The stakes are higher and the mystery is more thrilling.As more bodies pile up, the evidence points to a seemingly impossible conclusion: the killer may be Thomas Carpenter -- who died in 1878, a full century before the murders were committed.Could Carpenter really have found a way to return and seek vengeance against those he feels wronged him?But as Shapira and her partner unravel the long-ago mystery steeped in New Orleans history and the yellow fever epidemic, Brenda discovers she may be Carpenter's next target.

    If only more people would turn off the TV and shut down the computer, the world wouldn't be in the mess it's in. If only she can get the teens she loves to step away from the screens, they might be able to hold on to their Creole culture. The only person who seems to understand her passion for classic literature is the mysterious website owner, Browning Wordsworth Keats.Paul Olivier comes back to his home town determined to show the people of Cane River that he's not the poor, nerdy kid he once was. He's made a fortune designing video games and opening a giant electronics store right in the snooty historic district will be the crowning glory of his career. Unfortunately, one bookish anti-tech fanatic has decided to do everything she can to keep that from happening. Even worse, she doesn't know that in cyber space, they're best friends and kindred spirits. Alice and Paul clash from the start, but nothing is ever quite as it seems. When secrets are revealed, will there be a second chance- for both of them?A romance that brings the humor of You've Got Mail and the deep friendships of 84, Charring Cross Road, this romance will touch the classic literature lover in everyone.

     It’s Halloween and Pyper Rayne’s all vamped up, ready to play the vampire bride. And so is Ida May, her resident ghost. But when the “vampires” they're partying with start to appear to be real, there’s more at stake that just a little bite. *Originally published in Spell of the Ball 2015*

    She is the kind of woman who says “anyhoo” and calls everyone “Dahlin’” or a special pet name. With hair, makeup, and nails always done to perfection, she triumphs rather than crumbles when infidelity, alcoholism, cancer, or any form of adversity attempts to shatter her family. Endearing and enduring, Gayle is a big-hearted, strong-willed true Southern belle—and she taught her son everything he knows about being a man.In She Ain’t Heavy, She’s My Mother, Bryan Batt, the actor who plays Sal Romano on the Emmy, Golden Globe, and Peabody Award–winning Mad Men, chronicles his life—and his mother’s supportive presence in it.From growing up gay below the Mason-Dixon Line to landing principal roles on Broadway (his first was on roller skates playing a singing and dancing boxcar in Starlight Express!) and later on the picture-perfect sets of TV’s Mad Men, to opening the ever-popular Hazelnut boutique in his hometown of New Orleans with his partner, Bryan weaves a touching and hilarious story of the South, showbiz, and an unshakable bond between mother and son.

    But when her successful costume jewelry company is acquired by TriTech, her only choice is to leave Italy-and return to the scene of a crime that nearly destroyed her life...A Mystery UnsolvedTriTech CEO Jake Williams is all business-and determined to find out the real reason why his partner acquired Rossi Designs. His investigation uncovers a first love's betrayal, a missing baby.and the mysterious Alyssa in the center of a storm of gossip and controversy that has raged for more than a decade.A Deadly ObsessionShunned by New Orleans society, yet coveted by her former lover, Alyssa tried to focus on her jewelry...and Jake. But her past-and a new murder-haunt her every waking moment. Now, amid the chaos of Madri Gras, Alyssa and Jake's attempts to uncover the truth bring them closer to one another-and to a killer who will stop at nothing to destroy them...

    For Ashley Longshore, the path from reluctant Southern Belle to badass artist and aspiring mogul hasn’t always been a smooth one. As a reformed Trophy-Wife-in-Training, Ashley has overcome failure, healed heartbreak, and worked damn hard, all with her signature killer attitude, to conquer the art world one glittery pop-art masterpiece at a time. You Don’t Look Fat, You Look Crazy is a window into the world of Longshore’s irreverent, glamorous, and stunningly visual pop-art-filled life, where bedazzled flowers sit next to diamonds and Valium boxes, Jesus holds a black Amex and Wonder Woman dresses in Chanel. With tongue-in-cheek advice straight from her canvas, such as  “There’s No Crying At Bergdorf’s,” “Always Ask For More,” and “What Would Blue Ivy Do,” Ashley’s honesty and DGAF attitude will grab you by your Givenchy lapels and hit you across the face with the donut you promised yourself you wouldn’t eat. So be confident, grab life by the Birkins, embrace your “ambitchion,” and remember, you don’t look fat—you look crazy!

    That was when we saw the cabin, far off in a corner on the west bank. It was as I had seen it in my dreams—rustic long-forgotten by the world, save for whatever occupied its malevolent little frame. And whatever it was, was nothing more than a black silhouette in a creaking rocking chair on the tiny porch. As I stared at the phantom rocker, it suddenly stopped in mid rock, picked up its head and turned to me, grinning, and started rocking away, never taking its yellow eyes off of me. And there, in the humid twilight of the swamp, a bitter chill washed over me, and my spine felt like ice.When Leigh Benoit returns home to Louisiana for the funeral of her brother and his wife, she becomes increasingly concerned about the welfare of her orphaned niece, Lyla. She is prompted by her grandmother, Clothilde, to move back to take care of her. Leigh has no desire to take on any responsibility, and being home again brings back painful memories. At the funeral, Leigh’s childhood friend, Detective Lucas Castille, tells her the mysterious details of the accident that killed her brother and his wife. Lucas’ young son has dreams of a Dark Man who wishes to harm Lyla. Leigh begins to have similar dreams. She struggles with her rational mind but vows to protect her niece. Soon, she finds out there is more to the story and more to her grandmother than she thought.

    Seduced by the city's sauntering pace, its rich flavors and exotic atmosphere, she was never entirely able to leave again. After almost fifteen years of living like a vagabond on her reporter's schedule, she got married and bought a house in the historic Garden District. Four weeks after she moved in, Hurricane Katrina struck.With her house as the center of her own personal storm as well as the ever-evolving stage set for her new life as an upstanding citizen, Reed traces the fates of all who enter to wine, dine (at her table for twenty-four), tear down walls, install fixtures, throw fits and generally leave their mark on the house on First Street. There's Antoine, Reed's beloved homeless handyman with an unfortunate habit of landing in jail; JoAnn Clevenger, the Auntie Mame—like restaurateur who got her start mixing drinks for Dizzy Gillespie and selling flowers from a cart; Eddie, the supremely laid-back contractor with Hollywood ambitions; and, with the arrival of Katrina, the boys from the Oklahoma National Guard, fleets of door-kicking animal rescuers and the self-appointed (and occasionally naked) neighborhood watchman. Finally, there's the literally clueless detective who investigates the robbery in which the first draft of this book was stolen. Through it all, Reed discovers there really is no place like home.Rich with sumptuous details and with the author's trademark humor well in the fore, The House on First Street is the chronicle of a remarkable and often hilarious homecoming, as well as a thoroughly original tribute to our country's most original city.

    Gifted with water magic since she was a child, Reina is devoted to the benevolent traditions of her ancestors.After a ritual slaying in the French Quarter, police arrest a fellow vodouisant. Detective Roman Frost, Reina’s ex-boyfriend—a fierce nonbeliever—is eager to tie the crime, and half a dozen others, to the Vodou practitioners of New Orleans. Reina resolves to find the real killer and defend the Vodou practice and customs, but the motives behind the murder are deeper and darker than she imagines.As Reina delves into the city’s shadows, she untangles more than just the truth behind a devious crime. It’s a conspiracy. As a killer wields dangerous magic to thwart Reina’s investigation, she must tap into the strength of her own power and faith to solve a mystery that threatens to destroy her entire way of life.

    Genteel Alain swears he'll turn the spitfire into a lady, but instead, his passion makes a woman of her. Steamboat captain Tom, l'américain, offers Simone an unexpected refuge, an unprecedented partnership-- and his heart.Yet the beautiful Simone will belong to no one, unless he truly loves her for herself -- and forever.

    Like the old master Henry James, Sheila Bosworth uses the chilling device of using the mirror of innocence to reflect evil. It is a lovely achievement, a superior one."-Walker Percy Clay-Lee Calvert is the love child of two people who are as beautiful as models in a magazine but whose similarity ends there. Her father, Rand, is an artist-easygoing, dreamy, principled, and chronically jobless. Her mother, Constance, is the blue-blooded, pampered, delicate but determined daughter of a state supreme court justice. How their intense passion for each other plays out against the sumptuousness and decay of 1950s New Orleans is something to which no innocent should be privy. In Sheila Bosworth's mesmerizing first novel, the era, the place, the people, of Clay-Lee's childhood all form an air as real as our own pasts, alternately dim and indelible, where everyone bears some guilt, and all are almost innocent.

    Melody must step far outside her comfort zone in the suburbs of North Carolina to fulfill this dying wish.

    This early-20th-century battle centers on one man: Tom Anderson, the undisputed czar of the city's Storyville vice district, who fights desperately to keep his empire intact as it faces onslaughts from all sides. Surrounding him are the stories of flamboyant prostitutes, crusading moral reformers, dissolute jazzmen, ruthless Mafiosi, venal politicians, and one extremely violent serial killer, all battling for primacy in a wild and wicked city unlike any other in the world.

    For Wisconsin native Sara Roahen, a Sazerac is also a fine accompaniment to raw oysters, a looking glass into the cocktail culture of her own family and one more way to gain a foothold in her beloved adopted city. Roahen's stories of personal discovery introduce readers to New Orleans' well-known signatures: gumbo, po-boys, red beans and rice, and its lesser-known gems: the pho of its Vietnamese immigrants, the braciolone of its Sicilians, and the ya-ka-mein of its street culture. By eating and cooking her way through a place as unique and unexpected as its infamous turducken, Roahen finds a home. And then Katrina. With humor, poignancy, and hope, she conjures up a city that reveled in its food traditions before the storm – and in many ways has been saved by them since.

    Although it's an ocean away from her childhood home in the bayous of Louisiana, Stratford offers something which St. Charles Parish doesn't: safety from a threat that Lou never helped to create.But one impulsive choice jeopardizes Lou's "safety first" world. After agreeing to go on a blind date in exchange for money to pay her sister's medical bills, Lou is required to attend the Stratford Gala with a man she hates - even though they've never met.It turns out that Kip Richmond, "Britain's most uncatchable bachelor," is anything but easy to hate. And Kip feels nothing but love for Lou. Can Lou make room in her life for a man she's supposed to hate, especially when his every move may end up on tomorrow's front page?Set against the delightful backdrop of Stratford-upon-Avon, She Hates Me Not blends heartwarming romance with mild suspense as Lou and Kip confront their troubled pasts in the hopes of loving again. It is the seventh novel by F. E. Greene and first in the Richer in Love romance series.Romance Heat Scale: Mild/PG.