All these years later, her aged uncle continues to try to discover what happened to her. He hires Mikael Blomkvist, a journalist recently sidelined by a libel conviction, to investigate. Blomkvist is aided by the pierced and tattooed computer prodigy Lisbeth Salander. Together they tap into a vein of unfathomable iniquity and astonishing corruption on their way to discovering the truth of Harriet Vanger’s fate. The Girl Who Played with Fire Mikael Blomkvist, now the crusading publisher of the magazine Millennium, has decided to run a story that will expose an extensive sex trafficking operation. On the eve of its publication, the two reporters responsible for the article are murdered, and the fingerprints found on the murder weapon belong to his friend Lisbeth Salander. Blomkvist, convinced of Salander’s innocence, plunges into an investigation of the murders. Meanwhile, Salander herself is drawn into a murderous game of cat and mouse, which forces her to face her dark past. The Girl Who Kicked the Hornet's Nest Lisbeth Salander lies in critical condition, a bullet wound to her head, in the intensive care unit of a Swedish city hospital. She’s fighting for her life in more ways than one: if and when she recovers, she’ll be taken back to Stockholm to stand trial for three murders. With the help of Mikael Blomkvist, she will not only have to prove her innocence, but also identify and denounce those in authority who have allowed the vulnerable, like herself, to suffer abuse and violence. On her own, she will plot revenge—against the man who tried to kill her, and against the corrupt government institutions that very nearly destroyed her life.

    In order to hide, keep, and share the fortune, these ordinary men all agree to a simple plan.

    Each lotto number marking the age at which she dumped a tiresome lover. She doesn't know it yet, but the discarded men in JoLayne's life have finally amounted to something.

    When examined, each weapon leads to a different, previously unsolved murder. Someone has been killing people for twenty years or more and storing the weapons together for some inexplicable purpose. Confronted with the sudden emergence of hundreds of unsolved homicides, Tallow soon discovers that he's walked into a veritable deal with the devil. An unholy bargain that has made possible the rise of some of Manhattan's most prominent captains of industry. A hunter who performs his deadly acts as a sacrifice to the old gods of Manhattan, who may, quite simply, be the most prolific murderer in New York City's history.

    Bleak and oozing existential dread, The Thief is simply unforgettable. The Thief is a seasoned pickpocket. Anonymous in his tailored suit, he weaves in and out of Tokyo crowds, stealing wallets from strangers so smoothly sometimes he doesn’t even remember the snatch. Most people are just a blur to him, nameless faces from whom he chooses his victims. He has no family, no friends, no connections...But he does have a past, which finally catches up with him when Ishikawa, his first partner, reappears in his life, and offers him a job he can’t refuse. It’s an easy job: tie up an old rich man, steal the contents of the safe. No one gets hurt. Only the day after the job does he learn that the old man was a prominent politician, and that he was brutally killed after the robbery. And now the Thief is caught in a tangle even he might not be able to escape.

    Frank Bill delivers what is both a wake-up call and a gut punch. Welcome to heartland America circa right about now, when the union jobs and family farms that kept the white on the picket fences have given way to meth labs, backwoods gunrunners, and bare-knuckle brawling.Bill's people are pressed to the brink--and beyond. There is Scoot McCutchen, whose beloved wife falls terminally ill, leaving him with nothing to live for--which doesn't quite explain why he brutally murders her and her doctor and flees, or why, after years of running, he decides to turn himself in. In the title story, a man who has devolved from breeding hounds for hunting to training them for dog-fighting crosses paths with a Salvadoran gangbanger tasked with taking over the rural drug trade, but who mostly wants to grow old in peace. As Crimes in Sourthern Indiana unfolds, we witness the unspeakable, yet are compelled to find sympathy for the depraved.Bill's southern Indiana is haunted with the deep, authentic sense of place that recalls the best of Southern fiction, but the interconnected stories bristle with the urban energy of a Chuck Palahniuk or a latter-day Nelson Algren and rush with the slam-bang plotting of pulp-noir crime writing a la Jim Thompson. Bill's prose is gritty yet literary, shocking, and impossible to put down. A dark evocation of the survivalist spirit of the working class, this is a brilliant debut by an important new voice.

    That’s the mantra behind HR, Inc., an elite "placement agency" that doubles as a network of assassins-for-hire, taking down high-profile executives who wouldn't be able to remember an intern’s name if their lives depended on it.At the ripe old age of twenty-five, John Lago is already New York City’s most successful hit man. He’s also an intern at a prestigious Manhattan law firm, clocking eighty hours a week getting coffee, answering phones, and doing all the grunt work no one else wants to do. But he isn't trying to claw his way to the top of the corporate food chain. He was hired to assassinate one of the firm’s heavily guarded partners. His internship is the perfect cover, enabling him to gather intel and gain access in order to pull off a clean, untraceable hit.The Intern’s Handbook is John Lago's unofficial survival guide for new recruits at HR, Inc. (Rule #4: "Learn how to make the perfect cup of coffee: you make an exec the best coffee he’s ever had, and he will make sure you’re at his desk every morning for a repeat performance. That’s repetitive exposure, which begets access and trust. 44% of my kills came from my superior coffee-making abilities.")Part confessional, part how-to, the handbook chronicles John’s final assignment, a twisted thrill ride in which he is pitted against the toughest—and sexiest—adversary he’s ever faced: Alice, an FBI agent assigned to take down the same law partner he’s been assigned to kill.

     East Long Beach. The LAPD is barely keeping up with the neighborhood's high crime rate. Murders go unsolved, lost children unrecovered. But someone from the neighborhood has taken it upon himself to help solve the cases the police can't or won't touch. They call him IQ. He's a loner and a high school dropout, his unassuming nature disguising a relentless determination and a fierce intelligence. He charges his clients whatever they can afford, which might be a set of tires or a homemade casserole. To get by, he's forced to take on clients that can pay. This time, it's a rap mogul whose life is in danger. As Isaiah investigates, he encounters a vengeful ex-wife, a crew of notorious cutthroats, a monstrous attack dog, and a hit man who even other hit men say is a lunatic. The deeper Isaiah digs, the more far reaching and dangerous the case becomes.Winner of the Anthony, Macavity, and Shamus Awards

    In a last ditch effort to save the family, Anne plans an elaborate sailing vacation to bring everyone together once again. But only an hour out of port, everything is going wrong. The teenage daughter, Carrie, is planning to drown herself. The teenage son, Mark, is high on drugs and ten-year-old Ernie is nearly catatonic. This is the worst vacation ever.Anne manages to pull things together bit by bit, but just as they begin feeling like a family again, something catastrophic happens. Survival may be the least of their concerns. Written with the blistering pace and shocking twists that only James Patterson can master, Sail takes "Lost" and "Survivor" to a new level of terror.

    Nobody Move, which first appeared in the pages of Playboy, is the story of an assortment of lowlifes in Bakersfield, California, and their cat-and-mouse game over $2.3 million. Touched by echoes of Raymond Chandler and Dashiell Hammett, Nobody Move is at once an homage to and a variation on literary form. It salutes one of our most enduring and popular genres—the American crime novel—but with a grisly humor and outrageousness that are Denis Johnson’s own. Sexy, suspenseful, and above all entertaining, Nobody Move shows one of our greatest novelists at his versatile best.

    He’s also an ex-drug addict with a troubled past.He’s rewarded for his success. Power. Money. Respect. They’re all within reach.But a man like him won’t get to the top.Plagued by hallucinations and paranoia, Macbeth starts to unravel. He’s convinced he won’t get what is rightfully his. Unless he kills for it.

    At once knowing and unabashedly romantic, The Thin Man is a murder mystery that doubles as a sophisticated comedy of manners.

    But does that make her capable of a vicious murder? Fearing the worst, Work launches his own investigation, crossing paths with a power-hungry detective, a string of damning evidence, and the ugly rumors that swirl within his small, moneyed Southern town.Desperate for the redemption that has eluded him for so many years and stripped of everything he once valued, he fights to save his sister and clear his name--in this poignant and thrilling anatomy of a murder and its ripple effect within a family and a community.

    Two years earlier, Cody and three accomplices had been given suspended sentences for raping a Northern Cheyenne girl. Is someone seeking vengeance? Longmire faces one of the more volatile and challenging cases in his twenty-four years as sheriff and means to see that revenge, a dish that is best served cold, is never served at all.

    . . a hidden cache of coded clues . . . a story written by a phantom author . . . an unsolved murder in a gritty urban park-- all collide memorably in Emily Arsenault's magnificent debut, at once a teasing literary puzzle, an ingenious suspense novel, and an exploration of definitions: of words, of who we are, and of the stories we choose to define us. In the maze of cubicles at Samuelson Company, editors toil away in silence, studying the English language, poring over new expressions and freshly coined words-- all in preparation for the next new edition of the Samuelson Dictionary. Among them is editorial assistant Billy Webb, just out of college, struggling to stay awake and appear competent. But there are a few distractions. His intriguing coworker Mona Minot may or may not be flirting with him. And he's starting to sense something suspicious going on beneath this company's academic facade.Mona has just made a startling discovery: a trove of puzzling citations, all taken from the same book, The Broken Teaglass. Billy and Mona soon learn that no such book exists. And the quotations from it are far too long, twisting, and bizarre for any dictionary. They read like a confessional, coyly hinting at a hidden identity, a secret liaison, a crime. As Billy and Mona ransack the office files, a chilling story begins to emerge: a story about a lonely young woman, a long-unsolved mystery, a moment of shattering violence. And as they piece together its fragments, the puzzle begins to take on bigger personal meaning for both of them, compelling them to redefine their notions of themselves and each other.Charged with wit and intelligence, set against a sweetly cautious love story, The Broken Teaglass is a tale that will delight lovers of words, lovers of mysteries, and fans of smart, funny, brilliantly inventive fiction.