Paul Muldoon, the distinguished poet and international literary eminence, has selected -- from a pool of several thousand published candidates -- the top seventy-five poems of the year. With insightful comments from the poets illuminating their work, and series editor David Lehman's perspicacious foreword, The Best American Poetry 2005 is indispensable for every poetry enthusiast.

    This extended satiric poem assesses the growing economic, political, and familial constraints of late 18th-century Catholic Ireland under British colonial rule, while subversively playing on the tradition of the aisling (or vision) poem in which a beautiful woman represents Ireland’s threatened sovereignty.At the beginning of The Midnight Court, a dreadful female envoy from the fairies appears in a dream to the unmarried poet. She summons him before the court of Queen Aoibheall in order to answer charges of wasting his manhood while women are dying for want of love. He listens to complaints that vary from the celibacy of the clergy to marriages performed between old and young for purely economic reasons. In all their bawdy tales, the female courtiers praise fertility, as well as sexual fulfillment, and condemn the conventions of the day. At last the Queen pronounces judgment on the poet, who awakens as he is being severely chastised by all of the women of the court.While containing many insights into 18th-century social conditions, The Midnight Court is also an exuberant, even jaunty work of the comic imagination. As the translator Ciaran Carson states in his foreword: “The protagonists of the ‘Court,’ including ‘Merriman’ himself, are ghosts, summoned into being by language; they are figments of the imagination. In the ‘Court’ the language itself is continually interrogated and Merriman is the great illusionist, continually spiriting words into another dimension.”

    The literature is chronologically arranged by genre and supported by informative and concise editorial matter, including a complete guide to writing about literature at the back of the book. This volume in Bedford/St. Martin’s popular series of Portable Anthologies and Guides offers the series’ trademark combination of high quality and great value.

    This volume includes the complete texts of fourteen plays by the leading Irish playwrights: W. B. Yeats, Lady Gregory, J. M. Synge, Bernard Shaw, Sean O'Casey, Samuel Beckett, Brian Friel, Conor McPherson, and Marina Carr. The plays are accompanied by John P. Harrington's introduction and by his detailed explanatory annotations.For ease of reference, "Backgrounds and Criticism" is chronologically organized by playwright and includes prefaces, letters, journal entries, program notes, and interpretive essays for each play in the volume. In addition, essays by Lady Gregory, John Eglinton, W. B. Yeats, Frank J. Fay, and Colm Tóibín provide an overview of the Irish dramatic literary revival. Finally, the present and future state of theater in Ireland is considered in essays by Victor Merriman, Mary Trotter, Lionel Pilkington, and Joan Fitz-Patrick Dean.A Chronology and Selected Bibliography are also included.Each Norton Critical Edition includes an authoritative text, contextual and source materials, and a wide range of interpretations-from contemporary perspectives to the most current critical theory-as well as a bibliography and, in many cases, a chronology of the author's life and work.

    A novel of family, love, and learning to be kind to yourself by award-winning, bestselling Irish author, Aimee Alexander. Grace Sullivan flees Dublin with her two teenage children, Jack and Holly, returning to the sleepy West Cork village where she grew up. No one in Killrowan knows what Grace is running from - or that she's even running. She'd like to keep it that way. Taking over from her father, Des, as the village doctor offers a real chance for Grace to begin again. But will she and the family adapt to life in a small rural community? Will the villagers accept an outsider as their GP? Will Grace live up to the doctor that her father was? And will she find the inner strength to face the past when it comes calling? Season of Second Chances is a heart-warming story of friendship, love and finding the inner strength to face a future that may bring back the past. Perfect for fans of Call The Midwives, The Durrells, Doc Martin and All Creatures Great and Small. The villagers of Killrowan will steal into your heart and make you want to stay with them forever.

    Full of wry humour, Kavanagh's unsentimental and evocative account of his Irish rural upbringing describes a patriarchal society surviving on the edge of poverty, sustained by the land and an insatiable love of gossip. There are tales of schoolboy skirmishes, blackberrying and night-time salmon-poaching; of country-weddings and fairs, of political banditry and religious pilgrimages; and of farm-work in the fields and kicking mares.

    Warren is a madam, proprietress of a string of successful brothels. Her daughter, Vivie, is a modern young woman, but not so modern that she's not shocked to discover the source of her mother's wealth. The clash of these two strong-willed, but culturally constrained Victorian women, is the spark that ignites the ironic wit of one of George Bernard Shaw's greatest plays, in a withering critique of male domination, sexual hypocrisy, and societal convention. Initially banned after its 1893 publication due to its startling frankness, Mrs. Warren's Profession remains a powerful work of progressive theater.

    edition. British publication by Hart-Davis, McGibbon Ltd ('76).-- A companion to The Best of Myles, Further Cuttings culls more scathing selections from "Cruiskeen Lawn", Flann O'Brien's column in the Irish Times written under the pseudonym Myles na Gopaleen.-- This volume covers the years 1947-1957 and finds O'Brien's alter ego clashing with the law on numerous charges, including larceny, using bad language, and marrying without the consent of his parents. It also includes several bizarre obituaries, witty criticisms of George Bernard Shaw, Sean O' Faolain, and other literary figures, the return of the preposterous "Brother", and the first article ever ascribed to Myles (published in 1940).

    Not so much a stream of consciousness, as an unconscious railing against a life that makes little sense, and a shocking and intimate insight into the thoughts, feelings and chaotic sexuality of a vulnerable and isolated protagonist. To read A Girl Is A Half-Formed Thing is to plunge inside its narrator's head, experiencing her world first-hand. This isn't always comfortable - but it is always a revelation.Touching on everything from family violence to sexuality and the personal struggle to remain intact in times of intense trauma, McBride writes with singular intensity, acute sensitivity and mordant wit. A Girl is a Half-formed Thing is moving, funny – and alarming. It is a book you will never forget.

    Included in this volume is the work from Eavan Boland's five early volumes of poetry: New Territory, The War Horse, In Her Own Image, Night Feed, and The Journey.The poems from Boland's first book, New Territory, show her to be, at twenty-two, a master of formal verse reflecting Irish history and myth. This collection charts the ways in which Boland's work breaks from poetic tradition, honors it, and reinvents it. Poems like "Anorexic," "Mastectomy," and "Witching" have an intensity reminiscent of Sylvia Plath and Anne Sexton. In later poems, her subjects become more personal, sequencing Boland's life as a woman, poet, and mother. Boland writes, "I grew to understand the Irish poetic tradition only when I went into exile with it," becoming, in effect, "a displaced person / in a pastoral chaos."This collection demonstrates how Boland's mature voice developed from the poetics of inner exile into a subtle, flexible idiom uniquely her own.

    With these metaphors in place, he makes clear his difficult poetic task: to delve into the past, both personal and historic, while remaining ever mindful of the potentially fatal power of language.Born and raised in Northern Ireland, where any hint of Gaelic tradition in one's speech was considered a political act, Heaney is all too aware of the dire consequences of speaking one's mind. Indeed, during times of crisis, he has been expected to appear on television and dispense political wisdom. Most often, however, he stays out of the fray and opts for a supreme sense of empathy to guide his words. As excavator--of earth, of his beloved Gaelic, of his own life--Heaney is unmatched. In "Bone Dreams", the archaeologist's task is synonymous with reaching for a cultural past: I push back through dictions, Elizabethan canopies, Norman devices, the erotic mayflowers of Provence and the ivied Latins of churchmen to the scop's twang, the iron flash of consonants cleaving the line.And in early poems like "Blackberry Picking", Heaney's images--deftly, delightfully--carry us back to childhood fields: At first, just one, a glossy purple clot Among others, red, green, hard as a knot. You ate that first one and its flesh was sweet Like thickened wine: summer's blood was in it Leaving stains upon the tongue and lust for Picking. Then red ones inked up and that hunger Sent us out with milk cans, pea tins, jam pots Where briars scratched and wet grass bleached our boots. Round hayfields, cornfields and potato drills We trekked and picked until the cans were full... Opened Ground is a pleasure and a triumph. These three decades of work confirm Heaney as one of the most important poets of his time. --Martha Silano

    He is "singular among his peers in his ability to convey with a deceptive lightness the paradoxes of human emotion," says Publishers Weekly, and Robert Hass, in the Washington Post Book World, takes special note of Lux's "bitter wit, the kind of irony that comes with a quick, impatient intelligence."

    In this stunningly unusual prose debut, Doireann Ni Ghriofa sculpts essay and autofiction to explore inner life and the deep connection felt between two writers centuries apart. In the 1700s, an Irish noblewoman, on discovering her husband has been murdered, drinks handfuls of his blood and composes an extraordinary poem. In the present day, a young mother narrowly avoids tragedy. On encountering the poem, she becomes obsessed with its parallels with her own life, and sets out to track down the rest of the story. A devastating and timeless tale about one woman freeing her voice by reaching into the past and finding another's.

    McGahern's short stories equal his finest novels, reflecting both the richness of the ordinary, and the extraordinary, in the lives of a variety of individuals: the jilted lover waiting with would-be writers in a Dublin pub on a summer evening; the bitter climax between a father and son as a marriage begins; the fortunes and misfortunes of the Kirkwood family; and many more.For this revised edition, completed shortly before his death, John McGahern edited and deleted a number of stories from the Collected Stories that first appeared in 1992. This is the authorised edition of a modern classic.

    Gulliver’s Travels is, of course, his world renowned masterpiece in the genre; however, Swift wrote other, shorter works that also offer excellent evidence of his inspired lampoonery. Perhaps the most famous of these is A Modest Proposal, in which he straight-facedly suggests that Ireland could solve its hunger problems by using its children for food. Also included in this collection are The Battle of Books, A Meditation upon a Broomstick, A Discourse Concerning the Mechanical Operations of the Spirit and An Argument Against Abolishing Christianity in England.This inexpensive edition will certainly be welcomed by teachers and students of English literature, but its appeal extends to any reader who delights in watching a master satirist wield words as weapons.