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    By focusing on a single year not overshadowed by an epochal event, 428 AD provides a truly fresh look at a civilization in the midst of enormous change--as Christianity takes hold in rural areas across the empire, as western Roman provinces fall away from those in the Byzantine east, and as power shifts from Rome to Constantinople. Taking readers on a journey through the region, Giusto Traina describes the empires' people, places, and events in all their simultaneous richness and variety. The result is an original snapshot of a fraying Roman world on the edge of the medieval era. The result is an original snapshot of a fraying Roman world on the edge of the medieval era. Readers meet many important figures, including the Roman general Flavius Dionysius as he encounters a delegation from Persia after the Sassanids annex Armenia; the Christian ascetic Simeon Stylites as he stands and preaches atop his column near Antioch; the eastern Roman emperor Theodosius II as he prepares to commission his legal code; and Genseric as he is elected king of the Vandals and begins to turn his people into a formidable power. We are also introduced to Pulcheria, the powerful sister of Theodosius, and Galla Placidia, the queen mother of the western empire, as well as Augustine, Pope Celestine I, and nine-year-old Roman emperor Valentinian III. Full of telling details, 428 AD illustrates the uneven march of history. As the west unravels, the east remains intact. As Christianity spreads, pagan ideas and schools persist. And, despite the presence of the forces that will eventually tear the classical world apart, Rome remains at the center, exerting a powerful unifying force over disparate peoples stretched across the Mediterranean.

    It is one of the great wellsprings of Western religious, ethical, and philosophical traditions. It has been an endless source of inspiration to artists, from classic works such as Michaelangelo's Last Judgment, Handel's Messiah, or Milton's Paradise Lost, to modern works such as Thomas Mann's Joseph and His Brothers or Martin Scorsese's controversial Last Temptation of Christ. For countless generations, it has been a comfort in suffering, a place to reflect on the mysteries of birth, death, and immortality. Its stories and characters are an integral part of the repertoire of every educated adult, forming an enduring bond that spans thousands of years and embraces a vast community of believers and nonbelievers.The Oxford Companion to the Bible provides an authoritative one-volume reference to the people, places, events, books, institutions, religious belief, and secular influence of the Bible. Written by more than 250 scholars from some 20 nations and embracing a wide variety of perspectives, the Companion offers over seven hundred entries, ranging from brief identifications--who is Dives? where is Pisgah?--to extensive interpretive essays on topics such as the influence of the Bible on music or law.Ranging far beyond the scope of a traditional Bible dictionary, the Companion features, in addition to its many informative, factual entries, an abundance of interpretive essays. Here are extended entries on religious concepts from immortality, sin, and grace, to baptism, ethics, and the Holy Spirit. The contributors also explore biblical views of modern issues such as homosexuality, marriage, and anti-Semitism, and the impact of the Bible on the secular world (including a four-part article on the Bible's influence on literature).Of course, the Companion can also serve as a handy reference, the first place to turn to find factual information on the Bible. Readers will find fascinating, informative articles on all the books of the Bible--including the Apocrypha and many other ancient texts, such as the Dead Sea Scrolls, Pseudepigrapha, and the Mishrah. Virtually every figure who walked across the biblical stage is identified here, ranging from Rebekah, Rachel, and Mary, to Joseph, Barabbas, and Jesus. The Companion also offers entries that shed light on daily life in ancient Israel and the earliest Christian communities, with fascinating articles on feasts and festivals, clothing, medicine, units of time, houses, and furniture. Finally, there are twenty-eight pages of full-color maps, providing an accurate, detailed portrait of the biblical world.A vast compendium of information related to scriptures, here is an ideal complement to the Bible, an essential volume for every home and library, the first place to turn for information on the central book of Western culture.

    Archaeological excavations reveal numerous local and family shrines, where sacrifices and other rituals were carried out. Intrigued by this folk religion in all its variety and vitality, Dever writes about ordinary people in ancient Israel and their everyday religious lives. Did God Have a Wife? shines new light on the presence and influence of women's cults in early Israel and their implications for our understanding of Israel's official Book religion. Dever pays particular attention to the goddess Asherah, reviled by the authors of the Hebrew Bible as a foreign deity but, in the view of many modern scholars, popularly envisioned in early Israel as the consort of biblical Yahweh. His work also gives new prominence to women as the custodians of Israel's folk religion. fascinating study critically reviews virtually all of the archaeological literature of the past generation, while also bringing fresh evidence to the table. Though Dever digs deep into the past, his discussion is extensively illustrated, unencumbered by footnotes, and vivid with colourful insights. Meant for professional and general audiences alike, Did God Have a Wife? is sure to spur wide and passionate debate.

    Felski argues that critique is a sensibility best captured by Paul Ricoeur’s phrase “the hermeneutics of suspicion.” She shows how this suspicion toward texts forecloses many potential readings while providing no guarantee of rigorous or radical thought. Instead, she suggests, literary scholars should try what she calls “postcritical reading”: rather than looking behind a text for hidden causes and motives, literary scholars should place themselves in front of it and reflect on what it suggests and makes possible. By bringing critique down to earth and exploring new modes of interpretation, The Limits of Critique offers a fresh approach to the relationship between artistic works and the social world.

    K. Rowling's Harry Potter series. But how should Christians approach modern works of fantasy, especially debated points such as magic and witches?From Homer to Harry Potter provides the historical background readers need to understand this timeless genre. It explores the influence of biblical narrative, Greek mythology, and Arthurian legend on modern fantasy and reveals how the fantastic offers profound insights into truth. The authors draw from a Christian viewpoint informed by C. S. Lewis and J. R. R. Tolkien to assess modern authors such as Philip Pullman, Walter Wangerin, and J. K. Rowling. This accessible book guides undergraduate students, pastors, and lay readers to a more astute and rewarding reading of all fantasy literature.

    Burroughs was the patron saint and Prince of Darkness of the Beats of the 1950s. His ground-breaking avant-garde masterpiece NAKED LUNCH shocked the literary world with its graphic descriptions of drug abuse and sexual perversion—and resulted in a landmark Supreme Court ruling on obscenity. Pulitzer Prize-winning author Tim Morgan's biography of Burroughs captures one of the most lionized artist/criminals of our times—a violent, reckless genius whose history is as bizarre as his fiction. A rebel—hero, Burroughs symbolized the anti—authoritarian cause for three generations of the young and disillusioned—exploring the murkiest depths of human terror and degradation in his art—and in his life. Literary Outlaw is a wild ride through the life of a man who became an icon for the counterculture and whose perverse and decadent life mirrors his remarkable art.

    Garbage time is running out.Can what is playing you make it to Level 2?Fanged Noumena assembles for the first time the writings of Nick Land, variously described as 'rabid nihilism', 'Deleuzian Thatcherism', 'accelerationism', and 'cybergothic'. Wielding weaponised, machinically-recombined versions of Deleuze and Guattari, Reich and Freud, in the company of fellow 'werewolves' such as Nietzsche, Bataille, Artaud, Trakl, and Cioran, to a cut-up soundtrack of Bladerunner, Terminator, and Apocalypse Now, Land plotted a rigorously schizophrenic escape route out of academic philosophy, and declared all-out war on the Human Security System. Despite his 'disappearance', Land's output has been a crucial underground influence both on recent Speculative Realist thought, and on artists, writers, musicians, and filmmakers invigorated by his uncompromising and abrasive philosophical vision.Beginning with Land's radical rereadings of Heidegger, Nietzsche, and Kant, and ending with Professor Barker's cosmic theory of geo-trauma and neo-qabbalistic attempts to formulate a numerical anti-language, Fanged Noumena rescues from obscurity papers, talks and articles some of which have never previously appeared in print. Long the subject of rumour and vague legend, Land's turbulent post-genre theory-fictions of cybercapitalist meltdown smear cyberpunk, philosophy, arithmetic, poetics, cryptography, anthropology, grammatology, and the occult into unrecognisable and gripping hybrids.Fanged Noumena is a dizzying trip through Land's rigorous, incisive, and provocative work, establishing it as an indispensable resource for radically inhuman thought in the twenty-first century.

    Many Christians see the books as largely if not entirely harmless. Others regard them as dangerous and misleading. In his book A Landscape with Dragons, Harry Potter critic Michael O'Brien examines contemporary children's literature and finds it spiritually and morally wanting. His analysis, written before the rise of the popular Potter books and films, anticipates many of the problems Harry Potter critics point to. A Landscape with Dragons is a controversial, yet thoughtful study of what millions of young people are reading and the possible impact such reading may have on them. In this study of the pagan invasion of children's culture, O'Brien, the father of six, describes his own coming to terms with the effect it has had on his family and on most families in Western society. His analysis of the degeneration of books, films, and videos for the young is incisive and detailed. Yet his approach is not simply critical, for he suggests a number of remedies, including several tools of discernment for parents and teachers in assessing the moral content and spiritual impact of this insidious revolution. In doing so, he points the way to rediscovery of time-tested sources, and to new developments in Christian culture.If you have ever wondered why a certain children's book or film made you feel uneasy, but you couldn't figure out why, this book is just what you need. This completely revised, much expanded second edition also includes a very substantial recommended reading list of over 1,000 books for kindergarten through highschool.

    The course as a whole is the evolution of story telling; it explores cross-cultural themes, techniques, and modes of representation over nearly 5000 years of history.Course Lecture Titles, 48 Lectures, 30 minutes / lecture1. Stories and Storytellers 2. The Epic of Gilgamesh3. The Hebrew Bible 4. Homer's Iliad 5. Homer's Odyssey 6. Chinese Classical Literature7. Greek Tragedy 8. Virgil's Aeneid 9. Bhagavad Gita 10. The New Testament11. Beowulf 12. Indian Stories 13. T'ang Poetry 14. Early Japanese Poetry15. The Tale of Genji 16. Inferno, from Dante's Divine Comedy17. Chaucer's The Canterbury Tales18. 1001 Nights 19. Wu Ch'eng-en's Monkey20. The Heptameron 21. Shakespeare 22. Cervantes's Don Quixote23. Molière's Plays24. Voltaire's Candide 25. Cao Xueqin's The Story of the Stone 26. Goethe's Faust 27. Emily Brontë's Wuthering Heights 28. Pushkin's Eugene Onegin 29. Flaubert's Madame Bovary30. Dostoevsky's Notes from Underground 31. Twain's Huckleberry Finn 32. Dickinson's Poetry 33. Ibsen and Chekhov—Realist Drama 34. Rabindranath Tagore's Stories and Poems 35. Higuchi Ichiyō's "Child's Play" 36. Proust's Remembrance of Things Past 37. Joyce's Dubliners 38. Kafka's "The Metamorphosis"39. Pirandello's Six Characters 40. Brecht's The Good Woman of Setzuan 41. Anna Akhmatova's Requiem 42. Kawabata Yasunari's Snow Country 43. Faulkner—Two Stories and a Novel 44. Naguib Mahfouz's The Cairo Trilogy 45. Achebe's Things Fall Apart 46. Beckett's Plays 47. Borges's Labyrinths 48. Rushdie's Haroun and the Sea of Stories

    Said shows how the approaching death of an artist can make its way into his work, examining essays, poems, novels, films, and operas by such artists as Beethoven, Genet, Mozart, Lampedusa, Euripides, Cavafy, and Mann, among others. He uncovers the conflicts and complexity that often distinguish artistic lateness, resulting in works that stood in direct contrast to what was popular at the time and were forerunners of what was to come in each artist's discipline-works of true genius. Eloquent and impassioned, brilliantly reasoned and revelatory, On Late Style is Edward Said's own great last work.

    F. C. Fuller, a pioneer of mechanized warfare in Great Britain, was one of this century's most renowned military strategists and historians. In this magisterial work he spans military history from the Greeks to the end of World War II, describing tactics, battle lines, the day-to-day struggles while always relating affairs on the field to the larger questions of social, political, and economic change in Western civilization. A masterpiece of scholarship and biting prose, these volumes are available for the first time in a handsome trade paperback edition. This first volume includes the rise of imperialism, the major battles, and the political and social changes from Greece, Rome, the Carolingian Empire, Byzantium, the siege and fall of Constantinople in 1453, to the rise of the Spanish and Ottoman Empires and the Battle of Lepanto in 1571.

    The result is a nuanced portrayal of a multifarious western world that was sharply divided between its northern and southern aspects. By also integrating the histories of the Islamic and Byzantine world into the main narrative, the text brings new life to the continuum of interaction--social, cultural, and intellectual, as well as commercial--that existed among all three societies. In addition, it describes ways in which the medieval Latin West attempted to understand the unified and rational structure of the human cosmos, which they believed existed beneath the observable diversity and disorder of the world. This effort to re-create a human ordering of unity through diversity provides an essential key to understanding medieval Europe and the ways in which it regarded and reacted to the worlds around it. The Worlds of Medieval Europe is an ideal text for undergraduate courses in medieval history, Western civilization, the history of Christianity, and Muslim-Christian relations. It also serves as an excellent supplement for courses on the history of a specific country in the medieval period, the history of medieval art, or the history of the European economy.

    Nowadays, it is widely argued that Israel’s religion mirrors that of other West Semitic societies. What accounts for this radical change, and what are its implications for our understanding of the Old Testament?Dr. John N. Oswalt says the root of this new attitude lies in Western society’s hostility to the idea of revelation, which presupposes a reality that transcends the world of the senses, asserting the existence of a realm humans cannot control.While not advocating a “the Bible says it, and I believe it, and that settles it” point of view, Oswalt asserts convincingly that while other ancient literatures all see reality in essentially the same terms, the Bible differs radically on all the main points.The Bible Among the Myths supplies a necessary corrective to those who reject the Old Testament’s testimony about a transcendent God who breaks into time and space and reveals himself in and through human activity.

    Each book in this series is focused on one important story and lesson from the Bible. Timeless poetry and colorful illustrations make these books a favorite for both children and parents.You can read these books to your children. They can read them to you. They can read them on their own. You can read them together.In the carBefore bedIn a Sunday school classroomAt homeIn a church libraryAnywhereAny timeThrough it all, you and your precious children will be hiding God’s word in your hearts.