If you have no idea what the liturgical calendar is, this still might be the book for you, if you are looking for ways to bring your faith home from Sunday Mass, in every season, all year long.Catholic blogger and mother of many, Kendra Tierney shares how her family incorporates traditional Catholic practices into today's family life throughout the Church year—from Advent and Christmas, through Lent and Easter, to Pentecost and beyond. She provides ideas for stories, decorations, activities, and foods that will help you to celebrate your Catholic faith with your family and friends without expertise or much advance planning. She also offers tips and tricks from her fifteen years in the Catholic mommy trenches on things like surviving bringing young children to Mass and saying a family Rosary.Whether you're a convert or a revert, an expert theologian or a brand-new Catholic, a member of a big family or a little one, a stay-at-home or a working parent, you're sure to find ways to make your Catholic faith a memorable and meaningful part of your busy family life.  And have fun doing it!

    Though he sees dark horizons, his ultimate answer is one of Christian hope.

    This popular introduction to praying the rosary draws readers closer to Jesus and Mary by placing the mysteries-including the new mysteries of light-in the context of Scripture. The book addresses commonly asked questions about Mary and the rosary and provides the biblical background for all twenty mysteries. It also includes a scriptural rosary that offers ten Bible texts suitable for meditation on each mystery. An appendix offers the complete text of Pope John Paul II's Apostolic Letter, Rosarium Virginis Mariae. A Servant Book.

    From Christ's holy response to each of the seven deadly sins that led to His Crucifixion, Bishop Sheen draws a lesson in how you and I must deal with those same sins, whether we meet them in others or in ourselves.

    (In fact, he says, in certain situations reading the book is the worst thing you could do). Using examples from such writers as Graham Greene, Oscar Wilde, Montaigne, and Umberto Eco, he describes the varieties of "non-reading"—from books that you've never heard of to books that you've read and forgotten—and offers advice on how to turn a sticky social situation into an occasion for creative brilliance. Practical, funny, and thought-provoking, How to Talk About Books You Haven't Read is in the end a love letter to books, offering a whole new perspective on how we read and absorb them. It's a book for book lovers everywhere to enjoy, ponder, and argue about—and perhaps even read.Pierre Bayard is a professor of French literature at the University of Paris VIII and a psychoanalyst. He is the author of Who Killed Roger Ackroyd? and of many other books. Jeffrey Mehlman is a professor of French at Boston University and the author of a number of books, including Emigré New York. He has translated works by Derrida, Lacan, Blanchot, and other authors.

    YouTube and Facebook dominate the web. In Reality Hunger: A Manifesto, his landmark new book, David Shields (author of the New York Times best seller The Thing About Life Is That One Day You’ll Be Dead) argues that our culture is obsessed with “reality” precisely because we experience hardly any.Most artistic movements are attempts to figure out a way to smuggle more of what the artist thinks is reality into the work of art. So, too, every artistic movement or moment needs a credo, from Horace’s Ars Poetica to Lars von Trier’s “Vow of Chastity.” Shields has written the ars poetica for a burgeoning group of interrelated but unconnected artists in a variety of forms and media who, living in an unbearably manufactured and artificial world, are striving to stay open to the possibility of randomness, accident, serendipity, spontaneity; actively courting reader/listener/viewer participation, artistic risk, emotional urgency; breaking larger and larger chunks of “reality” into their work; and, above all, seeking to erase any distinction between fiction and nonfiction.The questions Reality Hunger explores—the bending of form and genre, the lure and blur of the real—play out constantly all around us. Think of the now endless controversy surrounding the provenance and authenticity of the “real”: A Million Little Pieces, the Obama “Hope” poster, the sequel to The Catcher in the Rye, Robert Capa’s “The Falling Soldier” photograph, the boy who wasn’t in the balloon. Reality Hunger is a rigorous and radical attempt to reframe how we think about “truthiness,” literary license, quotation, appropriation.Drawing on myriad sources, Shields takes an audacious stance on issues that are being fought over now and will be fought over far into the future. People will either love or hate this book. Its converts will see it as a rallying cry; its detractors will view it as an occasion for defending the status quo. It is certain to be one of the most controversial and talked-about books of the year.

    Also featured are extensive annotations and commentaries on the date of composition, how Tolkien’s professional and early mythological writings influenced the story, the imaginary geography he created, and how he came to revise the book in the years after publication to accommodate events in The Lord of the Rings.

    The story’s focus is not on drama but on a bitter truth: both armies want nothing more than to stop fighting and go home. Achilles—the electrifying hero who is Homer’s brilliant creation—quarrels with his commander, Agamemnon, but eventually returns to the field to avenge a comrade’s death. Few warriors, in life or literature, have challenged their commanding officer and the rationale of the war they fought as fiercely as did Homer’s Achilles.Homer’s Iliad addresses the central questions defining the war experience of every age. Is a warrior ever justified in challenging his commander? Must he sacrifice his life for someone else’s cause? Giving his life for his country, does a man betray his family? Can death ever be compensated by glory? How is a catastrophic war ever allowed to start—and why, if all parties wish it over, can it not be ended?As she did in The Endurance and The Bounty, Caroline Alexander has taken apart a story we think we know and put it back together in a way that reveals what Homer really meant us to glean from his masterpiece. Written with the authority of a scholar and the vigor of a bestselling narrative historian, The War That Killed Achilles is a superb and utterly timely presentation of one of the timeless stories of our civilization.

    Christendom, according to Malcolm Muggeridge, is something quite different than Christianity. Christ said his kingdom was not of this world; Christendom, on the other hand, is of this world and, like every other human creation, subject to decay and eventual desolation. In this book, Muggeridge perceptively explores the downfall of Christendom, indicating some of the contributing factors to its collapse.

    This he achieved without the use of the stereotypes that characterized virtually all such productions in his day to the detriment of both sides of the question.Sir Nicholas is the rock-solid head of his household and a devout Catholic who helps renegade priests hide from her Majestys men; but across the way lives a Protestant minister with a suspicious eye.The reader will find himself traveling across the English countryside hunting for priests; the next minute witnessing the happenings at the Queens court. In the midst of all this exists the relationship between a young man and a young lady; one a Catholic, the other a Protestant.During the Protestant Reformation, Catholic families suffered persecutions of various types. Families were divided; fathers and sons were thrown into jail; priests were hunted down and killed; neighbor turned against neighbor. But through it all, the few priests that remained were able to sustain and convert many.The tale told in this book is one of suspense, deceit, loyalty, martyrdom, truth and conversion a perfect companion to Come Rack, Come Rope!

    She takes us from the Paleolithic period and the myths of the hunters right up to the “Great Western Transformation” of the last five hundred years and the discrediting of myth by science. The history of myth is the history of humanity, our stories and beliefs, our curiosity and attempts to understand the world, which link us to our ancestors and each other. Heralding a major series of retellings of international myths by authors from around the world, Armstrong’s characteristically insightful and eloquent book serves as a brilliant and thought-provoking introduction to myth in the broadest sense—and explains why if we dismiss it, we do so at our peril.

    The best known of numerous books by the British sage whom C.S. Lewis called the "wisest and best of my unofficial teachers," it draws on sources from mythology, philosophy, history, literature, theology, and science to chronicle the evolution of human thought from Moses and Aristotle to Galileo and Keats. Barfield urges his readers to do away with the assumption that the relationship between people and their environment is static. He dares us to end our exploitation of the natural world and to acknowledge, even revel in, our participation in the diurnal creative process.

    He lived at the time of the Renaissance, in the late 15th to early 16th centuries, a period of profound change, and a time when every European nation managed to go to war with another European nation. "The Complaint of Peace" grew from his reaction to his warlike times. His desire for peace permeates his work. Now, 500 years later, Peace's words still retain their relevance.

    Here Girard explores violence as it is represented and occurs throughout history, literature and myth. Girard's forceful and thought-provoking analyses of Biblical narrative, Greek tragedy and the lynchings and pogroms propagated by contemporary states illustrate his central argument that violence belongs to everyone and is at the heart of the sacred.

    He then describes the Church's developing self-awareness of its dual elements of the human and divine. Concerned with verifying the Church's claim to embody Christ, Giussani situates the locus of verification in human experience, arguing that a different type of life is born in those who try to live the life of the Church. Why the Church? is a seminal study that will engage both the scholar and the general reader.