He later worked with the Beatles as they recorded their singles “She Loves You” and “I Want to Hold Your Hand,” the songs that would propel them to international superstardom. In 1964 he would witness the transformation of this young and playful group from Liverpool into professional, polished musicians as they put to tape classic songs such as “Eight Days A Week” and “I Feel Fine.” Then, in 1966, at age nineteen, Geoff Emerick became the Beatles’ chief engineer, the man responsible for their distinctive sound as they recorded the classic album Revolver, in which they pioneered innovative recording techniques that changed the course of rock history. Emerick would also engineer the monumental Sgt. Pepper and Abbey Road albums, considered by many the greatest rock recordings of all time. In Here, There and Everywhere he reveals the creative process of the band in the studio, and describes how he achieved the sounds on their most famous songs. Emerick also brings to light the personal dynamics of the band, from the relentless (and increasingly mean-spirited) competition between Lennon and McCartney to the infighting and frustration that eventually brought a bitter end to the greatest rock band the world has ever known.

    With never-before-seen photos and immersive vivid detail, Frantz describes life on tour, down to the meals eaten and the clothes worn--and reveals the mechanics of a long and complicated working relationship with a mercurial frontman.At the heart of Remain in Love is Frantz's love for Weymouth: their once-in-a-lifetime connection as lovers, musicians, and bandmates, and how their creativity surged with the creation of their own band Tom Tom Club, bringing a fresh Afro-Caribbean beat to hits like "Genius of Love."Studded with memorable places and names from the era--Grace Jones, Andy Warhol, Stephen Sprouse, Lou Reed, Brian Eno, and Debbie Harry among them--Remain in Love is a frank and open memoir of an emblematic life in music and in love.

    Worth, Texas, hounded by alcoholism and an unshakable depression, Van Zandt pursued a nomadic existence following his muse, whatever the cost to himself, friends, and family. Based on exclusive interviews with everyone who knew Van Zandt, including his best friend Guy Clark and colleagues like Steve Earle and John Prine, To Live’s To Fly is a compelling portrait of a complex, haunted artist.

    In the mid–1980s Geoffrey Giuliano lived in the "often wonderfully unreal" world of Harrison and his friends, interviews with whom are the basis for much of this vivid and revealing portrait. Here are Harrison's Liverpool childhood, the forging of the Beatles, their unheralded ascendancy, and the bitter break-up; his turbulent solo career with its soaring successes and harrowing setbacks; his reincarnation as a Traveling Wilbury; his impact as a record and film producer; his oft-publicized and misjudged spiritual quest; and much more. This edition includes an additional chapter that discusses Harrison's life through the twenty-fifth-anniversary reunion of the surviving Beatles to record new tracks for their video and musical anthology, as well as updated appendices and rare, previously unpublished photos. The result is a comprehensive, illuminating look at George Harrison's musical career and inner life.

    In Your Song Changed My Life, Jimmy Page (Led Zeppelin), St. Vincent, Jónsi (Sigur Rós), Justin Vernon (Bon Iver), Cat Power, David Byrne (Talking Heads), Dave Grohl (Nirvana, Foo Fighters), Jeff Tweedy (Wilco), Jenny Lewis, Carrie Brownstein (Portlandia, Sleater-Kinney), Yusuf Islam (Cat Stevens), Colin Meloy (The Decemberists), Trey Anastasio (Phish), Jackson Browne, Valerie June, Philip Glass, James Blake, and other artists reflect on pivotal moments that inspired their work.For Wilco’s Jeff Tweedy, it was discovering his sister’s 45 of The Byrds’ “Turn, Turn, Turn.” A young St. Vincent’s life changed the day a box of CDs literally fell off a delivery truck in front of her house. Cat Stevens was transformed when he heard John Lennon cover “Twist and Shout.” These are the momentous yet unmarked events that have shaped these and many other musical talents, and ultimately the sound of modern music.A diverse collection of personal experiences, both ordinary and extraordinary, Your Song Changed My Life illustrates the ways in which music is revived, restored, and revolutionized. It is also a testament to the power of music in our lives, and an inspiration for future artists and music lovers.Amazing contributors include: Jimmy Page (Led Zeppelin), Carrie Brownstein (Sleater-Kinney, Portlandia, Wild Flag), Smokey Robinson, David Byrne (Talking Heads), St. Vincent, Jeff Tweedy (Wilco), James Blake, Colin Meloy (The Decemberists), Trey Anastasio (Phish), Jenny Lewis (Rilo Kiley), Dave Grohl (Nirvana, Foo Fighters), Yusuf Islam (Cat Stevens), Sturgill Simpson, Justin Vernon (Bon Iver), Cat Power, Jackson Browne, Michael Stipe (R.E.M.), Philip Glass, Jónsi (Sigur Rós), Hozier, Regina Carter, Conor Oberst (Bright Eyes, and others), Courtney Barnett, Chris Thile (Nickel Creek, Punch Brothers), Leon Bridges, Sharon Van Etten, and many more.

    and the Clash. The East Coast editor of Launch magazine, Randall is undoubtedly one of the many journalists eager to exclaim "genius!" again, but his biography of the Grammy winners is economical, restrained and unauthorized (band members "respectfully declined" Randall's requests to cooperate). After briefly reenacting the now mythic June 1997 concert at New York City's Irving Plaza, attended by rock's superstar aristocracy (Bono, Lenny Kravitz, Madonna, etc.), Randall smartly spends most of his narrative on the band's fascinating, decade-long conception in and around culturally barren Oxford, whose Radiohead landmarks he visited and lays out. Non- and neo-Anglophiles will especially appreciate Randall's definitions of British terms and background on the British music industry, music press and education system (all five musicians met at the all-male Abingdon School). As for the inevitable "record critique" chapters, Randall rarely throws in his two cents, preferring to sprinkle passages with the band's own pithy observations and recording-session anecdotes culled from magazine interviews. Exit music? Not quite, as Radiohead are pushing the boundaries of pop music (the new record is rumored to include Miles Davis and backwards singing). Because the book will be published right before the new album debuts, it will be nearly out of date by the time it hits bookstores. However, Randall's work will still serve as a reliable introduction to an ever-evolving band.

    Whether you listen to Mozart or Duke Ellington, Aaron Copland's provocative suggestions for listening to music from his point of view will bring you a deeper appreciation of the most rewarding of all art forms.

    In the world of heavy metal, no other band have lived life to the fullest, stared death in the face so many times, battled addiction, warred within themselves and still emerged, unbowed with as much bloody-minded persistence as Black Sabbath.

     Shortlisted for the ABIA Biography Book of the Year 2021 A deeply beautiful, profound and poetic biography of the formative years of the dark prince of Australian rock 'n' roll, Boy on Fire is Nick Cave's creation story. This is a portrait of the artist as, first, a boy, and then a young man. It charts his family, friends, influences, milieu and, most of all, his music, revealing how Nick Cave shaped himself into the extraordinary artist he has become.As well as a powerfully compelling biography of a singular, uncompromising artist, Boy on Fire is a fascinating social and cultural biography, a vivid and evocative rendering of the people, time and places that went into the making of Nick Cave - from the fast-running dark river and ghost gums of Wangaratta and the punk scene that hit staid 1970s Melbourne like an atom bomb, right through to the torn wallpaper, sticky carpet and manic energy of nights at St Kilda's Crystal Ballroom.Boy on Fire is a stunning biographical achievement.PRAISE FOR BOY ON FIRE:'Mordue's exploration of Cave's protean and dynamic artistic universe, and the boy at its heart - malanderer, badlander and fabulator - is rich, sensitive, rollicking and, yes, tender' The Australian'Boy On Fire is a beautiful book, evocative and sensual, yet with an even-handed and at times critical treatment of its subject' Sydney Review of Books'All the relevant voices have their say, creating a wonderfully alive picture of this tumultuous time in modern Australian music ... on the page they glint with vitality and humour ... written with mercurial flair.' Books+Publishing

    He not only wrote extensively and evocatively of the “mood, atmosphere and ephemeral terror” that enveloped the group and their doomed front man, Ian Curtis, but he was present when Curtis suffered his life-changing epileptic seizure following a London concert in April 1980 and was the only journalist permitted to view Curtis’ corpse. Joy Division: Piece By Piece encompasses his complete writings on the group, both contemporary and retrospective. In addition to collecting all of Morley’s classic works about the band, the book includes his eloquent Ian Curtis obituary and hindsight pieces on the group’s significance, framed by an extensive retrospective essay, as well as his reviews of the films 24 Hour Party People and Control. Morley, who emerged from Manchester at the same time as Joy Division, effortlessly evokes that city’s zeitgeist and psycho-geography to tell the story of this uniquely intense group.

    When her peers were focused on feminism, Mitchell was plumbing the depths of her own human condition. When arena rock was king, she turned to jazz. When all others hailed Bob Dylan as a musical messiah, Mitchell saw a fraud burdened with halitosis. Unafraid to "write in her own blood," regardless of the cost, Mitchell has been vilified as a diva and embraced as a genius, but rarely has she been recognized as an artist and a thinker.This new portrait of the reclusive icon examines how significant life events;failed relationships, the surrender of her infant daughter, debilitating sicknes have influenced her creative expression. Katherine Monk captures the rich legacy of her multifaceted subject in this offbeat account, weaving in personal reflections and astute cultural observations, and revealing the Mitchell who remains misunderstood.

    Author John Glatt tells the story of the Fillmores through the lives of Bill Graham, Janis Joplin, Grace Slick, Carlos Santana, and an all-star supporting cast. Joplin opened the Fillmore East and delivered some of her greatest performances there and at its San Francisco twin. Carlos Santana grew up as a performer at the Fillmore West after being discovered by Graham on audition night. Always unpredicatable, Grace Slick’s electrifying Jefferson Airplane was the de facto resident band at both Fillmores. Chronicling the East and West Coast cultures of the late ’60s and early '70s—New York City with its speed, heroin, and the Velvet Underground versus San Francisco with the LSD-drenched Summer of Love—Glatt reveals how Graham the made it all possible . . . that is, until August 1969 when Woodstock changed everything and musicians suddenly realized their power.     But why did Bill Graham shutter both Fillmores within weeks of each other in 1971, during the height of their popularity? Live at the Fillmore East and West reveals how Graham’s claim that “The flowers wilted and the scene changed,” was not quite the whole story.

    From conception and composition to arrangement and production, the ways in which Pet Sounds changed the face of American popular music are chronicled. While Pet Sounds carries the tag of being a Beach Boys record, this lively expos� reveals just how little input the rest of the band had in its recording. Illustrating Brian Wilson's prodigious talent, the book chronicles his ability to turn his back on the protest songs and folk-rock of his contemporaries, and even on the bright surf sound of his own creation, in order to reach deep within himself to make music that struck an emotional chord and touched people's souls. Wilson's ability to embrace the rapidly advancing recording technology of the 1960s and to expertly blend rock 'n' roll, rhythm and blues, and jazz sounds with velvety harmonies and sensitive melodies to create a brand-new studio sound are discussed. An intimate portrait of Wilson's family, breakdown, and drug use is included.PBRBAbout the Author:/BBRBCharles L. Granata/B is a record producer, music historian, and the author of the award-winning ISessions with Sinatra: Frank Sinatra and the Art of Recording/I. He lives in Livingston, New Jersey. BTony Asher/B is a lyricist who collaborated with Brian Wilson on IPet Sounds/I. He lives in Los Angeles.

    So much for the Summer of Love. "Ode to Billie Joe" knocked the Beatles' "All You Need is Love" off the top of the charts, and Bobbie Gentry became an international star. Almost 50 years later, Gentry is as enigmatic and captivating as her signature song. Of course, fans still want to know why Billie Joe McAllister jumped off the Tallahatchie Bridge. They also wonder: Why did Bobbie Gentry, who has not performed or made a public appearance since the early 1980s, leave it all behind?Through extensive interviews and unprecedented access to career memorabilia, Murtha explores the real-life mysteries ensnarled within the much-disputed origin of Ode to Billie Joe. The result is an investigative pop history that reveals, for the first time, the full breadth of Bobbie Gentry's groundbreaking career-and just may help explain her long silence.Foreword by musician Jill Sobule.

    This new edition has been updated by his friend and former Rolling Stone comrade Mitch Glazer and includes an epilogue about the memorial concerts for Timothy that James Taylor helped organize.