Here you'll find a number of places to eat and drink. Settle yourself in the window of one, shut your eyes, and picture this scene of yore ..." In this much-loved book, Robyn Annear resurrects the village that was early Melbourne - from the arrival of white settlers in 1835 until the first gold rushes shook the town - and brings it to life in vivid colour. Bearbrass was one of the local names by which Melbourne was known and Annear provides a fascinating living portrait of the streetlife of this town. In a lively and engaging style, she overlays her reinvention of Bearbrass with her own impressions and experiences of the modern city, enabling Melburnians and visitors to imagine the early township and remind themselves of the rich history that lies beneath today's modern metropolis. The original "Bearbrass" won the A.A. Phillips Award for Australian Studies in the 1995 Victorian Premier's Literary Awards. ..". [Annear] writes with an historian's eye for detail and a flair for ironic observation. An affectionate journey, rich in detail and character." - "The Age" Robyn Annear is an ex-typist who lives in country Victoria with somebody else's husband. She is the author of "A City Lost and Found, Bearbrass, Nothing But Gold, The Man Who Lost Himself," and "Fly a Rebel Flag." She has also written several pieces for "The Monthly" magazine.

    Linda Pastan writes, "the art that mattered / was the life led fully / stanza by swollen stanza." That life is portrayed here, from memories of the poet's earliest childhood and the ambiguities of marriage and love to the surprises that come with age, always with a consciousness of what is happening in the larger world.

    Individually, Jake Adam York’s poems are elegies for individuals; collectively, they consider the violence of a racist culture and the determination to resist that racism. York follows Sun Ra, a Birmingham jazz musician whose response to racial violence was to secede from planet Earth, considers the testimony in the trial of J. W. Milam and Roy Bryant for the murder of Emmet Till in 1955, and recreates events of Selma, Alabama, in 1965. Throughout the collection, an invasion of starlings images the racial hatred and bloodshed. While the 1950s spawned violence, the movement in the early 1960s transformed the language of brutality and turned the violence against the violent, says York. So, the starlings, first produced by violence, become instruments of resistance.York’s collection responds to and participates in recent movements to find and punish the perpetrators of the crimes that defined the civil rights movement. A Murmuration of Starlings participates in the search for justice, satisfaction, and closure.

    Explore the unique world of The Catcher in the Rye and JD Salinger

    The complete works of an extraordinary poet who consistently refines the notion of what constitutes an American sound.

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    The commentary will contain background on the poems or more deeply delve into themes or topics discussed in the poems themselves. The spiritual seeker as well as the mature in faith will both benefit from the poems.

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    In an overcrowded, underfunded medical system, she explores how more of us can be healthier, and how listening carefully to a patient’s experience can be as important as prescribing a pill. These dazzling essays show Hitchcock to be one of the most fearless and illuminating medical thinkers of our time – reasonable, insightful and deeply humane.

    For over twenty years, the National Poetry Series has discovered many new and emerging voices and has been instrumental in launching the careers of poets and writers such as Billy Collins, Mark Doty, Denis Johnson, Cole Swensen, Thylias Moss, Mark Levine, and Dionisio Martinez.

    Desperate for something solid to believe in, Capps still mistrusts authority, feeling disenchanted with God, family, eros, even her own impulsive self. And yet while the absence of faith hints at despair, these poems often achieve, almost inspite of themselves, an odd buoyancy. Playful, fearless, wary, there's a dazzling resilience in this book. One poem can make a grand and eccentric claim, "I forgive the afterlife," while another takes as its title something humbler and more poisonous, "God Bless Our Crop-Dusted Wedding Cake." No matter how adrift this poet may feel, poetry itself remains her anchor and lifeline.

    People living happy lives, some not-so-happy lives, people in love, hopeless romantics, people dealing with heartbreak, the ones who believe life is better with a bit of whimsy, this book, hopefully, has a little something that resonates with everybody, lets the reader find the silver lining when needed and discover the joie de vivre even when times are hard.

    He is also a prize-winning poet. Since he was first enthralled by the mysterious power of poetry, he has been a dedicated student. In fact, for him, poetry has been nothing less than the occupation of a lifetime, and in this book he presents a distillation of all he's learned about the art form that matters to him most.With his customary wit, delightfully lucid prose style and wide-ranging knowledge, James explains the difference between the innocuous stuff that often passes for poetry today and a real poem: the latter being a work of unity that insists on being heard entire and threatens never to leave the memory. A committed formalist and an astute commentator, he offers close and careful readings of individual poems and poets (from Shakespeare to Larkin, Keats to Pound), and in some case second readings or re-readings late in life - just to be sure he wasn't wrong the first time! Whether discussing technical details of metaphorical creativity or simply praising his five favourite collections of all time, he is never less than captivating.

    This former bank manager helped them transform three million dollars - stolen from bookies by a gang of robbers - into a rescue package for their dying town.But now the day of reckoning has come.The crims want the money.The cops want the money.A rogue insurance investigator wants the money.And so do Australia's two most notorious hit men.In trying to save his town, Lambert is forced to risk everything - his life, the lives of the town folk, his own daughter, ten thousand barramundi and a really lovable Jack Russell.

    Eliot, Elizabeth Bishop, John Ashbery -- and Jorie Graham. The New Yorker places Ms. Graham in this distinguished line of poets, heralding the Pulitzer Prize winner as a profound voice in American poetry. Now, in her eighth collection, she further enhances her reputation with a book-length sequence of verse that is a stunning work of grandeur.The New Republic writes, "for 'swarm,' in other words...read 'be born again.' Graham is writing about a spiritual turning point, a new beginning.... Beauty -- that is, the pure sense-perception which has long been a concern for Graham -- is no longer the most important criterion. Now goodness is...[and] the idea of submission, of obedience, without understanding: one must 'yield' before 'hearing the reason' for yielding."