived, the entire event witnessed by an incredulous world audience.Meanwhile in a dusty bar in Egypt, a dozen men are lazily discussing the state of the world when the brilliant, glowing symbol on the television stops them cold. One man breaks out in a sweat, crosses himself repeatedly, and rushes out of the bar muttering the same phrase over and over again: It can't be.Across the Internet and around the globe, a stunning controversy threatens to consume the world: Has God finally decided to reveal himself? Or is something more sinister at hand? Raymond Khoury/Steve Berry interview STEVE BERRY: Your new thriller, THE SIGN. I'm gonna come right out and say it: I think it's your best one yet. What do you think?RAMOND KHOURY: Tough call. It's my new baby, and much as I adore its elder siblings, it does have that newborn magic to it.STEVE: Trust me, it is. It's also a bit of a departure from your first two books, in that it doesn't have the past-and-present storylines. Knowing how stories kind of take on a life of their own, that wasn't a conscious decision from the get-go, was it?RAYMOND KHOURY: No, it wasn't premeditated. It's just the way the story came out. The whole story happens in the present. It takes place over a few manic days, I think you're familiar with that pacing, right? And it deals with the present, it's about a what if situation that's very today and now, there's a mystery, something to figure out, but there's no throwback to the past, no long lost secret to uncover.STEVE BERRY: It's also very topical. Your editors must be pleased.RAYMOND: I guess it happened that way because the story came out of some very strong feelings I had, feelings about what was going on around the world, in the US and abroad.STEVE: Tell me about that process. Where the story came from.RAYMOND: It's where they all come from, isn't it? That kernel, that one thought or one observation you have that just sticks and triggers a book, the one that bugs you late at night and that you can't shake. This one came to me while watching the news one day, and every item, one after another, it was all bad news. Not just bad, but it was like a lot of people were behaving so insanely in so many places around the world, and, sadly, a lot of it was fuelled by the manipulation or distortion of religious faith.STEVE: By intolerance?RAYMOND: Exactly. Intolerance and closed minds. And it got me thinking. About how divided we are, about how so many people all over the world believe in the absolute infallibility of their faith and how it rules every aspect of their lives, you know what I mean, we're right, everyone else is wrong, that medieval mindset and wondering if anything could ever unite the planet under a single faith.STEVE: One global religion. RAYMOND: Well, imagine if something did happen that convinced everyone that what we had until now, all these different religions that have grown over the last few thousand years, what if something new came along that was so overwhelming that it was impossible to ignore? Would we listen? Would we drop our previous faiths and embrace it?STEVE: But your book's about much more than that. Without wanting to give too much away, it's really a political thriller, isn't it?RAYMOND: It's always so hard to talk about a book without giving too much away.STEVE: It's the fine line we walk.RAYMOND: True. But yes, you're right, it's really about the absolute power something like that would bring, and how it could be abused. Cause above all else, it's a thriller. There's got to be a brilliantly dastardly scheme, right?STEVE: Always. And this one certainly is dastardly. One thing I've noticed, though, in all three of your books so far, they're all, essentially, about the big questions that face us: why we believe, whether or not we have to die. Religion, longevity, life and death, science vs. faith ... Big questions. And in this one, you revisit, though in a completely different way, the power of religion, the good it can bring as well as the bad, something that was also central to The Last Templar. Will this always be your signature genre, books that have a big, central theme at their core?RAYMOND: You asked me earlier about where the story came from. For me, in order to get excited about a book, it has to have a big central theme about how we live at its heart, something I'm interested in exploring. It's got to be about something I care about deeply. That's what drives the story and the characters forward for me. That's what I hope makes the books stand out. That they're not just page-turners, which ain't easy in itself, but that they're also about something. I see it in your books too. A point of view about things, a passion for laying out interesting information about a topic that interests you. Michael Crichton used to do that very successfully. Dan Brown, of course, does it brilliantly. That's what makes the books worth writing, I think.STEVE: And in reading the book, it's clear you still had tons of research to do, even though there isn't a historic mystery to unravel?RAYMOND: Absolutely. Some of it was about history, the monasteries in Egypt, for one. Again, part of the story, organically. Had to be done, and we do love our history, don't we?STEVE: Guilty as charged.RAYMOND: But for this book, I didn't need to do that much of it's nothing like what you did for THE CHARLEMAGNE PURSUIT, for instance. Which I loved, by the way. Particularly since you beat me to using the Voynich Manuscript in a story!STEVE: We do seem to be spookily in sync with our writing as further evidenced by THE SIGN's opening in Antarctica?RAYMOND: I know!STEVE: So tell me, Matt and Gracie. Are we going to see them again?RAYMOND: I don't know. On the one hand, I envy your situation with Cotton Malone, you've got a solid anchor for your books, you're building this great world around him, his son and Stephanie and Henrik and Cassiopeia, who I hope we see again real soon, and it's meaty and it's epic and like the rest of your readers, I'm hooked and I want to know what they do next. You've got that, Lee Child has had it since day one with Reacher, Harlan Coben with Myron Bolitar, the list goes on. Great characters. I'd love to do that one day, but it has to feel right. I wasn't in that frame of mind in my first two books, certainly the world after the end of THE SANCTUARY would be a very different place from the world Mia started out in at the beginning of that book. Tess and Reilly, I could maybe bring back. A lot of fans have asked for that. But with THE SIGN, Iinitely think Matt and Gracie are characters that I could bring back. I'd like to put them through another wringer, and it feels like it would come naturally. But before I do that, I'm writing the next book which introduces a new lead character, so they'll be getting a bit of a breather.STEVE: They sure can use it. Good luck with the book.RAYMOND: Thank you.

    Holder of the Medal of Honor. Devoted family man. Servant of his country. But for the past twenty-eight years, Fitzgerald has been leading a double life as the CIA's most deadly assassin. And only days before his retirement from the CIA, he comes across an enemy who, for the first time, even he cannot handle. The enemy is his own boss - Helen Dexter - the director of the CIA. Dexter's stranglehold on the agency is threatened by one decision, and her only hope of survival is to destroy Fitzgerald. Meanwhile, on the other side of the world, a formidable new foe is threatening the United States: a ruthless hard-line Russian president, who is determined to force a new military confrontation between the two superpowers.From emergency meetings in the Oval Office to a Russian mafya boss's luxurious hideaway outside St. Petersburg, The Eleventh Commandment sweeps readers off their feet from the first paragraph. As in Jeffrey Archer's previous bestsellers, The Eleventh Commandment features enough plot-twisting ingenuity, exotic characterization, and narrative surprise to take the art of thriller writing to a new level. In his latest novel, Jeffrey Archer is at the peak of his page-turning powers.

    ONE POLITICIAN AT A TIME In one bloody night, three of Washington's most powerful politicians are executed with surgical precision. Their assassins then deliver a shocking ultimatum to the American government: set aside partisan politics and restore power to the people. No one, they warn, is out of their reach—not even the president.A joint FBI-CIA task force reveals the killers are elite military commandos, but no one knows exactly who they are or when they will strike next. Only Michael O'Rourke, a former U.S. Marine and freshman congressman, holds a clue to the violence: a haunting incident in his own past with explosive implications for his country's future ...

    Raymond Shaw is a hero of the first order. He's an ex-prisoner of war who saved the life of his entire outfit, a winner of the Congressional Medal of Honor, the stepson of an influential senator...and the perfect assassin. Brainwashed during his time as a P.O.W., he is a "sleeper" -- a living weapon to be triggered by a secret signal. He will act without question, no matter what order he is made to carry out. To stop Shaw and those who now control him, his former commanding officer, Bennett Marco, must uncover the truth behind a twisted conspiracy of torture, betrayal, and power that will lead him to the highest levels of the government -- and into the darkest recesses of his own mind....

    In the jungles of Malaysia, a mysterious buyer purchases deadly cavitation technology, built to his specifications. In Vancouver, a small research submarine is leased for use in the waters off New Guinea. And in Tokyo, an intelligence agent tries to understand what it all means. Thus begins Michael Crichton's exciting and provocative technothriller, State of Fear. Only Michael Crichton's unique ability to blend science fact and pulse-pounding fiction could bring such disparate elements to a heart-stopping conclusion. This is Michael Crichton's most wide-ranging thriller. State of Fear takes the reader from the glaciers of Iceland to the volcanoes of Antarctica, from the Arizona desert to the deadly jungles of the Solomon Islands, from the streets of Paris to the beaches of Los Angeles. The novel races forward, taking the reader on a rollercoaster thrill ride, all the while keeping the brain in high gear. Gripping and thought-provoking, State of Fear is Michael Crichton at his very best.