It is a profound and powerful look at a totalitarian state which comes to inhabit every aspect of life; to the extent that everyone, even the most strongest, must either bend to the oppressors, or resist them and perish.

    This Penguin Classics edition contains an afterword by Geoff Wilkes, as well as facsimiles of the original Gestapo file which inspired the novel. Berlin, 1940, and the city is filled with fear. At the house on 55 Jablonski Strasse, its various occupants try to live under Nazi rule in their different ways: the bullying Hitler loyalists the Persickes, the retired judge Fromm and the unassuming couple Otto and Anna Quangel. Then the Quangels receive the news that their beloved son has been killed fighting in France. Shocked out of their quiet existence, they begin a silent campaign of defiance, and a deadly game of cat and mouse develops between the Quangels and the ambitious Gestapo inspector Escherich. When petty criminals Kluge and Borkhausen also become involved, deception, betrayal and murder ensue, tightening the noose around the Quangels' necks ... If you enjoyed Alone in Berlin, you might like John Steinbeck's The Moon is Down, also available in Penguin Modern Classics. 'One of the most extraordinary and compelling novels written about World War II. Ever' Alan Furst 'Terrific ... a fast-moving, important and astutely deadpan thriller' Irish Times 'An unrivalled and vivid portrait of life in wartime Berlin' Philip Kerr 'To read Fallada's testament to the darkest years of the 20th century is to be accompanied by a wise, somber ghost who grips your shoulder and whispers into your ear: "This is how it was. This is what happened"' The New York Times

    His epigrammatic and, above all, discomforting monologue gradually saps, then undermines, the reader's own complacency.

    He is also known to be paranoid, spendthrift, and wayward. In sixteenth-century Prague, seat of Christendom, he rules without the ongoing assistance of the Jewish financier Mordechai Meisl.In the ghetto, the Great Rabbi and mystic seer guides his people in the uneasy cohabitation of Jew and Christian. Meanwhile, under Rudolph’s imprimatur, Meisl becomes fabulously wealthy with a hand in transactions across Europe. But his beautiful wife, Esther, also forms a unique bond with Rudolf II . . .By night under the stone bridge, she and the emperor entwine in their dreams under the guise of a white rosemary bush and a red rose. Only by severing the two plants can the Great Rabbi break the spell of forbidden love and deliver the city from the wrath of God.In this “tantalizing blend of the occult and the laughable, of chaos and divine order,” Perutz brings Old Prague to life with a cast of characters ranging from alchemists to the angel Asael, and including the likes of Johannes Kepler and the outlaw prince Wallenstein (The New York Times Book Review).

    But so profound is this evening between them that when Unn inexplicably disappears, Siss's world is shattered. The Ice Palace is written in prose of a lyrical economy that ranks among the most memorable achievements of modern literature.

    Juan knows little of the interior life of his father Ranz; but when Juan marries, he begins to consider the past anew, and begins to ponder what he doesn't really want to know. Secrecy—its possible convenience, its price, and even its civility—hovers throughout the novel. A Heart So White becomes a sort of anti-detective story of human nature. Intrigue; the sins of the father; the fraudulent and the genuine; marriage and strange repetitions of violence: Marías elegantly sends shafts of inquisitory light into the shadows and on to the costs of ambivalence. ("My hands are of your colour; but I shame/To wear a heart so white"—Shakespeare's Macbeth.)

    Soon Siggi is stealing the paintings to keep them safe from his father. Against the great brooding northern landscape. Siggi recounts the clash of father and son, of duty and personal loyalty, in wartime Germany. “I was trying to find out,” Lenz says, "where the joys of duty could lead a people"

    It is this loss of faith, together with his vulnerability and disequilibrium, his pronounced sense of evil, his desperate challenge to established values and beliefs, that carries Kleist more forcefully than Goethe or Schiller across the gap between the eighteenth century and today.

    After deciding the wrong man has been arrested for the crime, the detective lays a trap for the real killer—with all the patience of a master fisherman. But cruel turns of plot conspire to make him pay dearly for his pledge. Here Friedrich Dürrenmatt conveys his brilliant ear for dialogue and a devastating sense of timing and suspense. Joel Agee’s skilled translation effectively captures the various voices in the original, as well as its chilling conclusion.One of Dürrenmatt’s most diabolically imagined and constructed novels, The Pledge was adapted for the screen in 2000 in a film directed by Sean Penn and starring Jack Nicholson.

    In it, Marguerite Yourcenar reimagines the Emperor Hadrian's arduous boyhood, his triumphs and reversals, and finally, as emperor, his gradual reordering of a war-torn world, writing with the imaginative insight of a great writer of the twentieth century while crafting a prose style as elegant and precise as those of the Latin stylists of Hadrian's own era.

    The amour between Fred Peloux, the beautiful gigolo known as Chéri, and the courtesan Léa de Lonval tenderly depicts the devotion that stems from desire, and is an honest account of the most human preoccupations of youth and middle age. With compassionate insight Colette paints a full-length double portrait using an impressionistic style all her own."A wonderful subject [treated with] intelligence, mastery, and understanding of the least-admitted secrets of the flesh." ― André Gide

    Nabokov's protagonist, Smurov, is a lovelorn, excruciatingly self-conscious Russian émigré living in pre-war Berlin, who takes his own life after being humiliated by a jealous husband, only to suffer even greater indignities in the afterlife.

    The first draft was written while Genet was incarcerated in a French prison; when the manuscript was discovered and destroyed by officials, Genet, still a prisoner, immediately set about writing it again. It isn't difficult to understand how and why Genet was able to reproduce the novel under such circumstances, because Our Lady Of The Flowers is nothing less than a mythic recreation of Genet's past and then - present history. Combining memories with facts, fantasies, speculations, irrational dreams, tender emotion, empathy, and philosophical insights, Genet probably made his isolation bearable by retreating into a world not only of his own making, but one which he had total control over.

    Stripped of any preciousness or sentimentality, Natalia Ginzburg’s writing here is white-hot, tempered by rage. She transforms the unhappy tale of an ordinary dull marriage into a rich psychological thriller that seems to beg the question: why don’t more wives kill their husbands?

    In The Captive, Proust’s narrator describes living in his mother’s Paris apartment with his lover, Albertine, and subsequently falling out of love with her. In The Fugitive, the narrator loses Albertine forever. Rich with irony, The Captive and The Fugitive inspire meditations on desire, sexual love, music, and the art of introspection. For this authoritative English-language edition, D. J. Enright has revised the late Terence Kilmartin’s acclaimed reworking of C. K. Scott Moncrieff’s translation to take into account the new definitive French editions of Á la recherché du temps perdu (the final volume of these new editions was published by the Bibliothèque de la Pléiade in 1989).