The majority of these people were black; nearly all were poor. The Federal government's slow response to local appeals for help is by now notorious. Yet despite the cries of outrage that have mounted since the levees broke, we have failed to confront the disaster's true lesson: to be poor, or black, in today's ownership society, is to be left behind. Displaying the intellectual rigor, political passion, and personal empathy that have won him acclaim and fans all across the color line, Michael Eric Dyson offers a searing assessment of the meaning of Hurricane Katrina. Combining interviews with survivors of the disaster with his deep knowledge of black migrations and government policy over decades, Dyson provides the historical context that has been sorely missing from public conversation. He explores the legacy of black suffering in America since slavery and ties its psychic scars to today's crisis. And, finally, his critique of the way black people are framed in the national consciousness will shock and surprise even the most politically savvy reader. With this clarion call Dyson warns us that we can only find redemption as a society if we acknowledge that Katrina was more than an engineering or emergency response failure. From the TV newsroom to the Capitol Building to the backyard, we must change the way we relate to the black and the poor among us. What's at stake is no less than the future of democracy.

    In alternating voices, four friends describe their lives before, during, and after the storm and how, even though the world can change in a heartbeat, people define the character of their community and offer one another comfort and hope even in the darkest hours. Adrienne, Keesha, Michael, and Tommy have been friends for forever. They live on the same street—a street in New Orleans where everyone knows everybody. They play together all day long, every chance they get. It's always been that way. But then people start talking about a storm headed straight for New Orleans. The kids must part ways, since each family deals with Hurricane Katrina in a different manner. And suddenly everything that felt like home is gone.Renée Watson's lyrical free verse is perfectly matched in Shadra Strickland's vivid mixed media art. Together they celebrate the spirit and resiliency of New Orleans, especially its children.

    The dolphin house was demolished, and its inhabitants swept from their tank into the Gulf of Mexico. After growing up in captivity, how could the eight bottlenose dolphins feed and protect themselves in the wild? And if they could survive, would their trainers ever see them again? This fascinating picture book—enriched with both beautiful color-wash illustrations and photographs taken by the trainers themselves—tells this dramatic, happy-ending story.

    Brandy Alexander’s the real deal--yes, that’s her real name and she’s not even a stripper, although her best friend Julia is.WHO WILL LOVE THESE: The slapstick way Brandy goes about it all has a definite whiff of Janet Evanovich’s Stephanie Plum; fans of  Stephanie Bond, Jana DeLeon, Joan Hess, Lisa Lutz, Sarah Strohmeyer, and Elaine Viets may also find a kindred spirit in this New Orleans dawlin’. And animal lovers will flat-out swoon! Vol. 1 RESCUED BY A KISS A KISS TO KILL FOR …Brandy still lives with her parents in the Irish Channel and she’s sort of semi kind of engaged to the boy next door, who’s—what else?—one of  NOLA’s finest. And Italian.Dante, the BF, is such a thoroughgoing New Orleanian he always manages Mardi Gras parade duty on his own block. So you'd think Brandy might be a little self-conscious when a suave Svengali in one of the gentlemen’s walking clubs mesmerizes her into a big fat Mardi Gras smooch right in front of him. But not a bit. Because after all, it's Mardi Gras, and also for another good reason— “that kiss was long, slow, hot—unlike any kiss I’d ever had in my life.” She makes a date to meet Mr. Good Kiss after the parade (Yes! Right in front of Mr. Right Next Door) but –horrors--arrives just in time to see him get shot. Although fortunately not shot dead. Before he passes out, he pulls her close and whispers, “Save Isabella.”And with that we’re off on a screwball chase all over town, from Lee Circle to the Lakefront, with a stop at Charity Hospital, and finally to the French Quarter’s favorite gay dance club, at all times accompanied by Schnauzers, one of them named Geaux Cup. Vol. 2 DEAD AND BREAKFAST DEAD IN BED…WHO YOU GONNA CALL?Brandy Alexander is a true and trusted friend – not to mention something of a detective--  who else would you call if you found a full-blown murder mystery in your bedroom? So when Brandy’s best friend Julia, the ex-stripper-turned hotelier, finds her first guest covered in blood, lying half on and half off a broken bed—with Julia’s panties swinging from the chandelier – she  gets Brandy on the horn. And Brandy does the only sensible thing—first makes coffee, then calls the police.And who should respond but her recent ex-boyfriend, Dante, with a brand new daggers-looking female partner. But wait! This is not nearly complicated enough for Noo Awlins, where, after all, everybody knows everybody! Julia’s lawyer is none other than Jiff, Brandy’s new squeeze (and the reason Dante’s the ex-boyfriend).As the suspense mounts, the romance blossoms, and not just one—Jiff’s looking more and more like Mr. Right: a 100% Class Act, with his own Schnauzer and a soft spot for Brandy’s three.

    But the woman barely looks like his wife, and she’s going by a different name. Worse, she’s obsessed with another man and memories of a life she’s lived in a place called Nocturne House. As Laura relays the story of her disappearance and the people responsible, she also reveals her connection to a dangerous cult, a group of modern-day vampires that controls and manipulates through psychological strongholds, supernatural entities, and all-too-human wicked intentions. Hunter soon realizes that Laura is still in danger, and she remains bound to the house through her heart, mind, and blood. In the final suspenseful installment of the Legacy of Darkness series, supernatural and human evil collide in a tale about the power and danger of living outside society’s expectations and the relationships that can ruin or redeem us.

    A budding musician, he earns money playing clarinet for the New Orleans tourists, and his best friend is a stray dog named Shadow. At first Saint is sure that Hurricane Katrina will be just like the last one--no big deal. But then the city is ordered to evacuate and Saint refuses to leave without Shadow. Saint and Shadow flee to his neighbor's attic--and soon enough it's up to Saint to save them all.

    In the tradition of Owen and Mzee, this beautiful picture book is a testament to the spirit that defined post-Katrina rescue missions. During Hurricane Katrina, evacuating New Orleans residents were forced to leave their pets behind. Bobbi the dog was initially chained to keep her safe, but after her owners failed to return, she had to break free. For months, Bobbi wandered the city's ravaged streets-dragging her chain behind her-followed by her feline companion, Bob Cat. After months of hunger and struggle, the Two Bobbies were finally rescued by a construction worker helping to rebuild the city. When he brought them to a shelter, volunteers made an amazing discovery about the devoted friends-Bob Cat was actually blind! He had survived the aftermath of the storm by following the sound Bobbi's chain made as she dragged it along the ground.At the shelter, the two bob-tailed friends refused to be parted, even for a moment. Could rescue workers find the Bobbies' owners? Or could they find a new home that would take them together?

    Blackmail, a secret organization hiding within the elite society of New Orleans, a white supremacist running for governor of Louisiana; these are the key ingredients in this fine Southern crawfish boil of a novel about guilt, privilege and racism in one of America's most exotic cities.

    But a youthful Tubby chanced to see it happen, and the tragic event's haunted him throughout his life. Decades later, an established (but not exactly driven) lawyer, yet successful enough to have time on his hands, Tubby decides to conduct his own investigation into the forgotten crime. He quickly stirs up a hornets’ nest of far-reaching political feuds, police corruption, government agents, and old men with secrets to hide.But as in all Tubby Dubonnet novels, the plot takes a backseat to local color, colorful characters, odes to fine food, wry observations, and a whole lot of humor. It's a little like spending a weekend in da Big Easy, dawlin'--complete with three well-chosen meals a day!Vol 2 – FAT MAN BLUES – The NINTH installment in Tony Dunbar’s humorous, hard-boiled Tubby Dubonnet mystery seriesEx-con Angelo Spooner is trying to start a legit business, but he just can’t catch a break. Just as his healing Holy Water, “Angelo’s Elixir” is about to go upscale, the sticky strands of the Big Sleazy’s tangled web of crime and corruption reach out to ensnare him. What’s a law-abiding parolee to do? He can’t get caught with a gun, but maybe that axe in his shed could help him extricate himself. But when low-level creep Frenchy Dufour’s henchman turns up nearly beheaded, Angelo’s fate rests in the capable hands of laid-back lawyer Tubby Dubonnet.Tubby’s been trying hard to lay low, too. As those closest to him are targeted by frightening attacks, he suspects his dealings with the clandestine society of Cuban exiles who’ve plagued him lately are far from over. Tubby would love to have nothing further to do with “that crazy band of geriatric lunatics”. But the old Cuban revolutionaries have taught their sons well. Now their grandchildren, heirs to a substantial cache of weapons and money, burn with a dangerous zeal to prove themselves.Meanwhile … a man’s got to eat! The epicurean counselor does his best thinking when he’s well-fed. Our good luck! –as we vicariously sample our way across New Orleans’ culinary panorama on the hunt for an axe murderer. But sleuth does not live by bread alone—even in a Tony Dunbar legal thriller. Ignoring his own advice to his client to “keep your head on your shoulders”, Tubby’s lost his to the lovely Peggy O’Flarity. It’s about time Tubby had some steamy sex – and maybe a little happiness? But fortune teller Sister Soulace has her doubts.

    

    When federal, state, and city officials couldn't find their way to decisive action, Cowen, known for his gutsy leadership, quickly partnered with a coalition of civic, business, and nonprofit leaders looking to work around the old institutions to revitalize and transform New Orleans. This team led the charge to restore equilibrium and eventually to rebuild. For the past nine years, Cowen has continued this work, helping to bring the city of New Orleans back from the brink. The Inevitable City presents 10 principles that changed the game for this city, and, if adopted, can alter the curve for any business, endeavor, community—and perhaps even a nation.This is the story of the resurgence and reinvention of one of America's greatest cities. Ordinary citizens, empowered to actively rescue their own city after politicians and government officials failed them, have succeeded in rebuilding their world. Cowen was at the leading edge of those who articulated, shaped, and implemented a vision of transformative change that has yielded surprising social progress and economic growth: a drowned city identified with the shocking images of devastation and breakdown has transformed itself into a mecca of growth, opportunity, and hope.

    Lee and Jefferson Davis, and much more.

    . . lightened not only by cartoons but by narrative approach."-New York Herald TribuneThe history of New Orleans is a street-level story, with names like Iberville, Terpsichore, Gravier, Tchoupitoulas, and, of course, Bourbon, presenting the city's past with every step. The late John Churchill Chase eloquently chronicles the origins and development of the most fascinating of American cities in this humorous read.Frenchmen, Desire, Good Children details the interesting stories of the developers and families as well as the infamous and famous people, places, and events from which the city's names and character are drawn. First published by now-defunct New Orleans publisher Robert L. Crager in 1949, the book remains funny and informative, generally accepted as a standard reference about the Crescent City.

    All of this came into being at the behest of Warden Burl Cain, who is now the longest-standing warden in the history of Angola prison. Under his leadership, the inmate population of 5,000 has gone from regular knife fights to Bible studies. Cain is a strong believer in the ability of the gospel to turn the most incorrigible of sinners into productive, moral citizens. Because eight out of ten prisoners are serving life sentences without parole at Angola, Cain has taken upon himself the task of making the lives of these prisoners productive and educational. Through a partnership with New Orleans Baptist Seminary, prisoners have the opportunity to get a bible degree and even be transferred to other prisons as a missionary. The Angola phenomenon has been covered by such media outlets as Time Magazine, Christianity Today, and in the award-winning film documentary, The Farm: Angola, USA. Author Dennis Shere combines his background in journalism and law to bring readers this account of redemption and life change in the most unlikely of places: a maximum security prison.

    but you can just call him MR. NEW ORLEANS. Mr. New Orleans tells the incredible story of Frenchy Brouillette, a redneck Cajun teenager who stole his big brother's motorcycle and embarked on a 60-year vacation to New Orleans, where he became a legendary gangster and the underworld political fixer for his cousin, Louisiana Governor Edwin Edwards. Written by Crescent City native Matthew Randazzo V, the wickedly funny Mr. New Orleans is the first book to ever break the code of secrecy of the New Orleans Mafia Family, the oldest and most mysterious criminal secret society in America. "Mr. New Orleans is a rollicking, disturbing ride through the underbelly of a bygone New Orleans, lined with moments of dark, side-splitting hilarity. If you're a fan of James Lee Burke, drop what you're reading and pick this one up. In an era when popular wisdom tells us T.V. has stolen all depth from the literary true-crime narrative, Matthew Randazzo has found a way to beat that trend mightily; he's gone straight to the source and captured the singular, confounding voice of the New Orleans' mafia's top political fixer with fast-paced, riveting prose and a fine journalist's eye for detail." Chris Rice, New York Times Bestselling Author "Mr. New Orleans is a total knockout: Take everything you ever imagined about the sleazy good times to be had in New Orleans -- the sleazy good times capital of America -- and quadruple it, and you have a hint of what's inside these sticky pages." Bill Tonelli, Author of The Italian American Reader and Editor for Esquire and Rolling Stone